Idris Khan: New Photographs

Fraenkel Gallery is pleased to present an exhibition of new photographs by the British artist Idris Khan. Khan is most recognized for his multi-layered photographs that draw from sources as wide-ranging as musical scores, literary texts, and the history of art and photography. While his photographs pay homage to the originals, something entirely new emerges in the process. Approximately thirteen new photographs will be on view.

Four Minutes and Thirty Three Seconds, 2012
digital c-type print mounted on aluminum, 73-1/2 x 120-7/8 inches (framed) [186.6 x 307 cm]

Khan has consistently mined the history of art and literature for inspiration and source material. In this new body of work, a simple documentary photograph—Cy Twombly’s own snapshot of an unfinished blackboard painting in his studio in the 1960s—is his point of departure. Inspired by this photograph, Khan built a large chalkboard in his studio and documented the process of creating his own images triggered by Twombly’s famous scrawls and scribbles. The resulting accretion of moments depicts both the nearly-readable marks, as well as their immediate erasure, superimposed upon each other in numerous layers.

Portrait (Working), 2012

In previous works, Khan has referenced the Bechers, Turner, Beethoven, and Rembrandt, among others; here he draws additional inspiration from John Cage, Agnes Martin, childhood poems, and ritual texts from the Islamic hajj. In recent years, sculpture and drawing have played a more pronounced role in his artistic practice as he blends homage and appropriation with his own mark-making.

One Evening, 2012
digital bromide print mounted on rag board, 39 x 31-3/4 inches (framed) [99.0 x 80.6 cm]

Idris Khan talks about his process making the compositions seen in New Photographs
Duration: 00:02:03 | Release Date: Aug 2013

Works on View

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