On View

Richard Learoyd

May 29–Aug 9, 2025

Featuring a collaboration with ceramicist Frances Palmer

A color image shows a bouquet of flowers in a white vase.

Deep Dive – Richard Learoyd

May 29–Aug 9, 2025

Two artists reimagine art history through photography, clay, and collaboration.

Black-and-white photograph of a glowing blank white screen against a water tower and city night skyline

| Film Festival

Fraenkel Film Festival

Jul 9–19, 2025

An artist-programmed film festival benefiting San Francisco’s Roxie Theater

Black and white photograph of a seated dog in the artists studio

Peter Hujar: Animals

To Hujar, who grew up on a farm, animals and people were of equal interest. His photographs of dogs, horses, and cows seem to convey a mutual recognition between photographer and subject, a sort of calm acknowledgement.

Black and white photograph of a dog up close in a studio — Peter Hujar, Face of a Dog [Clarissa Dalrymple’s Dog, Kirsten], 1984

pigment print, 19-7/8 x 15-7/8 inches (sheet) [50.5 x 40.3 cm]

Black and white photograph of three sheep on hill — Peter Hujar, Sheep, Pennsylvania, 1969 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a seated dog with a wrinkled face and coat — Peter Hujar, Will: Char-Pei (I), 1985 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a dark horse chewing on a wooden fencepost with a pasture in the background — Peter Hujar, Horse, Warwick, R.I., 1979

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a shaggy haired cow outdoors — Peter Hujar, Shaggy Cow (I), 1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a foal in a harness following its mother's tail — Peter Hujar, Colt with Mother, Italy, 1975

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of two cows with white faces standing sideways with their heads turned to the viewer — Peter Hujar, Butch and Buster, 1978 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter Hujar, Horse, West Virginia, 1969 / printed 2010

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter Hujar, Cat in Snow, Germantown, 1982

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a black dog — Peter Hujar, Clarissa Dalrymple’s Dog, Kirsten, 1984

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarBeauregard’s Dog Pilar

1983 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarSheep, Pennsylvania

1969 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarWill: Char-Pei (I)

1985 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarHorse, Warwick, R.I.

1979

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarShaggy Cow (I)

1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarColt with Mother, Italy

1975

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarButch and Buster

1978 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarHorse, West Virginia

1969 / printed 2010

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarCat in Snow, Germantown

1982

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarClarissa Dalrymple’s Dog, Kirsten

1984

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Color photograph of a mountain with half of the print in black and white with an illustration of the mountain top in the center

Richard T. Walker: Photographic Works

“Just as words within a sentence juggle for meaning to expose the fluidity of one’s perceived truth, I want to doubt landscape, but also remain true to the awe and fascination that it evokes.” —Richard T. Walker