Liz Deschenes: A Closer Look: FPS (120)
Jun 2–Aug 13, 2022
Considering the references and influences in one of the show’s highlights.
Robert Adams: Sea Stone
For more than 50 years, ever since his landmark photobook The New West, Robert Adams (born 1937) has numbered among America’s foremost modern photographers and chroniclers. Here, he returns to the landscape near his home on the Oregon coast…
$65.00
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In the Shop
Peter Hujar: Curated by Elton John
$65.00
Diane Arbus: Documents
$95.00
Robert Adams: A Parallel World
$35.00
Elisheva Biernoff: Starting From Wrong
$35.00
Featured Portfolios

Robert Adams: The New West
Robert Adams: The New West
In a seminal series of images representing the suburban Southwest, Adams shows the brutal squalor of suburban architecture and its effect on the landscape, as well as the hopeful aspects of nature that are beyond our impact.

Robert Adams, Alameda Avenue, Denver, 1971
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert Adams, Golden, Colorado, 1969
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert Adams, Clear Creek, near Idaho Springs, 1968-72
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert Adams, Along Interstate 25, 1970-72
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert Adams, Grazing Land with Pines, near Falcon, Colorado, 1968-72
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert Adams, Colorado Springs, Colorado, 1968-71
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert Adams, Basement for a tract house, Colorado Springs, 1969
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert AdamsAlameda Avenue, Denver
1971
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert AdamsGolden, Colorado
1969
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert AdamsClear Creek, near Idaho Springs
1968-72
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert AdamsAlong Interstate 25
1970-72
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert AdamsGrazing Land with Pines, near Falcon, Colorado
1968-72
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert AdamsColorado Springs, Colorado
1968-71
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert AdamsBasement for a tract house, Colorado Springs
1969
gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Mel Bochner: Paintings
Mel Bochner: Paintings
Often referencing humor and popular culture, Bochner’s paintings question the opaque meaning of language, transforming words into graphic arrangements and blurring the lines between looking and reading.

Mel Bochner, Obscene, 2018
oil on velvet, 20 x 13-3/4 inches [50.8 x 34.9 cm]

Mel Bochner, No, 2012
oil on velvet, 62-3/4 x 42-1/2 inches [159.4 x 108 cm]

Mel Bochner, Oh Well, 2018
oil on velvet, 41-3/4 x 30-3/4 inches [106 x 78.1cm]

Mel Bochner, $#!+, 2014
oil on velvet mounted on panel, 9 x 12 inches [22.9 x 30.5 cm]

Mel Bochner, Amazing, 2021
oil on velvet, 63 x 38-3/4 inches (painting) [160 x 98.4 cm]

Mel Bochner, Get Lost, 2014
enamel and acrylic on canvas, 60 x 45 inches (canvas) [152 x 114 cm]

Mel Bochner, Obvious, 2017
oil on velvet, 91-1/4 x 57-1/4 inches (canvas) [231.8 x 145.4 cm]

Mel BochnerObscene
2018
oil on velvet, 20 x 13-3/4 inches [50.8 x 34.9 cm]

Mel BochnerNo
2012
oil on velvet, 62-3/4 x 42-1/2 inches [159.4 x 108 cm]

Mel BochnerOh Well
2018
oil on velvet, 41-3/4 x 30-3/4 inches [106 x 78.1cm]

Mel Bochner$#!+
2014
oil on velvet mounted on panel, 9 x 12 inches [22.9 x 30.5 cm]

Mel BochnerGet Lost
2014
enamel and acrylic on canvas, 60 x 45 inches (canvas) [152 x 114 cm]

Mel BochnerObvious
2017
oil on velvet, 91-1/4 x 57-1/4 inches (canvas) [231.8 x 145.4 cm]