Portfolios

Robert Adams
Diane Arbus
Richard Avedon
Bernd & Hilla Becher
E.J. Bellocq
Elisheva Biernoff
Mel Bochner
Sophie Calle
Janet Cardiff & George Bures Miller
Lee Friedlander
Adam Fuss
Nan Goldin
Katy Grannan
Peter Hujar
Richard Learoyd
Helen Levitt
Christian Marclay
Ralph Eugene Meatyard
Wardell Milan
Richard Misrach
Eadweard Muybridge
Nicholas Nixon
Alec Soth
Hiroshi Sugimoto
Richard T. Walker
Carleton E. Watkins
Carrie Mae Weems
Garry Winogrand

Featured

A photograph of a young man lying on a bed, as seen through a partially open sliding door. Pink flowers on the left.

Alec Soth: I Know How Furiously Your Heart Is Beating

Taking its name from a line in Wallace Stevens’s poem “The Gray Room,” this body of work investigates the possibilities and limitations of what photographs can convey about the inner lives of their subjects. Intimate and quiet, the images reveal something otherwise unknowable about both the sitter and the photographer.

A photograph of an electronic organ, with sheet music turned to the song Little Red Corvette. — Alec Soth, Little Red Corvette. Minneapolis., 2018

pigment print, 23-1/2 x 29-5/8 inches (image & sheet) [59.7 x 75.2 cm], edition of 9

Color photograph of a woman dressed in yellow standing in an empty white room — Alec Soth, Yuko, Berlin., 2018

pigment print, 49-3/4 x 39-3/4 inches (image & sheet) [126.4 x 101 cm], edition of 9

A photograph of a painting against a faded, cracked wall. — Alec Soth, Painting. New Orleans., 2018

pigment print, 29-3/4 x 23-3/4 inches (image & sheet) [75.6 x 60.3 cm], edition of 9

Color photograph of two people reclining on a bed — Alec Soth, Sonya and Dombrovsky. Odessa., 2018

pigment print, 31-3/4 x 39-3/4 inches (image & sheet) [80.7 x 101 cm], edition of 9

Color photograph through a doorway of a brick walled garden with a table and chair — Alec Soth, Véronique’s View. Toulouse., 2018

pigment print, 31-3/4 x 39-3/4 inches (image & sheet) [80.7 x 101 cm], edition of 9

A framed photograph of a person in a chair in the corner of a room with transparent white curtains — Alec Soth, Keni. New Orleans., 2018

pigment print, 49-3/4 x 39-3/4 inches (image & sheet) [126.4 x 101 cm], edition of 9

Color photograph of a vase of tulips on an end table in the corner of a room — Alec Soth, Emily’s Flowers. Brooklyn., 2018

pigment print, 29-3/4 x 23-3/4 inches (image & sheet) [75.6 x 60.3 cm], edition of 9

A photograph of an elderly woman looking at herself in the mirror, with three reflections. — Alec Soth, Galina. Odessa., 2018

pigment print, 39-3/4 x 31-3/4 inches (image & sheet) [101 x 80.7 cm], edition of 9

Color photograph of a man standing in his underwear in a white bedroom with various wigs on the floor — Alec Soth, Leon. Berlin., 2018

pigment print, 31-3/4 x 39-3/4 inches (image & sheet) [80.7 x 101 cm], edition of 9

Color photograph through a window of flowering plants and rooftops beyond. — Alec Soth, Susanne’s View. London., 2018

pigment print, 39-3/4 x 31-3/4 inches (image & sheet) [101 x 80.7 cm], edition of 9

A photograph of a woman, blurred by movement, arranging stones in a circle on a table — Alec Soth, Simone. Los Angeles., 2017

pigment print, 23-3/4 x 29-3/4 inches (image & sheet) [60.3 x 75.6 cm], edition of 9

Color photograph through a doorway of two young women in long white dresses looking in. — Alec Soth, Leyla and Sabine. New Orleans., 2018

pigment print, 39-3/4 x 31-3/4 inches (image & sheet) [101 x 80.7 cm], edition of 9

Color photograph of a lamp standing in front of an oversized book of flower illustrations. — Alec Soth, Birds of America. Minneapolis., 2018

pigment print, 49-3/4 x 39-3/4 inches (image & sheet) [126.4 x 101 cm], edition of 9

Alec SothNick. Los Angeles.

2017

pigment print, 39-3/4 x 49-3/4 inches (image & sheet) [101 x 126.4 cm], edition of 9

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Alec SothLittle Red Corvette. Minneapolis.

2018

pigment print, 23-1/2 x 29-5/8 inches (image & sheet) [59.7 x 75.2 cm], edition of 9

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Alec SothYuko, Berlin.

2018

pigment print, 49-3/4 x 39-3/4 inches (image & sheet) [126.4 x 101 cm], edition of 9

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Alec SothPainting. New Orleans.

2018

pigment print, 29-3/4 x 23-3/4 inches (image & sheet) [75.6 x 60.3 cm], edition of 9

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Alec SothSonya and Dombrovsky. Odessa.

2018

pigment print, 31-3/4 x 39-3/4 inches (image & sheet) [80.7 x 101 cm], edition of 9

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Alec SothVéronique’s View. Toulouse.

2018

pigment print, 31-3/4 x 39-3/4 inches (image & sheet) [80.7 x 101 cm], edition of 9

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Alec SothKeni. New Orleans.

2018

pigment print, 49-3/4 x 39-3/4 inches (image & sheet) [126.4 x 101 cm], edition of 9

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Alec SothEmily’s Flowers. Brooklyn.

2018

pigment print, 29-3/4 x 23-3/4 inches (image & sheet) [75.6 x 60.3 cm], edition of 9

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Alec SothGalina. Odessa.

2018

pigment print, 39-3/4 x 31-3/4 inches (image & sheet) [101 x 80.7 cm], edition of 9

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Alec SothLeon. Berlin.

2018

pigment print, 31-3/4 x 39-3/4 inches (image & sheet) [80.7 x 101 cm], edition of 9

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Alec SothSusanne’s View. London.

2018

pigment print, 39-3/4 x 31-3/4 inches (image & sheet) [101 x 80.7 cm], edition of 9

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Alec SothSimone. Los Angeles.

2017

pigment print, 23-3/4 x 29-3/4 inches (image & sheet) [60.3 x 75.6 cm], edition of 9

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Alec SothLeyla and Sabine. New Orleans.

2018

pigment print, 39-3/4 x 31-3/4 inches (image & sheet) [101 x 80.7 cm], edition of 9

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Alec SothBirds of America. Minneapolis.

2018

pigment print, 49-3/4 x 39-3/4 inches (image & sheet) [126.4 x 101 cm], edition of 9

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Color photograph of train tracks receding into the horizon.

Richard Misrach: Desert Cantos

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Richard Misrach: Desert Cantos

Begun in 1979, this ongoing project explores the southwest American desert landscape, and the impact of our human presence. As the artist explains, “You look at landscape, but it’s not really landscape, it’s a symbol for our country, it’s a metaphor for our country.”

Color photograph of a beach with a mountain range on the horizon under a sky filled with long-exposure curved star-trails — Richard Misrach, Unnamed Playa (Exposure by Moonlight), 1994

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of scattered rocks and blocks across a road leading towards two pyramids on the horizon — Richard Misrach, Road Blockade and Pyramids, 1989

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

Color photograph of telephone poles, decrepit trailer homes, and vehicles partly submerged in still water — Richard Misrach, Submerged Trailer-Home, Salton Sea, 1985

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a road through a desert valley with mountains on the horizon — Richard Misrach, San Gorgonio Pass, 1981

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a rusted piece of metal sticking out of the ground at an angle in a bare field with two small buildings in the background — Richard Misrach, Aerial Target (“Dart”), Wendover Air Base, Utah, 1990

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

Color photograph of a low mountain range reflected in still water at sunset — Richard Misrach, Pyramid Lake (Orange), 1997

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a man pointing a rifle at another man, both standing in a smokey scrubland — Richard Misrach, Desert Fire #153, 1984

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

Color photograph of a still lake reflecting a cloudy sky and low mountains on the horizon — Richard Misrach, Mono Lake #2, 1999

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

Color photograph of a lone figure walking along a beach shrouded in mist — Richard Misrach, Man on Beach (Looking South), Santa Barbara, 1984

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a smoke-filled sky above a fenced-in house and fields — Richard Misrach, Desert Fire #43, 1983

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

Color photograph of five black structures on the horizon rising above the waters of a calm sea — Richard Misrach, Oil Derricks, Santa Barbara, 1984

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

Color photograph of a desert field with a car and small aircraft, and four oversized croquet balls. — Richard Misrach, Desert Croquet #3 (Balls, Plane, Car), Black Rock Desert, Nevada, 1987

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of four people drifting towards the horizon on a raft on a calm sea — Richard Misrach, People on Raft with Oil Derricks, Santa Barbara, 1984

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

Color photograph of a cloudy sky — Richard Misrach, Cloud #603, 2013

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm]

Richard MisrachTrain Tracks, Colorado Desert, California

1984

chromogenic color print, 20 x 24 inches (sheet)

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Richard MisrachUnnamed Playa (Exposure by Moonlight)

1994

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

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Richard MisrachRoad Blockade and Pyramids

1989

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

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Richard MisrachSubmerged Trailer-Home, Salton Sea

1985

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

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Richard MisrachSan Gorgonio Pass

1981

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

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Richard MisrachAerial Target (“Dart”), Wendover Air Base, Utah

1990

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

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Richard MisrachPyramid Lake (Orange)

1997

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

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Richard MisrachDesert Fire #153

1984

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

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Richard MisrachMono Lake #2

1999

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

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Richard MisrachMan on Beach (Looking South), Santa Barbara

1984

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

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Richard MisrachDesert Fire #43

1983

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

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Richard MisrachOil Derricks, Santa Barbara

1984

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

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Richard MisrachPeople on Raft with Oil Derricks, Santa Barbara

1984

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

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Richard MisrachCloud #603

2013

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm]

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All Portfolios

Black and white photographs of two women in sunglasses taking photographs on a city street

Lee Friedlander: The People’s Pictures

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Lee Friedlander: The People’s Pictures

Black and white photograph of a person taking a family photograph in front of a life-size dinosaur statue — Lee Friedlander, Rapid City, South Dakota, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of two women taking photographs on a city sidewalk — Lee Friedlander, Paris, France, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of tourists having their photograph taken in front of a valley — Lee Friedlander, Canadian Rockies, Canada, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a young girl taking a photograph in a living room — Lee Friedlander, Fort Lee, New Jersey, 1971

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black and white photograph of a man in a crowd holding a camera to his eye — Lee Friedlander, New Orleans, Louisiana, 1991

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of three young women in front of a stone memorial taking a photograph — Lee Friedlander, Washington, D.C., 1988

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a man holding a camera in an art gallery — Lee Friedlander, David Hockney, New York City, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a woman taking a photograph of a man performing on a city corner — Lee Friedlander, New Orleans, Louisiana, 1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderNew Orleans

1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderRapid City, South Dakota

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderParis, France

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderCanadian Rockies, Canada

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderFort Lee, New Jersey

1971

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

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Lee FriedlanderNew Orleans, Louisiana

1991

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderWashington, D.C.

1988

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderDavid Hockney, New York City

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderNew Orleans, Louisiana

1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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An abstract oil painting of a deconstructed black and white flower, with several bright green leaves

Wardell Milan: Paintings

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Wardell Milan: Paintings

An abstract painting of a deconstructed light blue flower, on a black ground, with blue, yellow, white and orange paint splotches coming out of it. — Wardell Milan, Untitled (Tulip, Tennessee no. 2), 2020

oil, charcoal, graphite, pastel & china marker on panel, 25-1/2 x 32 inches (framed) [64.8 x 81.3 cm]

An abstract painting of warm colors and layered gestures on top of a black background — Wardell Milan, Untitled (Tulip, Tennessee no. 1), 2020

oil, charcoal, graphite, pastel & china marker on panel, 21-1/2 x 25-1/2 inches (framed) [54.6 x 64.8 cm]

An abstract painting of a deconstructed light blue flower, on a black ground, with blue, green, brown and white colors coming out of it. — Wardell Milan, Untitled (Tulip, Tennessee no. 3), 2020

oil, charcoal, graphite, pastel & china marker on panel, 25-3/4 x 31-3/4 inches (framed) [65.4 x 80.6 cm]

An abstract painting of a deconstructed pink flower, with a burst of blue coming from the center. — Wardell Milan, Untitled (Tulip, Tennessee no. 4), 2020

oil, charcoal, graphite, pastel & china marker on panel, 31-1/2 x 41-1/2 inches (framed) [80 x 105.4 cm]

An abstract painting of a lush blue flower on a dark blue ground. — Wardell Milan, Blue in Green no. 2, 2018

charcoal, acrylic, oil on board, 25-1/4 x 21-1/4 inches (framed) [64. 1 x 54 cm]

Wardell MilanUntitled, (Tulip, Tennessee no. 5)

2020

oil, charcoal, graphite, pastel & china marker, 32 x 41-1/2 inches (framed) [81.3 x 105.4 cm]

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Wardell MilanUntitled (Tulip, Tennessee no. 2)

2020

oil, charcoal, graphite, pastel & china marker on panel, 25-1/2 x 32 inches (framed) [64.8 x 81.3 cm]

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Wardell MilanUntitled (Tulip, Tennessee no. 1)

2020

oil, charcoal, graphite, pastel & china marker on panel, 21-1/2 x 25-1/2 inches (framed) [54.6 x 64.8 cm]

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Wardell MilanUntitled (Tulip, Tennessee no. 3)

2020

oil, charcoal, graphite, pastel & china marker on panel, 25-3/4 x 31-3/4 inches (framed) [65.4 x 80.6 cm]

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Wardell MilanUntitled (Tulip, Tennessee no. 4)

2020

oil, charcoal, graphite, pastel & china marker on panel, 31-1/2 x 41-1/2 inches (framed) [80 x 105.4 cm]

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Wardell MilanBlue in Green no. 2

2018

charcoal, acrylic, oil on board, 25-1/4 x 21-1/4 inches (framed) [64. 1 x 54 cm]

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Color photo of a collage of comic strips and creased paper, showing a screaming man

Christian Marclay: Photographs, 2020

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Christian Marclay: Photographs, 2020

A framed collage of comic strips and creased paper, showing a screaming man — Christian Marclay, Untitled (Crying), 2020

digital chromogenic print, 25-1/8 x 33-3/4 inches (framed) [63.8 x 85.7 cm], edition of 5

A framed collage of a crumpled black sheet, with a black and white image of a screaming mouth in the center. — Christian Marclay, Untitled (Black), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed color photograph of screaming faces from a comic book, torn out and lit on fire on the grass, surrounded by leaves. — Christian Marclay, Untitled (Burning I), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed color photograph of a screaming face from a comic book, torn out and lit on fire on the grass, surrounded by leaves. — Christian Marclay, Untitled (Burning II), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage of crumpled comic book images, with a screaming mouth at the center — Christian Marclay, Untitled (Pulp), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage made from comic book images, of a person screaming with concentric circles around their open mouth. — Christian Marclay, Untitled (Concentric Waves), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage of comic book images, with a small face at the center, and long black strips radiating out of it. — Christian Marclay, Untitled (Shreds), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage of crumpled pages from comic books, with a torn screaming face at the center. — Christian Marclay, Untitled (Torn), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage of a blue screaming face, with comic book images glued on top. — Christian Marclay, MCM-0540 (Framed), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

Christian MarclayUntitled (Crying)

2020

digital chromogenic print, 25-1/8 x 33-3/4 inches (framed) [63.8 x 85.7 cm], edition of 5

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Christian MarclayUntitled (Black)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

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Christian MarclayUntitled (Burning I)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

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Christian MarclayUntitled (Burning II)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

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Christian MarclayUntitled (Pulp)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

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Christian MarclayUntitled (Concentric Waves)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

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Christian MarclayUntitled (Shreds)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

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Christian MarclayUntitled (Torn)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

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Christian MarclayMCM-0540 (Framed)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

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Light gray panel with uppercase multicolored text

Mel Bochner: Paintings

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Mel Bochner: Paintings

Purple panel with uppercase dripping red text reading OBSCENE and various synonyms — Mel Bochner, Obscene, 2018

oil on velvet, 20 x 13-3/4 inches [50.8 x 34.9 cm]

Striped blue and gray panels with multicolored uppercase text along each stripe — Mel Bochner, Oh Well, 2018

oil on velvet, 41-3/4 x 30-3/4 inches [106 x 78.1cm]

An oil painting with thickly applied light blue paint forming a smudge, and the text "$#!+" in white. — Mel Bochner, $#!+, 2014

oil on velvet mounted on panel, 9 x 12 inches [22.9 x 30.5 cm]

A painting of black text on a bright, multicolored background of many synonyms of the phrase "Get Lost!". — Mel Bochner, Get Lost, 2014

enamel and acrylic on canvas, 60 x 45 inches (canvas) [152 x 114 cm]

A multicolored painting of pastel-colored text on a beige background reading variations of the word "No" — Mel Bochner, No, 2012

oil on velvet, 62-3/4 x 42-1/2 inches [159.4 x 108 cm]

Painting of phrases that are synonyms for the word obvious in different colors — Mel Bochner, Obvious, 2017

oil on velvet, 91-1/4 x 57-1/4 inches (canvas) [231.8 x 145.4 cm]

Mel BochnerOh Well

2014

oil on velvet, 12 x 9 inches [30.5 x 22.9 cm]

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Mel BochnerObscene

2018

oil on velvet, 20 x 13-3/4 inches [50.8 x 34.9 cm]

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Mel BochnerOh Well

2018

oil on velvet, 41-3/4 x 30-3/4 inches [106 x 78.1cm]

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Mel Bochner$#!+

2014

oil on velvet mounted on panel, 9 x 12 inches [22.9 x 30.5 cm]

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Mel BochnerGet Lost

2014

enamel and acrylic on canvas, 60 x 45 inches (canvas) [152 x 114 cm]

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Mel BochnerNo

2012

oil on velvet, 62-3/4 x 42-1/2 inches [159.4 x 108 cm]

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Mel BochnerObvious

2017

oil on velvet, 91-1/4 x 57-1/4 inches (canvas) [231.8 x 145.4 cm]

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Black and white photograph of three people seated on a pedestal lit by a spotlight in a darkened room

Carrie Mae Weems: Selected Works

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Carrie Mae Weems: Selected Works

Framed black and white photograph of three people seated on a pedestal lit by a spotlight in a darkened room — Carrie Mae Weems, Mourning, 2008

pigment print, 61-1/16 x 51-1/2 x 1-3/4 inches (framed)

Carrie Mae Weems, All the Boys (Profile 1), 2016

two archival pigment prints, 61-1/2 x 47-1/2 inches (each framed) [156.2 x 120.7 cm]