Featured

Black-and-white photograph of the shadow of a persons head on the back of a woman

Lee Friedlander: Self-Portraits

From the start of his career, Friedlander has turned his camera on himself. He has used his body or shadow as an element of visual compositions, made himself a main subject, or acted as a foil to other figures, interweaving his professional, personal, and creative life in his images. Throughout more than six decades of self-portraits, Friedlander has created an inimitable archetype for self-imaging.

A black and white photograph of a self portrait of the artist with an illuminated lightbulb in front of his face — Lee Friedlander, Provincetown, Massachusetts, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white photograph of a self portrait of the artist reflected in the side mirror of a car with a church in the right of the frame — Lee Friedlander, Route 9W, New York, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white photograph of the reflection of the artist over a shining trophy in a store window — Lee Friedlander, Tallahassee, Florida, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white photograph of a self portrait of the artist reflected in a shop window — Lee Friedlander, Colorado, 1967

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph showing a storefront reflection, with the shadow of the photographer cast onto a framed portrait of a woman. — Lee Friedlander, Madison, Wisconsin, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white photograph of the artists reflection in a mirror. — Lee Friedlander, New Orleans, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of figure laying in a bed reflected through a mirror — Lee Friedlander, Aloha, Washington, 1967

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a man wearing only boxer shorts seated in an armchair in the corner of a living room — Lee Friedlander, Philadelphia, Pennsylvania, 1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph depicting a silhouetted shadow with three pairs of legs walking — Lee Friedlander, New York City, 1966

gelatin silver print, 7 x 11 inches (sheet) [17.7 x 27.9 cm]

A black and white photograph of the artist reflected in a shop window. — Lee Friedlander, New Orleans, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white photograph of the artist taken with flash against a wall. — Lee Friedlander, New City, New York, 1969

gelatin silver print, 11 x 14 inches (sheet)

Black and white photograph of signage taken from the exterior with reflection — Lee Friedlander, Chicago, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white portrait of the artist with his eyes closed and tree branches in the foreground and background. — Lee Friedlander, New York City, 1967

gelatin silver print, 7 x 11 inches (sheet) [17.8 x 27.9 cm]

A black and white photograph of the artists shadow with a speeding car in the background. — Lee Friedlander, Palisades Parkway, NY, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white photograph of the artists reflection in a window. — Lee Friedlander, Cape Cod, 1963

gelatin silver print, 7 x 11 inches (sheet)

Black-and-white photograph of the artist at the wheel of a pickup truck — Lee Friedlander, Haverstraw, NY, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white portrait of the artist in front of an advertisement depicting a woman's arms. — Lee Friedlander, Kentucky, 1969

gelatin silver print, 6-1/2 x 11 inches (sheet) [16.5 x 27.9 cm]

Lee FriedlanderNew York City

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderProvincetown, Massachusetts

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderRoute 9W, New York

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderTallahassee, Florida

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderColorado

1967

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderMadison, Wisconsin

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderNew Orleans

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderAloha, Washington

1967

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderChicago

1967

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderPhiladelphia, Pennsylvania

1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderNew York City

1966

gelatin silver print, 7 x 11 inches (sheet) [17.7 x 27.9 cm]

"*" indicates required fields

Lee FriedlanderNew Orleans

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderNew City, New York

1969

gelatin silver print, 11 x 14 inches (sheet)

"*" indicates required fields

Lee FriedlanderChicago

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderNew York City

1967

gelatin silver print, 7 x 11 inches (sheet) [17.8 x 27.9 cm]

"*" indicates required fields

Lee FriedlanderNew York City

1969

gelatin silver print, 7 x 11 inches (sheet)

"*" indicates required fields

Lee FriedlanderPalisades Parkway, NY

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderCape Cod

1963

gelatin silver print, 7 x 11 inches (sheet)

"*" indicates required fields

Lee FriedlanderHaverstraw, NY

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderKentucky

1969

gelatin silver print, 6-1/2 x 11 inches (sheet) [16.5 x 27.9 cm]

"*" indicates required fields

A colorful painted wood sculpture of various people sitting on a park bench in conversation

Kota Ezawa: Sculptures

In translating iconic artworks, historical events, and cultural moments into acrylic-on-wood sculptures, Ezawa adds a degree of distance and abstraction to familiar images. His work questions the process by which visual representations become embedded in public consciousness, acquiring meaning through repetition and circulation.

Color image of a figure viewing a wooden sculpture depicting several figures seated at a park bench on a lively afternoon against a white gallery wall

Color image of a detail of a wooden sculpture depicting several figures faces

Color image of a detail of a wooden sculpture depicting the legs of several figures seated at a park bench

Color image of a mixed media artwork depicting a figure in a suit jumping onto the sidewalk — Untitled (Klein/Mondrian), 2025

acrylic on wood, 71-7/8 x 57-1/2 x 2-7/8 inches (overall) [182.9 x 156.1 x 9.5 cm]

Color image of a figure viewing a mixed media artwork depicting a figure leaping onto a sidewalk on a white gallery wall

Untitled (Eggleston/Kelly), 2024

acrylic on wood, 64-1/4 x 96 x 3-1/4 inches (overall) [163.2 x 243.8 x 8.3 cm]

Untitled (Eggleston/Kelly), 2024 (detail)

Color image of a wooden sculpture depicting a figure with an ice cream cone laughing in front of shop window — Woman with Ice Cream Cone, 2025

acrylic on wood, 35 x 52 x 2-3/4 inches (overall) [89 x 132.2 x 7 cm]

Color image of a wooden sculpture depicting a figure with an ice cream cone laughing in front of shop window on a white gallery wall with a figure viewing the work

Color image of a detail of a wooden sculpture depicting a figure holding an ice cream cone

A simplified wooden rendering displaying a woman speaking into a microphone from behind a desk. She faces a blurred figure seen from behind. — Kavanaugh Hearings, 2024

acrylic pigment print on wood, 39-3/4 x 59-7/8 x 1 inches (overall) [101 x 152.1 x 2.5 cm]

Hand Vote, 2024

acrylic pigment print on wood, 96 x 120 x 48 inches (overall installed) [243.8 x 304.8 x 121.9 cm]

Hand Vote, 2024 (installation view)

acrylic pigment print on wood, 96 x 120 x 48 inches (overall installed) [243.8 x 304.8 x 121.9 cm]

Kota EzawaWorld’s Fair

2025

acrylic on wood, 40 x 60 x 2-3/4 inches (overall) [101.6 x 152.4 x 7 cm]

"*" indicates required fields

Kota EzawaUntitled (Klein/Mondrian)

2025

acrylic on wood, 71-7/8 x 57-1/2 x 2-7/8 inches (overall) [182.9 x 156.1 x 9.5 cm]

"*" indicates required fields

"*" indicates required fields

Kota EzawaUntitled (Eggleston/Kelly)

2024

acrylic on wood, 64-1/4 x 96 x 3-1/4 inches (overall) [163.2 x 243.8 x 8.3 cm]

"*" indicates required fields

"*" indicates required fields

Kota EzawaUntitled (Eggleston/Kelly)

2024 (detail)

"*" indicates required fields

Kota EzawaUntitled (Eggleston/Kelly)

2024 (detail)

"*" indicates required fields

Kota EzawaWoman with Ice Cream Cone

2025

acrylic on wood, 35 x 52 x 2-3/4 inches (overall) [89 x 132.2 x 7 cm]

"*" indicates required fields

Kota EzawaKavanaugh Hearings

2024

acrylic pigment print on wood, 39-3/4 x 59-7/8 x 1 inches (overall) [101 x 152.1 x 2.5 cm]

"*" indicates required fields

"*" indicates required fields

"*" indicates required fields

"*" indicates required fields

Kota EzawaHand Vote

2024

acrylic pigment print on wood, 96 x 120 x 48 inches (overall installed) [243.8 x 304.8 x 121.9 cm]

"*" indicates required fields

Kota EzawaHand Vote

2024 (installation view)

acrylic pigment print on wood, 96 x 120 x 48 inches (overall installed) [243.8 x 304.8 x 121.9 cm]

"*" indicates required fields

All Portfolios

Color photograph of the sky that has the word 'oui' written out in clouds along with 'YES' etched out on the glass of the piece

Sophie Calle: Catalogue Raisonné of the Unfinished

This series collects photographs, handwritten notes, comic books, and other relics of artworks in progress, each paired with a short text describing how the piece Calle had originally imagined came to (not) be. A red stamp across the texts pronounces the artist’s reason for rejecting the project.

Color image of an artwork including a text panel and a color photograph of the sky that has the word 'oui' written out in the sky — Yes (Infernal), 2025

text panel in artist’s frame, pigment print, sandblasted acrylic, 36-1/4 x 57-3/4 inches (overall) [92.1 x 146.7 cm], edition of 3 + 1 AP in English & edition of 3 + 1 AP in French

Color image of a white framed text panel with a red stamp of text reading 'Infernal' — Yes (Infernal), 2025 [text panel]

14-3/4 x 20-1/4 inches (framed text) [37.5 x 51.4 cm]

Color image of an artwork consisting of a white framed text panel over a suite of six comic books in metal frames on a white wall — La Ley de la Calle (What’s the point?), 2025

text panel in artist’s frame, six collages on comic book covers, 25-1/2 x 31-3/4 inches (overall) [64.8 x 80.6 cm], edition of 3 + 1 AP in English & edition of 3 + 1 AP in French

Color image of a suite of six comic books in metal frames on a white wall — La Ley de la Calle (What’s the point?), 2025 [detail]

six collages on comic book covers, 6-3/4 x 5-3/8 inches (each collage, framed) [17 x 13.5 cm]

Color image of a white framed text panel with a red stamp of text reading 'What's the Point?' — La Ley de la Calle (What’s the point?), 2025 [detail]

14-3/4 x 20-1/4 inches (framed text) [37.5 x 51.4 cm]

Color image of an artwork including a text panel and a photograph of door with text overlayed against a white wall — First love (Too late), 2025

text panel in artist’s frame, pigment print, 42 x 50 inches (overall) [106.7 x 127 cm], edition of 3 + 1 AP in English & edition of 3 + 1 AP in French

First love (Too late), 2025 [detail]

42 x 25-1/2 inches (frame) [106.7 x 64.8 cm]

Color image of a white framed text panel with a red stamp of text reading 'Too Late' — First love (Too late), 2025 [text panel]

14-3/4 x 20-1/4 inches (framed text) [37.5 x 51.4 cm]

Color image of an artwork including a text panel, a triptych of the artist seated with three different figures, and a stack of paper encased in a plexi box — And now what to do (Not exhilarating), 2025

text panel in artist’s frame, three pigment prints, paper, print in found frame, 27-1/2 x 63-3/4 inches (overall, approximately) [69.9 x 161.9 cm], edition of 3 + 1 AP in English & edition of 3 + 1 AP in French

Color image of a triptych depicting three color photographs of two seated figures at a table — And now, what to do? (Not exhilarating), 2025 [detail]

Color image of a white framed text panel with a red stamp of text reading 'Not Exhilarating' — And now what to do (Not exhilarating), 2025 [text panel]

14-3/4 x 20-1/4 inches (framed text) [37.5 x 51.4 cm]

Color image of an artwork including a text panel and a framed newspaper graphic against a white wall — The sound of silence (Suspended), 2025

text panel, pigment print, 37-3/4 x 19-3/4 inches (overall) [95.9 x 50.2 cm], edition of 3 + 1 AP in English & edition of 3 + 1 AP in French

Color image of a framed newspaper graphic framed in black — The sound of silence (Suspended), 2025 [detail]

19 x 13-1/2 inches (frame) [48.3 x 34.3 cm]

Color image of a white framed text panel with a red stamp of text reading 'Suspended' — The sound of silence (Suspended), 2025 [text panel]

14-3/4 x 20-1/4 inches (framed text) [37.5 x 51.4 cm]

Sophie CalleYes (Infernal)

2025

text panel in artist’s frame, pigment print, sandblasted acrylic, 36-1/4 x 57-3/4 inches (overall) [92.1 x 146.7 cm], edition of 3 + 1 AP in English & edition of 3 + 1 AP in French

"*" indicates required fields

Sophie CalleLa Ley de la Calle (What’s the point?)

2025

text panel in artist’s frame, six collages on comic book covers, 25-1/2 x 31-3/4 inches (overall) [64.8 x 80.6 cm], edition of 3 + 1 AP in English & edition of 3 + 1 AP in French

"*" indicates required fields

Sophie CalleFirst love (Too late)

2025

text panel in artist’s frame, pigment print, 42 x 50 inches (overall) [106.7 x 127 cm], edition of 3 + 1 AP in English & edition of 3 + 1 AP in French

"*" indicates required fields

Sophie CalleAnd now what to do (Not exhilarating)

2025

text panel in artist’s frame, three pigment prints, paper, print in found frame, 27-1/2 x 63-3/4 inches (overall, approximately) [69.9 x 161.9 cm], edition of 3 + 1 AP in English & edition of 3 + 1 AP in French

"*" indicates required fields

Sophie CalleThe sound of silence (Suspended)

2025

text panel, pigment print, 37-3/4 x 19-3/4 inches (overall) [95.9 x 50.2 cm], edition of 3 + 1 AP in English & edition of 3 + 1 AP in French

"*" indicates required fields

Photograph of a single green and pink thistle against a white background.

Irving Penn: Flowers

Irving Penn’s photographs of flowers, begun in 1967 and continued through the 2000s, transform botanical subjects into elegant studies of form, texture, and color, isolating each bloom against a neutral background. Initially photographed for Vogue, the images capture both the vitality and–with flowers that have passed their prime–the impermanence of beauty.

Photograph of a two closed lily buds, covered with droplets of water, against a white background. — Imperial Pink Bud, Imperial Gold Bud, New York, ca.1971 / printed 2007

inkjet print, 16-7/8 x 21-7/8 inches (sheet & mount) [42.9 x 55.6 cm], © The Irving Penn Foundation

Photograph of a red poppy flower against a white background. — Iceland Poppy / Papaver nudicaule (B), New York, 2006

inkjet print, 20 x 22-5/8 inches (sheet & mount) [50.8 x 57.5 cm], edition of 9 © The Irving Penn Foundation

Photograph of a single faded red poppy flower with a down-turned bud against a white background. — Single Oriental Poppy (C), New York, 1968 / printed 2007

inkjet print, 19 x 13 inches (sheet & mount) [48.3 x 33 cm], edition of 12 © The Irving Penn Foundation

Photograph of an open yellow orchid flower against a white background. — Orchid: Rhyncholaelia Digbyana, New York, 1969 / printed 1990

dye transfer print, 19-3/8 x 22-3/4 inches (sheet) [49.2 x 57.8 cm], edition of 20 © Condé Nast

Photograph of a single down-turned cyclamen bud, covered with water droplets, against a white background. — Persian Violet Cyclamen / Cyclamen persicum, New York, ca. 1973 / printed 2006

inkjet print, 21 x 13-7/8 inches (sheet & mount) [53.3 x 35.2 cm], edition of 7 © The Irving Penn Foundation

Photograph of a pale orange lily flower against a white background. — Lily: Melridge, New York, 1971 / printed 2007

inkjet print, 18-3/8 x 22-5/8 inches (sheet & mount) [46.7 x 57.5 cm], edition of 5 © The Irving Penn Foundation

Photograph of a two tulip stamens, with faded and dropping petals, against a white background. — Tulip / Tulipa: China Pink, New York, 2006 / printed 2006

inkjet print, 24 x 19 inches (sheet & mount) [61 x 48.3 cm], edition of 14 © Condé Nast

Irving PennBull Thistle: Cirsium Vulgare, New York

ca. 1973 / printed 2007

inkjet print, 21-7/8 x 16-7/8 inches (sheet & mount) [55.6 x 42.9 cm], edition of 8 © The Irving Penn Foundation

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Irving PennImperial Pink Bud, Imperial Gold Bud, New York

ca.1971 / printed 2007

inkjet print, 16-7/8 x 21-7/8 inches (sheet & mount) [42.9 x 55.6 cm], © The Irving Penn Foundation

"*" indicates required fields

Irving PennIceland Poppy / Papaver nudicaule (B), New York

2006

inkjet print, 20 x 22-5/8 inches (sheet & mount) [50.8 x 57.5 cm], edition of 9 © The Irving Penn Foundation

"*" indicates required fields

Irving PennSingle Oriental Poppy (C), New York

1968 / printed 2007

inkjet print, 19 x 13 inches (sheet & mount) [48.3 x 33 cm], edition of 12 © The Irving Penn Foundation

"*" indicates required fields

Irving PennOrchid: Rhyncholaelia Digbyana, New York

1969 / printed 1990

dye transfer print, 19-3/8 x 22-3/4 inches (sheet) [49.2 x 57.8 cm], edition of 20 © Condé Nast

"*" indicates required fields

Irving PennPersian Violet Cyclamen / Cyclamen persicum, New York

ca. 1973 / printed 2006

inkjet print, 21 x 13-7/8 inches (sheet & mount) [53.3 x 35.2 cm], edition of 7 © The Irving Penn Foundation

"*" indicates required fields

Irving PennLily: Melridge, New York

1971 / printed 2007

inkjet print, 18-3/8 x 22-5/8 inches (sheet & mount) [46.7 x 57.5 cm], edition of 5 © The Irving Penn Foundation

"*" indicates required fields

Irving PennTulip / Tulipa: China Pink, New York

2006 / printed 2006

inkjet print, 24 x 19 inches (sheet & mount) [61 x 48.3 cm], edition of 14 © Condé Nast

"*" indicates required fields

Color photograph of figure laying in shallow water with mustard colored bathing suit

Katy Grannan: Model American

Grannan’s striking portraits capture her subjects’ desire to be seen. For series including Poughkeepsie Journal, Dream America, and Morning Call, Grannan began with a simple ad placed in local newspapers: “Art Models. Artist/Photographer (female) seeks people for portraits. No experience necessary. Leave msg.”

Color photograph of a woman in a long white dress standing on a fallen tree trunk on the shore of a still lake — Joshi, Mystic Lake, MA, 2002

chromogenic print, 49 x 61 inches (framed) [124.5 x 155 cm]

Color photograph of a shirtless man reclining in a grassy outdoor clearing — Brian, b. 1976, 2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Color photograph of a nude woman lying on her stomach on a ground covered with autumn leaves — Michele, b. 1977, 2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Black-and-white photograph of a nude man leaning against a wood paneled wall with a flowered blanket draped by his side — Mike, Hearthstone Motel, Upper Red Hook, NY, 2004

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Black-and-white photograph of a nude woman lying on a bed with a dog seated on the floor beside her — Angie & Betty, Allentown, PA, 2002

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Black-and-white photograph of a shirtless man with long hair seated in front of a wood paneled wall — Barry, Bethlehem, PA, 2002

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Color photograph of two boys wearing only shorts and sneakers standing in a sunny grove of trees — Christopher and Zachary, Bay Farm, Duxbury, MA, 2002

chromogenic print, 49 x 61 inches (framed) [124.5 x 155 cm]

Color photograph of a young man in a bathing suit posed with his hand on his hip on the rocky shore of a misty lake — Corey, Quabbin Reservoir, Barre, MA, 2003

chromogenic print, 49 x 61 inches (framed) [124.5 x 155 cm]

Color photograph of a woman in a blue evening gown in a wood paneled room — Ghent, NY, 1999

chromogenic print mounted on Sintra, 48-1/4 x 38-3/4 inches (framed) [122.6 x 98.4]

Color photograph of a woman in an orange net body suit and high heels seated in the grass by a gravel road — Kamika, near Route 9, Poughkeepsie, New York, 2003

chromogenic print, 49 x 61 inches (framed) [124.5 x 155 cm]

Color photograph of a shirtless young man kneeling on a rug in a wood paneled room — Wolf, Poughkeepsie, NY, 1999

chromogenic print, 48-1/4 x 38-3/4 inches (framed) [122.6 x 98.4 cm]

Color photograph of a girl in a long teal flowered dress standing in front of a red armchair in a room with flowered wallpaper — Untitled, 1998

chromogenic print, 49-1/8 x 39-5/8 inches (framed) [124.8 x 100.6 cm]

Katy GrannanTim, b. 1982

2004

pigment print, 28-1/4 x 35-1/2 inches (image, sheet & mount) [71.8 x 90.2 cm]

"*" indicates required fields

Katy GrannanJoshi, Mystic Lake, MA

2002

chromogenic print, 49 x 61 inches (framed) [124.5 x 155 cm]

"*" indicates required fields

Katy GrannanBrian, b. 1976

2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

"*" indicates required fields

Katy GrannanMichele, b. 1977

2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

"*" indicates required fields

Katy GrannanMike, Hearthstone Motel, Upper Red Hook, NY

2004

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

"*" indicates required fields

Katy GrannanAngie & Betty, Allentown, PA

2002

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

"*" indicates required fields

Katy GrannanBarry, Bethlehem, PA

2002

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

"*" indicates required fields

Katy GrannanChristopher and Zachary, Bay Farm, Duxbury, MA

2002

chromogenic print, 49 x 61 inches (framed) [124.5 x 155 cm]

"*" indicates required fields

Katy GrannanCorey, Quabbin Reservoir, Barre, MA

2003

chromogenic print, 49 x 61 inches (framed) [124.5 x 155 cm]

"*" indicates required fields

Katy GrannanGhent, NY

1999

chromogenic print mounted on Sintra, 48-1/4 x 38-3/4 inches (framed) [122.6 x 98.4]

"*" indicates required fields

Katy GrannanKamika, near Route 9, Poughkeepsie, New York

2003

chromogenic print, 49 x 61 inches (framed) [124.5 x 155 cm]

"*" indicates required fields

Katy GrannanWolf, Poughkeepsie, NY

1999

chromogenic print, 48-1/4 x 38-3/4 inches (framed) [122.6 x 98.4 cm]

"*" indicates required fields

Katy GrannanUntitled

1998

chromogenic print, 49-1/8 x 39-5/8 inches (framed) [124.8 x 100.6 cm]

"*" indicates required fields

Frances Palmer Ceramics

Frances Palmer created sixteen new ceramic pieces as part of her 2025 collaborative exhibition with Richard Learoyd. Made from glazed porcelain or earthenware with a matte glaze, these handmade functional artworks are each unique and intended for everyday use.

Etruscan, 2025

earthenware, matte glaze, 10-1/4 x 8 x 5-1/4 inches (overall) [26 x 20.3 x 13.3 cm]

A color photograph of a white vase — 3 Tier Tulipiere, 2025

earthenware, matte glaze, 19 x 7-1/2 x 7-1/2 inches (overall) [48.3 x 19.1 x 19.1 cm]

Footed Pedestal Vase, 2025

earthenware, matte glaze, 17 x 10 x 9 inches (overall) [43.2 x 25.4 x 22.9 cm]

Footed Bowl, 2025

porcelain, glazed inside with celadon, 8 x 11 x 10 inches (overall) [20.3 x 27.9 x 25.4 cm]

Van Eyck, 2025

earthenware, matte glaze, 14 x 9-1/2 x 8 inches (overall) [35.6 x 24.1 x 20.3 cm]

Frances PalmerEtruscan

2025

earthenware, matte glaze, 10-1/4 x 8 x 5-1/4 inches (overall) [26 x 20.3 x 13.3 cm]

"*" indicates required fields

Frances Palmer3 Tier Tulipiere

2025

earthenware, matte glaze, 19 x 7-1/2 x 7-1/2 inches (overall) [48.3 x 19.1 x 19.1 cm]

"*" indicates required fields

Frances PalmerFooted Pedestal Vase

2025

earthenware, matte glaze, 17 x 10 x 9 inches (overall) [43.2 x 25.4 x 22.9 cm]

"*" indicates required fields

Frances PalmerFooted Bowl

2025

porcelain, glazed inside with celadon, 8 x 11 x 10 inches (overall) [20.3 x 27.9 x 25.4 cm]

"*" indicates required fields

Frances PalmerVan Eyck

2025

earthenware, matte glaze, 14 x 9-1/2 x 8 inches (overall) [35.6 x 24.1 x 20.3 cm]

"*" indicates required fields

Alec Soth: Untitled

“I was on a road trip from Minneapolis to Virginia and back. Along the way I had the idea to make floral still-life photographs, with the kind of chance encounter I had on the road. So I went on a kind of treasure hunt for abandoned houses, found vases, wildflowers…” – Alec Soth

Untitled (pokeweed), 2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

Untitled (bindweed), 2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

Untitled (zinnia), 2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 AP

Untitled (chicory), 2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 AP

Untitled (trumpet vine), 2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

Untitled (crabapple branch), 2017

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 3 APs

Untitled (mallow), 2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

Alec SothUntitled (pokeweed)

2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothUntitled (bindweed)

2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothUntitled (zinnia)

2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 AP

"*" indicates required fields

Alec SothUntitled (chicory)

2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 AP

"*" indicates required fields

Alec SothUntitled (trumpet vine)

2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothUntitled (crabapple branch)

2017

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 3 APs

"*" indicates required fields

Alec SothUntitled (mallow)

2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

"*" indicates required fields

A color photograph shows a view of the audience from the podium of a lecture hall.

Alec Soth: Advice for Young Artists

In photographs made at undergraduate art programs, Soth explores artmaking at various stages of life, linking photography, time, and aging. The series raises questions about mentorship and creativity, highlighting the artist’s search for the freedom and experimentation found in beginners.

person with pink hair wearing a purple sweater sitting at a desk — Laura, 2023

pigment print, 30 x 24 inches (image) [76.2 x 61 cm], edition of 9

Easel II, 2023

pigment print, 48 x 60 inches (image) [121.9 x 152.4 cm], edition of 9

Amalia, 2023

pigment print, 50 x 40 inches (image) [127 x 101.6 cm], edition of 9

Grayscale Studies, 2023

pigment print, 30 x 24 inches (image) [76.2 x 61 cm], edition of 9

Studio I, 2023

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9

Still Life III, 2023

pigment print, 50 x 40 inches (image) [127 x 101.6 cm], edition of 9

A color photograph shows an array of bright props chaotically arranged on plinths — Still Life II, 2024

pigment print, 48 x 60 inches (image) [121.9 x 152.4 cm], edition of 9

Lee, 2023

pigment print, 24 x 30 inches (image) [61 x 76.2 cm], edition of 9

Studio VII, 2024

pigment print, 40 x 32 inches (image) [101.6 x 81.3 cm] , edition of 9

Color photograph of a figure surrounded by plants sketching on a sketch pad with charcoal — AJ, 2023

pigment print, 44 x 36 inches (sheet & mount) [111.8 x 91.4 cm], edition of 9

Diptych of color photographs depicting white statues in various poses against a white brick wall — Studio Diptych, 2023

pigment print, 53 x 65 inches (each sheet & mount) [134.6 x 165.1 cm], edition of 9

Alec SothArtist Lecture

2023

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9

"*" indicates required fields

Alec SothLaura

2023

pigment print, 30 x 24 inches (image) [76.2 x 61 cm], edition of 9

"*" indicates required fields

Alec SothEasel II

2023

pigment print, 48 x 60 inches (image) [121.9 x 152.4 cm], edition of 9

"*" indicates required fields

Alec SothAmalia

2023

pigment print, 50 x 40 inches (image) [127 x 101.6 cm], edition of 9

"*" indicates required fields

Alec SothGrayscale Studies

2023

pigment print, 30 x 24 inches (image) [76.2 x 61 cm], edition of 9

"*" indicates required fields

Alec SothStudio I

2023

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9

"*" indicates required fields

Alec SothStill Life III

2023

pigment print, 50 x 40 inches (image) [127 x 101.6 cm], edition of 9

"*" indicates required fields

Alec SothStill Life II

2024

pigment print, 48 x 60 inches (image) [121.9 x 152.4 cm], edition of 9

"*" indicates required fields

Alec SothLee

2023

pigment print, 24 x 30 inches (image) [61 x 76.2 cm], edition of 9

"*" indicates required fields

Alec SothStudio VII

2024

pigment print, 40 x 32 inches (image) [101.6 x 81.3 cm] , edition of 9

"*" indicates required fields

Alec SothAJ

2023

pigment print, 44 x 36 inches (sheet & mount) [111.8 x 91.4 cm], edition of 9

"*" indicates required fields

Alec SothStudio Diptych

2023

pigment print, 53 x 65 inches (each sheet & mount) [134.6 x 165.1 cm], edition of 9

"*" indicates required fields

Five black and white photographs of a figure sleeping in bed accompanied with hand written and typed text detailing the experience framed in black

Sophie Calle: The Sleepers

“I asked people to give me eight hours of their sleep. To come and sleep in my bed. For eight days, my room was to be a constantly occupied space. Twenty-seven people agreed. Sleepers came and went. Some even crossed paths. I took photographs every hour. I watched my guests sleep.”

Six black and white photographs of a figure sleeping in bed accompanied with hand written and typed text detailing the experience framed in black — Betty Couturier, twelfth sleeper., 1979

6 gelatin silver prints & 1 text panel, 12-1/2 x 32 inches (overall, approximately) [31.8 x 81.3 cm]

Ten black and white photographs of a two figures sleeping in bed accompanied with hand written and typed text detailing the experience framed in black — Graziella Rampacci, sixth sleeper. Françoise Jourdan-Gassin, seventh sleeper., 1979

10 gelatin silver prints & 1 text panel, 18-3/4 x 32 inches (overall, approximately) [47.6 x 81.3 cm]

Seven black and white photographs of a figure sleeping in bed accompanied with hand written and typed text detailing the experience framed in black — Gérard Maillet, fifth sleeper, 1979

text panel, eight silver gelatin prints, 18-3/4 x 24 inches (overall, approximately) [47.6 x 61 cm]

Sophie CalleDaniel D., nineteenth sleeper.

1979

5 gelatin silver prints & 1 text panel, 12-1/2 x 24 inches (overall, approximately) [31.8 x 61 cm]

"*" indicates required fields

Sophie CalleBetty Couturier, twelfth sleeper.

1979

6 gelatin silver prints & 1 text panel, 12-1/2 x 32 inches (overall, approximately) [31.8 x 81.3 cm]

"*" indicates required fields

Sophie CalleEmile S. eleventh sleeper.

1979

5 gelatin silver prints & 1 text panel, 12-1/2 x 24 inches (overall, approximately) [31.8 x 61 cm]

"*" indicates required fields

Sophie CalleGraziella Rampacci, sixth sleeper. Françoise Jourdan-Gassin, seventh sleeper.

1979

10 gelatin silver prints & 1 text panel, 18-3/4 x 32 inches (overall, approximately) [47.6 x 81.3 cm]

"*" indicates required fields

Sophie CalleGérard Maillet, fifth sleeper

1979

text panel, eight silver gelatin prints, 18-3/4 x 24 inches (overall, approximately) [47.6 x 61 cm]

"*" indicates required fields

Color photograph of crushed flowers and greenery against a white background framed in white

Adam Fuss: Theia

Fuss considers the mythology of Theia, the Greek goddess of sight, prophecy, and brilliance. It is also the name given to a hypothetical planet that may have violently crashed into the Earth billions of years ago, ejecting the debris which formed our moon.

The Making of ADAM FUSS, Theia, 2024. Using an etching press to flatten spring flowers onto paper, the artist then photographs the results. ⁠

Color photograph of various yellow, blue, and purple flowers smashed against a white background framed in white — Theia, 2025

pigment print, 61-1/2 x 46-1/4 inches (approx. framed*) [156.2 x 117.5 cm], edition of 3 + 1 AP

Color photograph of crushed hyacinths against an off white background framed in white — Theia, 2024

pigment print, 62-1/2 x 77-1/2 inches (framed) [158.8 x 196.9 cm], edition of 3 + 1 AP

Print details of ADAM FUSS Theia, 2024

Theia, 2026

pigment print, 91-3/4 x 62-5/8 inches (approx. framed) [233 x 159.1 cm], edition 3 + 1AP

Theia, 2026

pigment print, 65-1/8 x 45 inches (framed) [165.4 x 114.3 cm], edition 3 + 1AP

Theia, 2026

pigment print, 46-3/8 x 37-3/8 inches (framed) [117.7 x 94.8 cm], edition 3 + 1AP

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3 + 1 AP

"*" indicates required fields

Adam FussTheia

2025

pigment print, 61-1/2 x 46-1/4 inches (approx. framed*) [156.2 x 117.5 cm], edition of 3 + 1 AP

"*" indicates required fields

Adam FussTheia

2024

pigment print, 62-1/2 x 77-1/2 inches (framed) [158.8 x 196.9 cm], edition of 3 + 1 AP

"*" indicates required fields

Adam FussTheia

2026

pigment print, 91-3/4 x 62-5/8 inches (approx. framed) [233 x 159.1 cm], edition 3 + 1AP

"*" indicates required fields

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

"*" indicates required fields

Adam FussTheia

2026

pigment print, 65-1/8 x 45 inches (framed) [165.4 x 114.3 cm], edition 3 + 1AP

"*" indicates required fields

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

"*" indicates required fields

Adam FussTheia

2026

pigment print, 46-3/8 x 37-3/8 inches (framed) [117.7 x 94.8 cm], edition 3 + 1AP

"*" indicates required fields

Adam FussTheia

2026

pigment print, 46-3/8 x 37-3/8 inches (framed) [117.7 x 94.8 cm], edition 3 + 1AP

"*" indicates required fields

Color image of a folding screen with an image of a shore with large rock formations mounted onto the screen

Hiroshi Sugimoto: Photographic Screens

Hiroshi Sugimoto’s immense folding screens feature photographs of Japanese landmarks of sacred significance delicately printed onto rice paper. The screens, known as byobu, combine traditional and contemporary artforms, incorporating photographic techniques and materials to produce works that draw from Japanese artistic traditions, connecting the material cultures of antiquity and the contemporary.

Installation view of a color photograph featuring a Mt. Fuji mounted on a folding screen — Hiroshi Sugimoto, Mt. Fuji, 2022

pigment prints on Japanese rice paper, mounted to two folding screens, 70 x 300 inches (overall), edition of 3

Installation view of a color photograph featuring a landscape mounted on a folding screen — Hiroshi Sugimoto, Amano Hashidate, 2022

pigment print on Japanese rice paper, mounted to a pair of folding screens, 73-1/4 x 690-3/4 inches (overall), edition of 3

Installation view of a color photograph featuring a landscape of pine trees mounted on a folding screen — Hiroshi Sugimoto, Pine Trees, 2022

pigment print on Japanese rice paper, mounted to a pair of folding screens, 71-3/8 x 686-5/8 inches (overall), edition of 3

Installation view of a color photograph featuring a shrine mounted on a folding screen — Hiroshi Sugimoto, Himeji Castle Screen imagined as the missing Kano Eitoku’s Lost Folding-Screen of Azuchi Castle, 2022

Pigment print on Japanese rice paper, mounted to folding screen, 79-3/8 x 287-1/4 inches (overall) , edition of 3

Installation view of a color photograph depicting a landscape mounted on a folding screen — Hiroshi Sugimoto, Kasuga Shrine, Kankitsuzan, Enoura, 2023

pigment print on Japanese rice paper, mounted to folding screen, 78-1/2 x 346-3/4 inches (overall) , edition of 3

Color image of an installation of a folding screen with black and white photographs of lighting striking — Hiroshi Sugimoto, Lightning Fields 012, 2021

pigment print on Japanese rice paper, mounted to a pair of folding screens, 73-5/8 x 257-1/2 inches (overall), edition of 3

Installation view of a color photograph depicting a shrine mounted on a folding screen — Hiroshi Sugimoto, Kasuga Grand Shrine at Dawn, 2022

Pigment print on Japanese rice paper, mounted to folding screen, 79-3/8 x 213-5/8 inches (overall) , edition of 3

Hiroshi SugimotoTateiwa

2022

pigment print on Japanese rice paper, mounted to folding screen, 71-1/4 x 279 inches (overall), edition of 3

"*" indicates required fields

Hiroshi SugimotoMt. Fuji

2022

pigment prints on Japanese rice paper, mounted to two folding screens, 70 x 300 inches (overall), edition of 3

"*" indicates required fields

Hiroshi SugimotoAmano Hashidate

2022

pigment print on Japanese rice paper, mounted to a pair of folding screens, 73-1/4 x 690-3/4 inches (overall), edition of 3

"*" indicates required fields

Hiroshi SugimotoPine Trees

2022

pigment print on Japanese rice paper, mounted to a pair of folding screens, 71-3/8 x 686-5/8 inches (overall), edition of 3

"*" indicates required fields

Hiroshi SugimotoHimeji Castle Screen imagined as the missing Kano Eitoku’s Lost Folding-Screen of Azuchi Castle

2022

Pigment print on Japanese rice paper, mounted to folding screen, 79-3/8 x 287-1/4 inches (overall) , edition of 3

"*" indicates required fields

Hiroshi SugimotoKasuga Shrine, Kankitsuzan, Enoura

2023

pigment print on Japanese rice paper, mounted to folding screen, 78-1/2 x 346-3/4 inches (overall) , edition of 3

"*" indicates required fields

Hiroshi SugimotoLightning Fields 012

2021

pigment print on Japanese rice paper, mounted to a pair of folding screens, 73-5/8 x 257-1/2 inches (overall), edition of 3

"*" indicates required fields

Hiroshi SugimotoKasuga Grand Shrine at Dawn

2022

Pigment print on Japanese rice paper, mounted to folding screen, 79-3/8 x 213-5/8 inches (overall) , edition of 3

"*" indicates required fields

Color image of a black and white collage of a silhouetted figure with abstracted features framed in black

Wardell Milan: Photographic Collages

Wardell Milan’s collages often incorporate cut-out photographs, including iconic works from photographers such as Diane Arbus and Robert Mapplethorpe. The collages rebuild the human figure from fragmented sources, creating powerful new portraits.

Color image of framed mixed media collage depicting two silhouettes and an arm on white background — Wardell Milan, The Man of the Soil, 2022

graphite, cut-and-pasted paper on yupo paper, 10-1/4 x 9-1/4 inches (framed) [26 x 23.5 cm]

A color image of a black and white collage framed in black depicting a nude figure with multiple arms posing — Wardell Milan, A. Ailey III., Dancer, N.Y.C., 2023

collage, 13-1/2 x 15 inches (framed) [34.3 x 38.1 cm]

Color image of a collage using white paper to depict a figure in a pose framed in black — Wardell Milan, R. Christian II., Actor, N.Y.C., 2023

collage, 13-3/4 x 15-3/4 inches (framed) [34.9 x 40.0 cm]

Color image of a black and white collage depicting a figure in a speedo using negative space framed in black — Wardell Milan, Henri C.D., Bodybuilder, N.Y.C., 2023

collage, 7-3/4 x 9-1/4 inches (framed) [19.6 x 23.5 cm]

Color image of mixed media artwork depicting a singular figure with multiple faces and one arm in grey frame — Wardell Milan, The Engineer, 2022

graphite, oil paste, cut-and-pasted paper on yupo paper, 11-5/8 x 9-3/8 inches (framed) [29.53 x 23.8 cm]

A black and white collage with a figure in the center draped in an American flag — Wardell Milan, Superhero Status, 2023

graphite, china marker, yupo, cut-and-paste paper, 13-5/8 13-5/8 inches (framed) [34.6 x 34.6 cm]

Color image of a black and white collage depicting a figures silhouette with negative space framed in grey stained maple frame — Wardell Milan, Ellison, NYC., 2023

cut-and-paste paper, 13-3/4 x 13 inches (framed) [34.9 x 33 cm]

Color image of a black and white collage depicting a nude male figure with abstracted features framed in black — Wardell Milan, A.M., Ballet Dancer, N.Y.C., 2023

collage, 12 x 12-3/4 inches (framed) [30.4 x 32.3 cm]

Collaged and illustrated portrait — Wardell Milan, Linda K. Knoxville, 2023

graphite, china marker, yupo, cut-and-paste paper , 13-3/8 x 10-1/2 inches (framed) [34 x 26.7 cm]

Color image of a black and white collage with three silhouetted figures framed in black — Wardell Milan, Bayard R. II., Activist, N.Y.C., 2023

collage, 9-3/4 x 15 inches (framed) 24.7 x 38.1 cm]

Wardell MilanParis D. II., N.Y.C.

2023

collage, 12 x 12-3/4 inches (framed) [30.4 x 32.3 cm]

"*" indicates required fields

Wardell MilanThe Man of the Soil

2022

graphite, cut-and-pasted paper on yupo paper, 10-1/4 x 9-1/4 inches (framed) [26 x 23.5 cm]

"*" indicates required fields

Wardell MilanA. Ailey III., Dancer, N.Y.C.

2023

collage, 13-1/2 x 15 inches (framed) [34.3 x 38.1 cm]

"*" indicates required fields

Wardell MilanR. Christian II., Actor, N.Y.C.

2023

collage, 13-3/4 x 15-3/4 inches (framed) [34.9 x 40.0 cm]

"*" indicates required fields

Wardell MilanHenri C.D., Bodybuilder, N.Y.C.

2023

collage, 7-3/4 x 9-1/4 inches (framed) [19.6 x 23.5 cm]

"*" indicates required fields

Wardell MilanThe Engineer

2022

graphite, oil paste, cut-and-pasted paper on yupo paper, 11-5/8 x 9-3/8 inches (framed) [29.53 x 23.8 cm]

"*" indicates required fields

Wardell MilanSuperhero Status

2023

graphite, china marker, yupo, cut-and-paste paper, 13-5/8 13-5/8 inches (framed) [34.6 x 34.6 cm]

"*" indicates required fields

Wardell MilanEllison, NYC.

2023

cut-and-paste paper, 13-3/4 x 13 inches (framed) [34.9 x 33 cm]

"*" indicates required fields

Wardell MilanA.M., Ballet Dancer, N.Y.C.

2023

collage, 12 x 12-3/4 inches (framed) [30.4 x 32.3 cm]

"*" indicates required fields

Wardell MilanLinda K. Knoxville

2023

graphite, china marker, yupo, cut-and-paste paper , 13-3/8 x 10-1/2 inches (framed) [34 x 26.7 cm]

"*" indicates required fields

Wardell MilanBayard R. II., Activist, N.Y.C.

2023

collage, 9-3/4 x 15 inches (framed) 24.7 x 38.1 cm]

"*" indicates required fields

Color image of an etching depicting a nude figure lying in a field of flowers with a thought bubble above depicting several nude figures in various intimate acts

Wardell Milan: Etchings

Since 2019, Wardell Milan has collaborated with BORCH Editions in Copenhagen to create editioned works. His large-scale, multi-layered compositions combine a variety of etching techniques with linocuts and woodcuts–a manner of building pictorial space also central to his collage works. These pieces depict figures immersed in arcadian landscapes, exploring themes of physical touch and sexual and spiritual intimacy. In contrast, Milan’s smaller etchings reflect the political and social reality of the United States with explicit and, at times, brutal honesty.

Color image of a warm toned etching depicting three figures in a field of flowers — Wardell Milan, He darts his tongue out of his tingling lips., 2023

aquatint, burnishing, line etching, scraping & spit bite aquatint; woodcut & lino-cut, 48-7/8 x 59-1/2 inches (framed) [124.1 x 151.1 cm], edition of 16

Color image of a warm toned etching depicting two figures embracing in a natural landscape — Lovers, taking in the air., 2023

aquatint, burnishing, line etching, scraping, spit bit aquatint & lino-cut, 59-5/8 x 48-1/4 inches (framed) [151.4 x 122.6 cm], edition of 16

Black and white etching of a figure riding a large phallus with distortions of American flags throughout — Wardell Milan, Trump riding his own dick., 2019

aquatint, line etching & dry point print, 15-3/4 x 19-3/4 inches (sheet) [40 x 50 cm], edition of 12

Black and white photograph of a nude figure lounging in a chair with an eye mask and gun at their side — Wardell Milan, The most dangerous thing about being a Black woman in America. Is being a Black woman in America, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm], edition of 12

Black and white etching depicting two figures engaging in a sexual act while a fire rages on outside — Wardell Milan, We are a War County. This is War time., 2019

aquatint, line etching & dry point print, 15-3/4 x 19-3/4 inches (sheet) [40 x 50 cm], edition of 12

Black and white etching of a mannequin near a television outside with debris from an explosion — Wardell Milan, Fire, Debris and Charred Mannequins: A Missile Strike Hits a ___ Shopping Center, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 19-5/8 x 15-1/2 inches (sheet) [50 x 39.5 cm], edition of 12

Black and white etching of a figure looking at the viewer through windows — Wardell Milan, I never spend this much time with myself, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm]

Black and white etching of a figure with multiple facial features leaning against a hand rail — Wardell Milan, Sisyphus Ascending a Staircase, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 19-5/8 x 15-1/2 inches (sheet) [50 x 39.5 cm], edition of 12

Black and white etching depicting figures walking within a desert like climate — Wardell Milan, __ Migrants arrive to __ in Record Numbers, on Foot Not by Boat, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm], edition of 12

Black and white etching of several figures in a verbal and physical altercation — Wardell Milan, The World Rarely Goes Under: Civilians during a lull in fighting, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm], edition of 12

Black and white etching of several figures engaging with a waterfall — Wardell Milan, Our Lives to Live, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm], edition of 12

Wardell MilanGiovanni and his erotic spirits

2024

line etching, spit bite aquatint, soap ground aquatint, sugar lift aquatint, burnishing, drypoint, water bite aquatint, soft ground etching, woodcut, 45-1/2 x 56-1/4 inches (sheet) [115.6 x 142.9 cm], edition of 16

"*" indicates required fields

Wardell MilanHe darts his tongue out of his tingling lips.

2023

aquatint, burnishing, line etching, scraping & spit bite aquatint; woodcut & lino-cut, 48-7/8 x 59-1/2 inches (framed) [124.1 x 151.1 cm], edition of 16

"*" indicates required fields

Lovers, taking in the air.

2023

aquatint, burnishing, line etching, scraping, spit bit aquatint & lino-cut, 59-5/8 x 48-1/4 inches (framed) [151.4 x 122.6 cm], edition of 16

"*" indicates required fields

Wardell MilanTrump riding his own dick.

2019

aquatint, line etching & dry point print, 15-3/4 x 19-3/4 inches (sheet) [40 x 50 cm], edition of 12

"*" indicates required fields

Wardell MilanThe most dangerous thing about being a Black woman in America. Is being a Black woman in America

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm], edition of 12

"*" indicates required fields

Wardell MilanWe are a War County. This is War time.

2019

aquatint, line etching & dry point print, 15-3/4 x 19-3/4 inches (sheet) [40 x 50 cm], edition of 12

"*" indicates required fields

Wardell MilanFire, Debris and Charred Mannequins: A Missile Strike Hits a ___ Shopping Center

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 19-5/8 x 15-1/2 inches (sheet) [50 x 39.5 cm], edition of 12

"*" indicates required fields

Wardell MilanI never spend this much time with myself

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm]

"*" indicates required fields

Wardell MilanSisyphus Ascending a Staircase

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 19-5/8 x 15-1/2 inches (sheet) [50 x 39.5 cm], edition of 12

"*" indicates required fields

Wardell Milan Migrants arrive to in Record Numbers, on Foot Not by Boat

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm], edition of 12

"*" indicates required fields

Wardell MilanThe World Rarely Goes Under: Civilians during a lull in fighting

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm], edition of 12

"*" indicates required fields

Wardell MilanOur Lives to Live

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm], edition of 12

"*" indicates required fields

Color photograph of a tall metal and concrete fence receding into the misty horizon on the right

Richard Misrach: Border Cantos

This latest installation in Misrach’s ongoing Desert Cantos series explores the entire length of the US/Mexico border, in photographs made with a large-format camera as well as images captured with an iPhone.