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A black and white photograph of an empty street lined with businesses.

Robert Adams: The New West

In a seminal series of images representing the suburban Southwest, Adams shows the brutal squalor of suburban architecture and its effect on the landscape, as well as the hopeful aspects of nature that are beyond our impact.

A black and white photograph overlooking a small town with mountains and clouds in the distance. — Robert Adams, Golden, Colorado, 1969

gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

A black and white photograph of a billboard advertising Howard Johnson's against pine trees and a river in the foreground. — Robert Adams, Clear Creek, near Idaho Springs, 1968-72

gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Black and white photograph of barren intersection with single building on the horizon — Robert Adams, Eden, Colorado, 1968

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

A black and white photograph of trees in an open field, with telephone lines running diagonally through the sky. — Robert Adams, Grazing Land with Pines, near Falcon, Colorado, 1968-72

gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Black and white photograph of a stretch of road with businesses and homes leading to the mountains — Robert Adams, Golden, Colorado, 1970 / printed 1972

gelatin silver print, 6 x 6 inches (image & sheet) [15.2 x 15.2 cm]

A black and white photograph of a lone person digging with mountains in the background. — Robert Adams, Basement for a tract house, Colorado Springs, 1969

gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert AdamsAlameda Avenue, Denver

1971

gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert AdamsGolden, Colorado

1969

gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert AdamsClear Creek, near Idaho Springs

1968-72

gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert AdamsEden, Colorado

1968

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Robert AdamsGrazing Land with Pines, near Falcon, Colorado

1968-72

gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Robert AdamsGolden, Colorado

1970 / printed 1972

gelatin silver print, 6 x 6 inches (image & sheet) [15.2 x 15.2 cm]

Robert AdamsBasement for a tract house, Colorado Springs

1969

gelatin silver print, 13 x 11 inches (mount) [33 x 27.9 cm]

Purple panel with uppercase dripping red text reading OBSCENE and various synonyms

Mel Bochner: Paintings

Often referencing humor and popular culture, Bochner’s paintings question the opaque meaning of language, transforming words into graphic arrangements and blurring the lines between looking and reading.

A multicolored painting of pastel-colored text on a beige background reading variations of the word "No" — Mel Bochner, No, 2012

oil on velvet, 62-3/4 x 42-1/2 inches [159.4 x 108 cm]

Striped blue and gray panels with multicolored uppercase text along each stripe — Mel Bochner, Oh Well, 2018

oil on velvet, 41-3/4 x 30-3/4 inches [106 x 78.1cm]

An oil painting with thickly applied light blue paint forming a smudge, and the text "$#!+" in white. — Mel Bochner, $#!+, 2014

oil on velvet mounted on panel, 9 x 12 inches [22.9 x 30.5 cm]

Color image of grey toned painting with phrases in different colors — Mel Bochner, Amazing, 2021

oil on velvet, 63 x 38-3/4 inches (painting) [160 x 98.4 cm]

A painting of black text on a bright, multicolored background of many synonyms of the phrase "Get Lost!". — Mel Bochner, Get Lost, 2014

enamel and acrylic on canvas, 60 x 45 inches (canvas) [152 x 114 cm]

Color image of oil painting with repeating word blah in various colors — Mel Bochner, Blah Blah Blah

oil on velvet, 27 1/8 x 22 1/4 inches [68.9 x 56.5 cm]

Color image of oil painting with several words and phrases in vary colors — Mel Bochner, Obvious, 2022

oil on velvet, 29 3/4 x 28 1/2 inches [75.6 x 72.4 cm]

Color image of oil painting with several phrases in varying colors — Mel Bochner, Oh Well, 2023

oil on velvet, 30 x 22 3/8 inches [76.2 x 56.8 cm]

Mel BochnerObscene

2018

oil on velvet, 20 x 13-3/4 inches [50.8 x 34.9 cm]

Mel BochnerNo

2012

oil on velvet, 62-3/4 x 42-1/2 inches [159.4 x 108 cm]

Mel BochnerOh Well

2018

oil on velvet, 41-3/4 x 30-3/4 inches [106 x 78.1cm]

Mel Bochner$#!+

2014

oil on velvet mounted on panel, 9 x 12 inches [22.9 x 30.5 cm]

Mel BochnerAmazing

2021

oil on velvet, 63 x 38-3/4 inches (painting) [160 x 98.4 cm]

Mel BochnerGet Lost

2014

enamel and acrylic on canvas, 60 x 45 inches (canvas) [152 x 114 cm]

Mel BochnerBlah Blah Blah

oil on velvet, 27 1/8 x 22 1/4 inches [68.9 x 56.5 cm]

Mel BochnerObvious

2022

oil on velvet, 29 3/4 x 28 1/2 inches [75.6 x 72.4 cm]

Mel BochnerOh Well

2023

oil on velvet, 30 x 22 3/8 inches [76.2 x 56.8 cm]

Mel BochnerBlah Blah Blah

oil on velvet, 27 1/8 x 22 1/4 inches [68.9 x 56.5 cm]

All Portfolios

Framed color photograph of several cargo ships loaded with shipping containers on a blue expanse of water

Richard Misrach: Cargo Ships

Richard Misrach documented cargo ships in the San Francisco Bay during a critical moment for the global shipping industry. Made in the light of early morning or late afternoon, Misrach’s images suggest a comparison to J.M.W Turner’s atmospheric maritime paintings, and recall the careful observation of the sky and water in Misrach’s own “Golden Gate Bridge” series.

Color photograph of several cargo ships on the horizon during sunrise with pinkish clouds — Richard Misrach, Cargo Ships (January 8, 2022, 7:37am), 2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm]

Color photograph of cargo ships on the bay during mid day framed in bleached wood — Richard Misrach, Cargo Ships (January 11, 2022, 2:01pm), 2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm]

Color photograph of cargo ships traveling on water early morning framed in bleached wood — Richard Misrach, Cargo Ships (January 14, 2022, 7:16pm), 2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm]

Color photograph of cargo ship on the water during sunset framed in bleached wood — Richard Misrach, Cargo Ships (January 14, 2022 6:51 am), 2022

pigment print, 63 x 82-1/4 inches (framed) [160 x 208.9 cm]

Color photograph of a cargo ship on the water on a densely foggy evening framed in bleached wood — Richard Misrach, Cargo Ships (November 19, 2021, 7:36pm), 2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm]

Richard MisrachCargo Ships (January 11, 2022, 5:02pm)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm]

Richard MisrachCargo Ships (January 8, 2022, 7:37am)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm]

Richard MisrachCargo Ships (January 14, 2022, 7:16pm)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm]

Richard MisrachCargo Ships (January 14, 2022 6:51 am)

2022

pigment print, 63 x 82-1/4 inches (framed) [160 x 208.9 cm]

Richard MisrachCargo Ships (November 19, 2021, 7:36pm)

2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm]

Black and white photograph of a water tower amongst residential homes

Bernd & Hilla Becher: Water Towers

Using a precisely positioned large format view camera and working on overcast days, the Bechers created photographs with the uniform, neutral appearance of architectural renderings or scientific records, transforming their subjects into what they called “anonymous sculpture.”

Black and white photograph of a water tower — Bernd & Hilla Becher, Water Tower, Weirton, West Virginia, U.S.A., 1980

gelatin silver print, 24 x 20-1/2 inches (sheet) [61.0 x 52.1 cm]

Black and white photograph of a water tower in a grass field near electrical power lines — Bernd & Hilla Becher, Water Tower, Circle City, New Jersey, U.S.A., 1974

gelatin silver print, 23-7/8 x 20-1/4 inches (sheet) [60.6 x 51.4 cm]

Black and white photograph of a water tower in a grass field — Bernd & Hilla Becher, Water Tower, Toledo, Ohio, USA, 1978

gelatin silver print, 24 x 20-1/4 inches (image & sheet) [61.0 x 51.0 cm]

Black and white photograph of a water tower near a railroad track and residential homes — Bernd & Hilla Becher, Water Tower, Gary, Indiana, U.S.A., 1977

gelatin silver print, 24-1/2 x 20 inches (sheet) [62.2 x 50.8 cm]

Black and white photograph of a circular water tower near railroad tracks — Bernd & Hilla Becher, Water Tower, Neville Island, near Pittsburgh, USA, 1980

gelatin silver print, 24-1/2 x 20 inches (sheet) [62.2 x 50.8 cm]

Black and white photograph of a water tower near electrical power lines — Bernd & Hilla Becher, Water Tower, St. Jean de Vedas, Herault, F., 1984

gelatin silver print, 24-1/2 x 20 inches (sheet) [62.2 x 50.8 cm]

Bernd & Hilla Becher, Water Tower, Crailsheim, Germany, 1980

gelatin silver print, 24 x 20 inches (sheet)

A black and white photograph of a large water tower with the word FINDLAY painted on the facade — Bernd & Hilla Becher, Water Tower, Findlay, Ohio, USA, 1977

gelatin silver print, 23-7/8 x 20-3/8 inches (image & sheet) [60.6 x 51.8 cm]

Black and white photograph of a water tower exterior — Bernd & Hilla Becher, Water Tower, Herve/Liège, Belgium, 1971

gelatin silver print, 23-1/2 x 19-1/4 inches (image & sheet) [59.7 x 48.9 cm], edition of 5

Bernd & Hilla BecherWater Tower, Weirton, West Virginia, U.S.A.

1980

gelatin silver print, 24 x 20-1/2 inches (sheet) [61.0 x 52.1 cm]

Bernd & Hilla BecherWater Tower, Wauseon, Ohio, U.S.A.

1977

gelatin silver print, 24 x 20-1/2 inches (sheet) [61.0 x 52.1 cm]

Bernd & Hilla BecherWater Tower, Circle City, New Jersey, U.S.A.

1974

gelatin silver print, 23-7/8 x 20-1/4 inches (sheet) [60.6 x 51.4 cm]

Bernd & Hilla BecherWater Tower, Gary, Indiana, U.S.A.

1977

gelatin silver print, 24-1/2 x 20 inches (sheet) [62.2 x 50.8 cm]

Liz Deschenes: Selected Works

In the metallic sheen of their surfaces, Deschenes’s mirror-like photograms reflect the architecture of the space around them, as well as the viewer. Carefully positioned in the gallery, their materials, dimension, and arrangements reference early photographic and cinematic techniques.

An image of a solid vivid purplish red colored print in a white frame. — Liz Deschenes, Indicator #1, 2022

dye sublimation print, 54 x 44 inches (framed) [137.1 x 111.7 cm], edition of 2

Two photographs depicting washes of green hanging on a light gray wall — Liz Deschenes, Green Screen #1 and #3, 2001

Fujiflex print mounted on plexiglass, 26 x 19 inches (each) [66 x 48.3 cm], edition of 5

An image of a solid blue colored print in a white frame. — Liz Deschenes, Indicator #9, 2022

dye sublimation print, 54 x 44 inches (framed) [137.1 x 111.7 cm], edition of 2

Color image of a unique gold toned photogram column on white wall — Liz Deschenes

Color image of unique photograms on white wall — Liz Deschenes, FPS (120), 2021

120 unique photograms mounted on Dibond, 60 x 1-1/4 inches (each) [152.4 x 3.2 cm]

Color image of a blue photogram framed in white — Liz Deschenes

Liz DeschenesIndicator #1

2022

dye sublimation print, 54 x 44 inches (framed) [137.1 x 111.7 cm], edition of 2

Liz DeschenesGreen Screen #1 and #3

2001

Fujiflex print mounted on plexiglass, 26 x 19 inches (each) [66 x 48.3 cm], edition of 5

Liz DeschenesIndicator #9

2022

dye sublimation print, 54 x 44 inches (framed) [137.1 x 111.7 cm], edition of 2

Liz DeschenesFPS (120)

2021

120 unique photograms mounted on Dibond, 60 x 1-1/4 inches (each) [152.4 x 3.2 cm]

Color photograph of flowers in a glass vase on concrete plinth famed in black

Richard Learoyd: Selected Works

Richard Learoyd’s large-scale color and black-and-white photography reimagines art historical tropes with a sensual hyperrealism. Using a camera obscura, Learoyd creates experiential tableaux with a contemporary texture, enveloping the viewer into the artist’s unique worldview.

Color photograph of seated woman in gingham dress framed in white — Nyima, 2012

Ilfochrome Photograph, 70-1/2 x 60 inches (framed) [179 x 121.9 cm]

Black and white photograph of tree filled valley framed in black frame — Yosemite III, 2018

gelatin silver contact print, 59-3/8 x 88-3/8 inches (framed) [150.8 x 224.5 cm]

Color photograph of decaying poppies in a small glass on wood plinth — Largest poppies, 2022

unique Ilfochrome photograph, 50-7/8 x 51-1/8 inches (framed) [129.2 x 129.8 cm]

Color photograph of a seated nude figure turning away from camera framed in black — Phie nude on plinth, 2016

Ilfochrome photograph, 75-3/8 x 60 inches (framed) [191.8 x 152.4 cm]

Black and white photograph of a river and trees along the horizon framed in black — The River Stour from Deadman’s Bridge near Flatford. (Summer), 2013

gelatin silver contact print, 58-1/8 x 86 inches (framed) [147.6 x 218.4 cm]

Color photograph of a nude woman laying on sheets framed in white — Agnes from above, 2008

Ilfochrome photograph, 70 x 60 inches (framed) [177 x 152 cm]

Color photograph of wilting poppies on metal plinth framed in black — Perfect poppies, 2020

Ilfochrome photograph, 37-5/8 x 43-3/8 inches (framed) [95.6 x 110.2 cm]

Color photograph of a woman in black lace top framed in white — Tatiana small, 2011

Ilfochrome photograph, 38-1/8 x 34-1/8 inches (framed) [96.8 x 96.8 cm]

Color photograph of a seated nude figure holding up photogram framed in white — James with photogram

Ilfochrome photograph, 80-3/8 x 60 inches (framed) [204.1 x 152.4 cm]

Color photograph of two fishes intertwined and suspended by black thread framed in white — You and me, 2010

Ilfochrome photograph, 60-3/4 x 62-1/4 inches (framed) [154.3 x 158.1 cm]

Black and white photograph of a large metal and concrete structure situated on hillside framed in black — Armature, Mount Buzludzha, Bulgaria, 2016

gelatin silver contact print, 58-1/2 x 79 inches (framed) [148.6 x 200.7 cm]

Color photograph of a seated figure hunched over away from camera in beaded black dress framed in white — Agnes back

Ilfochrome photograph, 70-1/4 x 59-3/4 inches (framed) [181 x 151.8 cm]

Richard LearoydLove in the mist

2021

unique Ilfochrome photograph, 38-1/8 x 39-7/8 inches (framed) [96.8 x 101.2 cm]

Richard LearoydNyima

2012

Ilfochrome Photograph, 70-1/2 x 60 inches (framed) [179 x 121.9 cm]

Richard LearoydYosemite III

2018

gelatin silver contact print, 59-3/8 x 88-3/8 inches (framed) [150.8 x 224.5 cm]

Richard LearoydLargest poppies

2022

unique Ilfochrome photograph, 50-7/8 x 51-1/8 inches (framed) [129.2 x 129.8 cm]

Richard LearoydPhie nude on plinth

2016

Ilfochrome photograph, 75-3/8 x 60 inches (framed) [191.8 x 152.4 cm]

Richard LearoydThe River Stour from Deadman’s Bridge near Flatford. (Summer)

2013

gelatin silver contact print, 58-1/8 x 86 inches (framed) [147.6 x 218.4 cm]

Richard LearoydAgnes from above

2008

Ilfochrome photograph, 70 x 60 inches (framed) [177 x 152 cm]

Richard LearoydPerfect poppies

2020

Ilfochrome photograph, 37-5/8 x 43-3/8 inches (framed) [95.6 x 110.2 cm]

Richard LearoydTatiana small

2011

Ilfochrome photograph, 38-1/8 x 34-1/8 inches (framed) [96.8 x 96.8 cm]

Richard LearoydJames with photogram

Ilfochrome photograph, 80-3/8 x 60 inches (framed) [204.1 x 152.4 cm]

Richard LearoydYou and me

2010

Ilfochrome photograph, 60-3/4 x 62-1/4 inches (framed) [154.3 x 158.1 cm]

Richard LearoydArmature, Mount Buzludzha, Bulgaria

2016

gelatin silver contact print, 58-1/2 x 79 inches (framed) [148.6 x 200.7 cm]

Richard LearoydAgnes back

Ilfochrome photograph, 70-1/4 x 59-3/4 inches (framed) [181 x 151.8 cm]

Color photograph of a woman dressed in an eclectic outfit posing against a high rise building

Martine Gutierrez: Selected works

Often using herself as a model, Martine Gutierrez acts as both subject and creator, transforming the language of fashion, advertising, and cinema with humor and imagination to explore identities that touch on race, class, gender, and sexuality.

Color photograph of a model dressed in vibrant colors and loud patterns chewing gum in front of building framed in white — Queer Rage, Talk to the Hand! p69 from Indigenous Woman, 2018, 2018

chromogenic print, 42-7/8 x 28-7/8 inches (framed) [108.9 x 73.43 cm], edition of 8

Black and white photograph of a reclining nude woman leaning against a male mannequin in a suit — Body En Thrall, p114-115 from Indigenous Woman, 2018

chromogenic print, 43-1/8 x 64-1/8 inches (framed) [101.9 x 152.7 cm], edition of 8

Framed color photograph of woman in culturally specific outfit holding a bowl atop her head — Neo-Indeo, Cakchiquel Calor, p34 from Indigenous Woman, 2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

Color photograph of women dressed in cultural garb against white background framed in white — Neo-Indeo, Monochrome Mamacita, p28 from Indigenous Woman, 2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

Black and white photograph of three nude bodies amongst greenery — Body En Thrall, p110 from Indigenous Woman, 2018

chromogenic print, 91-3/8 x 61-3/8 inches (framed) [232.1 x 155.9 cm], edition of 2

Framed black-and-white photograph of a nude woman reclining on a towel on the grass. — Body En Thrall, Blonde Cigarette, 2020

chromogenic print, 48-7/8 x 32-7/8 inches (framed) [124.1 x 83.5 cm], edition of 8

Framed color photograph of a woman with green hair and magenta outfit on a light blue background with a statue's image cut in two pieces below — P.P.S. Christopher Columbus was a Fuck Boi, 2018

chromogenic print, 42-7/8 x 28-7/8 inches (framed) [108.9 x 73.43 cm], edition of 8

Black and white photograph of two people embracing on a hammock while another enters the space framed in white — Body En Thrall, p108-109 from Indigenous Woman, 2018, 2018

chromogenic print, 43-1/8 x 64-1/8 inches (framed) [101.9 x 152.7 cm], edition of 8

Martine GutierrezQueer Rage, Talk to the Hand! p69 from Indigenous Woman, 2018

2018

chromogenic print, 42-7/8 x 28-7/8 inches (framed) [108.9 x 73.43 cm], edition of 8

Martine GutierrezBody En Thrall, p114-115 from Indigenous Woman

2018

chromogenic print, 43-1/8 x 64-1/8 inches (framed) [101.9 x 152.7 cm], edition of 8

Martine GutierrezNeo-Indeo, Cakchiquel Calor, p34 from Indigenous Woman

2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

Martine GutierrezNeo-Indeo, Monochrome Mamacita, p28 from Indigenous Woman

2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

Martine GutierrezBody En Thrall, p110 from Indigenous Woman

2018

chromogenic print, 91-3/8 x 61-3/8 inches (framed) [232.1 x 155.9 cm], edition of 2

Martine GutierrezBody En Thrall, Blonde Cigarette

2020

chromogenic print, 48-7/8 x 32-7/8 inches (framed) [124.1 x 83.5 cm], edition of 8