Portfolios

Robert Adams
Diane Arbus
Richard Avedon
Bernd & Hilla Becher
E.J. Bellocq
Elisheva Biernoff
Mel Bochner
Sophie Calle
Janet Cardiff & George Bures Miller
Lee Friedlander
Adam Fuss
Nan Goldin
Katy Grannan
Peter Hujar
Richard Learoyd
Helen Levitt
Christian Marclay
Ralph Eugene Meatyard
Wardell Milan
Richard Misrach
Eadweard Muybridge
Nicholas Nixon
Alec Soth
Hiroshi Sugimoto
Richard T. Walker
Carleton E. Watkins
Carrie Mae Weems
Garry Winogrand

Featured

Color image of seated man holding box labeled 'Photos' surrounded by stacks of paper

Alec Soth: A Pound of Pictures

In photographs made on a series of road trips across the U.S., Soth records people and locations with subtle connections. The series features images that reference photography itself, investigating the physicality of the medium and its limited ability to preserve what is fleeting.

Color image of minivan in cemetery with furnace plant in background — Alec Soth, Bethlehem, Pennsylvania, 2019

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

Color image of a reclined male on leather sofa with two pairs of legs also in frame — Alec Soth, Cooper. Chicago, Illinois, 2019

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

Color image of waterfall with two photographers in foreground — Alec Soth, Bond Falls, Michigan, 2019

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

Color image of a seated woman with book in hand looking towards camera — Alec Soth, Anna. Austin, Texas, 2021

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

Color image of woman holding rope around a large tree amongst verdant surrounding — Alec Soth, Molly. Morenci, Michigan, 2019

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

Color image of nude male model posing in life drawing classroom with two students drawing — Alec Soth, Plastic Arts Club. Philadelphia, Pennsylvania, 2019 / printed 2021

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

Color image of a person with binoculars in grain field with large cloud of smoke on the horizon — Alec Soth, Birdwatching. Linfield, Pennsylvania, 2019

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

Color photograph of a bedside table in a mirrored bedroom corner — Alec Soth, Harvard House. Hollywood, California, 2020

pigment print, 43-1/2 x 53-1/2 inches (mount) [110.5 x 135.9 cm], edition of 9 + 4 AP

Color image of a road surrounded by verdant greenery — Alec Soth, Abstract Avenue, Pittsburgh, Pennsylvania, 2021

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

Color photograph of a hotel bed covered in small color photographs — Alec Soth, The Coachlight. Mitchell, South Dakota, 2020 / printed 2021

pigment print, 43-1/2 x 53-1/2 inches (mount) [110.5 x 135.9 cm], edition of 9 + 4 AP

Alec SothNeil. Winona, Minnesota

2019

pigment print, 24 x 30 inches (image) [61 x 76.2 cm], edition of 9 + 4 APs

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Alec SothBethlehem, Pennsylvania

2019

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

First name*
Last name*
Email address*
Comments
Name
This field is for validation purposes and should be left unchanged.

Alec SothCooper. Chicago, Illinois

2019

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

First name*
Last name*
Email address*
Comments
Comments
This field is for validation purposes and should be left unchanged.

Alec SothBond Falls, Michigan

2019

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

Alec SothAnna. Austin, Texas

2021

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Alec SothMolly. Morenci, Michigan

2019

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

First name*
Last name*
Email address*
Comments
Comments
This field is for validation purposes and should be left unchanged.

Alec SothPlastic Arts Club. Philadelphia, Pennsylvania

2019 / printed 2021

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

First name*
Last name*
Email address*
Comments
Comments
This field is for validation purposes and should be left unchanged.

Alec SothBirdwatching. Linfield, Pennsylvania

2019

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

First name*
Last name*
Email address*
Comments
Name
This field is for validation purposes and should be left unchanged.

Alec SothHarvard House. Hollywood, California

2020

pigment print, 43-1/2 x 53-1/2 inches (mount) [110.5 x 135.9 cm], edition of 9 + 4 AP

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Alec SothAbstract Avenue, Pittsburgh, Pennsylvania

2021

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

First name*
Last name*
Email address*
Comments
Name
This field is for validation purposes and should be left unchanged.

Alec SothThe Coachlight. Mitchell, South Dakota

2020 / printed 2021

pigment print, 43-1/2 x 53-1/2 inches (mount) [110.5 x 135.9 cm], edition of 9 + 4 AP

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

Black and white photograph of three people seated on a pedestal lit by a spotlight in a darkened room

Carrie Mae Weems: Selected Works

View all

Carrie Mae Weems: Selected Works

Over the course of forty years, Carrie Mae Weems has built a body of work incorporating photographs, text, installation, and video, focused on the relationships between personal experience, identity, and class, and the larger systems of power that shape our lives.

Framed black and white photograph of three people seated on a pedestal lit by a spotlight in a darkened room — Carrie Mae Weems, Mourning, 2008

pigment print, 61-1/2 x 51-1/2 inches (framed) [156.2 x 130.8 cm]

Carrie Mae Weems, All the Boys (Profile 1), 2016

two archival pigment prints, 61-1/2 x 47-1/2 inches (each framed) [156.2 x 120.7 cm]

Framed artwork consisting of a column of three adjacent framed photographs and a framed text panel adjacent to the top image. The images depict homes in West Africa, with stairways leading to the tops of homes. — Carrie Mae Weems, Stairways to Heaven, 1993

three gelatin silver prints with text panel, 20-3/4 x 20-3/4 inches (each framed) [52.7 x 52.7 cm]

Framed black and white photograph of suited figure with white gloves and top hat wearing a mask depicting a zebra — Carrie Mae Weems, Missing Link (Happiness), from The Louisiana Series, 2003

pigment print, 41-1/4 x 29-1/4 inches (framed) [104.8 x 74.3 cm]

Framed black and white photograph of suited figure with white gloves wearing a mask depicting a donkey — Carrie Mae Weems, Missing Link (Liberty), from The Louisiana Series, 2003

pigment print, 41-1/4 x 29-1/4 inches (framed) [104.8 x 74.3 cm]

Three framed black and white photographs. In the first, an African American woman stands silhouetted in a doorway; in the second, an African-American man appears outside of the door; in the third, the two embrace, silhouetted in the doorway. — Carrie Mae Weems, Untitled (Black Love), 1990-92

three gelatin silver prints, 28-1/8 x 28-1/8 inches (each framed) [71.4 x 71.4 cm]

Four framed artworks of black and white storefronts framed by text panels — Carrie Mae Weems, Untitled (Peanuts), 1992

two gelatin silver prints and two silkscreened text panels on paper, 20-7/8 x 20-7/8 inches (each framed) [53 x 53 cm], approx. 83 inches long installed (overall) [210.8 cm]

Image of a framed black and white photograph depicting a solitary black-clad woman walking through the crosswalk toward an imposing building. — Carrie Mae Weems, Galleria Nazionale D’Arte Moderna, 2006

digital chromogenic print, 73 x 61 inches (framed) [185.4 x 154.9 cm]

Framed black and white photograph of women in black dress on cobblestone steps with her back to the viewer — Carrie Mae Weems, Rock of Ages

digital chromogenic print, 26-1/4 x 22-1/4 inches (framed) [66.7 x 56.5 cm]

Framed black and white photograph of a women in a black dress facing away from viewer amongst a cobblestoned town square — Carrie Mae Weems, Piazza del Popolo I – Ancient Rome, 2006

digital chromogenic print, 26-1/4 x 22-1/4 inches (framed) [66.7 x 56.5 cm]

A grid of 15 framed maroon toned photographs hanging on grey walls — Carrie Mae Weems, And 22 Million Very Tired and Very Angry People, 1991 / printed 2022

fifteen pigment prints, 30 x 25 inches (each framed) [76.2 x 63.5 cm]

Carrie Mae WeemsMourning

2008

pigment print, 61-1/2 x 51-1/2 inches (framed) [156.2 x 130.8 cm]

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Carrie Mae WeemsAll the Boys (Profile 1)

2016

two archival pigment prints, 61-1/2 x 47-1/2 inches (each framed) [156.2 x 120.7 cm]

First name*
Last name*
Email address*
Comments
Name
This field is for validation purposes and should be left unchanged.

Carrie Mae WeemsStairways to Heaven

1993

three gelatin silver prints with text panel, 20-3/4 x 20-3/4 inches (each framed) [52.7 x 52.7 cm]

First name*
Last name*
Email address*
Comments
Name
This field is for validation purposes and should be left unchanged.

Carrie Mae WeemsMissing Link (Happiness), from The Louisiana Series

2003

pigment print, 41-1/4 x 29-1/4 inches (framed) [104.8 x 74.3 cm]

First name*
Last name*
Email address*
Comments
Comments
This field is for validation purposes and should be left unchanged.

Carrie Mae WeemsMissing Link (Liberty), from The Louisiana Series

2003

pigment print, 41-1/4 x 29-1/4 inches (framed) [104.8 x 74.3 cm]

First name*
Last name*
Email address*
Comments
Name
This field is for validation purposes and should be left unchanged.

Carrie Mae WeemsUntitled (Black Love)

1990-92

three gelatin silver prints, 28-1/8 x 28-1/8 inches (each framed) [71.4 x 71.4 cm]

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

Carrie Mae WeemsUntitled (Peanuts)

1992

two gelatin silver prints and two silkscreened text panels on paper, 20-7/8 x 20-7/8 inches (each framed) [53 x 53 cm], approx. 83 inches long installed (overall) [210.8 cm]

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

Carrie Mae WeemsGalleria Nazionale D’Arte Moderna

2006

digital chromogenic print, 73 x 61 inches (framed) [185.4 x 154.9 cm]

First name*
Last name*
Email address*
Comments
Comments
This field is for validation purposes and should be left unchanged.

Carrie Mae WeemsRock of Ages

digital chromogenic print, 26-1/4 x 22-1/4 inches (framed) [66.7 x 56.5 cm]

First name*
Last name*
Email address*
Comments
Comments
This field is for validation purposes and should be left unchanged.

Carrie Mae WeemsPiazza del Popolo I – Ancient Rome

2006

digital chromogenic print, 26-1/4 x 22-1/4 inches (framed) [66.7 x 56.5 cm]

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Carrie Mae WeemsAnd 22 Million Very Tired and Very Angry People

1991 / printed 2022

fifteen pigment prints, 30 x 25 inches (each framed) [76.2 x 63.5 cm]

First name*
Last name*
Email address*
Comments
Name
This field is for validation purposes and should be left unchanged.

All Portfolios

Black and white photographs of two women in sunglasses taking photographs on a city street

Lee Friedlander: The People’s Pictures

View Portfolio

View all

Lee Friedlander: The People’s Pictures

Black and white photograph of a person taking a family photograph in front of a life-size dinosaur statue — Lee Friedlander, Rapid City, South Dakota, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of two women taking photographs on a city sidewalk — Lee Friedlander, Paris, France, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of tourists having their photograph taken in front of a valley — Lee Friedlander, Canadian Rockies, Canada, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a young girl taking a photograph in a living room — Lee Friedlander, Fort Lee, New Jersey, 1971

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black and white photograph of a man in a crowd holding a camera to his eye — Lee Friedlander, New Orleans, Louisiana, 1991

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of three young women in front of a stone memorial taking a photograph — Lee Friedlander, Washington, D.C., 1988

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a man holding a camera in an art gallery — Lee Friedlander, David Hockney, New York City, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a woman taking a photograph of a man performing on a city corner — Lee Friedlander, New Orleans, Louisiana, 1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderNew Orleans

1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

First name*
Last name*
Email address*
Comments
Comments
This field is for validation purposes and should be left unchanged.

Lee FriedlanderRapid City, South Dakota

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Lee FriedlanderParis, France

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

First name*
Last name*
Email address*
Comments
Name
This field is for validation purposes and should be left unchanged.

Lee FriedlanderCanadian Rockies, Canada

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Lee FriedlanderFort Lee, New Jersey

1971

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

First name*
Last name*
Email address*
Comments
Name
This field is for validation purposes and should be left unchanged.

Lee FriedlanderNew Orleans, Louisiana

1991

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Lee FriedlanderWashington, D.C.

1988

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Lee FriedlanderDavid Hockney, New York City

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

First name*
Last name*
Email address*
Comments
Name
This field is for validation purposes and should be left unchanged.

Lee FriedlanderNew Orleans, Louisiana

1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

An abstract oil painting of a deconstructed black and white flower, with several bright green leaves

Wardell Milan: Paintings

View Portfolio

View all

Wardell Milan: Paintings

An abstract painting of a deconstructed light blue flower, on a black ground, with blue, yellow, white and orange paint splotches coming out of it. — Wardell Milan, Untitled (Tulip, Tennessee no. 2), 2020

oil, charcoal, graphite, pastel & china marker on panel, 25-1/2 x 32 inches (framed) [64.8 x 81.3 cm]

An abstract painting of warm colors and layered gestures on top of a black background — Wardell Milan, Untitled (Tulip, Tennessee no. 1), 2020

oil, charcoal, graphite, pastel & china marker on panel, 21-1/2 x 25-1/2 inches (framed) [54.6 x 64.8 cm]

An abstract painting of a deconstructed light blue flower, on a black ground, with blue, green, brown and white colors coming out of it. — Wardell Milan, Untitled (Tulip, Tennessee no. 3), 2020

oil, charcoal, graphite, pastel & china marker on panel, 25-3/4 x 31-3/4 inches (framed) [65.4 x 80.6 cm]

An abstract painting of a deconstructed pink flower, with a burst of blue coming from the center. — Wardell Milan, Untitled (Tulip, Tennessee no. 4), 2020

oil, charcoal, graphite, pastel & china marker on panel, 31-1/2 x 41-1/2 inches (framed) [80 x 105.4 cm]

An abstract painting of a lush blue flower on a dark blue ground. — Wardell Milan, Blue in Green no. 2, 2018

charcoal, acrylic, oil on board, 25-1/4 x 21-1/4 inches (framed) [64. 1 x 54 cm]

Wardell MilanUntitled, (Tulip, Tennessee no. 5)

2020

oil, charcoal, graphite, pastel & china marker, 32 x 41-1/2 inches (framed) [81.3 x 105.4 cm]

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

Wardell MilanUntitled (Tulip, Tennessee no. 2)

2020

oil, charcoal, graphite, pastel & china marker on panel, 25-1/2 x 32 inches (framed) [64.8 x 81.3 cm]

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Wardell MilanUntitled (Tulip, Tennessee no. 1)

2020

oil, charcoal, graphite, pastel & china marker on panel, 21-1/2 x 25-1/2 inches (framed) [54.6 x 64.8 cm]

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

Wardell MilanUntitled (Tulip, Tennessee no. 3)

2020

oil, charcoal, graphite, pastel & china marker on panel, 25-3/4 x 31-3/4 inches (framed) [65.4 x 80.6 cm]

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

Wardell MilanUntitled (Tulip, Tennessee no. 4)

2020

oil, charcoal, graphite, pastel & china marker on panel, 31-1/2 x 41-1/2 inches (framed) [80 x 105.4 cm]

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Wardell MilanBlue in Green no. 2

2018

charcoal, acrylic, oil on board, 25-1/4 x 21-1/4 inches (framed) [64. 1 x 54 cm]

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Color photo of a collage of comic strips and creased paper, showing a screaming man

Christian Marclay: Photographs, 2020

View Portfolio

View all

Christian Marclay: Photographs, 2020

A framed collage of comic strips and creased paper, showing a screaming man — Christian Marclay, Untitled (Crying), 2020

digital chromogenic print, 25-1/8 x 33-3/4 inches (framed) [63.8 x 85.7 cm], edition of 5

A framed collage of a crumpled black sheet, with a black and white image of a screaming mouth in the center. — Christian Marclay, Untitled (Black), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed color photograph of screaming faces from a comic book, torn out and lit on fire on the grass, surrounded by leaves. — Christian Marclay, Untitled (Burning I), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed color photograph of a screaming face from a comic book, torn out and lit on fire on the grass, surrounded by leaves. — Christian Marclay, Untitled (Burning II), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage of crumpled comic book images, with a screaming mouth at the center — Christian Marclay, Untitled (Pulp), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage made from comic book images, of a person screaming with concentric circles around their open mouth. — Christian Marclay, Untitled (Concentric Waves), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage of comic book images, with a small face at the center, and long black strips radiating out of it. — Christian Marclay, Untitled (Shreds), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage of crumpled pages from comic books, with a torn screaming face at the center. — Christian Marclay, Untitled (Torn), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage of a blue screaming face, with comic book images glued on top. — Christian Marclay, Untitled (Death), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

Christian MarclayUntitled (Crying)

2020

digital chromogenic print, 25-1/8 x 33-3/4 inches (framed) [63.8 x 85.7 cm], edition of 5

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Christian MarclayUntitled (Black)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

Christian MarclayUntitled (Burning I)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

First name*
Last name*
Email address*
Comments
Name
This field is for validation purposes and should be left unchanged.

Christian MarclayUntitled (Burning II)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

Christian MarclayUntitled (Pulp)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

First name*
Last name*
Email address*
Comments
Name
This field is for validation purposes and should be left unchanged.

Christian MarclayUntitled (Concentric Waves)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

First name*
Last name*
Email address*
Comments
Comments
This field is for validation purposes and should be left unchanged.

Christian MarclayUntitled (Shreds)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

First name*
Last name*
Email address*
Comments
Comments
This field is for validation purposes and should be left unchanged.

Christian MarclayUntitled (Torn)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Christian MarclayUntitled (Death)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

Light gray panel with uppercase multicolored text

Mel Bochner: Paintings

View Portfolio

View all

Mel Bochner: Paintings

Purple panel with uppercase dripping red text reading OBSCENE and various synonyms — Mel Bochner, Obscene, 2018

oil on velvet, 20 x 13-3/4 inches [50.8 x 34.9 cm]

Striped blue and gray panels with multicolored uppercase text along each stripe — Mel Bochner, Oh Well, 2018

oil on velvet, 41-3/4 x 30-3/4 inches [106 x 78.1cm]

An oil painting with thickly applied light blue paint forming a smudge, and the text "$#!+" in white. — Mel Bochner, $#!+, 2014

oil on velvet mounted on panel, 9 x 12 inches [22.9 x 30.5 cm]

A painting of black text on a bright, multicolored background of many synonyms of the phrase "Get Lost!". — Mel Bochner, Get Lost, 2014

enamel and acrylic on canvas, 60 x 45 inches (canvas) [152 x 114 cm]

A multicolored painting of pastel-colored text on a beige background reading variations of the word "No" — Mel Bochner, No, 2012

oil on velvet, 62-3/4 x 42-1/2 inches [159.4 x 108 cm]

Painting of phrases that are synonyms for the word obvious in different colors — Mel Bochner, Obvious, 2017

oil on velvet, 91-1/4 x 57-1/4 inches (canvas) [231.8 x 145.4 cm]

Mel BochnerOh Well

2014

oil on velvet, 12 x 9 inches [30.5 x 22.9 cm]

First name*
Last name*
Email address*
Comments
Comments
This field is for validation purposes and should be left unchanged.

Mel BochnerObscene

2018

oil on velvet, 20 x 13-3/4 inches [50.8 x 34.9 cm]

First name*
Last name*
Email address*
Comments
Name
This field is for validation purposes and should be left unchanged.

Mel BochnerOh Well

2018

oil on velvet, 41-3/4 x 30-3/4 inches [106 x 78.1cm]

First name*
Last name*
Email address*
Comments
Comments
This field is for validation purposes and should be left unchanged.

Mel Bochner$#!+

2014

oil on velvet mounted on panel, 9 x 12 inches [22.9 x 30.5 cm]

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

Mel BochnerGet Lost

2014

enamel and acrylic on canvas, 60 x 45 inches (canvas) [152 x 114 cm]

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

Mel BochnerNo

2012

oil on velvet, 62-3/4 x 42-1/2 inches [159.4 x 108 cm]

First name*
Last name*
Email address*
Comments
Phone
This field is for validation purposes and should be left unchanged.

Mel BochnerObvious

2017

oil on velvet, 91-1/4 x 57-1/4 inches (canvas) [231.8 x 145.4 cm]

First name*
Last name*
Email address*
Comments
Comments
This field is for validation purposes and should be left unchanged.

A photograph of a q-tip in a puddle on the side of the road, near the sidewalk curb.

Christian Marclay: Animations

View Portfolio

View all

Christian Marclay: Animations

A photograph of a q-tip in on the side of the road, near the sidewalk curb. — Christian Marclay, Cotton Buds, (video still), 2016

single-channel animation, silent, edition of 6

A photograph of a cotton swab in the street, over a road stripe — Christian Marclay, Cotton Buds (video still), (video still), 2016

single-channel animation, silent, edition of 6

An installation shot of two projections in the darkened gallery — Christian Marclay, Chewing Gum & Cotton Buds on view in the gallery

A photograph of two pieces of chewing gum on the sidewalk — Christian Marclay, Chewing Gum, (video still), 2016

single-channel animation, silent, edition of 6

Christian Marclay, Chewing Gum, (excerpt), 2016

single-channel animation, silent, edition of 6

A photograph of a green plastic bottle cap on the street, next to a pile of leaves. — Christian Marclay, Bottle Caps, (video still), 2016

single-channel animation, silent, edition of 6

A photograph of a blue plastic bottle cap on the street. — Christian Marclay, Bottle Caps, (video still), 2016

single-channel animation, silent, edition of 6

Christian Marclay, Cigarettes, (video still), 2016

single-channel animation, silent, edition of 6

A photograph of a cigarette butt in the sidewalk, on rocky cement — Christian Marclay, Cigarettes, (video still), 2016

single-channel animation, silent, edition of 6

A photograph of a disposable drink lid & green plastic straw in the street — Christian Marclay, Lids and Straws (One Minute), (video still), 2016

single-channel animation, silent, edition of 6

A photograph of a disposable drink lid & striped plastic straw on the sidewalk — Christian Marclay, Lids and Straws (One Minute), (video still), 2016

single-channel animation, silent, edition of 6

Christian MarclayCotton Buds

(video still), 2016

single-channel animation, silent, edition of 6

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.

Christian MarclayCotton Buds

(video still), 2016

single-channel animation, silent, edition of 6

First name*
Last name*
Email address*
Comments
Comments
This field is for validation purposes and should be left unchanged.

Christian MarclayCotton Buds (video still)

(video still), 2016

single-channel animation, silent, edition of 6

First name*
Last name*
Email address*
Comments
Email
This field is for validation purposes and should be left unchanged.