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Color photograph of a bouquet of poppies and tulips in various stages of decay in a glass vase framed in black

Richard Learoyd: Flowers

A cut flower is alive, but in the process of decay. In his studio photographs of flowers, the artist aims to translate this understanding of the fragile beauty of life, and the inevitability of an end.

Framed color photograph of a vase of pink lily flowers on a plinth — Live Lilies, Pink, 2021

unique Ilfochrome photograph, 36-3/4 x 38 inches (framed) [93.4 x 96.5 cm], one of three unique variants

Color photograph framed in black depicting decaying poppies with circular mirror on wooden plinth — Poppies with dark mirror, 2022

unique Ilfochrome photograph, 34 x 33-5/8 inches (framed) [86.3 x 85.4 cm]

Untitled Poppies, 2024

unique Ilfochrome photograph, 37-1/2 x 31 inches (approx. framed) [95.3 x 78.7 cm], one of 3 unique variants

Color photograph of a glass of poppy flowers on a wire frame — Flowers on armature, 2020

unique Ilfochrome photograph, 34-3/4 x 40 inches (framed) [88.3 x 101.6 cm], one of four unique variants

Color photograph of multiple flowers in a glass vase at various stages of decay on wooden plinth framed in black — Untitled, 2023

unique Ilfochrome photograph, 39-1/2 x 39-1/2 inches (approx. framed*) [100.3 x 100.3 cm]

Color photograph of flowers in a glass vase on concrete plinth famed in black — Love in the mist, 2021

unique Ilfochrome photograph, 38-1/8 x 39-7/8 inches (framed) [96.8 x 101.2 cm], one of four unique variants

Color photograph of several flowers in states of decay in a small glass on a wooden pedestal framed in black — Untitled, 2022

unique Ilfochrome photograph, 39-7/8 × 34-7/8 inches (framed) [101.3 cm × 88.6 cm]

Color photograph of 11 sunflowers strung together on a cotton string armature. — Large sunflowers, 2018

unique Ilfochrome photograph, 45-1/2 x 39-1/4 inches (framed) [115.6 x 99.7 cm], one of three unique variants

Color photograph depicting several decaying flowers in a small glass on a marble pedestal framed in black — Untitled, 2020

unique Ilfochrome photograph, 37-1/4 x 40-7/8 inches (framed) [94.6 x 103.8 cm]

Framed color photograph of a bunch of flowering tree branches posed on a plinth — Home blossom, 2018

unique Ilfochrome photograph, 45-5/8 x 38-3/8 inches (framed) [115.9 x 97.5 cm]

Framed color photograph of a bouquet of drying poppy flowers. — Live and dead poppies, 2018

unique Ilfochrome photograph, 35-3/4 x 35-5/8 inches (framed) [90.8 x 90.5 cm], one of three unique variants

Color photograph of flowers at various stages of decay in a glass vase on a wooden plinth — Untitled, 2023

unique Ilfochrome photograph, 33-1/2 x 33 inches (approx. framed), one of 3 unique variants

Richard LearoydUntitled Poppies & Tulips

2024

unique Ilfochrome photograph, 33-1/8 x 30-3/8 inches (framed) [84.1 x 77.2 cm]

Richard LearoydLive Lilies, Pink

2021

unique Ilfochrome photograph, 36-3/4 x 38 inches (framed) [93.4 x 96.5 cm], one of three unique variants

Richard LearoydPoppies with dark mirror

2022

unique Ilfochrome photograph, 34 x 33-5/8 inches (framed) [86.3 x 85.4 cm]

Richard LearoydUntitled Poppies

2024

unique Ilfochrome photograph, 37-1/2 x 31 inches (approx. framed) [95.3 x 78.7 cm], one of 3 unique variants

Richard LearoydFlowers on armature

2020

unique Ilfochrome photograph, 34-3/4 x 40 inches (framed) [88.3 x 101.6 cm], one of four unique variants

Richard LearoydUntitled

2023

unique Ilfochrome photograph, 39-1/2 x 39-1/2 inches (approx. framed*) [100.3 x 100.3 cm]

Richard LearoydLove in the mist

2021

unique Ilfochrome photograph, 38-1/8 x 39-7/8 inches (framed) [96.8 x 101.2 cm], one of four unique variants

Richard LearoydUntitled

2022

unique Ilfochrome photograph, 39-7/8 × 34-7/8 inches (framed) [101.3 cm × 88.6 cm]

Richard LearoydLarge sunflowers

2018

unique Ilfochrome photograph, 45-1/2 x 39-1/4 inches (framed) [115.6 x 99.7 cm], one of three unique variants

Richard LearoydUntitled

2020

unique Ilfochrome photograph, 37-1/4 x 40-7/8 inches (framed) [94.6 x 103.8 cm]

Richard LearoydHome blossom

2018

unique Ilfochrome photograph, 45-5/8 x 38-3/8 inches (framed) [115.9 x 97.5 cm]

Richard LearoydLive and dead poppies

2018

unique Ilfochrome photograph, 35-3/4 x 35-5/8 inches (framed) [90.8 x 90.5 cm], one of three unique variants

Richard LearoydUntitled

2023

unique Ilfochrome photograph, 33-1/2 x 33 inches (approx. framed), one of 3 unique variants

Color image of a color illustration depicting a large cruise ship traveling under the golden gate bridge as several onlookers watch on

Kota Ezawa: Lightboxes

Ezawa began using lightboxes with his series The History of Photography Remix and has returned to the glowing format in more recent series, harnessing its impact to highlight the singular power of each image.

Color image of an artwork depicting a large cruise ship traveling under the golden gate bridge as several onlookers watch on framed on a light box on a white wall — Kota Ezawa, Grand Princess, 2023

transparency in lightbox, 40 x 60 inches (overall) [101.6 x 152.4 cm], edition of 5

Color image of a color transparency on a light box depicting a figure in a yellow dress with adornments of various shapes against a yellow background — Kota Ezawa, Adele Bloch-Bauer I, 2016

transparency in lightbox, 54 x 54 inches [137.16 x 137.16 cm], edition of 5

Color image of a black and white transparency on a light box depicting Yosemite with mountains in the distance — Kota Ezawa, Yosemite, California, 2011

transparency in lightbox, 20-5/8 x 30-5/8 inches (overall) [50.8 x 76.2 cm], edition of 5

Color image of a color transparency on a light box depicting a Kodachrome color slide of a van driving down a road — Kota Ezawa, Slide, 2005

transparency in lightbox, 24 x 24 inches (overall) [61 x 61 cm], edition of 5

Color image of a color transparency on a lightbox depicting a Polaroid land camera hung on a grey wall — Kota Ezawa, Polaroid Supercolor 1000 (no date), 2005

transparency in lightbox, 20-5/8 x 24-5/8 inches (overall) [52.3 x 62.5 cm], edition of 5

Color image of a black and white transparency on a light box depicting the aftermath of an art heist with empty and destroyed frames on floor of gallery — Kota Ezawa, Crime Scene, 2016

transparency in lightbox, 24-1/4 x 34-1/2 inches [61.6 x 87.6 cm], edition of 5

Color image of a black and white transparency on a light box depicting an exhibition of black and white photographs — Kota Ezawa, Photo Secession (1902), 2005

transparency in lightbox, 20 x 30 inches (overall), edition of 5

Color image of a color transparency on a light box depicting a darkly framed abstract image of overlapping geometric shapes hung on a grey wall — Kota Ezawa, Photogram, 2023

transparency in lightbox, 28-3/4 x 20-3/4 inches (overall) [73 x 52.7 cm], edition of 5

Color image of a black and white transparency on a light box depicting the inside of an empty theatre — Kota Ezawa, Theatre (1978), 2005

transparency in lightbox, 22 x 28 inches (overall) [55.9 x 71.1 cm], edition of 5

Color image of a black and white transparency on a light box depicting two figures with pet monkeys in clothes walking through the park — Kota Ezawa, Central Park Zoo (1967), 2005

transparency in lightbox, 20 x 30 inches (overall) [50.8 x 76.2 cm], edition of 5

Color image of a color transparency on a light box depicting an aerial view of several homes that have flooded — Kota Ezawa, Flood, 2011

transparency in lightbox, 24 x 36 inches (overall) [61 x 91.4 cm], edition of 5

Color image of a transparency in a light box depicting figures crossing a border framed in black — Kota Ezawa, Kabul, 2021

transparency in lightbox, 10-1/2 x 18 inches (overall) [26.6 x 45.7 cm], edition of 5

Kota EzawaGrand Princess

2023

transparency in lightbox, 40 x 60 inches (overall) [101.6 x 152.4 cm], edition of 5

Kota EzawaAdele Bloch-Bauer I

2016

transparency in lightbox, 54 x 54 inches [137.16 x 137.16 cm], edition of 5

Kota EzawaYosemite, California

2011

transparency in lightbox, 20-5/8 x 30-5/8 inches (overall) [50.8 x 76.2 cm], edition of 5

Kota EzawaSlide

2005

transparency in lightbox, 24 x 24 inches (overall) [61 x 61 cm], edition of 5

Kota EzawaPolaroid Supercolor 1000 (no date)

2005

transparency in lightbox, 20-5/8 x 24-5/8 inches (overall) [52.3 x 62.5 cm], edition of 5

Kota EzawaCrime Scene

2016

transparency in lightbox, 24-1/4 x 34-1/2 inches [61.6 x 87.6 cm], edition of 5

Kota EzawaPhoto Secession (1902)

2005

transparency in lightbox, 20 x 30 inches (overall), edition of 5

Kota EzawaPhotogram

2023

transparency in lightbox, 28-3/4 x 20-3/4 inches (overall) [73 x 52.7 cm], edition of 5

Kota EzawaTheatre (1978)

2005

transparency in lightbox, 22 x 28 inches (overall) [55.9 x 71.1 cm], edition of 5

Kota EzawaCentral Park Zoo (1967)

2005

transparency in lightbox, 20 x 30 inches (overall) [50.8 x 76.2 cm], edition of 5

Kota EzawaFlood

2011

transparency in lightbox, 24 x 36 inches (overall) [61 x 91.4 cm], edition of 5

Kota EzawaKabul

2021

transparency in lightbox, 10-1/2 x 18 inches (overall) [26.6 x 45.7 cm], edition of 5

All Portfolios

Color photograph of crushed flowers and greenery against a white background framed in white

Adam Fuss: Theia

In a series of prints, Fuss considers Theia, the name given to a hypothetical planet that may have violently crashed into the Earth billions of years ago, ejecting the debris which formed our moon. Theia is also the Greek goddess of sight, prophecy, and brilliance, who is thought to endow gems and gold with their visible glimmer and intrinsic value.

Theia, 2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

The Making of ADAM FUSS, Theia, 2024. Using an etching press to flatten spring flowers onto paper, the artist then photographs the results. ⁠

Color photograph of crushed flowers against a white background framed in white — Theia, 2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

A color image of two works of art hanging on perpendicular white gallery walls — Installation view of Adam Fuss's *Theia*, 2024 (left) and Richart T. Walker's *an acquiescence of meaning #2*, 2020 (right)

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

Adam FussTheia

2024

pigment print, 61-1/2 x 46-1/4 inches (framed) [156.2 x 117.5 cm], edition of 3

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

Adam FussTheia

2024

pigment print, 37 x 46 inches (framed) [94 x 116.8 cm], edition of 3

Color image of a folding screen with an image of a shore with large rock formations mounted onto the screen

Hiroshi Sugimoto: Photographic Screens

Hiroshi Sugimoto’s immense folding screens feature photographs of Japanese landmarks of sacred significance delicately printed onto rice paper. The screens, known as byobu, combine traditional and contemporary artforms, incorporating photographic techniques and materials to produce works that draw from Japanese artistic traditions, connecting the material cultures of antiquity and the contemporary.

Installation view of a color photograph featuring a Mt. Fuji mounted on a folding screen — Hiroshi Sugimoto, Mt. Fuji, 2022

pigment prints on Japanese rice paper, mounted to two folding screens, 70 x 300 inches (overall), edition of 3

Installation view of a color photograph featuring a landscape mounted on a folding screen — Hiroshi Sugimoto, Amano Hashidate, 2022

pigment print on Japanese rice paper, mounted to a pair of folding screens, 73-1/4 x 690-3/4 inches (overall), edition of 3

Installation view of a color photograph featuring a landscape of pine trees mounted on a folding screen — Hiroshi Sugimoto, Pine Trees, 2022

pigment print on Japanese rice paper, mounted to a pair of folding screens, 71-3/8 x 686-5/8 inches (overall), edition of 3

Installation view of a color photograph featuring a shrine mounted on a folding screen — Hiroshi Sugimoto, Himeji Castle Screen imagined as the missing Kano Eitoku’s Lost Folding-Screen of Azuchi Castle, 2022

Pigment print on Japanese rice paper, mounted to folding screen, 79-3/8 x 287-1/4 inches (overall) , edition of 3

Installation view of a color photograph depicting a landscape mounted on a folding screen — Hiroshi Sugimoto, Kasuga Shrine, Kankitsuzan, Enoura, 2023

pigment print on Japanese rice paper, mounted to folding screen, 78-1/2 x 346-3/4 inches (overall) , edition of 3

Color image of an installation of a folding screen with black and white photographs of lighting striking — Hiroshi Sugimoto, Lightning Fields 012, 2021

pigment print on Japanese rice paper, mounted to a pair of folding screens, 73-5/8 x 257-1/2 inches (overall), edition of 3

Installation view of a color photograph depicting a shrine mounted on a folding screen — Hiroshi Sugimoto, Kasuga Grand Shrine at Dawn, 2022

Pigment print on Japanese rice paper, mounted to folding screen, 79-3/8 x 213-5/8 inches (overall) , edition of 3

Hiroshi SugimotoTateiwa

2022

pigment print on Japanese rice paper, mounted to folding screen, 71-1/4 x 279 inches (overall), edition of 3

Hiroshi SugimotoMt. Fuji

2022

pigment prints on Japanese rice paper, mounted to two folding screens, 70 x 300 inches (overall), edition of 3

Hiroshi SugimotoAmano Hashidate

2022

pigment print on Japanese rice paper, mounted to a pair of folding screens, 73-1/4 x 690-3/4 inches (overall), edition of 3

Hiroshi SugimotoPine Trees

2022

pigment print on Japanese rice paper, mounted to a pair of folding screens, 71-3/8 x 686-5/8 inches (overall), edition of 3

Hiroshi SugimotoHimeji Castle Screen imagined as the missing Kano Eitoku’s Lost Folding-Screen of Azuchi Castle

2022

Pigment print on Japanese rice paper, mounted to folding screen, 79-3/8 x 287-1/4 inches (overall) , edition of 3

Hiroshi SugimotoKasuga Shrine, Kankitsuzan, Enoura

2023

pigment print on Japanese rice paper, mounted to folding screen, 78-1/2 x 346-3/4 inches (overall) , edition of 3

Hiroshi SugimotoLightning Fields 012

2021

pigment print on Japanese rice paper, mounted to a pair of folding screens, 73-5/8 x 257-1/2 inches (overall), edition of 3

Hiroshi SugimotoKasuga Grand Shrine at Dawn

2022

Pigment print on Japanese rice paper, mounted to folding screen, 79-3/8 x 213-5/8 inches (overall) , edition of 3

Color image of a black and white collage of a silhouetted figure with abstracted features framed in black

Wardell Milan: Photographic Collages

Wardell Milan’s collages often incorporate cut-out photographs, including iconic works from photographers such as Diane Arbus and Robert Mapplethorpe. The collages rebuild the human figure from fragmented sources, creating powerful new portraits.