Featured

Color photograph of crushed flowers and greenery against a white background framed in white

Adam Fuss: Theia

In a series of prints, Fuss considers Theia, the name given to a hypothetical planet that may have violently crashed into the Earth billions of years ago, ejecting the debris which formed our moon. Theia is also the Greek goddess of sight, prophecy, and brilliance, who is thought to endow gems and gold with their visible glimmer and intrinsic value.

Theia, 2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

Theia, 2024

pigment print, 61-1/2 x 46-1/4 inches (framed) [156.2 x 117.5 cm], edition of 3 + 1 AP

Color photograph of smashed flowers against a white background framed in white — Theia, 2024

pigment print, 61-1/2 x 46-1/4 inches (framed) [156.2 x 117.5 cm], edition of 3

The Making of ADAM FUSS, Theia, 2024. Using an etching press to flatten spring flowers onto paper, the artist then photographs the results. ⁠

Theia, 2025

pigment print, 91-3/4 x 62-5/8 inches (framed) [233 x 159.1 cm], edition of 3 + 1 AP

Color photograph of crushed flowers against a white background framed in white — Theia, 2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

Theia, 2025

pigmnt print, 62-5/8 x 91-3/4 inches (framed) [159.1 x 233 cm], edition of 3 + 1 AP

A color image of two works of art hanging on perpendicular white gallery walls — Installation view of Adam Fuss's *Theia*, 2024 (left) and Richart T. Walker's *an acquiescence of meaning #2*, 2020 (right)

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

"*" indicates required fields

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

"*" indicates required fields

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

"*" indicates required fields

Adam FussTheia

2024

pigment print, 61-1/2 x 46-1/4 inches (framed) [156.2 x 117.5 cm], edition of 3 + 1 AP

"*" indicates required fields

Adam FussTheia

2024

pigment print, 61-1/2 x 46-1/4 inches (framed) [156.2 x 117.5 cm], edition of 3

"*" indicates required fields

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

"*" indicates required fields

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

"*" indicates required fields

Adam FussTheia

2025

pigment print, 91-3/4 x 62-5/8 inches (framed) [233 x 159.1 cm], edition of 3 + 1 AP

"*" indicates required fields

Adam FussTheia

2025

pigment print, 91-3/4 x 62-5/8 inches (framed) [233 x 159.1 cm], edition of 3 + 1 AP

"*" indicates required fields

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

"*" indicates required fields

Adam FussTheia

2024

pigment print, 46 x 37 inches (framed) [116.8 x 94 cm], edition of 3

"*" indicates required fields

Adam FussTheia

2025

pigmnt print, 62-5/8 x 91-3/4 inches (framed) [159.1 x 233 cm], edition of 3 + 1 AP

"*" indicates required fields

Color image of a color photograph of a cargo ship on the water during a hazy morning framed in bleached wood

Richard Misrach: Cargo

The artist documented cargo ships in the San Francisco Bay during a critical moment for the global shipping industry. Made in the light of early morning or late afternoon, the images suggest a comparison to J.M.W Turner’s atmospheric maritime paintings, and recall the careful observation of the sky and water in Misrach’s own “Golden Gate” and “On the Beach” series.

Richard Misrach, Cargo Ships (February 26, 2024 6:19 am), 2024

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5 + 1AP

Color photograph of cargo ships on the bay during mid day framed in bleached wood — Richard Misrach, Cargo Ships (January 11, 2022, 2:01pm), 2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Richard Misrach, Cargo Ships (July 6, 2024 6:36 am), 2024

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5 + 1AP

Richard Misrach, Cargo Ships (January 11, 2022 7:39 am), 2022 / printed 2024

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5 + 1AP

Color photograph of cargo ships traveling on water early morning framed in bleached wood — Richard Misrach, Cargo Ships (January 14, 2022, 7:16pm), 2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Color photograph of cargo ships moving across the water at around sunrise on an overcast morning framed in a bleached wood frame — Richard Misrach, Cargo Ships (November 20, 2021 6:33 am), 2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Color photograph of several cargo ships on the horizon during sunrise with pinkish clouds — Richard Misrach, Cargo Ships (January 8, 2022, 7:37am), 2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Richard Misrach, Cargo Ships (November 14, 2023 6:56 am), 2023 / printed 2024

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5 + 1AP

Color image of a color photograph of two cargo ships on the water with birds and a sailboat framed in bleached wood frame — Richard Misrach, Cargo Ships (November 26, 2021 4:38pm), 2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Color photograph of cargo ships moving across the water at around sunrise framed in a bleached wood frame — Richard Misrach, Cargo Ships (November 22, 2021 6:41am), 2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Color image of a color photograph of six cargo ships traveling along the water on a clear day framed in bleached wood — Richard Misrach, Cargo Ships (November 30, 2021 4:45 PM), 2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Richard Misrach, Cargo Ships (May 14, 2021 7:19 pm), 2021 / printed 2024

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5 + 1AP

Richard MisrachCargo Ships (January 12, 2022 7:43 AM)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

"*" indicates required fields

Richard MisrachCargo Ships (February 26, 2024 6:19 am)

2024

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5 + 1AP

"*" indicates required fields

Richard MisrachCargo Ships (January 11, 2022, 2:01pm)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

"*" indicates required fields

Richard MisrachCargo Ships (July 6, 2024 6:36 am)

2024

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5 + 1AP

"*" indicates required fields

Richard MisrachCargo Ships (January 11, 2022 7:39 am)

2022 / printed 2024

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5 + 1AP

"*" indicates required fields

Richard MisrachCargo Ships (January 14, 2022, 7:16pm)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

"*" indicates required fields

Richard MisrachCargo Ships (November 20, 2021 6:33 am)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

"*" indicates required fields

Richard MisrachCargo Ships (January 8, 2022, 7:37am)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

"*" indicates required fields

Richard MisrachCargo Ships (November 14, 2023 6:56 am)

2023 / printed 2024

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5 + 1AP

"*" indicates required fields

Richard MisrachCargo Ships (November 26, 2021 4:38pm)

2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

"*" indicates required fields

Richard MisrachCargo Ships (November 22, 2021 6:41am)

2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

"*" indicates required fields

Richard MisrachCargo Ships (November 30, 2021 4:45 PM)

2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

"*" indicates required fields

Richard MisrachCargo Ships (May 14, 2021 7:19 pm)

2021 / printed 2024

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5 + 1AP

"*" indicates required fields

All Portfolios

Frances Palmer Ceramics

Frances Palmer created sixteen new ceramic pieces as part of her 2025 collaborative exhibition with Richard Learoyd. Made from glazed porcelain or earthenware with a matte glaze, these handmade functional artworks are each unique and intended for everyday use.

Etruscan, 2025

earthenware, matte glaze, 10-1/4 x 8 x 5-1/4 inches (overall) [26 x 20.3 x 13.3 cm]

Porcelain Handles on Rim, 2025

porcelain, glazed inside with celadon, 11 x 8 x 5 inches (overall) [27.9 x 20.3 x 12.7 cm]

A color photograph of a white vase — 3 Tier Tulipiere, 2025

earthenware, matte glaze, 19 x 7-1/2 x 7-1/2 inches (overall) [48.3 x 19.1 x 19.1 cm]

Roman, 2025

earthenware, matte glaze, 11 x 11 x 11 inches (overall) [27.9 x 27.9 x 27.9 cm]

Footed Pedestal Vase, 2025

earthenware, matte glaze, 17 x 10 x 9 inches (overall) [43.2 x 25.4 x 22.9 cm]

Ridge Vase, 2025

earthenware, matte glaze, 16 x 9 x 7 inches (overall) [40.6 x 22.9 x 17.8 cm]

Beaded Neck, 2025

earthenware, matte glaze, 14-1/2 x 7-1/2 x 5-1/2 inches (overall) [36.8 x 19.1 x 14 cm]

Footed Bowl, 2025

porcelain, glazed inside with celadon, 8 x 11 x 10 inches (overall) [20.3 x 27.9 x 25.4 cm]

9 Hole Tulipiere, 2025

earthenware, matte glaze, 11-1/2 x 9 x 9 inches (overall) [29.2 x 22.9 x 22.9 cm]

8 Handle Vase, 2025

earthenware, matte glaze, 12 x 9 x 9 inches (overall) [30.5 x 22.9 x 22.9 cm]

Porcelain Ruffle Top, 2025

porcelain, glazed inside with celadon, 10 x 8-1/2 x 4-1/2 inches (overall) [25.4 x 21.6 x 11.4 cm]

5 Spout Tulipiere, 2025

earthenware, matte glaze, 14 x 9 x 9 inches (overall) [35.6 x 22.9 x 22.9 cm]

Porcelain Rolled Handles on Neck, 2025

porcelain, glazed inside with celadon, 10-1/4 x 8-1/2 x 5-1/4 inches (overall) [26 x 21.6 x 13.3 cm]

Curved Vase, 2025

earthenware, matte glaze, 10-1/4 x 8-1/2 x 2-1/2 inches (overall) [26 x 21.6 x 6.4 cm]

Van Eyck, 2025

earthenware, matte glaze, 14 x 9-1/2 x 8 inches (overall) [35.6 x 24.1 x 20.3 cm]

Frances PalmerEtruscan

2025

earthenware, matte glaze, 10-1/4 x 8 x 5-1/4 inches (overall) [26 x 20.3 x 13.3 cm]

"*" indicates required fields

Frances PalmerPorcelain Handles on Rim

2025

porcelain, glazed inside with celadon, 11 x 8 x 5 inches (overall) [27.9 x 20.3 x 12.7 cm]

"*" indicates required fields

Frances Palmer3 Tier Tulipiere

2025

earthenware, matte glaze, 19 x 7-1/2 x 7-1/2 inches (overall) [48.3 x 19.1 x 19.1 cm]

"*" indicates required fields

Frances PalmerRoman

2025

earthenware, matte glaze, 11 x 11 x 11 inches (overall) [27.9 x 27.9 x 27.9 cm]

"*" indicates required fields

Frances PalmerFooted Pedestal Vase

2025

earthenware, matte glaze, 17 x 10 x 9 inches (overall) [43.2 x 25.4 x 22.9 cm]

"*" indicates required fields

Frances PalmerRidge Vase

2025

earthenware, matte glaze, 16 x 9 x 7 inches (overall) [40.6 x 22.9 x 17.8 cm]

"*" indicates required fields

Frances PalmerBeaded Neck

2025

earthenware, matte glaze, 14-1/2 x 7-1/2 x 5-1/2 inches (overall) [36.8 x 19.1 x 14 cm]

"*" indicates required fields

Frances PalmerFooted Bowl

2025

porcelain, glazed inside with celadon, 8 x 11 x 10 inches (overall) [20.3 x 27.9 x 25.4 cm]

"*" indicates required fields

Frances Palmer9 Hole Tulipiere

2025

earthenware, matte glaze, 11-1/2 x 9 x 9 inches (overall) [29.2 x 22.9 x 22.9 cm]

"*" indicates required fields

Frances Palmer8 Handle Vase

2025

earthenware, matte glaze, 12 x 9 x 9 inches (overall) [30.5 x 22.9 x 22.9 cm]

"*" indicates required fields

Frances PalmerPorcelain Ruffle Top

2025

porcelain, glazed inside with celadon, 10 x 8-1/2 x 4-1/2 inches (overall) [25.4 x 21.6 x 11.4 cm]

"*" indicates required fields

Frances Palmer5 Spout Tulipiere

2025

earthenware, matte glaze, 14 x 9 x 9 inches (overall) [35.6 x 22.9 x 22.9 cm]

"*" indicates required fields

Frances PalmerMatte

2025

earthenware, matte glaze, 14-1/2 x 7-1/2 x 7-1/2 inches (overall) [36.8 x 19.1 x 19.1 cm]

"*" indicates required fields

Frances PalmerPorcelain Rolled Handles on Neck

2025

porcelain, glazed inside with celadon, 10-1/4 x 8-1/2 x 5-1/4 inches (overall) [26 x 21.6 x 13.3 cm]

"*" indicates required fields

Frances PalmerCurved Vase

2025

earthenware, matte glaze, 10-1/4 x 8-1/2 x 2-1/2 inches (overall) [26 x 21.6 x 6.4 cm]

"*" indicates required fields

Frances PalmerVan Eyck

2025

earthenware, matte glaze, 14 x 9-1/2 x 8 inches (overall) [35.6 x 24.1 x 20.3 cm]

"*" indicates required fields

Alec Soth: Untitled

“I was on a road trip from Minneapolis to Virginia and back. Along the way I had the idea to make floral still-life photographs, with the kind of chance encounter I had on the road. So I went on a kind of treasure hunt for abandoned houses, found vases, wildflowers…” – Alec Soth

Untitled (pokeweed), 2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

Untitled (bindweed), 2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

Untitled (zinnia), 2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 AP

Untitled (chicory), 2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 AP

Untitled (trumpet vine), 2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

Untitled (crabapple branch), 2017

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 3 APs

Untitled (mallow), 2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

Alec SothUntitled (pokeweed)

2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothUntitled (bindweed)

2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothUntitled (zinnia)

2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 AP

"*" indicates required fields

Alec SothUntitled (chicory)

2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 AP

"*" indicates required fields

Alec SothUntitled (trumpet vine)

2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothUntitled (crabapple branch)

2017

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 3 APs

"*" indicates required fields

Alec SothUntitled (mallow)

2023

pigment print, 30 x 24 inches (image, sheet & mount) [76.2 x 61 cm], edition of 9 + 4 APs

"*" indicates required fields

A color photograph shows a view of the audience from the podium of a lecture hall.

Alec Soth: Advice for Young Artists

In photographs made at undergraduate art programs, Soth explores artmaking at various stages of life, linking photography, time, and aging. The series raises questions about mentorship and creativity, highlighting the artist’s search for the freedom and experimentation found in beginners.

person with pink hair wearing a purple sweater sitting at a desk — Laura, 2023

pigment print, 30 x 24 inches (image) [76.2 x 61 cm], edition of 9

Easel II, 2023

pigment print, 48 x 60 inches (image) [121.9 x 152.4 cm], edition of 9

Amalia, 2023

pigment print, 50 x 40 inches (image) [127 x 101.6 cm], edition of 9

Grayscale Studies, 2023

pigment print, 30 x 24 inches (image) [76.2 x 61 cm], edition of 9

Studio I, 2023

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9

Still Life III, 2023

pigment print, 50 x 40 inches (image) [127 x 101.6 cm], edition of 9

A color photograph shows an array of bright props chaotically arranged on plinths — Still Life II, 2024

pigment print, 48 x 60 inches (image) [121.9 x 152.4 cm], edition of 9

Lee, 2023

pigment print, 24 x 30 inches (image) [61 x 76.2 cm], edition of 9

Studio VII, 2024

pigment print, 40 x 32 inches (image) [101.6 x 81.3 cm] , edition of 9

Color photograph of a figure surrounded by plants sketching on a sketch pad with charcoal — AJ, 2023

pigment print, 44 x 36 inches (sheet & mount) [111.8 x 91.4 cm], edition of 9

Diptych of color photographs depicting white statues in various poses against a white brick wall — Studio Diptych, 2023

pigment print, 53 x 65 inches (each sheet & mount) [134.6 x 165.1 cm], edition of 9

Alec SothArtist Lecture

2023

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9

"*" indicates required fields

Alec SothLaura

2023

pigment print, 30 x 24 inches (image) [76.2 x 61 cm], edition of 9

"*" indicates required fields

Alec SothEasel II

2023

pigment print, 48 x 60 inches (image) [121.9 x 152.4 cm], edition of 9

"*" indicates required fields

Alec SothAmalia

2023

pigment print, 50 x 40 inches (image) [127 x 101.6 cm], edition of 9

"*" indicates required fields

Alec SothGrayscale Studies

2023

pigment print, 30 x 24 inches (image) [76.2 x 61 cm], edition of 9

"*" indicates required fields

Alec SothStill Life III

2023

pigment print, 50 x 40 inches (image) [127 x 101.6 cm], edition of 9

"*" indicates required fields

Alec SothStill Life II

2024

pigment print, 48 x 60 inches (image) [121.9 x 152.4 cm], edition of 9

"*" indicates required fields

Alec SothLee

2023

pigment print, 24 x 30 inches (image) [61 x 76.2 cm], edition of 9

"*" indicates required fields

Alec SothStudio VII

2024

pigment print, 40 x 32 inches (image) [101.6 x 81.3 cm] , edition of 9

"*" indicates required fields

Alec SothAJ

2023

pigment print, 44 x 36 inches (sheet & mount) [111.8 x 91.4 cm], edition of 9

"*" indicates required fields

Alec SothStudio Diptych

2023

pigment print, 53 x 65 inches (each sheet & mount) [134.6 x 165.1 cm], edition of 9

"*" indicates required fields

Five black and white photographs of a figure sleeping in bed accompanied with hand written and typed text detailing the experience framed in black

Sophie Calle: The Sleepers

“I asked people to give me eight hours of their sleep. To come and sleep in my bed. For eight days, my room was to be a constantly occupied space. Twenty-seven people agreed. Sleepers came and went. Some even crossed paths. I took photographs every hour. I watched my guests sleep.”

Six black and white photographs of a figure sleeping in bed accompanied with hand written and typed text detailing the experience framed in black — Betty Couturier, twelfth sleeper., 1979

6 gelatin silver prints & 1 text panel, 12-1/2 x 32 inches (overall, approximately) [31.8 x 81.3 cm]

Ten black and white photographs of a two figures sleeping in bed accompanied with hand written and typed text detailing the experience framed in black — Graziella Rampacci, sixth sleeper. Françoise Jourdan-Gassin, seventh sleeper., 1979

10 gelatin silver prints & 1 text panel, 18-3/4 x 32 inches (overall, approximately) [47.6 x 81.3 cm]

Seven black and white photographs of a figure sleeping in bed accompanied with hand written and typed text detailing the experience framed in black — Gérard Maillet, fifth sleeper, 1979

text panel, eight silver gelatin prints, 18-3/4 x 24 inches (overall, approximately) [47.6 x 61 cm]

Sophie CalleDaniel D., nineteenth sleeper.

1979

5 gelatin silver prints & 1 text panel, 12-1/2 x 24 inches (overall, approximately) [31.8 x 61 cm]

"*" indicates required fields

Sophie CalleBetty Couturier, twelfth sleeper.

1979

6 gelatin silver prints & 1 text panel, 12-1/2 x 32 inches (overall, approximately) [31.8 x 81.3 cm]

"*" indicates required fields

Sophie CalleEmile S. eleventh sleeper.

1979

5 gelatin silver prints & 1 text panel, 12-1/2 x 24 inches (overall, approximately) [31.8 x 61 cm]

"*" indicates required fields

Sophie CalleGraziella Rampacci, sixth sleeper. Françoise Jourdan-Gassin, seventh sleeper.

1979

10 gelatin silver prints & 1 text panel, 18-3/4 x 32 inches (overall, approximately) [47.6 x 81.3 cm]

"*" indicates required fields

Sophie CalleGérard Maillet, fifth sleeper

1979

text panel, eight silver gelatin prints, 18-3/4 x 24 inches (overall, approximately) [47.6 x 61 cm]

"*" indicates required fields

Color image of a folding screen with an image of a shore with large rock formations mounted onto the screen

Hiroshi Sugimoto: Photographic Screens

Hiroshi Sugimoto’s immense folding screens feature photographs of Japanese landmarks of sacred significance delicately printed onto rice paper. The screens, known as byobu, combine traditional and contemporary artforms, incorporating photographic techniques and materials to produce works that draw from Japanese artistic traditions, connecting the material cultures of antiquity and the contemporary.

Installation view of a color photograph featuring a Mt. Fuji mounted on a folding screen — Hiroshi Sugimoto, Mt. Fuji, 2022

pigment prints on Japanese rice paper, mounted to two folding screens, 70 x 300 inches (overall), edition of 3

Installation view of a color photograph featuring a landscape mounted on a folding screen — Hiroshi Sugimoto, Amano Hashidate, 2022

pigment print on Japanese rice paper, mounted to a pair of folding screens, 73-1/4 x 690-3/4 inches (overall), edition of 3

Installation view of a color photograph featuring a landscape of pine trees mounted on a folding screen — Hiroshi Sugimoto, Pine Trees, 2022

pigment print on Japanese rice paper, mounted to a pair of folding screens, 71-3/8 x 686-5/8 inches (overall), edition of 3

Installation view of a color photograph featuring a shrine mounted on a folding screen — Hiroshi Sugimoto, Himeji Castle Screen imagined as the missing Kano Eitoku’s Lost Folding-Screen of Azuchi Castle, 2022

Pigment print on Japanese rice paper, mounted to folding screen, 79-3/8 x 287-1/4 inches (overall) , edition of 3

Installation view of a color photograph depicting a landscape mounted on a folding screen — Hiroshi Sugimoto, Kasuga Shrine, Kankitsuzan, Enoura, 2023

pigment print on Japanese rice paper, mounted to folding screen, 78-1/2 x 346-3/4 inches (overall) , edition of 3

Color image of an installation of a folding screen with black and white photographs of lighting striking — Hiroshi Sugimoto, Lightning Fields 012, 2021

pigment print on Japanese rice paper, mounted to a pair of folding screens, 73-5/8 x 257-1/2 inches (overall), edition of 3

Installation view of a color photograph depicting a shrine mounted on a folding screen — Hiroshi Sugimoto, Kasuga Grand Shrine at Dawn, 2022

Pigment print on Japanese rice paper, mounted to folding screen, 79-3/8 x 213-5/8 inches (overall) , edition of 3

Hiroshi SugimotoTateiwa

2022

pigment print on Japanese rice paper, mounted to folding screen, 71-1/4 x 279 inches (overall), edition of 3

"*" indicates required fields

Hiroshi SugimotoMt. Fuji

2022

pigment prints on Japanese rice paper, mounted to two folding screens, 70 x 300 inches (overall), edition of 3

"*" indicates required fields

Hiroshi SugimotoAmano Hashidate

2022

pigment print on Japanese rice paper, mounted to a pair of folding screens, 73-1/4 x 690-3/4 inches (overall), edition of 3

"*" indicates required fields

Hiroshi SugimotoPine Trees

2022

pigment print on Japanese rice paper, mounted to a pair of folding screens, 71-3/8 x 686-5/8 inches (overall), edition of 3

"*" indicates required fields

Hiroshi SugimotoHimeji Castle Screen imagined as the missing Kano Eitoku’s Lost Folding-Screen of Azuchi Castle

2022

Pigment print on Japanese rice paper, mounted to folding screen, 79-3/8 x 287-1/4 inches (overall) , edition of 3

"*" indicates required fields

Hiroshi SugimotoKasuga Shrine, Kankitsuzan, Enoura

2023

pigment print on Japanese rice paper, mounted to folding screen, 78-1/2 x 346-3/4 inches (overall) , edition of 3

"*" indicates required fields

Hiroshi SugimotoLightning Fields 012

2021

pigment print on Japanese rice paper, mounted to a pair of folding screens, 73-5/8 x 257-1/2 inches (overall), edition of 3

"*" indicates required fields

Hiroshi SugimotoKasuga Grand Shrine at Dawn

2022

Pigment print on Japanese rice paper, mounted to folding screen, 79-3/8 x 213-5/8 inches (overall) , edition of 3

"*" indicates required fields

Color image of a black and white collage of a silhouetted figure with abstracted features framed in black

Wardell Milan: Photographic Collages

Wardell Milan’s collages often incorporate cut-out photographs, including iconic works from photographers such as Diane Arbus and Robert Mapplethorpe. The collages rebuild the human figure from fragmented sources, creating powerful new portraits.

Color image of framed mixed media collage depicting two silhouettes and an arm on white background — Wardell Milan, The Man of the Soil, 2022

graphite, cut-and-pasted paper on yupo paper, 10-1/4 x 9-1/4 inches (framed) [26 x 23.5 cm]

A color image of a black and white collage framed in black depicting a nude figure with multiple arms posing — Wardell Milan, A. Ailey III., Dancer, N.Y.C., 2023

collage, 13-1/2 x 15 inches (framed) [34.3 x 38.1 cm]

Color image of a collage using white paper to depict a figure in a pose framed in black — Wardell Milan, R. Christian II., Actor, N.Y.C., 2023

collage, 13-3/4 x 15-3/4 inches (framed) [34.9 x 40.0 cm]

Color image of a black and white collage depicting a figure in a speedo using negative space framed in black — Wardell Milan, Henri C.D., Bodybuilder, N.Y.C., 2023

collage, 7-3/4 x 9-1/4 inches (framed) [19.6 x 23.5 cm]

Color image of mixed media artwork depicting a singular figure with multiple faces and one arm in grey frame — Wardell Milan, The Engineer, 2022

graphite, oil paste, cut-and-pasted paper on yupo paper, 11-5/8 x 9-3/8 inches (framed) [29.53 x 23.8 cm]

A black and white collage with a figure in the center draped in an American flag — Wardell Milan, Superhero Status, 2023

graphite, china marker, yupo, cut-and-paste paper, 13-5/8 13-5/8 inches (framed) [34.6 x 34.6 cm]

Color image of a black and white collage depicting a figures silhouette with negative space framed in grey stained maple frame — Wardell Milan, Ellison, NYC., 2023

cut-and-paste paper, 13-3/4 x 13 inches (framed) [34.9 x 33 cm]

Color image of a black and white collage depicting a nude male figure with abstracted features framed in black — Wardell Milan, A.M., Ballet Dancer, N.Y.C., 2023

collage, 12 x 12-3/4 inches (framed) [30.4 x 32.3 cm]

Collaged and illustrated portrait — Wardell Milan, Linda K. Knoxville, 2023

graphite, china marker, yupo, cut-and-paste paper , 13-3/8 x 10-1/2 inches (framed) [34 x 26.7 cm]

Color image of a black and white collage with three silhouetted figures framed in black — Wardell Milan, Bayard R. II., Activist, N.Y.C., 2023

collage, 9-3/4 x 15 inches (framed) 24.7 x 38.1 cm]

Wardell MilanParis D. II., N.Y.C.

2023

collage, 12 x 12-3/4 inches (framed) [30.4 x 32.3 cm]

"*" indicates required fields

Wardell MilanThe Man of the Soil

2022

graphite, cut-and-pasted paper on yupo paper, 10-1/4 x 9-1/4 inches (framed) [26 x 23.5 cm]

"*" indicates required fields

Wardell MilanA. Ailey III., Dancer, N.Y.C.

2023

collage, 13-1/2 x 15 inches (framed) [34.3 x 38.1 cm]

"*" indicates required fields

Wardell MilanR. Christian II., Actor, N.Y.C.

2023

collage, 13-3/4 x 15-3/4 inches (framed) [34.9 x 40.0 cm]

"*" indicates required fields

Wardell MilanHenri C.D., Bodybuilder, N.Y.C.

2023

collage, 7-3/4 x 9-1/4 inches (framed) [19.6 x 23.5 cm]

"*" indicates required fields

Wardell MilanThe Engineer

2022

graphite, oil paste, cut-and-pasted paper on yupo paper, 11-5/8 x 9-3/8 inches (framed) [29.53 x 23.8 cm]

"*" indicates required fields

Wardell MilanSuperhero Status

2023

graphite, china marker, yupo, cut-and-paste paper, 13-5/8 13-5/8 inches (framed) [34.6 x 34.6 cm]

"*" indicates required fields

Wardell MilanEllison, NYC.

2023

cut-and-paste paper, 13-3/4 x 13 inches (framed) [34.9 x 33 cm]

"*" indicates required fields

Wardell MilanA.M., Ballet Dancer, N.Y.C.

2023

collage, 12 x 12-3/4 inches (framed) [30.4 x 32.3 cm]

"*" indicates required fields

Wardell MilanLinda K. Knoxville

2023

graphite, china marker, yupo, cut-and-paste paper , 13-3/8 x 10-1/2 inches (framed) [34 x 26.7 cm]

"*" indicates required fields

Wardell MilanBayard R. II., Activist, N.Y.C.

2023

collage, 9-3/4 x 15 inches (framed) 24.7 x 38.1 cm]

"*" indicates required fields

Color image of a warm toned etching depicting three figures in a field of flowers

Wardell Milan: Etchings

Color image of a warm toned etching depicting two figures embracing in a natural landscape — Lovers, taking in the air., 2023

aquatint, burnishing, line etching, scraping, spit bit aquatint & lino-cut, 59-5/8 x 48-1/4 inches (framed) [151.4 x 122.6 cm], edition of 16

Black and white etching of a figure riding a large phallus with distortions of American flags throughout — Wardell Milan, Trump riding his own dick., 2019

aquatint, line etching & dry point print, 15-3/4 x 19-3/4 inches (sheet) [40 x 50 cm]

Black and white photograph of a nude figure lounging in a chair with an eye mask and gun at their side — Wardell Milan, The most dangerous thing about being a Black woman in America. Is being a Black woman in America, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm]

Black and white etching depicting two figures engaging in a sexual act while a fire rages on outside — Wardell Milan, We are a War County. This is War time., 2019

aquatint, line etching & dry point print, 15-3/4 x 19-3/4 inches (sheet) [40 x 50 cm]

Black and white etching of a mannequin near a television outside with debris from an explosion — Wardell Milan, Fire, Debris and Charred Mannequins: A Missile Strike Hits a ___ Shopping Center, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 19-5/8 x 15-1/2 inches (sheet) [50 x 39.5 cm]

Black and white etching of a figure looking at the viewer through windows — Wardell Milan, I never spend this much time with myself, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm]

Black and white etching of a figure with multiple facial features leaning against a hand rail — Wardell Milan, Sisyphus Ascending a Staircase, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 19-5/8 x 15-1/2 inches (sheet) [50 x 39.5 cm]

Black and white etching depicting figures walking within a desert like climate — Wardell Milan, __ Migrants arrive to __ in Record Numbers, on Foot Not by Boat, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm]

Black and white etching of several figures in a verbal and physical altercation — Wardell Milan, The World Rarely Goes Under: Civilians during a lull in fighting, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm]

Black and white etching of several figures engaging with a waterfall — Wardell Milan, Our Lives to Live, 2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm]

Lovers, taking in the air.

2023

aquatint, burnishing, line etching, scraping, spit bit aquatint & lino-cut, 59-5/8 x 48-1/4 inches (framed) [151.4 x 122.6 cm], edition of 16

"*" indicates required fields

Wardell MilanTrump riding his own dick.

2019

aquatint, line etching & dry point print, 15-3/4 x 19-3/4 inches (sheet) [40 x 50 cm]

"*" indicates required fields

Wardell MilanThe most dangerous thing about being a Black woman in America. Is being a Black woman in America

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm]

"*" indicates required fields

Wardell MilanWe are a War County. This is War time.

2019

aquatint, line etching & dry point print, 15-3/4 x 19-3/4 inches (sheet) [40 x 50 cm]

"*" indicates required fields

Wardell MilanFire, Debris and Charred Mannequins: A Missile Strike Hits a ___ Shopping Center

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 19-5/8 x 15-1/2 inches (sheet) [50 x 39.5 cm]

"*" indicates required fields

Wardell MilanI never spend this much time with myself

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm]

"*" indicates required fields

Wardell MilanSisyphus Ascending a Staircase

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 19-5/8 x 15-1/2 inches (sheet) [50 x 39.5 cm]

"*" indicates required fields

Wardell MilanHe darts his tongue out of his tingling lips.

2023

aquatint, burnishing, line etching, scraping & spit bite aquatint; woodcut & lino-cut, 48-7/8 x 59-1/2 inches (framed) [124.1 x 151.1 cm], edition of 16

"*" indicates required fields

Wardell Milan Migrants arrive to in Record Numbers, on Foot Not by Boat

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm]

"*" indicates required fields

Wardell MilanThe World Rarely Goes Under: Civilians during a lull in fighting

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm]

"*" indicates required fields

Wardell MilanOur Lives to Live

2022

line etching, aquatint, open bite, spit bite aquatint, soft ground etching, soap ground aquatint, sugar lift aquatint with burnishing & scraping, 15-1/2 x 19-5/8 inches (sheet) [39.5 x 50 cm]

"*" indicates required fields

Color photograph of the US/Mexico border with a mountain range in the distance with pinkish blue skies

Richard Misrach: Border Cantos

This latest installation in Misrach’s ongoing Desert Cantos series explores the entire length of the US/Mexico border, in photographs made with a large-format camera as well as images captured with an iPhone.

Color photograph of a tall metal and concrete fence receding into the misty horizon on the right — Richard Misrach, Post and Wire Mesh Fence, Douglas, Arizona, 2015

pigment print, 61 x 80-3/4 inches (framed) [154.9 x 205.1 cm]

Color photograph of a segment of tall metal fence in the middle of a bare field — Richard Misrach, Wall, Near Los Indios, Texas, 2015

pigment print, 61 x 80-3/4 inches (framed) [154.9 x 205.1 cm]

Color photograph of a metal fence running over a landscape of rocky hills and low green bushes into the horizon — Richard Misrach, Wall, Tierra Del Sol, California, 2015

pigment print, 61 x 80-3/4 inches (framed) [154.9 x 205.1 cm]

Color photograph of a tall metal fence segment ending in a bare dirt patch among low-lying trees and plants — Richard Misrach, Wall, Brownsville, Texas, 2015

pigment print, 61 x 80-3/4 inches (framed) [154.9 x 205.1 cm]

Color photograph of a metal fence made of X-shaped crossbars running through a hilly desert landscape — Richard Misrach, Normandy Wall Near Ocotillo, California, 2015

pigment print, 61 x 80-3/4 inches (framed) [154.9 x 205.1 cm]

Color photograph of a tattered blue flag standing next to a blue barrel marked AGUA in a desert landscape — Richard Misrach, Agua#1, near Calexico, California, 2014

pigment print, 61 x 80-3/4 inches (framed) [154.9 x 205.1 cm]

Color photograph of a tall metal fence running into the ocean from the beach, with beach goers visible through the bars — Richard Misrach, Playas de Tijuana #1 (Crowded Beach), San Diego, California, 2013

pigment print, 45 x 161-1/2 inches (framed) [114.3 x 410.2 cm]

Color photograph of scattered red ammunition casings lying on a bare cracked ground — Richard Misrach, Shell Casings #36, near Gulf of Mexico, Texas, 2014

pigment print, 17-1/2 x 22-1/2 inches (framed) [44.5 x 57.2 cm]

Color photograph of a woman looking through and obscured by a metal lattice and fence posts — Richard Misrach, Veronical, Friendship Circle, San Diego, California, 2013

pigment print, 80-3/4 x 61 inches (framed) [213.5 x 163 cm]

Richard MisrachWall, East of Nogales

2015

pigment print, 61 x 80-3/4 inches (framed) [154.9 x 203.2 cm]

"*" indicates required fields

Richard MisrachPost and Wire Mesh Fence, Douglas, Arizona

2015

pigment print, 61 x 80-3/4 inches (framed) [154.9 x 205.1 cm]

"*" indicates required fields

Richard MisrachWall, Near Los Indios, Texas

2015

pigment print, 61 x 80-3/4 inches (framed) [154.9 x 205.1 cm]

"*" indicates required fields

Richard MisrachWall, Tierra Del Sol, California

2015

pigment print, 61 x 80-3/4 inches (framed) [154.9 x 205.1 cm]

"*" indicates required fields

Richard MisrachWall, Brownsville, Texas

2015

pigment print, 61 x 80-3/4 inches (framed) [154.9 x 205.1 cm]

"*" indicates required fields

Richard MisrachNormandy Wall Near Ocotillo, California

2015

pigment print, 61 x 80-3/4 inches (framed) [154.9 x 205.1 cm]

"*" indicates required fields

Richard MisrachAgua#1, near Calexico, California

2014

pigment print, 61 x 80-3/4 inches (framed) [154.9 x 205.1 cm]

"*" indicates required fields

Richard MisrachPlayas de Tijuana #1 (Crowded Beach), San Diego, California

2013

pigment print, 45 x 161-1/2 inches (framed) [114.3 x 410.2 cm]

"*" indicates required fields

Richard MisrachShell Casings #36, near Gulf of Mexico, Texas

2014

pigment print, 17-1/2 x 22-1/2 inches (framed) [44.5 x 57.2 cm]

"*" indicates required fields

Richard MisrachVeronical, Friendship Circle, San Diego, California

2013

pigment print, 80-3/4 x 61 inches (framed) [213.5 x 163 cm]

"*" indicates required fields

Color photograph of several decaying flowers tied together with fishing wire framed in black

Richard Learoyd: Nature Morte

A cut flower is alive, but in the process of decay. In his studio photographs of flowers, the artist aims to translate this understanding of the fragile beauty of life, and the inevitability of an end.

Untitled poppies, 2025

camera obscura Ilfochrome photograph, 50-1/4 x 51-7/8 inches (approx. framed) [127.6 x 131.8 cm], one of five unique variants

Framed color photograph of a vase of pink lily flowers on a plinth — Live Lilies, Pink, 2021

camera obscura Ilfochrome photograph, 36-3/4 x 38 inches (framed) [93.4 x 96.5 cm], one of three unique variants

Color photograph of a glass of poppy flowers on a wire frame — Flowers on armature, 2020

camera obscura Ilfochrome photograph, 34-3/4 x 40 inches (framed) [88.3 x 101.6 cm], one of four unique variants

Color photograph of several flowers in states of decay in a small glass on a wooden pedestal framed in black — Untitled, 2022

camera obscura Ilfochrome photograph, 39-7/8 × 34-7/8 inches (framed) [101.3 cm × 88.6 cm]

Color photograph framed in black depicting decaying poppies with circular mirror on wooden plinth — Poppies with dark mirror, 2022

camera obscura Ilfochrome photograph, 34 x 33-5/8 inches (framed) [86.3 x 85.4 cm]

Framed color photograph of a bunch of wilting poppies standing on a shelf — Untitled, 2020

camera obscura Ilfochrome photograph, 36-3/8 x 36-5/8 inches (framed) [93.0 x 93.0 cm]

Color photograph of 11 sunflowers strung together on a cotton string armature. — Large sunflowers, 2018

camera obscura Ilfochrome photograph, 45-1/2 x 39-1/4 inches (framed) [115.6 x 99.7 cm], one of three unique variants

Framed color photograph of a bunch of flowering tree branches posed on a plinth — Home blossom, 2018

camera obscura Ilfochrome photograph, 45-5/8 x 38-3/8 inches (framed) [115.9 x 97.5 cm]

Framed color photograph of a bouquet of drying poppy flowers. — Live and dead poppies, 2018

camera obscura Ilfochrome photograph, 35-3/4 x 35-5/8 inches (framed) [90.8 x 90.5 cm], one of three unique variants

Richard LearoydFirst flowers

2018

camera obscura Ilfochrome photograph, 41-7/8 x 49-3/8 inches (framed) [106.4 x 125.4 cm], one of four unique variants

"*" indicates required fields

Richard LearoydUntitled poppies

2025

camera obscura Ilfochrome photograph, 50-1/4 x 51-7/8 inches (approx. framed) [127.6 x 131.8 cm], one of five unique variants

"*" indicates required fields

Richard LearoydLive Lilies, Pink

2021

camera obscura Ilfochrome photograph, 36-3/4 x 38 inches (framed) [93.4 x 96.5 cm], one of three unique variants

"*" indicates required fields

Richard LearoydFlowers on armature

2020

camera obscura Ilfochrome photograph, 34-3/4 x 40 inches (framed) [88.3 x 101.6 cm], one of four unique variants

"*" indicates required fields

Richard LearoydUntitled

2022

camera obscura Ilfochrome photograph, 39-7/8 × 34-7/8 inches (framed) [101.3 cm × 88.6 cm]

"*" indicates required fields

Richard LearoydPoppies with dark mirror

2022

camera obscura Ilfochrome photograph, 34 x 33-5/8 inches (framed) [86.3 x 85.4 cm]

"*" indicates required fields

Richard LearoydUntitled

2020

camera obscura Ilfochrome photograph, 36-3/8 x 36-5/8 inches (framed) [93.0 x 93.0 cm]

"*" indicates required fields

Richard LearoydLarge sunflowers

2018

camera obscura Ilfochrome photograph, 45-1/2 x 39-1/4 inches (framed) [115.6 x 99.7 cm], one of three unique variants

"*" indicates required fields

Richard LearoydHome blossom

2018

camera obscura Ilfochrome photograph, 45-5/8 x 38-3/8 inches (framed) [115.9 x 97.5 cm]

"*" indicates required fields

Richard LearoydLive and dead poppies

2018

camera obscura Ilfochrome photograph, 35-3/4 x 35-5/8 inches (framed) [90.8 x 90.5 cm], one of three unique variants

"*" indicates required fields

Color image of a color photograph depicting details of water in a blue hue framed in white

Adam Fuss: Water

The fluidity of water is a recurring motif in Fuss’s work. Recording single droplets or tumbling cascades, his photograms register the many possibilities of movement and reverberation, resulting in images rife with potential meaning.

Black and white photogram of splashing water — Untitled, 1998

gelatin silver photogram, 61 x 58-1/4 inches (framed) [154.9 x 148 cm]

Black and white photograph of water droplets on grey background — Ark, 2005

gelatin silver photogram, 27 x 22-3/4 inches (framed) [68.5 x 57.7 cm]

Framed color photograph of a radiant yellow field of color punctuated by concentric circles of water drops — Untitled, 2015

unique Cibachrome phogram, 32 x 34-1/4 inches (framed) [81.3 x 87.0 cm]

Color image of a blue and white photogram depicting water dripping framed in white — Untitled

unique chromogenic photogram, 101-1/2 x 63 inches (framed) [292.1 x 160 cm]

Color photograph of an abstract pattern of white spots on a mauve background — Untitled, 2017

unique chromogenic print, 28-3/8 x 20-3/8 inches (framed) [75.9 x 54.9 cm]

Color photograph of a man's full-body silhouette floating in a pool of transparent blue and violet liquid — Untitled (Self-Portrait), 2015

unique Cibachrome photogram, 99-1/2 x 51-5/8 inches (framed) [252.7 x 131.1 cm]

Black-and-white photogram of many concentric circular ripples in liquid — Untitled, 2007

unique gelatin silver print photogram, 63 x 49-1/2 inches (framed) [141.2 x 120.6 cm]

Color image of a purple tinted photogram of an infant wading in water framed in white — Untitled, 2013

unique Cibachrome photogram, 46-1/4 x 36-1/2 inches (framed) [118.1 x 92.3 cm]

Color image of a color photograph depicting details of water in a light blue hue framed in white — Untitled, 2017

unique chromogenic photogram, 65 x 51 inches (framed) [165 x 129.54 cm]

Adam FussUntitled

2015

unique Cibachrome photogram, 49-1/2 x 44 inches (framed) [125.73 x 111.76 cm]

"*" indicates required fields

Adam FussUntitled

1998

gelatin silver photogram, 61 x 58-1/4 inches (framed) [154.9 x 148 cm]

"*" indicates required fields

Adam FussArk

2005

gelatin silver photogram, 27 x 22-3/4 inches (framed) [68.5 x 57.7 cm]

"*" indicates required fields

Adam FussUntitled

2015

unique Cibachrome phogram, 32 x 34-1/4 inches (framed) [81.3 x 87.0 cm]

"*" indicates required fields

Adam FussUntitled

unique chromogenic photogram, 101-1/2 x 63 inches (framed) [292.1 x 160 cm]

"*" indicates required fields

Adam FussUntitled

2017

unique chromogenic print, 28-3/8 x 20-3/8 inches (framed) [75.9 x 54.9 cm]

"*" indicates required fields

Adam FussUntitled (Self-Portrait)

2015

unique Cibachrome photogram, 99-1/2 x 51-5/8 inches (framed) [252.7 x 131.1 cm]

"*" indicates required fields

Adam FussUntitled

2007

unique gelatin silver print photogram, 63 x 49-1/2 inches (framed) [141.2 x 120.6 cm]

"*" indicates required fields

Adam FussUntitled

2013

unique Cibachrome photogram, 46-1/4 x 36-1/2 inches (framed) [118.1 x 92.3 cm]

"*" indicates required fields

Adam FussUntitled

2017

unique chromogenic photogram, 65 x 51 inches (framed) [165 x 129.54 cm]

"*" indicates required fields

Color image of thirty-six daguerreotypes in a six by six grid depicting butterflies framed in black

Adam Fuss: Daguerreotypes

In Fuss’s daguerreotype works, ethereal images seem to float on polished silver plates. In the mirrored surface of the works, positive and negative values shift, imbuing the subjects with a delicate presence.

For Allegra, from the series My Ghost, 2019

daguerreotype, 18 x 14-3/4 inches (framed) [45.7 x 37.4 cm]

Installation view, indirect and direct lighting

Color image of a daguerreotype depicting a human skull framed in black — Untitled, 2002

daguerreotype, 17-1/2 x 14-1/2 inches (framed) [44.5 x 36.8 cm]

Color image of a daguerreotype depicting a top heavy vase in a blueish hue framed in black — Untitled, 2008

daguerreotype, 18 x 14-3/4 inches (framed) [45.7 x 37.4 cm]

Color image of a blue toned daguerreotype depicting flowers etched in concrete framed in black — Untitled, 2014

daguerreotype, 14-1/2 x 17-1/2 inches (framed) [36.8 x 44.5 cm]

Color image of a daguerreotype depicting a vase with multiple flowers framed in black — From the series ‘My Ghost’, 2014

daguerreotype, 34 x 27-1/2 inches (framed) [86.4 x 69.9 cm]

Color image of a daguerreotype depicting a flower blooming with multiple buds framed in black — From the series ‘My Ghost’, 2014

daguerreotype, 34 x 27-1/2 inches (framed) [86.4 x 69.9 cm]

Color image of a daguerreotype depicting the motion of a water droplet framed in black — Ark, 2012

daguerreotype, 21-1/2 x 18-1/2 inches (framed) [54.6 x 47 cm]

Color image of a daguerreotype depicting a a mattress framed in black — Home and the World, 2011

daguerreotype, 26-3/8 x 40-3/4 inches (framed) [66.9 x 103.5 cm]

Adam FussUntitled

2012

thirty-six daguerreotypes, 29-1/4 x 35-1/8 inches (framed) [74.3 x 89.2 cm]

"*" indicates required fields

Adam FussFor Allegra, from the series My Ghost

2019

daguerreotype, 18 x 14-3/4 inches (framed) [45.7 x 37.4 cm]

"*" indicates required fields

Adam FussUntitled

2002

daguerreotype, 17-1/2 x 14-1/2 inches (framed) [44.5 x 36.8 cm]

"*" indicates required fields

Adam FussUntitled

2008

daguerreotype, 18 x 14-3/4 inches (framed) [45.7 x 37.4 cm]

"*" indicates required fields

Adam FussUntitled

2014

daguerreotype, 14-1/2 x 17-1/2 inches (framed) [36.8 x 44.5 cm]

"*" indicates required fields

Adam FussFrom the series ‘My Ghost’

2014

daguerreotype, 34 x 27-1/2 inches (framed) [86.4 x 69.9 cm]

"*" indicates required fields

Adam FussFrom the series ‘My Ghost’

2014

daguerreotype, 34 x 27-1/2 inches (framed) [86.4 x 69.9 cm]

"*" indicates required fields

Adam FussArk

2012

daguerreotype, 21-1/2 x 18-1/2 inches (framed) [54.6 x 47 cm]

"*" indicates required fields

Adam FussHome and the World

2011

daguerreotype, 26-3/8 x 40-3/4 inches (framed) [66.9 x 103.5 cm]

"*" indicates required fields

Color image of a rendering from above of several homes that have flooded

Kota Ezawa: Lightboxes

Ezawa began using lightboxes with his series The History of Photography Remix and has returned to the glowing format in more recent series, harnessing its impact to highlight the singular power of each image.