Lee Friedlander
- Robert Adams
- Diane Arbus
- Bernd & Hilla Becher
- E.J. Bellocq
- Elisheva Biernoff
- Mel Bochner
- Sophie Calle
- Janet Cardiff & George Bures Miller
- Liz Deschenes
- Kota Ezawa
- Lee Friedlander
- Adam Fuss
- Nan Goldin
- Katy Grannan
- Martine Gutierrez
- Peter Hujar
- Richard Learoyd
- Helen Levitt
- Christian Marclay
- Ralph Eugene Meatyard
- Wardell Milan
- Richard Misrach
- Eadweard Muybridge
- Nicholas Nixon
- Alec Soth
- Hiroshi Sugimoto
- Richard T. Walker
- Carleton E. Watkins
- Carrie Mae Weems
- Garry Winogrand
Featured
Lee Friedlander: The People’s Pictures
Lee Friedlander: Signs
Lee Friedlander: Signs
Since the early 1960s, Friedlander has focused on the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Depicting these texts with precision and sly humor, Friedlander’s approach to America transcribes a sort of found poetry of commerce and desire.
Lee FriedlanderStanzel, Iowa
Lee FriedlanderNew Haven, Connecticut
Lee FriedlanderNew York City
Lee FriedlanderDallas
Lee FriedlanderNew Mexico
Lee FriedlanderNew York City
Lee FriedlanderWestern Canada
Lee FriedlanderAtlantic City, New Jersey
Lee FriedlanderMontana
Lee FriedlanderNew York City
Lee FriedlanderNew York City
Lee FriedlanderNew Mexico
Lee FriedlanderCalifornia
All Portfolios
Lee Friedlander: The Street
Lee Friedlander: The Street
Friedlander’s street is a metaphor for the American social landscape. Flattening a dynamic space into a photographic image, people and objects are reflected in windows and mirrors, framed by lamp posts and doors, creating new relationships and narratives.
Lee FriedlanderNew York City
Lee FriedlanderNew York City
Lee FriedlanderKansas City, Missouri
Lee FriedlanderLos Angeles
Lee FriedlanderNew York City
Lee FriedlanderBaltimore
Lee FriedlanderMt. Rushmore, South Dakota
Lee FriedlanderMonsey, N.Y.
Lee FriedlanderNewark, N.J.
Lee FriedlanderNew York City
Lee Friedlander: The Little Screens
Lee Friedlander: The Little Screens
Friedlander’s 1960s photographs show television screens in motel rooms and other anonymous spaces, transmitting images of pop icons, political figures, or minor celebrities. Called by Walker Evans “deft, witty, spanking little poems of hate,” the images reveal an emerging reality—the omnipresence of screens and the drone of television voices in an increasingly isolationist culture.
Lee FriedlanderPortland, Maine
Lee FriedlanderBaltimore
Lee FriedlanderFlorida
Lee FriedlanderNashville
Lee FriedlanderGalax, Virginia
Lee FriedlanderNashville
Lee FriedlanderNashville
Lee FriedlanderFlorida
Lee FriedlanderNashville
Lee FriedlanderWashington, D.C.
Lee Friedlander: Landscapes
Lee Friedlander: Landscapes
The landscape—especially the extravagantly varied landscape of the American West—has been a recurring subject for Friedlander. The artist frequently employs flash, even in daylight, to meld foreground and background. The resulting densely layered compositions draw the viewer into idiosyncratic qualities of the terrain.