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Color image of a color screen print depicting an orange splash with red, yellow, and blue ink on white framed in white

Christian Marclay: Works on Paper

Color image of a color screen print with the text Slutch in blue, purple, and pink on white framed in white — Slutch, 2013

acrylic paint and oil base screen print ink on paper, 43 x 31 inches (framed) [109.2 x 78.7 cm]

Framed print of collaged manga comic panels in green on a white background — Scream (Green Particles), 2019

woodcut, 39-7/8 x 48-1/4 inches (framed) [15.7 x 19 cm]

Color image of collage depicting a figure crying out in pain — Untitled (Cut Throat), 2020

comic book and magazine cutouts on paper, 17-1/8 x 16-5/8 inches (sheet) [43.5 x 42.2 cm]

Color image of a color woodcut print depicting a figure in distress with mouth wide open framed in white — Scream (Yellow Woodchips), 2019

woodcut, 37-1/2 x 31-1/8 inches (framed) [14.7 x 12.4 cm]

Christian MarclaySplsh

2014

acrylic paint and oil base screen print ink on paper, 39-1/2 x 32 inches (framed) [100.3 x 81.3 cm]

Christian MarclaySlutch

2013

acrylic paint and oil base screen print ink on paper, 43 x 31 inches (framed) [109.2 x 78.7 cm]

Christian MarclayScream (Green Particles)

2019

woodcut, 39-7/8 x 48-1/4 inches (framed) [15.7 x 19 cm]

Christian MarclayUntitled (Cut Throat)

2020

comic book and magazine cutouts on paper, 17-1/8 x 16-5/8 inches (sheet) [43.5 x 42.2 cm]

Christian MarclayScream (Yellow Woodchips)

2019

woodcut, 37-1/2 x 31-1/8 inches (framed) [14.7 x 12.4 cm]

Color photograph of a small body of water in front of a large sand mound with a lightly clouded blue sky

Richard Misrach: Battleground Point

In 1998, torrential rains flooded the Carson and Humbolt Rivers, overflowing into nearby lands. In a series commissioned by the Nature Conservancy, Misrach photographed this rare but natural occurrence of water in the desert at Battleground Point, a site memorializing a legendary confrontation between the ancestors of today’s Toidikadi tribe and a band of malevolent giants.

Color photograph of a lake in the middle of a desert with sandy hill along the horizon — Battleground Point #6, 1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Color photograph of car tracks on desert ground with a sand hill on the horizon — Battleground Point #2, 1999

pigment print, 61 x 77 inches (framed) [155 x 195.6 cm], edition of 5

Color photograph of a lake within a desert reflecting the cloudy sky above — Battleground Point #7, 1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Color photograph of a small body of water in front of a large sand mound with clear blue sky — Battleground Point #18, 1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Color photograph of a large mound of sand in desert near body of water — Battleground Point #26, 1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm], edition of 25

Color photograph of a body of water near a sand hill with a bright blue cloudy sky — Battleground Point #25, 1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Richard MisrachBattleground Point #22

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Richard MisrachBattleground Point #6

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Richard MisrachBattleground Point #2

1999

pigment print, 61 x 77 inches (framed) [155 x 195.6 cm], edition of 5

Richard MisrachBattleground Point #7

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Richard MisrachBattleground Point #18

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Richard MisrachBattleground Point #26

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm], edition of 25

Richard MisrachBattleground Point #25

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Richard MisrachBattleground Point #21

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm], edition of 25

Wooden artwork with etchings and ink depicting a road and field with large white cloud

Robert Adams: The Plains, from Memory

Modest in size and painted in springlike hues with block-printing ink, these simplified compositions draw on the stillness and grandeur that Adams remembers from his time spent on the Colorado prairie.

Installation view of painted woodblock depicting a cloud like shape on white wedge on white wall

Color image of wooden sculpture with yellow and green paint — Untitled, 2020

ink on wood, 3-1/2 x 13-3/4 x 3/4 inches [8.8 x 34.9 x 1.9 cm]

Black and white photograph of an empty grassy plain — The Pawnee National Grassland, Colorado, 1984

gelatin silver print, 15 x 18-3/8 inches (image) [38.1 x 46.7 cm]

Vertical wooden artwork with etchings and ink depicting field with clear blue sky — Untitled, 2020

ink on wood, 17-1/4 x 11-1/4 x 3/4 inches [43.8 x 28.5 x 1.9 cm]

Color image of painted woodblock depicting horizon with washes of blue, green, and yellow on white stand

Color image of wooden sculpture with etchings and swatches of green, yellow, white, and blue — Untitled, 2020

ink on wood, 15-3/4 x 7-1/4 x 3/4 inches [40 x 18.4 x 1.9 cm]

Color image of a wooden sculpture with light blue and white ink — The Plains. Clarkville, Colorado, 2022

ink on wood, 8 x 12 x 3/4 inches [20.3 x 30.5 x 1.9 cm]

Black and white photograph of an empty plain as seen from the porch of an abandoned school — From the front porch of an abandoned one-room school house, looking into the Niobrara River Valley, Dawes County, Nebraska, 1978

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Robert AdamsUntitled

2020

ink on wood, 6-1/2 x 6-1/4 x 1/2 inches [16.5 x 15.8 x 1.2 cm]

Robert AdamsUntitled

2020

ink on wood, 3-1/2 x 13-3/4 x 3/4 inches [8.8 x 34.9 x 1.9 cm]

Robert AdamsThe Pawnee National Grassland, Colorado

1984

gelatin silver print, 15 x 18-3/8 inches (image) [38.1 x 46.7 cm]

Robert AdamsUntitled

2020

ink on wood, 17-1/4 x 11-1/4 x 3/4 inches [43.8 x 28.5 x 1.9 cm]

Robert AdamsUntitled

2020

ink on wood, 15-3/4 x 7-1/4 x 3/4 inches [40 x 18.4 x 1.9 cm]

Robert AdamsThe Plains. Clarkville, Colorado

2022

ink on wood, 8 x 12 x 3/4 inches [20.3 x 30.5 x 1.9 cm]

Robert AdamsFrom the front porch of an abandoned one-room school house, looking into the Niobrara River Valley, Dawes County, Nebraska

1978

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Color image of a color photograph of a cargo ship on the water during a hazy morning framed in bleached wood

Richard Misrach: Cargo

The artist documented cargo ships in the San Francisco Bay during a critical moment for the global shipping industry. Made in the light of early morning or late afternoon, the images suggest a comparison to J.M.W Turner’s atmospheric maritime paintings, and recall the careful observation of the sky and water in Misrach’s own “Golden Gate” and “On the Beach” series.

Color photograph of cargo ships on the bay during mid day framed in bleached wood — Richard Misrach, Cargo Ships (January 11, 2022, 2:01pm), 2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Color photograph of cargo ships moving across the water at around sunrise on an overcast morning framed in a bleached wood frame — Richard Misrach, Cargo Ships (November 20, 2021 6:33 am), 2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Color photograph of cargo ships traveling on water early morning framed in bleached wood — Richard Misrach, Cargo Ships (January 14, 2022, 7:16pm), 2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Color photograph framed in bleached wood depicting a single cargo ship on the water during a cloudy sunrise — Richard Misrach, Cargo Ships (March 5, 2023, 6:39 am), 2023

pigment print, 63 x 82-1/4 inches [160 x 208.9 cm] (framed), edition of 5

Color photograph of several cargo ships on the horizon during sunrise with pinkish clouds — Richard Misrach, Cargo Ships (January 8, 2022, 7:37am), 2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Color image of a color photograph of two cargo ships on the water with birds and a sailboat framed in bleached wood frame — Richard Misrach, Cargo Ships (November 26, 2021 4:38pm), 2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Color photograph of cargo ships moving across the water at around sunrise framed in a bleached wood frame — Richard Misrach, Cargo Ships (November 22, 2021 6:41am), 2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Color image of a color photograph of six cargo ships traveling along the water on a clear day framed in bleached wood — Richard Misrach, Cargo Ships (November 30, 2021 4:45 PM), 2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Color photograph of a cargo ship on the water on a densely foggy evening framed in bleached wood — Richard Misrach, Cargo Ships (November 19, 2021, 7:36pm), 2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Richard MisrachCargo Ships (January 12, 2022 7:43 AM)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Richard MisrachCargo Ships (January 11, 2022, 2:01pm)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Richard MisrachCargo Ships (November 20, 2021 6:33 am)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Richard MisrachCargo Ships (January 14, 2022, 7:16pm)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Richard MisrachCargo Ships (March 5, 2023, 6:39 am)

2023

pigment print, 63 x 82-1/4 inches [160 x 208.9 cm] (framed), edition of 5

Richard MisrachCargo Ships (January 8, 2022, 7:37am)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Richard MisrachCargo Ships (November 26, 2021 4:38pm)

2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Richard MisrachCargo Ships (November 22, 2021 6:41am)

2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Richard MisrachCargo Ships (November 30, 2021 4:45 PM)

2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Richard MisrachCargo Ships (November 19, 2021, 7:36pm)

2021

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5

Black and white photograph of a water tower amongst residential homes

Bernd & Hilla Becher: Water Towers

Using a precisely positioned large format view camera and working on overcast days, the Bechers created photographs with the uniform, neutral appearance of architectural renderings or scientific records, transforming their subjects into what they called “anonymous sculpture.”

Black and white photograph of a water tower — Bernd & Hilla Becher, Water Tower, Weirton, West Virginia, U.S.A., 1980

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower in a grass field near electrical power lines — Bernd & Hilla Becher, Water Tower, Circle City, New Jersey, U.S.A., 1974

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower in a grass field — Bernd & Hilla Becher, Water Tower, Toledo, Ohio, USA, 1978

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower near a railroad track and residential homes — Bernd & Hilla Becher, Water Tower, Gary, Indiana, U.S.A., 1977

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a circular water tower near railroad tracks — Bernd & Hilla Becher, Water Tower, Neville Island, near Pittsburgh, USA, 1980

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower near electrical power lines — Bernd & Hilla Becher, Water Tower, St. Jean de Vedas, Herault, F., 1984

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Bernd & Hilla Becher, Water Tower, Crailsheim, Germany, 1980

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

A black and white photograph of a large water tower with the word FINDLAY painted on the facade — Bernd & Hilla Becher, Water Tower, Findlay, Ohio, USA, 1977

gelatin silver print, 23-7/8 x 20-3/8 inches (image & sheet) [60.6 x 51.8 cm]

Black and white photograph of a water tower exterior — Bernd & Hilla Becher, Water Tower, Herve/Liège, Belgium, 1971

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm], edition of 5

Black and white photograph of a water tower amongst railroad tracks — Water Tower, Trier-Ehrang, D, 1982

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower among residential homes with larger city on the horizon — Water Tower, Fulda, Germany, 1979

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower near railroad tracks — Water Tower, Mannheim, Germany, 1978

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower made partially of bricks — Water Tower, Oberhausen/Ruhr, Germany, 1967

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Bernd & Hilla BecherWater Tower, Weirton, West Virginia, U.S.A.

1980

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Bernd & Hilla BecherWater Tower, Wauseon, Ohio, U.S.A.

1977

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Bernd & Hilla BecherWater Tower, Circle City, New Jersey, U.S.A.

1974

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Bernd & Hilla BecherWater Tower, Toledo, Ohio, USA

1978

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Bernd & Hilla BecherWater Tower, Gary, Indiana, U.S.A.

1977

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Bernd & Hilla BecherWater Tower, Carmaux, France

1984

gelatin silver print, 24-5/8 x 20 inches (sheet) [62.2 x 50.8 cm]

Bernd & Hilla BecherWater Tower, Neville Island, near Pittsburgh, USA

1980

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Bernd & Hilla BecherWater Tower, St. Jean de Vedas, Herault, F.

1984

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Bernd & Hilla BecherWater Tower, Crailsheim, Germany

1980

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Bernd & Hilla BecherWater Tower, Findlay, Ohio, USA

1977

gelatin silver print, 23-7/8 x 20-3/8 inches (image & sheet) [60.6 x 51.8 cm]

Bernd & Hilla BecherWater Tower, Herve/Liège, Belgium

1971

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm], edition of 5

Water Tower, Trier-Ehrang, D

1982

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Water Tower, Fulda, Germany

1979

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Water Tower, Mannheim, Germany

1978

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Water Tower, Oberhausen/Ruhr, Germany

1967

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Diptych of two color photographs depicting a green screen and closer crop of a green screen

Liz Deschenes: Selected Works

In the metallic sheen of their surfaces, Deschenes’s mirror-like photograms reflect the architecture of the space around them, as well as the viewer. Carefully positioned in the gallery, their materials, dimension, and arrangements reference early photographic and cinematic techniques.

An image of a solid vivid purplish red colored print in a white frame. — Liz Deschenes, Indicator #1, 2022

dye sublimation print, 54 x 44 inches (framed) [137.1 x 111.7 cm], edition of 2

Two photographs depicting washes of green hanging on a light gray wall — Liz Deschenes, Green Screen #1 and #3, 2001

Fujiflex print mounted on plexiglass, 26 x 19 inches (each) [66 x 48.3 cm], edition of 5

An image of a solid blue colored print in a white frame. — Liz Deschenes, Indicator #9, 2022

dye sublimation print, 54 x 44 inches (framed) [137.1 x 111.7 cm], edition of 2

Color image of a unique gold toned photogram column on white wall — Liz Deschenes, Stereograph #35, 2019

silver toned photograms mounted on Dibond, 84 x 5 inches (each) [213.4 x 12.7 cm] 84 x 7 x 4-7/8 inches (overall) [213.4 x 17.8 x 12.4 cm], unique

Color image of unique photograms on white wall — Liz Deschenes, FPS (120), 2021

120 unique photograms mounted on Dibond, 60 x 1-1/4 inches (each) [152.4 x 3.2 cm]

Color image of a blue photogram framed in white — Liz Deschenes, Blue Wool Scale #8, 2022

pigment print on aluminum, 34-1/4 x 24-1/4 inches (framed) [87 x 61.6 cm]

Liz DeschenesIndicator #1

2022

dye sublimation print, 54 x 44 inches (framed) [137.1 x 111.7 cm], edition of 2

Liz DeschenesGreen Screen #1 and #3

2001

Fujiflex print mounted on plexiglass, 26 x 19 inches (each) [66 x 48.3 cm], edition of 5

Liz DeschenesIndicator #9

2022

dye sublimation print, 54 x 44 inches (framed) [137.1 x 111.7 cm], edition of 2

Liz DeschenesStereograph #35

2019

silver toned photograms mounted on Dibond, 84 x 5 inches (each) [213.4 x 12.7 cm] 84 x 7 x 4-7/8 inches (overall) [213.4 x 17.8 x 12.4 cm], unique

Liz DeschenesFPS (120)

2021

120 unique photograms mounted on Dibond, 60 x 1-1/4 inches (each) [152.4 x 3.2 cm]

Liz DeschenesBlue Wool Scale #8

2022

pigment print on aluminum, 34-1/4 x 24-1/4 inches (framed) [87 x 61.6 cm]

Color photograph of red grapes suspended by black thread above concrete plinth

Richard Learoyd: Selected Works

Richard Learoyd’s large-scale color and black-and-white photography reimagines art historical tropes with a sensual hyperrealism. Using a camera obscura, Learoyd creates experiential tableaux with a contemporary texture, enveloping the viewer into the artist’s unique worldview.

Color photograph of red grapes suspended by black thread framed in white — Red grapes, 2022

unique Ilfochrome photograph, 29-1/2 x 25-1/4 inches (framed) [74.9 x 64.1 cm], edition of 4

Color photograph of decaying poppies in white frame — Poppies close up, 2022

unique Ilfochrome photograph, 25-1/2 x 29-1/4 inches (framed) [64.7 x 74.3 cm], edition of 4

Color photographic portrait of a topless young woman against a gray background — Jasmijn nude, 2017

unique Ilfochrome photograph, 52 x 49-3/8 inches (framed)

Black and white horizontal photograph of a lone rock in the Pacific Ocean. — Big Sur II, 2018

gelatin-silver contact print, 60 x 88-1/8 inches (framed) [152.4 x 223.8 cm], edition of 7

Color photograph of a seated figure hunched over away from camera in beaded black dress framed in white — Agnes back

Ilfochrome photograph, 70-1/4 x 59-3/4 inches (framed) [181 x 151.8 cm]

Black and white photograph of a river and trees along the horizon framed in black — The River Stour from Deadman’s Bridge near Flatford. (Summer), 2013

gelatin silver contact print, 58-1/8 x 86 inches (framed) [147.6 x 218.4 cm]

Color photograph of a woman in black lace top framed in white — Tatiana small, 2011

Ilfochrome photograph, 38-1/8 x 34-1/8 inches (framed) [96.8 x 96.8 cm]

Black and white photograph of a large metal and concrete structure situated on hillside framed in black — Armature, Mount Buzludzha, Bulgaria, 2016

gelatin silver contact print, 58-1/2 x 79 inches (framed) [148.6 x 200.7 cm]

Color photograph of a large family standing besides a covered wagon outdoors framed in black — Family group 1, 2016

chromogenic contact print, 60-1/2 x 79-1/2 inches (framed) [153.7 x 201.9 cm], edition of 5

Color photograph of a seated nude figure turning away from camera framed in black — Phie nude on plinth, 2016

Ilfochrome photograph, 75-3/8 x 60 inches (framed) [191.8 x 152.4 cm]

Color photograph of a nude woman laying on sheets framed in white — Agnes from above, 2008

Ilfochrome photograph, 70 x 60 inches (framed) [177 x 152 cm]

Richard LearoydRed grapes

2022

unique Ilfochrome photograph, 29-1/2 x 25-1/4 inches (framed) [74.9 x 64.1 cm], edition of 4

Richard LearoydPoppies close up

2022

unique Ilfochrome photograph, 25-1/2 x 29-1/4 inches (framed) [64.7 x 74.3 cm], edition of 4

Richard LearoydJasmijn nude

2017

unique Ilfochrome photograph, 52 x 49-3/8 inches (framed)

Richard LearoydBig Sur II

2018

gelatin-silver contact print, 60 x 88-1/8 inches (framed) [152.4 x 223.8 cm], edition of 7

Richard LearoydAgnes back

Ilfochrome photograph, 70-1/4 x 59-3/4 inches (framed) [181 x 151.8 cm]

Richard LearoydThe River Stour from Deadman’s Bridge near Flatford. (Summer)

2013

gelatin silver contact print, 58-1/8 x 86 inches (framed) [147.6 x 218.4 cm]

Richard LearoydTatiana small

2011

Ilfochrome photograph, 38-1/8 x 34-1/8 inches (framed) [96.8 x 96.8 cm]

Richard LearoydArmature, Mount Buzludzha, Bulgaria

2016

gelatin silver contact print, 58-1/2 x 79 inches (framed) [148.6 x 200.7 cm]

Richard LearoydFamily group 1

2016

chromogenic contact print, 60-1/2 x 79-1/2 inches (framed) [153.7 x 201.9 cm], edition of 5

Richard LearoydPhie nude on plinth

2016

Ilfochrome photograph, 75-3/8 x 60 inches (framed) [191.8 x 152.4 cm]

Richard LearoydAgnes from above

2008

Ilfochrome photograph, 70 x 60 inches (framed) [177 x 152 cm]

Martine Gutierrez: Selected works

Using herself as a model, Martine Gutierrez acts as both subject and creator, transforming the language of fashion, advertising, and cinema with humor and imagination to explore identities that touch on race, class, gender, and sexuality.

Godiva from ANTI-ICON: APOKALYPSIS, 2021

chromogenic print, hand-distressed welded aluminum frame, 55-1/2 x 38-3/4 inches (framed) [141 x 98.4 cm], edition of 7

Framed color photograph of an eclectically dressed person posing in front of a tire shop — Queer Rage, Dear Diary, No Signal During VH1’s Fiercest Divas, p72 from Indigenous Woman, 2018

chromogenic print, 42-7/8 x 28-7/8 inches (framed) [108.9 x 73.43 cm], edition of 8

Black and white photograph of a reclining nude woman leaning against a male mannequin in a suit — Body En Thrall, p114-115 from Indigenous Woman, 2018

chromogenic print, 43-1/8 x 64-1/8 inches (framed) [101.9 x 152.7 cm], edition of 8

Color photograph of a blonde woman with clear plastic wrapped tightly around her head — Plastics, Brigitte, 2020

chromogenic print, 24 × 17 inches (framed) [61 × 43.2 cm], edition of 8

Black and white photograph of three nude bodies amongst greenery — Body En Thrall, p110 from Indigenous Woman, 2018

chromogenic print, 91-3/8 x 61-3/8 inches (framed) [232.1 x 155.9 cm], edition of 2

Framed collage of a woman kneeling with multicolored symbols for gender pasted on her body — Identity Boots Ad, p99 from Indigenous Woman, 2018

chromogenic print, 30-5/8 x 20-5/8 inches (framed) [77.8 x 52.4 cm], edition of 8 + 2 AP

Color photograph of women dressed in cultural garb against white background framed in white — Neo-Indeo, Monochrome Mamacita, p28 from Indigenous Woman, 2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

Diptych of framed color photographs of, on the left, a woman dressed in blue holding blue and white striped shopping bags of fruit. On the right, a bunch of pink flowers on a green chair next to a bag of pineapples on the floor. — Neo-Indeo, Plastico y Swag, p38-39 from Indigenous Woman, 2018

two chromogenic prints, 54-7/8 x 36-7/8 inches [each framed], edition of 8 + 2 AP

Black and white photograph of two people embracing on a hammock while another enters the space framed in white — Body En Thrall, p108-109 from Indigenous Woman, 2018, 2018

chromogenic print, 43-1/8 x 64-1/8 inches (framed) [101.9 x 152.7 cm], edition of 8

Framed color photograph of a woman with green hair and magenta outfit on a light blue background with a statue's image cut in two pieces below — P.P.S. Christopher Columbus was a Fuck Boi, 2018

chromogenic print, 42-7/8 x 28-7/8 inches (framed) [108.9 x 73.43 cm], edition of 8

Framed color photograph of woman in culturally specific outfit holding a bowl atop her head — Neo-Indeo, Cakchiquel Calor, p34 from Indigenous Woman, 2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

Cleopatra from ANTI-ICON: APOKALYPSIS, 2021

chromogenic print, hand-distressed welded aluminum frame, 55-1/2 x 38-3/4 inches (framed) [141 x 98.4 cm], edition of 7

Framed black and white photographs of a perfume bottle and nude figure holding large flowers over one shoulder — Del’ Estrogen, p2-3 from Indigenous Woman, 2018

two chromogenic prints, 30-5/8 x 20-5/8 inches (each framed) [77.8 x 52.4 cm], edition of 8

Framed color photograph of a woman in a woven outfit and mismatched socks — Neo-Indeo, Glamour is a Heavy Burden, p36 from Indigenous Woman, 2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

Martine GutierrezGodiva from ANTI-ICON: APOKALYPSIS

2021

chromogenic print, hand-distressed welded aluminum frame, 55-1/2 x 38-3/4 inches (framed) [141 x 98.4 cm], edition of 7

Martine GutierrezQueer Rage, Dear Diary, No Signal During VH1’s Fiercest Divas, p72 from Indigenous Woman

2018

chromogenic print, 42-7/8 x 28-7/8 inches (framed) [108.9 x 73.43 cm], edition of 8

Martine GutierrezBody En Thrall, p114-115 from Indigenous Woman

2018

chromogenic print, 43-1/8 x 64-1/8 inches (framed) [101.9 x 152.7 cm], edition of 8

Martine GutierrezPlastics, Brigitte

2020

chromogenic print, 24 × 17 inches (framed) [61 × 43.2 cm], edition of 8

Martine GutierrezBody En Thrall, p110 from Indigenous Woman

2018

chromogenic print, 91-3/8 x 61-3/8 inches (framed) [232.1 x 155.9 cm], edition of 2

Martine GutierrezIdentity Boots Ad, p99 from Indigenous Woman

2018

chromogenic print, 30-5/8 x 20-5/8 inches (framed) [77.8 x 52.4 cm], edition of 8 + 2 AP

Martine GutierrezNeo-Indeo, Monochrome Mamacita, p28 from Indigenous Woman

2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

Martine GutierrezNeo-Indeo, Plastico y Swag, p38-39 from Indigenous Woman

2018

two chromogenic prints, 54-7/8 x 36-7/8 inches [each framed], edition of 8 + 2 AP

Martine GutierrezBody En Thrall, p108-109 from Indigenous Woman, 2018

2018

chromogenic print, 43-1/8 x 64-1/8 inches (framed) [101.9 x 152.7 cm], edition of 8

Martine GutierrezP.P.S. Christopher Columbus was a Fuck Boi

2018

chromogenic print, 42-7/8 x 28-7/8 inches (framed) [108.9 x 73.43 cm], edition of 8

Martine GutierrezNeo-Indeo, Cakchiquel Calor, p34 from Indigenous Woman

2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

Martine GutierrezCleopatra from ANTI-ICON: APOKALYPSIS

2021

chromogenic print, hand-distressed welded aluminum frame, 55-1/2 x 38-3/4 inches (framed) [141 x 98.4 cm], edition of 7

Martine GutierrezDel’ Estrogen, p2-3 from Indigenous Woman

2018

two chromogenic prints, 30-5/8 x 20-5/8 inches (each framed) [77.8 x 52.4 cm], edition of 8

Martine GutierrezNeo-Indeo, Glamour is a Heavy Burden, p36 from Indigenous Woman

2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

Color photograph of two figures standing by a race car in the middle of salt flats with mountains along the horizon

Richard Misrach: Bonneville Salt Flats Raceway

Richard Misrach’s Desert Canto XV: The Salt Flats (1992) explores a stretch of Utah desert used as a raceway where drivers attempt to break land speed records.

Color photograph of a VW bus with flames painted on the front in the middle of empty slat flats with mountains on horizon — VW With Flames, Bonneville Salt Flats, 1992

pigment print, 60-3/4 x 75-3/4 inches (framed) [154.3 x 192.4 cm], edition of 3

Color photograph of a red car on a hitched trailer in the middle of salt flats with mountains along the horizon on a cloudy day — Brukdoll Racing, Bonneville Salt Flats, 1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of a modified truck pulling a trailer home in the middle of a salt flat — World’s Fastest Mobile Home (96 mph), 1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of multiple automobiles and a plane in the middle of salt flats with mountains along the horizon — Yellow Liner, Bonneville Salt Flats, 1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of a pickup truck in the middle of empty salt flats with mountains along the horizon — Pickup Truck, Bonneville Salt Flats, 1992

pigment print, 30 x 37 inches (sheet & mount) [76.2 x 94 cm], edition of 7

Color photograph of a camper in the middle of salt flats with mountains along the horizon — Trailer Home, Bonneville Salt Flats, 1992

pigment print, 30 x 37 inches (sheet & mount) [76.2 x 94 cm], edition of 7

Color photograph of a car with flames painted on the front in the middle of empty salt flats with mountains on horizon — Old Coupe With Flames, Bonneville Salt Flats, 1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of a red car in the middle of empty salt flats with mountain range along the horizon — Red Streamliner, Bonneville Salt Flats, 1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of figure laying on the desert ground using a camera near a pickup truck — Photographer, Bonneville Salt Flats, 1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of a car in the middles of empty salt flats with mountain range along horizon — Chrysler Newport, Bonneville Salt Flats, Utah, 1989

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of a land sailing vehicle and a bike in the middle of empty salt flats with mountains on the horizon — Landyacht and Bicycle, Bonneville Salt Flats

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Richard MisrachDanny Boy, Bonneville Salt Flats

1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Richard MisrachVW With Flames, Bonneville Salt Flats

1992

pigment print, 60-3/4 x 75-3/4 inches (framed) [154.3 x 192.4 cm], edition of 3

Richard MisrachBrukdoll Racing, Bonneville Salt Flats

1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Richard MisrachWorld’s Fastest Mobile Home (96 mph)

1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Richard MisrachYellow Liner, Bonneville Salt Flats

1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Richard MisrachPickup Truck, Bonneville Salt Flats

1992

pigment print, 30 x 37 inches (sheet & mount) [76.2 x 94 cm], edition of 7

Richard MisrachTrailer Home, Bonneville Salt Flats

1992

pigment print, 30 x 37 inches (sheet & mount) [76.2 x 94 cm], edition of 7

Richard MisrachOld Coupe With Flames, Bonneville Salt Flats

1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Richard MisrachRed Streamliner, Bonneville Salt Flats

1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Richard MisrachPhotographer, Bonneville Salt Flats

1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Richard MisrachChrysler Newport, Bonneville Salt Flats, Utah

1989

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Richard MisrachLandyacht and Bicycle, Bonneville Salt Flats

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of telephone poles, decrepit trailer homes, and vehicles partly submerged in still water

Richard Misrach: Salton Sea

Misrach’s Desert Canto III: The Flood (1983-85) is an ecologically engaged series focused on the Salton Sea, an artificial desert lake created in the 1900s. Stocked with fish in the 1950s to promote tourism, by the 1980s it became highly saline with toxic algae blooms and wildlife die-offs.

Color photograph of a large body of water with several wooden stakes peeking above the water on an overcast day — Salton Sea (Triangle), 1985

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Color photograph of a submerged gas station in large body of water with mountain range on the horizon — Submerged Gas Pumps, Salton Sea, 1983

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Color photograph of an abandoned building with abandoned cars and rowboats slightly submerged in water with mountain range on horizon — Stranded Rowboat, Salton Sea, 1983

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm], edition of 25

Color photograph of a flooded abandoned garage with a distressed rowboat — Flooded Garage, Salton Sea, 1985

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Color photograph of a submerged street with a street sign in the center and mountain range on the horizon — Don and Barbara, Salton Sea, 1985

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Richard MisrachSubmerged Trailer-Home, Salton Sea

1985

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

Richard MisrachSalton Sea (Triangle)

1985

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Richard MisrachSubmerged Gas Pumps, Salton Sea

1983

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Richard MisrachStranded Rowboat, Salton Sea

1983

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm], edition of 25

Richard MisrachFlooded Garage, Salton Sea

1985

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Richard MisrachDon and Barbara, Salton Sea

1985

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Black and white photograph of mustachioed man at ATM machine

Sophie Calle: Cash Machine

Often employing methods of surveillance and exploring the idea of privacy in her work, Calle also utilizes “ready-made” images to address these themes. In her series Cash Machine, photographs are made from ATM video surveillance footage, and each work is exhibited as a sequence of two to eleven images.

Black and white photographs of mustachioed man at ATM machine in vertical sequence — Sophie Calle, Cash Machine (03-19), 1991 - 2003

three gelatin silver prints, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Three black and white photographs taken from a surveillance camera of a woman up close, using an ATM — Sophie Calle, Cash Machine (03-21), 1991-2003

three gelatin silver prints, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Black and white photograph of a woman at an ATM — Sophie Calle, Cash Machine (03-21), 1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Four black and white photographs of a man at an ATM in a horizontal sequence — Sophie Calle, Cash Machine (04-32), 1991 - 2003

four gelatin silver print, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Black and white photograph of a man at an ATM — Sophie Calle, Cash Machine (04-32), 1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Color image of six black and white polaroids with time stamps depicting shadowy figures in silver frame — Sophie Calle, Cash Machine polaroids (06-16), 1991 - 2014

six polaroids, 16 x 31 inches (framed) [40.6 x 78.7 cm]

Sophie CalleCash Machine (03-19)

1991 - 2003

three gelatin silver prints, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Sophie CalleCash Machine (03-19)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Sophie CalleCash Machine (03-19)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Sophie CalleCash Machine (03-19)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Sophie CalleCash Machine (03-21)

1991-2003

three gelatin silver prints, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Sophie CalleCash Machine (03-21)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Sophie CalleCash Machine (03-21)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Sophie CalleCash Machine (03-21)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Sophie CalleCash Machine (04-32)

1991 - 2003

four gelatin silver print, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Sophie CalleCash Machine (04-32)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Sophie CalleCash Machine (04-32)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Sophie CalleCash Machine (04-32)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Sophie CalleCash Machine polaroids (06-16)

1991 - 2014

six polaroids, 16 x 31 inches (framed) [40.6 x 78.7 cm]

Sophie CalleCash Machine polaroids (06-15)

1991 - 2014

six polaroids, 16 x 31 inches (framed) [40.6 x 78.7 cm]

Color image of a paperback book, framed in a white box with a yellow banner of text across the glass of the frame

Sophie Calle: Série Noire

Encasing found pulp novels in vitrines, Calle recontextualizes lurid paperbacks with a series of questions ruminating on grief. Following formal and thematic motifs present throughout the artist’s oeuvre, Série Noire is textual and investigative–a playful series that knowingly embraces kitsch.

Color image of a white paperback book, framed in a white box with a yellow banner of text across the glass of the frame — Sophie Calle, Série Noire (No Tears from the Widow), 2021

found book and artist’s text in wooden box, 11 x 8-1/4 x 2-3/4 inches (overall) [27.9 x 21.9 x 7 cm], edition of 1 + 1 AP

Color image of a black paperback book, framed in a white box with a yellow banner of text across the glass of the frame — Sophie Calle, Série Noire (The Last Goodbye), 2021

found book and artist’s text in wooden box, 11 x 8-1/4 x 2-3/4 inches (overall) [27.9 x 21.9 x 7 cm], edition of 1 + 1 AP

A found book reading "Farewell My Lovely" in a white box, with a yellow band of text over the top. — Sophie Calle, Série Noire (Farewell My Lovely), 2020

found book and artist’s text in wooden box, 11 x 2-3/4 x 8-1/4 inches (overall) [27.9 x 7 x 21.9 cm], edition of 1

Sophie CalleSérie Noire (No Tears from the Widow)

2021

found book and artist’s text in wooden box, 11 x 8-1/4 x 2-3/4 inches (overall) [27.9 x 21.9 x 7 cm], edition of 1 + 1 AP

Sophie CalleSérie Noire (Tears Are For Angels)

2021

found book and artist’s text in wooden box, 11 x 8-1/4 x 2-3/4 inches (overall) [27.9 x 21.9 x 7 cm], edition of 1 + 1 AP

Sophie CalleSérie Noire (The Last Goodbye)

2021

found book and artist’s text in wooden box, 11 x 8-1/4 x 2-3/4 inches (overall) [27.9 x 21.9 x 7 cm], edition of 1 + 1 AP

Sophie CalleSérie Noire (Farewell My Lovely)

2020

found book and artist’s text in wooden box, 11 x 2-3/4 x 8-1/4 inches (overall) [27.9 x 7 x 21.9 cm], edition of 1

Sophie CalleSérie Noire (The Big Sleep)

2020

found book and artist’s text in wooden box, 11 x 8-1/4 x 2-3/4 inches (overall) [27.9 x 21.9 x 7 cm], edition of 1 + 1 AP