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Color image of a color photograph depicting details of water in a blue hue framed in white

Adam Fuss: Water

The fluidity of water is a recurring motif in Fuss’s work. Recording single droplets or tumbling cascades, his photograms register the many possibilities of movement and reverberation, resulting in images rife with potential meaning.

Black and white photogram of splashing water — Untitled, 1998

gelatin silver photogram, 61 x 58-1/4 inches (framed) [154.9 x 148 cm]

Black and white photograph of water droplets on grey background — Ark, 2005

gelatin silver photogram, 27 x 22-3/4 inches (framed) [68.5 x 57.7 cm]

Framed color photograph of a radiant yellow field of color punctuated by concentric circles of water drops — Untitled, 2015

unique Cibachrome phogram, 32 x 34-1/4 inches (framed) [81.3 x 87.0 cm]

Color image of a blue and white photogram depicting water dripping framed in white — Untitled

unique chromogenic photogram, 101-1/2 x 63 inches (framed) [292.1 x 160 cm]

Color photograph of an abstract pattern of white spots on a mauve background — Untitled, 2017

unique chromogenic print, 28-3/8 x 20-3/8 inches (framed) [75.9 x 54.9 cm]

Color photograph of a man's full-body silhouette floating in a pool of transparent blue and violet liquid — Untitled (Self-Portrait), 2015

unique Cibachrome photogram, 99-1/2 x 51-5/8 inches (framed) [252.7 x 131.1 cm]

Black-and-white photogram of many concentric circular ripples in liquid — Untitled, 2007

unique gelatin silver print photogram, 63 x 49-1/2 inches (framed) [141.2 x 120.6 cm]

Color image of a purple tinted photogram of an infant wading in water framed in white — Untitled, 2013

unique Cibachrome photogram, 46-1/4 x 36-1/2 inches (framed) [118.1 x 92.3 cm]

Color image of a color photograph depicting details of water in a light blue hue framed in white — Untitled, 2017

unique chromogenic photogram, 65 x 51 inches (framed) [165 x 129.54 cm]

Adam FussUntitled

2015

unique Cibachrome photogram, 49-1/2 x 44 inches (framed) [125.73 x 111.76 cm]

"*" indicates required fields

Adam FussUntitled

1998

gelatin silver photogram, 61 x 58-1/4 inches (framed) [154.9 x 148 cm]

"*" indicates required fields

Adam FussArk

2005

gelatin silver photogram, 27 x 22-3/4 inches (framed) [68.5 x 57.7 cm]

"*" indicates required fields

Adam FussUntitled

2015

unique Cibachrome phogram, 32 x 34-1/4 inches (framed) [81.3 x 87.0 cm]

"*" indicates required fields

Adam FussUntitled

unique chromogenic photogram, 101-1/2 x 63 inches (framed) [292.1 x 160 cm]

"*" indicates required fields

Adam FussUntitled

2017

unique chromogenic print, 28-3/8 x 20-3/8 inches (framed) [75.9 x 54.9 cm]

"*" indicates required fields

Adam FussUntitled (Self-Portrait)

2015

unique Cibachrome photogram, 99-1/2 x 51-5/8 inches (framed) [252.7 x 131.1 cm]

"*" indicates required fields

Adam FussUntitled

2007

unique gelatin silver print photogram, 63 x 49-1/2 inches (framed) [141.2 x 120.6 cm]

"*" indicates required fields

Adam FussUntitled

2013

unique Cibachrome photogram, 46-1/4 x 36-1/2 inches (framed) [118.1 x 92.3 cm]

"*" indicates required fields

Adam FussUntitled

2017

unique chromogenic photogram, 65 x 51 inches (framed) [165 x 129.54 cm]

"*" indicates required fields

Color image of nine daguerreotypes in a grid of three by three depicting butterflies framed in black

Adam Fuss: Daguerreotypes

In Fuss’s daguerreotype works, ethereal images seem to float on polished silver plates. In the mirrored surface of the works, positive and negative values shift, imbuing the subjects with a delicate presence.

For Allegra, from the series My Ghost, 2019

daguerreotype, 18 x 14-3/4 inches (framed) [45.7 x 37.4 cm]

Installation view, indirect and direct lighting

Color image of a daguerreotype depicting a human skull framed in black — Untitled, 2002

daguerreotype, 17-1/2 x 14-1/2 inches (framed) [44.5 x 36.8 cm]

Color image of a daguerreotype depicting a top heavy vase in a blueish hue framed in black — Untitled, 2008

daguerreotype, 18 x 14-3/4 inches (framed) [45.7 x 37.4 cm]

Color image of a blue toned daguerreotype depicting flowers etched in concrete framed in black — Untitled, 2014

daguerreotype, 14-1/2 x 17-1/2 inches (framed) [36.8 x 44.5 cm]

Color image of a daguerreotype depicting a flower blooming with multiple buds framed in black — From the series ‘My Ghost’, 2014

daguerreotype, 34 x 27-1/2 inches (framed) [86.4 x 69.9 cm]

Color image of a daguerreotype depicting the motion of a water droplet framed in black — Ark, 2012

daguerreotype, 21-1/2 x 18-1/2 inches (framed) [54.6 x 47 cm]

Color image of a daguerreotype depicting a a mattress framed in black — Home and the World, 2011

daguerreotype, 26-3/8 x 40-3/4 inches (framed) [66.9 x 103.5 cm]

Adam FussUntitled

2012

nine daguerreotypes, 16 x 19 inches (framed) [40.6 x 48.3 cm]

"*" indicates required fields

Adam FussFor Allegra, from the series My Ghost

2019

daguerreotype, 18 x 14-3/4 inches (framed) [45.7 x 37.4 cm]

"*" indicates required fields

Adam FussUntitled

2002

daguerreotype, 17-1/2 x 14-1/2 inches (framed) [44.5 x 36.8 cm]

"*" indicates required fields

Adam FussUntitled

2008

daguerreotype, 18 x 14-3/4 inches (framed) [45.7 x 37.4 cm]

"*" indicates required fields

Adam FussUntitled

2014

daguerreotype, 14-1/2 x 17-1/2 inches (framed) [36.8 x 44.5 cm]

"*" indicates required fields

Adam FussFrom the series ‘My Ghost’

2014

daguerreotype, 34 x 27-1/2 inches (framed) [86.4 x 69.9 cm]

"*" indicates required fields

Adam FussArk

2012

daguerreotype, 21-1/2 x 18-1/2 inches (framed) [54.6 x 47 cm]

"*" indicates required fields

Adam FussHome and the World

2011

daguerreotype, 26-3/8 x 40-3/4 inches (framed) [66.9 x 103.5 cm]

"*" indicates required fields

Color image of a rendering from above of several homes that have flooded

Kota Ezawa: Lightboxes

Ezawa began using lightboxes with his series The History of Photography Remix and has returned to the glowing format in more recent series, harnessing its impact to highlight the singular power of each image.

Color image of a color transparency on a light box depicting an aerial view of several homes that have flooded — Kota Ezawa, Flood, 2011

transparency in lightbox, 24 x 36 inches (overall) [61 x 91.4 cm], edition of 5

Color photograph of a light box with a digital rendering of a painting featuring four nude figures in repose within nature framed in black — Kota Ezawa, La Pastorale, 2017

transparency in lightbox, 18 x 21 inches (overall) [45.7 x 53.3 cm], edition of 5

Color image of a black and white transparency on a light box depicting the inside of an empty theatre — Kota Ezawa, Theatre (1978), 2005

transparency in lightbox, 22 x 28 inches (overall) [55.9 x 71.1 cm], edition of 5

Color image of a color transparency on a light box depicting a figure in a yellow dress with adornments of various shapes against a yellow background — Kota Ezawa, Adele Bloch-Bauer I, 2016

duratrans transparency & lightbox, 54 x 54 inches [137.16 x 137.16 cm], edition of 5

Color image of a light box with a black and white image of a work space interior framed in black — Kota Ezawa, Merzbau, 2020

transparency in lightbox, 41-1/8 x 31-1/8 inches (overall) [104.5 x 79.1 cm], edition of 5

Black and white digital rendering of a figure laughing in front of a store while holding ice cream framed in black — Kota Ezawa, Untitled (New York, after Winogrand), 2024

transparency in lightbox, 20 x 30 inches (overall) [50.8 x 76.2 cm], edition of 5

Color image of a color transparency on a light box depicting a Kodachrome color slide of a van driving down a road — Kota Ezawa, Slide, 2005

transparency in lightbox, 24 x 24 inches (overall) [61 x 61 cm], edition of 5

Color image of a color transparency on a light box depicting a darkly framed abstract image of overlapping geometric shapes hung on a grey wall — Kota Ezawa, Photogram, 2023

transparency in lightbox, 28-3/4 x 20-3/4 inches (overall) [73 x 52.7 cm], edition of 5

Color image of a black and white transparency on a light box depicting two figures with pet monkeys in clothes walking through the park — Kota Ezawa, Central Park Zoo (1967), 2005

transparency in lightbox, 20 x 30 inches (overall) [50.8 x 76.2 cm], edition of 5

Color image of a transparency in a light box depicting figures crossing a border framed in black — Kota Ezawa, Kabul, 2021

transparency in lightbox, 10-1/2 x 18 inches (overall) [26.6 x 45.7 cm], edition of 5

Color image of a black and white transparency on a light box depicting an exhibition of black and white photographs — Kota Ezawa, Photo Secession (1902), 2005

transparency in lightbox, 20 x 30 inches (overall), edition of 5

Kota Ezawa, Trolley, New Orleans, 2024

transparency in lightbox, 20-3/4 x 30-3/4 inches (overall) [52.7 x 78.1 cm], edition of 5

Kota EzawaFlood

2011

transparency in lightbox, 24 x 36 inches (overall) [61 x 91.4 cm], edition of 5

"*" indicates required fields

Kota EzawaTheatre (1978)

2005

transparency in lightbox, 22 x 28 inches (overall) [55.9 x 71.1 cm], edition of 5

"*" indicates required fields

Kota EzawaAdele Bloch-Bauer I

2016

duratrans transparency & lightbox, 54 x 54 inches [137.16 x 137.16 cm], edition of 5

"*" indicates required fields

Kota EzawaUntitled (New York, after Winogrand)

2024

transparency in lightbox, 20 x 30 inches (overall) [50.8 x 76.2 cm], edition of 5

"*" indicates required fields

Kota EzawaSlide

2005

transparency in lightbox, 24 x 24 inches (overall) [61 x 61 cm], edition of 5

"*" indicates required fields

Kota EzawaPhotogram

2023

transparency in lightbox, 28-3/4 x 20-3/4 inches (overall) [73 x 52.7 cm], edition of 5

"*" indicates required fields

Kota EzawaCentral Park Zoo (1967)

2005

transparency in lightbox, 20 x 30 inches (overall) [50.8 x 76.2 cm], edition of 5

"*" indicates required fields

Kota EzawaKabul

2021

transparency in lightbox, 10-1/2 x 18 inches (overall) [26.6 x 45.7 cm], edition of 5

"*" indicates required fields

Kota EzawaPhoto Secession (1902)

2005

transparency in lightbox, 20 x 30 inches (overall), edition of 5

"*" indicates required fields

Color image of a watercolor depicting four figures during the national anthem

Kota Ezawa: Works on Paper

In series such as National Anthem, Ezawa’s meticulous process involves tracing source images onto paper and hand-painting them with watercolor before digitally combining the images back into a moving animation. His works on paper serve as delicate, tangible fragments of the related videos.

A color image of a framed watercolor painting depicting four service members with flags during the national anthem — Kota Ezawa, National Anthem (Tennessee Titans), 2019

watercolor on paper, 18 x 23-3/4 inches (sheet), one of three unique variants

A color image of a framed watercolor painting depicting football players kneeling and locking arms during the national anthem — Kota Ezawa, National Anthem (Oakland Raiders), 2019

watercolor on paper, 12-3/4 x 23-3/8 inches (sheet) [32.4 x 59.4 cm], one of three unique variants

A color image of a framed watercolor painting on paper depicting athletes during the national anthem — Kota Ezawa, National Anthem (New York Jets), 2019

watercolor on paper, 13-3/4 x 21-3/4 inches (framed) [33 x 53.3 cm], one of three unique variants

A color image of a framed watercolor painting depicting football players standing and locking arms during the national anthem — Kota Ezawa, National Anthem (Tampa Bay Buccaneers), 2019

watercolor on paper, 9 x 23-1/2 inches (sheet) [22.9 x 59.7 cm], one of three unique variants

Image of a framed watercolor rendering of a football team posing in various ways during the national anthem — Kota Ezawa, National Anthem (Cleveland Browns), 2019

watercolor and graphite on paper, 8 x 29 inches (sheet), one of three unique variants

A color image of a framed watercolor painting depicting a crowd of people, buses, and a German governmental building — Kota Ezawa, Brandenburger Tor (Brandenburg Gate) No. 1, 2021

watercolor on paper, 17-3/4 x 23-1/4 inches (sheet) [45.1 x 59.1 cm], one of three unique variants

A color image of a framed watercolor painting depicting a group of shirtless figures laboring under the watch of armed uniformed figures — Kota Ezawa, Bauarbeiter (Construction Workers), 2021

watercolor on paper, 11 x 14-1/2 inches (sheet), one of three unique variants

A color image of a framed watercolor painting depicting the Berlin Wall being demolished with crowd of onlookers at night — Kota Ezawa, Mauer (Wall) No. 2, 2020

watercolor on paper, 18-3/4 x 23-3/8 inches (sheet) [47.6 x 59.4 cm], one of three unique variants

Color image of a paper collage depicting several soldiers in states of injury and death in the style of Jeff Walls dead troops talk framed in wooden frame — Kota Ezawa, Dead Troops Talk, 2007

paper collage, 25 x 40-1/2 inches (framed) [63.5 x 102.8 cm], unique

Kota EzawaNational Anthem (Tennessee Titans)

2019

watercolor on paper, 18 x 23-3/4 inches (sheet), one of three unique variants

"*" indicates required fields

Kota EzawaNational Anthem (Oakland Raiders)

2019

watercolor on paper, 12-3/4 x 23-3/8 inches (sheet) [32.4 x 59.4 cm], one of three unique variants

"*" indicates required fields

Kota EzawaNational Anthem (New York Jets)

2019

watercolor on paper, 13-3/4 x 21-3/4 inches (framed) [33 x 53.3 cm], one of three unique variants

"*" indicates required fields

Kota EzawaNational Anthem (Tampa Bay Buccaneers)

2019

watercolor on paper, 9 x 23-1/2 inches (sheet) [22.9 x 59.7 cm], one of three unique variants

"*" indicates required fields

Kota EzawaNational Anthem (Cleveland Browns)

2019

watercolor and graphite on paper, 8 x 29 inches (sheet), one of three unique variants

"*" indicates required fields

Kota EzawaBrandenburger Tor (Brandenburg Gate) No. 1

2021

watercolor on paper, 17-3/4 x 23-1/4 inches (sheet) [45.1 x 59.1 cm], one of three unique variants

"*" indicates required fields

Kota EzawaBauarbeiter (Construction Workers)

2021

watercolor on paper, 11 x 14-1/2 inches (sheet), one of three unique variants

"*" indicates required fields

Kota EzawaMauer (Wall) No. 2

2020

watercolor on paper, 18-3/4 x 23-3/8 inches (sheet) [47.6 x 59.4 cm], one of three unique variants

"*" indicates required fields

Kota EzawaDead Troops Talk

2007

paper collage, 25 x 40-1/2 inches (framed) [63.5 x 102.8 cm], unique

"*" indicates required fields

A framed color photograph depicting two people in the distance, hugging on the beach while staring out to sea

Richard Misrach: On The Beach

An ongoing series exploring the abstracted pattern of an edgeless ocean surface, and the gestures and expressions of bathers adrift in the water.

Color photograph of the surface of a calm blue ocean — Richard Misrach, Untitled, 2003

pigment print, 53-1/4 x 120 inches (framed) [135 x 305 cm], edition of 5

Framed color photograph of the surface of the sea — Richard Misrach, Sea #2, 2018

pigment print, 52-1/4 x 77-1/4 inches (framed) [132.7 x 196.2 cm], edition of 7

Color photograph of ocean water being reflected by the sun framed in bleached wood frame — Richard Misrach, Untitled (January 29, 2018, 3:13PM), 2018

pigment print, 62-1/2 × 116-1/2 inches (framed) [158.8 × 295.9 cm], edition of 5

Color photograph of a sandy beach with impressions of footprints framed in bleached wood — Richard Misrach, Untitled #451-03, 2003

chromogenic print, 53 x 122 inches (framed) [134.7 x 309.9 cm], edition of 5

Color aerial photograph of scattered swimmers in a shallow blue-green sea near the shore — Richard Misrach, Untitled, 2003

pigment print, 53 x 115-1/2 inches (framed) [135 x 294 cm], edition of 5

Color photograph of two women floating while holding hands on a calm, green ocean surface — Richard Misrach, Untitled (July 26, 2013, 5:21PM), 2013

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm], edition of 5

Color photograph of surfer on water with rocks and motion blur framed in bleached wood — Richard Misrach, Untitled (January 17, 2015, 6:36PM), 2015

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 222.9 cm], edition of 5

Color photograph of the rippled surface of a dark blue sea — Richard Misrach, Untitled, 2003

pigment print, 51-3/4 x 122-5/8 inches (framed) [131.5 x 311.6 cm], edition of 5

Richard MisrachUntitled (November 10, 2012 5:53PM)

2012

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm], edition of 5

"*" indicates required fields

Richard MisrachUntitled

2003

pigment print, 53-1/4 x 120 inches (framed) [135 x 305 cm], edition of 5

"*" indicates required fields

Richard MisrachSea #2

2018

pigment print, 52-1/4 x 77-1/4 inches (framed) [132.7 x 196.2 cm], edition of 7

"*" indicates required fields

Richard MisrachUntitled (January 29, 2018, 3:13PM)

2018

pigment print, 62-1/2 × 116-1/2 inches (framed) [158.8 × 295.9 cm], edition of 5

"*" indicates required fields

Richard MisrachUntitled #451-03

2003

chromogenic print, 53 x 122 inches (framed) [134.7 x 309.9 cm], edition of 5

"*" indicates required fields

Richard MisrachUntitled

2003

pigment print, 53 x 115-1/2 inches (framed) [135 x 294 cm], edition of 5

"*" indicates required fields

Richard MisrachUntitled (July 26, 2013, 5:21PM)

2013

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm], edition of 5

"*" indicates required fields

Richard MisrachUntitled (January 17, 2015, 6:36PM)

2015

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 222.9 cm], edition of 5

"*" indicates required fields

Richard MisrachUntitled

2003

pigment print, 51-3/4 x 122-5/8 inches (framed) [131.5 x 311.6 cm], edition of 5

"*" indicates required fields

Color photograph of San Francisco Bay and Golden Gate Bridge during sunrise with a single cloud in the sky

Richard Misrach: Golden Gate

Photographed over several years from an unchanging vantage point, the series offers a meditation on the light, color, and atmosphere which transcend a fixed and familiar view.

Color photograph of the distant Golden Gate Bridge under a linear break in the clouds — Richard Misrach, Golden Gate, 10.31.98, 5:18 pm, 1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

Color photograph of clouds over the Golden Gate Bridge. — Richard Misrach, Golden Gate, 5.15.00 7:32AM, 2000

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of the Golden Gate Bridge on the horizon under a bright red-orange and violet sunset — Richard Misrach, Golden Gate Bridge, 12.14.99, 5:29 pm, 1999

pigment print, 30 x 37 inches (sheet & mount) [76.2 x 94 cm], edition of 7

Color photograph of the Golden Gate bridge and surrounding bay late at night and early morning — Richard Misrach, Golden Gate, 3.20.00, 4:05 – 5:00 am, 2000

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of the distant Golden Gate Bridge under a clear pale blue and pink sky — Richard Misrach, Golden Gate, 12.19.99, 7:31AM, 1999

pigment print, 30 x 37 inches (sheet & mount) [76.2 x 94 cm], edition of 7

Color image of San Francisco Bay and Golden Gate Bridge under dark blue and pink clouds — Richard Misrach, Golden Gate, 2.27.99, 6:09 pm, 1999

pigment print, 62-7/8 x 79 inches (framed) [159.7 x 220.7 cm], edition of 3

Color photograph of the distant Golden Gate Bridge at sunset under a cloudy sky — Richard Misrach, Golden Gate, 2.13.01, 5:32pm, 2001

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of the Golden Gate bridge surrounded by the bay during sunset with wildfire smoke in the air framed in light wood — Richard Misrach, Golden Gate 10.21.00, 6:49pm (Smoke), 2000

pigment print, 60-3/4 x 75-3/4 inches (framed) [154.3 x 192.4 cm], edition of 3

Color image of the Golden Gate Bridge on the horizon including the bay and sky — Richard Misrach, Golden Gate, 5.15.00 6:50PM, 2000

pigment print, 62-7/8 x 79 inches (framed) [159.7 x 220.7 cm], edition of 3

Long-exposure color photograph of the distant Golden Gate Bridge just after sunset under light trails of airplanes — Richard Misrach, Golden Gate, 11.6.00, 6:04 – 7:00 pm, 2000

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm], edition of 7

Color photograph of a bridge spanning a bay under a clearing of golden light through dark clouds — Richard Misrach, Golden Gate, 10.31.98, 4:32 pm, 1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

Color photograph of the distant Golden Gate Bridge under beams of sunlight breaking through a cloudy sky — Richard Misrach, Golden Gate, 2.27.00, 4:55 pm, 2000

pigment print, 62-3/4 x 79-1/2 inches (framed), edition of 3

Color photograph of San Francisco Bay and Golden Gate Bridge during sunrise on a cloudy and foggy morning — Richard Misrach, Golden Gate, 1.6.99, 5:16pm, 1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of the Golden Gate Bridge on the horizon poking through low fog — Richard Misrach, Golden Gate, 9.4.98, 7:02am, 1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

Color photograph of San Francisco Bay and Golden Gate Bridge during sunset with thick dark clouds — Richard Misrach, Golden Gate, 10.31.98, 5:05 pm, 1998

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of the distant Golden Gate Bridge under stark beams of sunlight coming through dark clouds — Richard Misrach, Golden Gate, 2.16.98, 5:20 pm, 1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

Long-exposure color photograph of the distant Golden Gate Bridge lit up at night with city skyline lights and moving light trails of boats in the foreground — Richard Misrach, Golden Gate, 11.10.00, 12:50-3:40 am, 2000

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of the Golden Gate Bridge on the horizon almost completely obscured by low-lying fog under a clear pale blue sky — Richard Misrach, Golden Gate, 10.18.00, 8:20 am, 2000

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm], edition of 7

Color photograph of San Francisco Bay and Golden Gate Bridge with sun flooding through a cloudy sky — Richard Misrach, Golden Gate, 2.21.00, 4:38 pm, 2000

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of the distant Golden Gate Bridge through a low haze under a partly-clouded but still sunny sky — Richard Misrach, Golden Gate, 10.14.00, 5:25 pm, 2000

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

Richard MisrachGolden Gate, 5.21.98, 6:04am

1998

pigment print, 30 x 37 inches (sheet & mount) [76.2 x 94.0 cm], edition of 7

"*" indicates required fields

Richard MisrachGolden Gate, 10.31.98, 5:18 pm

1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachGolden Gate, 5.15.00 7:32AM

2000

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachGolden Gate Bridge, 12.14.99, 5:29 pm

1999

pigment print, 30 x 37 inches (sheet & mount) [76.2 x 94 cm], edition of 7

"*" indicates required fields

Richard MisrachGolden Gate, 3.20.00, 4:05 – 5:00 am

2000

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachGolden Gate, 2.27.99, 5:12 pm

1999

pigment print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Richard MisrachGolden Gate, 12.19.99, 7:31AM

1999

pigment print, 30 x 37 inches (sheet & mount) [76.2 x 94 cm], edition of 7

"*" indicates required fields

Richard MisrachGolden Gate, 2.27.99, 6:09 pm

1999

pigment print, 62-7/8 x 79 inches (framed) [159.7 x 220.7 cm], edition of 3

"*" indicates required fields

Richard MisrachGolden Gate, 2.13.01, 5:32pm

2001

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachGolden Gate 10.21.00, 6:49pm (Smoke)

2000

pigment print, 60-3/4 x 75-3/4 inches (framed) [154.3 x 192.4 cm], edition of 3

"*" indicates required fields

Richard MisrachGolden Gate, 5.15.00 6:50PM

2000

pigment print, 62-7/8 x 79 inches (framed) [159.7 x 220.7 cm], edition of 3

"*" indicates required fields

Richard MisrachGolden Gate, 11.6.00, 6:04 – 7:00 pm

2000

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm], edition of 7

"*" indicates required fields

Richard MisrachGolden Gate, 10.31.98, 4:32 pm

1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachGolden Gate, 2.27.00, 4:55 pm

2000

pigment print, 62-3/4 x 79-1/2 inches (framed), edition of 3

"*" indicates required fields

Richard MisrachGolden Gate, 1.6.99, 5:16pm

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachGolden Gate, 9.4.98, 7:02am

1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachGolden Gate, 10.31.98, 5:05 pm

1998

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachGolden Gate, 2.16.98, 5:20 pm

1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachGolden Gate, 11.10.00, 12:50-3:40 am

2000

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachGolden Gate, 10.18.00, 8:20 am

2000

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm], edition of 7

"*" indicates required fields

Richard MisrachGolden Gate, 2.21.00, 4:38 pm

2000

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachGolden Gate, 10.14.00, 5:25 pm

2000

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard Misrach: Desert Cantos

Begun in 1979, this ongoing project explores the southwest American desert landscape, and the impact of our human presence. As the artist explains, “You look at landscape, but it’s not really landscape, it’s a symbol for our country, it’s a metaphor for our country.”

Richard Misrach, Pyramid Lake (at night), 2004

pigment print, 20 x 24 inches (sheet & mount), edition of 25

Color photograph of a road receding into the distant desert with red-orange tablelands and snow-capped mountains on the horizon — Richard Misrach, Road, Moab, 1997

pigment print, 31-3/8 x 38-3/8 inches (framed) [79.6 x 97.4 cm], edition of 7

Color photograph of a rusted piece of metal sticking out of the ground at an angle in a bare field with two small buildings in the background — Richard Misrach, Aerial Target (“Dart”), Wendover Air Base, Utah, 1990

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm], edition of 7

Color photograph of scattered rocks and blocks across a road leading towards two pyramids on the horizon — Richard Misrach, Road Blockade and Pyramids, 1989

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm], edition of 10

Color photograph of a body of water with red light on a pole reflected in the water framed in a dark wood — Richard Misrach, Salton Sea (Red Beacon), 1985

pigment print, 60-3/4 x 75-3/4 inches (framed) [154.3 x 192.4 cm], edition of 3

Color photograph of the desert during a sunny day with several clouds in the sky and the shadow of the photographer in the foreground — Richard Misrach, View of Travertine Rock, 1984

pigment print, 20 x 24 inches (sheet & mount), edition of 25

Color photograph of a man pointing a rifle at another man, both standing in a smokey scrubland — Richard Misrach, Desert Fire #153, 1984

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm], edition of 7

Color photograph of a road through a desert valley with mountains on the horizon — Richard Misrach, San Gorgonio Pass, 1981

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 50

Color image of a color photograph depicting a cluster of rocks as creatures in middle of desert framed in black — Richard Misrach, Rock Creatures, Mojave Desert, CA, 1994

pigment print, 62-5/8 x 82-3/4 inches (framed) [159.2 x 210.2 cm], edition of 3

Color image of a color photograph of along exposure depicting air traffic and Venus over san francisco framed in black — Richard Misrach, Air Traffic and Venus Over San Francisco, 10.29.97 6:20pm – 9:31pm, 1997

pigment print, 60-3/4 x 75-3/4 inches [154.3 x 192.4 cm] (framed)

Color photograph of oil derricks off the coast of Santa Barbara on a cloudy day framed in white — Richard Misrach, Oil Derricks, Santa Barbara, 1984

pigment print, 30-1/2 x 38 inches (framed) [77.4 x 96.5 cm]

Color image of a color photograph depicting encrusted tracks in middle of desert framed in white — Richard Misrach, Encrusted Tracks, Bonneville Salt Flats, Utah, 1992

pigment print, 25 x 29 inches (framed) [63.5 x 73.7 cm]

Color photograph of the sky with clouds in shades of blue, purple, and pink framed in wood — Richard Misrach, Clouds, June 8 2019, 2019

pigment print, 62-1/2 x 82-1/2 inches (framed) [158.8 x 209.6 cm], edition of 5 + 1AP

Richard MisrachPyramid Lake (at night)

2004

pigment print, 20 x 24 inches (sheet & mount), edition of 25

"*" indicates required fields

Richard MisrachRoad, Moab

1997

pigment print, 31-3/8 x 38-3/8 inches (framed) [79.6 x 97.4 cm], edition of 7

"*" indicates required fields

Richard MisrachAerial Target (“Dart”), Wendover Air Base, Utah

1990

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm], edition of 7

"*" indicates required fields

Richard MisrachRoad Blockade and Pyramids

1989

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm], edition of 10

"*" indicates required fields

Richard MisrachSalton Sea (Red Beacon)

1985

pigment print, 60-3/4 x 75-3/4 inches (framed) [154.3 x 192.4 cm], edition of 3

"*" indicates required fields

Richard MisrachView of Travertine Rock

1984

pigment print, 20 x 24 inches (sheet & mount), edition of 25

"*" indicates required fields

Richard MisrachDesert Fire #153

1984

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm], edition of 7

"*" indicates required fields

Richard MisrachSan Gorgonio Pass

1981

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 50

"*" indicates required fields

Richard MisrachRock Creatures, Mojave Desert, CA

1994

pigment print, 62-5/8 x 82-3/4 inches (framed) [159.2 x 210.2 cm], edition of 3

"*" indicates required fields

Richard MisrachAir Traffic and Venus Over San Francisco, 10.29.97 6:20pm – 9:31pm

1997

pigment print, 60-3/4 x 75-3/4 inches [154.3 x 192.4 cm] (framed)

"*" indicates required fields

Richard MisrachOil Derricks, Santa Barbara

1984

pigment print, 30-1/2 x 38 inches (framed) [77.4 x 96.5 cm]

"*" indicates required fields

Richard MisrachEncrusted Tracks, Bonneville Salt Flats, Utah

1992

pigment print, 25 x 29 inches (framed) [63.5 x 73.7 cm]

"*" indicates required fields

Richard MisrachClouds, June 8 2019

2019

pigment print, 62-1/2 x 82-1/2 inches (framed) [158.8 x 209.6 cm], edition of 5 + 1AP

"*" indicates required fields

Color reversal image of a dancer on a cliff mid pose alongside the ocean framed in black

Richard Misrach: Color Reverse

The artist’s first digitally photographed series offers an homage to the analog photographic negative. Switching positive and negative along the color spectrum, Misrach transforms the natural landscape in extreme and fascinating ways.

Color image of a color reversal photograph depicting a large rock formation on the beach framed in bleached frame — Richard Misrach, Untitled, 2008

pigment print, 63-3/4 x 83-1/2 inches (framed) [161.9 x 212.1 cm]

Inverted color photograph of a large rock formation on a beach at low tide — Richard Misrach, Untitled (#951), 2009

pigment print, 63-3/4 x 77-3/4 inches (framed) [161 x 197.5 cm]

Inverted color photograph of a person standing on the seashore looking at the horizon — Richard Misrach, Untitled #88000 (Psychedelic Lance #2), 2007

pigment print, 26-1/2 x 60-5/8 inches (framed) [67.3 x 154.1 cm]

Inverted color photograph of a sand dune reflected in a still body of water — Richard Misrach, Untitled (#99-681), 2008

pigment print, 96 x 121-1/2 inches (framed) [243.8 x 308.6 cm]

Black-and-white photograph of scattered swimmers in a calm ocean near the shore — Richard Misrach, Untitled (After Man Ray), 2003

pigment print, 62-7/8 x 107-3/4 inches (framed) [159.3 x 266.7 cm]

Inverted color photograph of a person doing a handstand in a calm shallow sea — Richard Misrach, Untitled (#1223), 2008

pigment print, 63-3/4 x 83-1/2 inches (framed) [161.9 x 212.1 cm]

Inverted color photograph of fallen and broken tree limbs resting on bare trees — Richard Misrach, Untitled (#2167), 2007

pigment print, 63-3/4 x 83-1/2 inches (framed) [161.9 x 212.1 cm]

Inverted color photograph from above of a person standing on the edge of the seashore looking at the water — Richard Misrach, Untitled (#8623), 2012

pigment print, 62-3/4 x 82-1/2 inches (framed) [159.4 x 209.6 cm]

Inverted color photograph of a person standing in water before a sandy beach — Richard Misrach, Untitled (#197), 2007

pigment print, 63-1/2 x 83-5/16 inches (framed) [161.3 x 211.6 cm]

Inverted color photograph of a person standing on a sandy beach with a mountain range on the horizon — Richard Misrach, Untitled (9485 #FC), 2008

pigment print, 48-1/4 x 63 inches (framed) [122.5 x 160 cm]

Inverted black and white photograph of pine trees in a snowdrift — Richard Misrach, Untitled (#9198), 2007

pigment print, 82-3/4 x 62-3/4 inches (framed) [210.2 x 159.4 cm]

Richard MisrachMaya on the Cliffs (Reverse)

2022

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm]

"*" indicates required fields

Richard MisrachUntitled

2008

pigment print, 63-3/4 x 83-1/2 inches (framed) [161.9 x 212.1 cm]

"*" indicates required fields

Richard MisrachUntitled (#951)

2009

pigment print, 63-3/4 x 77-3/4 inches (framed) [161 x 197.5 cm]

"*" indicates required fields

Richard MisrachUntitled #88000 (Psychedelic Lance #2)

2007

pigment print, 26-1/2 x 60-5/8 inches (framed) [67.3 x 154.1 cm]

"*" indicates required fields

Richard MisrachUntitled (#99-681)

2008

pigment print, 96 x 121-1/2 inches (framed) [243.8 x 308.6 cm]

"*" indicates required fields

Richard MisrachUntitled (After Man Ray)

2003

pigment print, 62-7/8 x 107-3/4 inches (framed) [159.3 x 266.7 cm]

"*" indicates required fields

Richard MisrachUntitled (#1223)

2008

pigment print, 63-3/4 x 83-1/2 inches (framed) [161.9 x 212.1 cm]

"*" indicates required fields

Richard MisrachUntitled (#2167)

2007

pigment print, 63-3/4 x 83-1/2 inches (framed) [161.9 x 212.1 cm]

"*" indicates required fields

Richard MisrachUntitled (#8623)

2012

pigment print, 62-3/4 x 82-1/2 inches (framed) [159.4 x 209.6 cm]

"*" indicates required fields

Richard MisrachUntitled (#197)

2007

pigment print, 63-1/2 x 83-5/16 inches (framed) [161.3 x 211.6 cm]

"*" indicates required fields

Richard MisrachUntitled (9485 #FC)

2008

pigment print, 48-1/4 x 63 inches (framed) [122.5 x 160 cm]

"*" indicates required fields

Richard MisrachUntitled (#9198)

2007

pigment print, 82-3/4 x 62-3/4 inches (framed) [210.2 x 159.4 cm]

"*" indicates required fields

Color image of a color screen print depicting an orange splash with red, yellow, and blue ink on white framed in white

Christian Marclay: Works on Paper

Color image of a color screen print with the text Slutch in blue, purple, and pink on white framed in white — Slutch, 2013

acrylic paint and oil base screen print ink on paper, 43 x 31 inches (framed) [109.2 x 78.7 cm]

Framed print of collaged manga comic panels in green on a white background — Scream (Green Particles), 2019

woodcut, 39-7/8 x 48-1/4 inches (framed) [15.7 x 19 cm]

Color image of collage depicting a figure crying out in pain — Untitled (Cut Throat), 2020

comic book and magazine cutouts on paper, 17-1/8 x 16-5/8 inches (sheet) [43.5 x 42.2 cm]

Color image of a color woodcut print depicting a figure in distress with mouth wide open framed in white — Scream (Yellow Woodchips), 2019

woodcut, 37-1/2 x 31-1/8 inches (framed) [14.7 x 12.4 cm]

Christian MarclaySplsh

2014

acrylic paint and oil base screen print ink on paper, 39-1/2 x 32 inches (framed) [100.3 x 81.3 cm]

"*" indicates required fields

Christian MarclaySlutch

2013

acrylic paint and oil base screen print ink on paper, 43 x 31 inches (framed) [109.2 x 78.7 cm]

"*" indicates required fields

Christian MarclayScream (Green Particles)

2019

woodcut, 39-7/8 x 48-1/4 inches (framed) [15.7 x 19 cm]

"*" indicates required fields

Christian MarclayUntitled (Cut Throat)

2020

comic book and magazine cutouts on paper, 17-1/8 x 16-5/8 inches (sheet) [43.5 x 42.2 cm]

"*" indicates required fields

Christian MarclayScream (Yellow Woodchips)

2019

woodcut, 37-1/2 x 31-1/8 inches (framed) [14.7 x 12.4 cm]

"*" indicates required fields

Color photograph of a small body of water in front of a large sand mound with a lightly clouded blue sky

Richard Misrach: Battleground Point

In 1998, torrential rains flooded the Carson and Humbolt Rivers, overflowing onto the surrounding lands. Misrach photographed this rare but natura occurence of a flood in the desert for a commission by the Nature Conservancy.

Color photograph of a lake in the middle of a desert with sandy hill along the horizon — Battleground Point #6, 1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Color photograph of car tracks on desert ground with a sand hill on the horizon — Battleground Point #2, 1999

pigment print, 61 x 77 inches (framed) [155 x 195.6 cm], edition of 5

Color photograph of a lake within a desert reflecting the cloudy sky above — Battleground Point #7, 1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Color photograph of a small body of water in front of a large sand mound with clear blue sky — Battleground Point #18, 1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Color photograph of a large mound of sand in desert near body of water — Battleground Point #26, 1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm], edition of 25

Color photograph of a body of water near a sand hill with a bright blue cloudy sky — Battleground Point #25, 1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Richard MisrachBattleground Point #22

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

"*" indicates required fields

Richard MisrachBattleground Point #6

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

"*" indicates required fields

Richard MisrachBattleground Point #2

1999

pigment print, 61 x 77 inches (framed) [155 x 195.6 cm], edition of 5

"*" indicates required fields

Richard MisrachBattleground Point #7

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

"*" indicates required fields

Richard MisrachBattleground Point #18

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

"*" indicates required fields

Richard MisrachBattleground Point #26

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Richard MisrachBattleground Point #25

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

"*" indicates required fields

Richard MisrachBattleground Point #21

1999

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Vertical wooden artwork with etchings and ink depicting field with clear blue sky

Robert Adams: The Plains, from Memory

Modest in size and painted in springlike hues with block-printing ink, these simplified compositions draw on the stillness and grandeur that Adams remembers from his time spent on the Colorado prairie.

Color image of painted woodblock depicting horizon with washes of blue, green, and yellow on white stand

Color image of wooden sculpture with yellow and green paint — Untitled, 2020

ink on wood, 3-1/2 x 13-3/4 x 3/4 inches [8.8 x 34.9 x 1.9 cm]

Black and white photograph of an empty grassy plain — The Pawnee National Grassland, Colorado, 1984

gelatin silver print, 15 x 18-3/8 inches (image) [38.1 x 46.7 cm]

Color image of wooden sculpture with etchings and swatches of green, yellow, white, and blue — Untitled, 2020

ink on wood, 15-3/4 x 7-1/4 x 3/4 inches [40 x 18.4 x 1.9 cm]

Color image of a wooden sculpture with light blue and white ink — The Plains. Clarkville, Colorado, 2022

ink on wood, 8 x 12 x 3/4 inches [20.3 x 30.5 x 1.9 cm]

Black and white photograph of an empty plain as seen from the porch of an abandoned school — From the front porch of an abandoned one-room school house, looking into the Niobrara River Valley, Dawes County, Nebraska, 1978

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Robert AdamsUntitled

2020

ink on wood, 17-1/4 x 11-1/4 x 3/4 inches [43.8 x 28.5 x 1.9 cm]

"*" indicates required fields

Robert AdamsUntitled

2020

ink on wood, 3-1/2 x 13-3/4 x 3/4 inches [8.8 x 34.9 x 1.9 cm]

"*" indicates required fields

Robert AdamsThe Pawnee National Grassland, Colorado

1984

gelatin silver print, 15 x 18-3/8 inches (image) [38.1 x 46.7 cm]

"*" indicates required fields

Robert AdamsUntitled

2020

ink on wood, 15-3/4 x 7-1/4 x 3/4 inches [40 x 18.4 x 1.9 cm]

"*" indicates required fields

Robert AdamsThe Plains. Clarkville, Colorado

2022

ink on wood, 8 x 12 x 3/4 inches [20.3 x 30.5 x 1.9 cm]

"*" indicates required fields

Robert AdamsFrom the front porch of an abandoned one-room school house, looking into the Niobrara River Valley, Dawes County, Nebraska

1978

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Color image of a color photograph of a cargo ship on the water during a hazy morning framed in bleached wood

Richard Misrach: Cargo

The artist documented cargo ships in the San Francisco Bay during a critical moment for the global shipping industry. Made in the light of early morning or late afternoon, the images suggest a comparison to J.M.W Turner’s atmospheric maritime paintings, and recall the careful observation of the sky and water in Misrach’s own “Golden Gate” and “On the Beach” series.