Page 3 of 14

Black and white photograph of a water tower amongst residential homes

Bernd & Hilla Becher: Water Towers

Using a precisely positioned large format view camera and working on overcast days, the Bechers created photographs with the uniform, neutral appearance of architectural renderings or scientific records, transforming their subjects into what they called “anonymous sculpture.”

Black and white photograph of a water tower — Bernd & Hilla Becher, Water Tower, Weirton, West Virginia, U.S.A., 1980

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower in a grass field near electrical power lines — Bernd & Hilla Becher, Water Tower, Circle City, New Jersey, U.S.A., 1974

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower in a grass field — Bernd & Hilla Becher, Water Tower, Toledo, Ohio, USA, 1978

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower near a railroad track and residential homes — Bernd & Hilla Becher, Water Tower, Gary, Indiana, U.S.A., 1977

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a circular water tower near railroad tracks — Bernd & Hilla Becher, Water Tower, Neville Island, near Pittsburgh, USA, 1980

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower near electrical power lines — Bernd & Hilla Becher, Water Tower, St. Jean de Vedas, Herault, F., 1984

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Bernd & Hilla Becher, Water Tower, Crailsheim, Germany, 1980

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

A black and white photograph of a large water tower with the word FINDLAY painted on the facade — Bernd & Hilla Becher, Water Tower, Findlay, Ohio, USA, 1977

gelatin silver print, 23-7/8 x 20-3/8 inches (image & sheet) [60.6 x 51.8 cm]

Black and white photograph of a water tower exterior — Bernd & Hilla Becher, Water Tower, Herve/Liège, Belgium, 1971

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm], edition of 5

Black and white photograph of a water tower amongst railroad tracks — Water Tower, Trier-Ehrang, D, 1982

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower among residential homes with larger city on the horizon — Water Tower, Fulda, Germany, 1979

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower near railroad tracks — Water Tower, Mannheim, Germany, 1978

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Black and white photograph of a water tower made partially of bricks — Water Tower, Oberhausen/Ruhr, Germany, 1967

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

Bernd & Hilla BecherWater Tower, Weirton, West Virginia, U.S.A.

1980

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

"*" indicates required fields

Bernd & Hilla BecherWater Tower, Wauseon, Ohio, U.S.A.

1977

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

"*" indicates required fields

Bernd & Hilla BecherWater Tower, Circle City, New Jersey, U.S.A.

1974

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

"*" indicates required fields

Bernd & Hilla BecherWater Tower, Toledo, Ohio, USA

1978

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

"*" indicates required fields

Bernd & Hilla BecherWater Tower, Gary, Indiana, U.S.A.

1977

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

"*" indicates required fields

Bernd & Hilla BecherWater Tower, Carmaux, France

1984

gelatin silver print, 24-5/8 x 20 inches (sheet) [62.2 x 50.8 cm]

"*" indicates required fields

Bernd & Hilla BecherWater Tower, Neville Island, near Pittsburgh, USA

1980

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

"*" indicates required fields

Bernd & Hilla BecherWater Tower, St. Jean de Vedas, Herault, F.

1984

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

"*" indicates required fields

Bernd & Hilla BecherWater Tower, Crailsheim, Germany

1980

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

"*" indicates required fields

Bernd & Hilla BecherWater Tower, Findlay, Ohio, USA

1977

gelatin silver print, 23-7/8 x 20-3/8 inches (image & sheet) [60.6 x 51.8 cm]

"*" indicates required fields

Bernd & Hilla BecherWater Tower, Herve/Liège, Belgium

1971

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm], edition of 5

"*" indicates required fields

Water Tower, Trier-Ehrang, D

1982

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

"*" indicates required fields

Water Tower, Fulda, Germany

1979

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

"*" indicates required fields

Water Tower, Mannheim, Germany

1978

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

"*" indicates required fields

Water Tower, Oberhausen/Ruhr, Germany

1967

gelatin silver print, 36-1/2 x 29-1/4 inches (framed) [92.71 x 74.29 cm]

"*" indicates required fields

Diptych of two color photographs depicting a green screen and closer crop of a green screen

Liz Deschenes: Selected Works

In the metallic sheen of their surfaces, Deschenes’s mirror-like photograms reflect the architecture of the space around them, as well as the viewer. Carefully positioned in the gallery, their materials, dimension, and arrangements reference early photographic and cinematic techniques.

Two photographs depicting washes of green hanging on a light gray wall — Liz Deschenes, Green Screen #1 and #3, 2001

Fujiflex print mounted on plexiglass, 26 x 19 inches (each) [66 x 48.3 cm], edition of 5

Color image of a solid pink colored print in a white frame — Liz Deschenes, Indicator #1, 2022

dye sublimation print on aluminum, 54-1/4 x 44-1/4 inches (framed) [137.6 x 112.2 cm]

An image of a solid blue colored print in a white frame. — Liz Deschenes, Indicator #9, 2022

dye sublimation print, 54 x 44 inches (framed) [137.1 x 111.7 cm], edition of 2

Color image of a unique gold toned photogram column on white wall — Liz Deschenes, Stereograph #35, 2019

silver toned photograms mounted on Dibond, 84 x 5 inches (each) [213.4 x 12.7 cm] 84 x 7 x 4-7/8 inches (overall) [213.4 x 17.8 x 12.4 cm], unique

Color image of unique photograms on white wall — Liz Deschenes, FPS (120), 2021

120 unique photograms mounted on Dibond, 60 x 1-1/4 inches (each) [152.4 x 3.2 cm]

Color image of a blue photogram framed in white — Liz Deschenes, Blue Wool Scale #8, 2022

pigment print on aluminum, 34-1/4 x 24-1/4 inches (framed) [87 x 61.6 cm]

Liz DeschenesGreen Screen #1 and #3

2001

Fujiflex print mounted on plexiglass, 26 x 19 inches (each) [66 x 48.3 cm], edition of 5

"*" indicates required fields

Liz DeschenesIndicator #1

2022

dye sublimation print on aluminum, 54-1/4 x 44-1/4 inches (framed) [137.6 x 112.2 cm]

"*" indicates required fields

Liz DeschenesIndicator #9

2022

dye sublimation print, 54 x 44 inches (framed) [137.1 x 111.7 cm], edition of 2

"*" indicates required fields

Liz DeschenesStereograph #35

2019

silver toned photograms mounted on Dibond, 84 x 5 inches (each) [213.4 x 12.7 cm] 84 x 7 x 4-7/8 inches (overall) [213.4 x 17.8 x 12.4 cm], unique

"*" indicates required fields

Liz DeschenesFPS (120)

2021

120 unique photograms mounted on Dibond, 60 x 1-1/4 inches (each) [152.4 x 3.2 cm]

"*" indicates required fields

Liz DeschenesBlue Wool Scale #8

2022

pigment print on aluminum, 34-1/4 x 24-1/4 inches (framed) [87 x 61.6 cm]

"*" indicates required fields

Richard Learoyd: Selected Works

Richard Learoyd’s large-scale color and black-and-white photography reimagines art historical tropes with a sensual hyperrealism. Using a camera obscura, Learoyd creates experiential tableaux with a contemporary texture, enveloping the viewer into the artist’s unique worldview.

Color photograph of a still life of an apple branch with several apples on a white plinth framed in white — Apple branch, 2022

camera obscura Ilfochrome photograph, 35-1/8 x 38-5/8 inches (framed) [89.2 x 90.5 cm]

Color photograph of red grapes suspended by black thread framed in white — Red grapes, 2022

camera obscura Ilfochrome photograph, 29-1/2 x 25-1/4 inches (framed) [74.9 x 64.1 cm], edition of 4

Color photographic portrait of a topless young woman against a gray background — Jasmijn nude, 2017

camera obscura Ilfochrome photograph, 52 x 49-3/8 inches (framed)

Color photograph of a seated figure hunched over away from camera in beaded black dress framed in white — Agnes back

camera obscura Ilfochrome photograph, 70-1/4 x 59-3/4 inches (framed) [181 x 151.8 cm]

Black and white photograph of a river and trees along the horizon framed in black — The River Stour from Deadman’s Bridge near Flatford. (Summer), 2013

gelatin silver contact print, 58-1/8 x 86 inches (framed) [147.6 x 218.4 cm]

Color photograph of decaying poppies in white frame — Poppies close up, 2022

camera obscura Ilfochrome photograph, 25-1/2 x 29-1/4 inches (framed) [64.7 x 74.3 cm], edition of 4

Color photograph of a seated nude figure turning away from camera framed in black — Phie nude on plinth, 2016

camera obscura Ilfochrome photograph, 75-3/8 x 60 inches (framed) [191.8 x 152.4 cm]

Color photograph of a nude woman laying on sheets framed in white — Agnes from above, 2008

camera obscura Ilfochrome photograph, 70 x 60 inches (framed) [177 x 152 cm]

Black and white photograph of a large metal and concrete structure situated on hillside framed in black — Armature, Mount Buzludzha, Bulgaria, 2016

gelatin silver contact print, 58-1/2 x 79 inches (framed) [148.6 x 200.7 cm]

Color photograph of a woman in black lace top framed in white — Tatiana small, 2011

camera obscura Ilfochrome photograph, 38-1/8 x 34-1/8 inches (framed) [96.8 x 96.8 cm]

Richard LearoydApple branch

2022

camera obscura Ilfochrome photograph, 35-1/8 x 38-5/8 inches (framed) [89.2 x 90.5 cm]

"*" indicates required fields

Richard LearoydRed grapes

2022

camera obscura Ilfochrome photograph, 29-1/2 x 25-1/4 inches (framed) [74.9 x 64.1 cm], edition of 4

"*" indicates required fields

Richard LearoydJasmijn nude

2017

camera obscura Ilfochrome photograph, 52 x 49-3/8 inches (framed)

"*" indicates required fields

Richard LearoydAgnes back

camera obscura Ilfochrome photograph, 70-1/4 x 59-3/4 inches (framed) [181 x 151.8 cm]

"*" indicates required fields

Richard LearoydThe River Stour from Deadman’s Bridge near Flatford. (Summer)

2013

gelatin silver contact print, 58-1/8 x 86 inches (framed) [147.6 x 218.4 cm]

"*" indicates required fields

Richard LearoydPoppies close up

2022

camera obscura Ilfochrome photograph, 25-1/2 x 29-1/4 inches (framed) [64.7 x 74.3 cm], edition of 4

"*" indicates required fields

Richard LearoydPhie nude on plinth

2016

camera obscura Ilfochrome photograph, 75-3/8 x 60 inches (framed) [191.8 x 152.4 cm]

"*" indicates required fields

Richard LearoydAgnes from above

2008

camera obscura Ilfochrome photograph, 70 x 60 inches (framed) [177 x 152 cm]

"*" indicates required fields

Richard LearoydArmature, Mount Buzludzha, Bulgaria

2016

gelatin silver contact print, 58-1/2 x 79 inches (framed) [148.6 x 200.7 cm]

"*" indicates required fields

Richard LearoydTatiana small

2011

camera obscura Ilfochrome photograph, 38-1/8 x 34-1/8 inches (framed) [96.8 x 96.8 cm]

"*" indicates required fields

Framed color photograph of a woman with green hair and magenta outfit on a light blue background with a statue's image cut in two pieces below

Martine Gutierrez: Selected works

Using herself as a model, Martine Gutierrez acts as both subject and creator, transforming the language of fashion, advertising, and cinema with humor and imagination to explore identities that touch on race, class, gender, and sexuality.

Framed color photograph of a woman posing on a collaged couch made of white tigers in a modern mansion living room — Queer Rage, Growing Up Bites, p66 from Indigenous Woman, 2018

chromogenic print, 42-7/8 x 28-7/8 inches (framed) [108.9 x 73.43 cm], edition of 8 + 2APs

Framed color photograph of an eclectically dressed person posing in front of a tire shop — Queer Rage, Dear Diary, No Signal During VH1’s Fiercest Divas, p72 from Indigenous Woman, 2018

chromogenic print, 42-7/8 x 28-7/8 inches (framed) [108.9 x 73.43 cm], edition of 8

Black and white photograph of three nude bodies amongst greenery — Body En Thrall, p110 from Indigenous Woman, 2018

chromogenic print, 91-3/8 x 61-3/8 inches (framed) [232.1 x 155.9 cm], edition of 2

Framed color photograph of a woman's fave wrapped tightly in clear plastic wrap — Plastics, Dahlia, 2020

chromogenic print, 24-5/8 x 17-5/8 inches (framed) [62.6 x 44.8 cm], edition of 8 + 2 AP

Color photograph of a blonde woman with clear plastic wrapped tightly around her head — Plastics, Edith, 2020

chromogenic print, 24-5/8 x 17-5/8 inches (framed) [62.6 x 44.8 cm], edition of 8 + 2 AP

Framed collage of a woman kneeling with multicolored symbols for gender pasted on her body — Identity Boots Ad, p99 from Indigenous Woman, 2018

chromogenic print, 30-5/8 x 20-5/8 inches (framed) [77.8 x 52.4 cm], edition of 8 + 2 AP

Color photograph of women dressed in cultural garb against white background framed in white — Neo-Indeo, Monochrome Mamacita, p28 from Indigenous Woman, 2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

Framed color photograph of a woman holding a box of bananas — Neo-Indeo, Mam Going Bananas, p27 from Indigenous Woman, 2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

Framed color photograph of woman in culturally specific outfit holding a bowl atop her head — Neo-Indeo, Cakchiquel Calor, p34 from Indigenous Woman, 2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

Framed black and white photograph of a woman kissing an upside down mannequin — Body En Thrall, p113 from Indigenous Woman, 2018

chromogenic print, 48-7/8 x 32-7/8 inches (framed) [124.1 x 83.5 cm], edition of 8 + 2APs

Cleopatra from ANTI-ICON: APOKALYPSIS, 2021

chromogenic print, hand-distressed welded aluminum frame, 55-1/2 x 38-3/4 inches (framed) [141 x 98.4 cm], edition of 7

Godiva from ANTI-ICON: APOKALYPSIS, 2021

chromogenic print, hand-distressed welded aluminum frame, 55-1/2 x 38-3/4 inches (framed) [141 x 98.4 cm], edition of 7

Martine GutierrezP.P.S. Christopher Columbus was a Fuck Boi

2018

chromogenic print, 42-7/8 x 28-7/8 inches (framed) [108.9 x 73.43 cm], edition of 8

"*" indicates required fields

Martine GutierrezQueer Rage, Growing Up Bites, p66 from Indigenous Woman

2018

chromogenic print, 42-7/8 x 28-7/8 inches (framed) [108.9 x 73.43 cm], edition of 8 + 2APs

"*" indicates required fields

Martine GutierrezQueer Rage, Dear Diary, No Signal During VH1’s Fiercest Divas, p72 from Indigenous Woman

2018

chromogenic print, 42-7/8 x 28-7/8 inches (framed) [108.9 x 73.43 cm], edition of 8

"*" indicates required fields

Martine GutierrezBody En Thrall, p110 from Indigenous Woman

2018

chromogenic print, 91-3/8 x 61-3/8 inches (framed) [232.1 x 155.9 cm], edition of 2

"*" indicates required fields

Martine GutierrezPlastics, Dahlia

2020

chromogenic print, 24-5/8 x 17-5/8 inches (framed) [62.6 x 44.8 cm], edition of 8 + 2 AP

"*" indicates required fields

Martine GutierrezPlastics, Edith

2020

chromogenic print, 24-5/8 x 17-5/8 inches (framed) [62.6 x 44.8 cm], edition of 8 + 2 AP

"*" indicates required fields

Martine GutierrezPlastics, Brigitte

2020

chromogenic print, 24 × 17 inches (framed) [61 × 43.2 cm], edition of 8

"*" indicates required fields

Martine GutierrezIdentity Boots Ad, p99 from Indigenous Woman

2018

chromogenic print, 30-5/8 x 20-5/8 inches (framed) [77.8 x 52.4 cm], edition of 8 + 2 AP

"*" indicates required fields

Martine GutierrezNeo-Indeo, Monochrome Mamacita, p28 from Indigenous Woman

2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

"*" indicates required fields

Martine GutierrezNeo-Indeo, Mam Going Bananas, p27 from Indigenous Woman

2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

"*" indicates required fields

Martine GutierrezNeo-Indeo, Cakchiquel Calor, p34 from Indigenous Woman

2018

chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm], edition of 8

"*" indicates required fields

Martine GutierrezBody En Thrall, p113 from Indigenous Woman

2018

chromogenic print, 48-7/8 x 32-7/8 inches (framed) [124.1 x 83.5 cm], edition of 8 + 2APs

"*" indicates required fields

Martine GutierrezCleopatra from ANTI-ICON: APOKALYPSIS

2021

chromogenic print, hand-distressed welded aluminum frame, 55-1/2 x 38-3/4 inches (framed) [141 x 98.4 cm], edition of 7

"*" indicates required fields

Martine GutierrezGodiva from ANTI-ICON: APOKALYPSIS

2021

chromogenic print, hand-distressed welded aluminum frame, 55-1/2 x 38-3/4 inches (framed) [141 x 98.4 cm], edition of 7

"*" indicates required fields

Color photograph of two figures standing by a race car in the middle of salt flats with mountains along the horizon

Richard Misrach: Bonneville Salt Flats Raceway

Richard Misrach’s Desert Canto XV: The Salt Flats (1992) explores a stretch of Utah desert used as a raceway where drivers attempt to break land speed records.

Color photograph of a VW bus with flames painted on the front in the middle of empty slat flats with mountains on horizon — VW With Flames, Bonneville Salt Flats, 1992

pigment print, 60-3/4 x 75-3/4 inches (framed) [154.3 x 192.4 cm], edition of 3

Color photograph of a red car on a hitched trailer in the middle of salt flats with mountains along the horizon on a cloudy day — Brukdoll Racing, Bonneville Salt Flats, 1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of multiple automobiles and a plane in the middle of salt flats with mountains along the horizon — Yellow Liner, Bonneville Salt Flats, 1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of a pickup truck in the middle of empty salt flats with mountains along the horizon — Pickup Truck, Bonneville Salt Flats, 1992

pigment print, 30 x 37 inches (sheet & mount) [76.2 x 94 cm], edition of 7

Color photograph of a camper in the middle of salt flats with mountains along the horizon — Trailer Home, Bonneville Salt Flats, 1992

pigment print, 30 x 37 inches (sheet & mount) [76.2 x 94 cm], edition of 7

Color photograph of a car with flames painted on the front in the middle of empty salt flats with mountains on horizon — Old Coupe With Flames, Bonneville Salt Flats, 1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of a red car in the middle of empty salt flats with mountain range along the horizon — Red Streamliner, Bonneville Salt Flats, 1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of figure laying on the desert ground using a camera near a pickup truck — Photographer, Bonneville Salt Flats, 1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of a car in the middles of empty salt flats with mountain range along horizon — Chrysler Newport, Bonneville Salt Flats, Utah, 1989

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Color photograph of a land sailing vehicle and a bike in the middle of empty salt flats with mountains on the horizon — Landyacht and Bicycle, Bonneville Salt Flats

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

Richard MisrachDanny Boy, Bonneville Salt Flats

1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachVW With Flames, Bonneville Salt Flats

1992

pigment print, 60-3/4 x 75-3/4 inches (framed) [154.3 x 192.4 cm], edition of 3

"*" indicates required fields

Richard MisrachBrukdoll Racing, Bonneville Salt Flats

1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachYellow Liner, Bonneville Salt Flats

1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachPickup Truck, Bonneville Salt Flats

1992

pigment print, 30 x 37 inches (sheet & mount) [76.2 x 94 cm], edition of 7

"*" indicates required fields

Richard MisrachTrailer Home, Bonneville Salt Flats

1992

pigment print, 30 x 37 inches (sheet & mount) [76.2 x 94 cm], edition of 7

"*" indicates required fields

Richard MisrachOld Coupe With Flames, Bonneville Salt Flats

1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachRed Streamliner, Bonneville Salt Flats

1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachPhotographer, Bonneville Salt Flats

1992

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachChrysler Newport, Bonneville Salt Flats, Utah

1989

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachLandyacht and Bicycle, Bonneville Salt Flats

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Color photograph of a body of water with red light on a pole reflected in the water framed in a dark wood

Richard Misrach: Salton Sea

Misrach’s Desert Canto III: The Flood (1983-85) focuses on the Salton Sea, a desert lake created in the 1900s by an overflow of the Colorado River, and since then sustained by agricultural irrigation runoff. Stocked with fish in the 1950s to promote tourism, by the 1980s it became highly saline with toxic algae blooms and wildlife die-offs.

Color photograph of debris amongst a sea in the desert with a heap of dead fish a washed on the shore — Dead Fish, Salton Sea, 1983

pigment print, 20 x 24 inches (sheet) [50.8 x 61.0 cm], edition of 25

Color photograph of telephone poles, decrepit trailer homes, and vehicles partly submerged in still water — Submerged Trailer-Home, Salton Sea, 1985

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

Color photograph of a submerged lamppost with a small bird perched on top — Submerged Lamppost, Salton Sea, 1985

pigment print, 29-3/4 x 36-3/4 inches (sheet & mount) [75.6 x 93.3 cm], edition of 10

Color photograph of a large body of water with several wooden stakes peeking above the water on an overcast day — Salton Sea (Triangle), 1985

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Color photograph of an abandoned building with abandoned cars and rowboats slightly submerged in water with mountain range on horizon — Stranded Rowboat, Salton Sea, 1983

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm], edition of 25

Color photograph of a flooded abandoned garage with a distressed rowboat — Flooded Garage, Salton Sea, 1985

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Color photograph of a submerged street with a street sign in the center and mountain range on the horizon — Don and Barbara, Salton Sea, 1985

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

Richard MisrachSalton Sea (Red Beacon)

1985

pigment print, 60-3/4 x 75-3/4 inches (framed) [154.3 x 192.4 cm], edition of 3

"*" indicates required fields

Richard MisrachDead Fish, Salton Sea

1983

pigment print, 20 x 24 inches (sheet) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Richard MisrachSubmerged Trailer-Home, Salton Sea

1985

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Richard MisrachSubmerged Lamppost, Salton Sea

1985

pigment print, 29-3/4 x 36-3/4 inches (sheet & mount) [75.6 x 93.3 cm], edition of 10

"*" indicates required fields

Richard MisrachSalton Sea (Triangle)

1985

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

"*" indicates required fields

Richard MisrachStranded Rowboat, Salton Sea

1983

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Richard MisrachFlooded Garage, Salton Sea

1985

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

"*" indicates required fields

Richard MisrachDon and Barbara, Salton Sea

1985

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61.0 cm] , edition of 25

"*" indicates required fields

Black and white photograph of mustachioed man at ATM machine

Sophie Calle: Cash Machine

Often employing methods of surveillance and exploring the idea of privacy in her work, Calle also utilizes “ready-made” images to address these themes. In her series Cash Machine, photographs are made from ATM video surveillance footage. Each work is exhibited as a sequence of two to eleven images.

Black and white photographs of mustachioed man at ATM machine in vertical sequence — Sophie Calle, Cash Machine (03-19), 1991 - 2003

three gelatin silver prints, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Four black and white photographs of a man at an ATM in a horizontal sequence — Sophie Calle, Cash Machine (04-32), 1991 - 2003

four gelatin silver print, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Black and white photograph of a man at an ATM — Sophie Calle, Cash Machine (04-32), 1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Three black and white photographs taken from a surveillance camera of a woman up close, using an ATM — Sophie Calle, Cash Machine (03-21), 1991-2003

three gelatin silver prints, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Black and white photograph of a woman at an ATM — Sophie Calle, Cash Machine (03-21), 1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

Sophie Calle, Cash Machine (11-77), 1991 - 2003

eleven gelatin silver prints, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm]

Color image of six black and white polaroids with time stamps depicting shadowy figures in silver frame — Sophie Calle, Cash Machine polaroids (06-16), 1991 - 2014

six polaroids, 16 x 31 inches (framed) [40.6 x 78.7 cm]

Sophie Calle, Cash Machine Polaroids (05-08), 1991 - 2014

five Polaroids, 31-1/2 x 8-3/4 inches (framed) [80 x 22.2 cm]

Sophie CalleCash Machine (03-19)

1991 - 2003

three gelatin silver prints, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

"*" indicates required fields

Sophie CalleCash Machine (03-19)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

"*" indicates required fields

Sophie CalleCash Machine (03-19)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

"*" indicates required fields

Sophie CalleCash Machine (03-19)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

"*" indicates required fields

Sophie CalleCash Machine (04-32)

1991 - 2003

four gelatin silver print, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

"*" indicates required fields

Sophie CalleCash Machine (04-32)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

"*" indicates required fields

Sophie CalleCash Machine (04-32)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

"*" indicates required fields

Sophie CalleCash Machine (04-32)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

"*" indicates required fields

Sophie CalleCash Machine (03-21)

1991-2003

three gelatin silver prints, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

"*" indicates required fields

Sophie CalleCash Machine (03-21)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

"*" indicates required fields

Sophie CalleCash Machine (03-21)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

"*" indicates required fields

Sophie CalleCash Machine (03-21)

1991 - 2003

gelatin silver print, 11-3/4 x 15-3/4 inches (image, sheet & mount) [30 x 40 cm], edition of 2 + 1 AP

"*" indicates required fields

Sophie CalleCash Machine (11-77)

1991 - 2003

eleven gelatin silver prints, 11-3/4 x 15-3/4 inches (each image, sheet & mount) [30 x 40 cm]

"*" indicates required fields

Sophie CalleCash Machine polaroids (06-16)

1991 - 2014

six polaroids, 16 x 31 inches (framed) [40.6 x 78.7 cm]

"*" indicates required fields

Sophie CalleCash Machine polaroids (06-15)

1991 - 2014

six polaroids, 16 x 31 inches (framed) [40.6 x 78.7 cm]

"*" indicates required fields

Sophie CalleCash Machine Polaroids (05-08)

1991 - 2014

five Polaroids, 31-1/2 x 8-3/4 inches (framed) [80 x 22.2 cm]

"*" indicates required fields

Black and white photograph of two people tossing a rock outdoors

Alec Soth: Songbook

From 2012 to 2014 Soth traveled the United States looking for signs of social life in our era of virtual social networks. From upstate New York to Silicon Valley, he attended hundreds of meetings, dances, festivals and family gatherings.

Black and white photograph of cheerleader in midair split — Alec Soth, Bree, Liberty Cheer All-Stars, Corsicana, Texas, 2012

pigment print, 43 x 56 inches (sheet) [109.2 x 142.2 cm], edition of 9 + 3 APs

Black and white photograph of a lone man walking across an empty courtyard — Alec Soth, Facebook. Menlo Park, California, 2013

pigment print, 43 x 56 inches (sheet) [109.2 x 142.2 cm], from an edition of 9 + 3 APs

Black and white photograph of a group of individuals dancing while covered in foam — Alec Soth, Crazy Legs Saloon, Watertown, New York, 2012

pigment print, 58 x 76 inches (sheet) [147.3 x 193.4 cm], from an edition of 9 + 3 APs

Black and white photograph of motel parking lot with looming clouds just over the building — Alec Soth, Magic Castle Inns and Suites, Kissimmee, Florida, 2012

pigment print, 43 x 56 (sheet) [109.2 x 142.2 cm], edition of 9 + 3 APs

Black and white photograph of framed portrait of a man with sunglasses on — Alec Soth, Robert E. “Bob” Wiatt. College Station, Texas, 2013

pigment print, 34 x 28 inches (sheet) [86.4 cm x 71.1 cm], edition of 9 + 3 APs

Black and white photograph of house covered in greenery — Alec Soth, Near Gainesville, Georgia, 2014

pigment print, 58 x 76 inches (sheet) [147.3 x 193.1 cm], edition of 9 + 3 APs

Black and white photograph of teens dancing at prom — Alec Soth, Prom #2. Cleveland, Ohio, 2012

pigment print, 42-3/4 x 55-5/8 inches (sheet & mount) [108.6 x 141.3 cm], edition of 9 + 3 APs

Black and white photograph of man holding glass globe in front of face causing distortion — Alec Soth, The last snow globe repairman, Northfield, Minnesota, 2012

pigment print, 28 x 36 inches (sheet) [71.1 x 91.4 cm], edition of 9 + 3 APs

Alec SothBree, Liberty Cheer All-Stars, Corsicana, Texas

2012

pigment print, 43 x 56 inches (sheet) [109.2 x 142.2 cm], edition of 9 + 3 APs

"*" indicates required fields

Alec SothRound Rock, Texas

2013

pigment print, 28 x 36 inches (sheet) [71.2 x 91.4 cm], edition of 9 + 3 APs

"*" indicates required fields

Alec SothFacebook. Menlo Park, California

2013

pigment print, 43 x 56 inches (sheet) [109.2 x 142.2 cm], from an edition of 9 + 3 APs

"*" indicates required fields

Alec SothCrazy Legs Saloon, Watertown, New York

2012

pigment print, 58 x 76 inches (sheet) [147.3 x 193.4 cm], from an edition of 9 + 3 APs

"*" indicates required fields

Alec SothMagic Castle Inns and Suites, Kissimmee, Florida

2012

pigment print, 43 x 56 (sheet) [109.2 x 142.2 cm], edition of 9 + 3 APs

"*" indicates required fields

Alec SothRobert E. “Bob” Wiatt. College Station, Texas

2013

pigment print, 34 x 28 inches (sheet) [86.4 cm x 71.1 cm], edition of 9 + 3 APs

"*" indicates required fields

Alec SothNear Gainesville, Georgia

2014

pigment print, 58 x 76 inches (sheet) [147.3 x 193.1 cm], edition of 9 + 3 APs

"*" indicates required fields

Alec SothProm #2. Cleveland, Ohio

2012

pigment print, 42-3/4 x 55-5/8 inches (sheet & mount) [108.6 x 141.3 cm], edition of 9 + 3 APs

"*" indicates required fields

Alec SothThe last snow globe repairman, Northfield, Minnesota

2012

pigment print, 28 x 36 inches (sheet) [71.1 x 91.4 cm], edition of 9 + 3 APs

"*" indicates required fields

Color image of seated man holding box labeled 'Photos' surrounded by stacks of paper

Alec Soth: A Pound of Pictures

In photographs made on a series of road trips across the U.S., Soth records people and locations with subtle connections. The series features images that reference photography itself, investigating the physicality of the medium and its limited ability to preserve what is fleeting.

Color image of minivan in cemetery with furnace plant in background — Alec Soth, Bethlehem, Pennsylvania, 2019

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9

Color image of a reclined male on leather sofa with two pairs of legs also in frame — Alec Soth, Cooper. Chicago, Illinois, 2019

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

Color image of waterfall with two photographers in foreground — Alec Soth, Bond Falls, Michigan, 2019

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

Color image of a seated woman with book in hand looking towards camera — Alec Soth, Anna. Austin, Texas, 2021

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

Color image of woman holding rope around a large tree amongst verdant surrounding — Alec Soth, Molly. Morenci, Michigan, 2019

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

Color image of nude male model posing in life drawing classroom with two students drawing — Alec Soth, Plastic Arts Club. Philadelphia, Pennsylvania, 2019 / printed 2021

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

Color image of a person with binoculars in grain field with large cloud of smoke on the horizon — Alec Soth, Birdwatching. Linfield, Pennsylvania, 2019

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

Color photograph of a bedside table in a mirrored bedroom corner — Alec Soth, Harvard House. Hollywood, California, 2020

pigment print, 43-1/2 x 53-1/2 inches (mount) [110.5 x 135.9 cm], edition of 9 + 4 AP

Color image of a road surrounded by verdant greenery — Alec Soth, Abstract Avenue, Pittsburgh, Pennsylvania, 2021

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

Color photograph of a hotel bed covered in small color photographs — Alec Soth, The Coachlight. Mitchell, South Dakota, 2020 / printed 2021

pigment print, 43-1/2 x 53-1/2 inches (mount) [110.5 x 135.9 cm], edition of 9 + 4 AP

Alec SothNeil. Winona, Minnesota

2019

pigment print, 24 x 30 inches (image) [61 x 76.2 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothBethlehem, Pennsylvania

2019

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9

"*" indicates required fields

Alec SothCooper. Chicago, Illinois

2019

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothBond Falls, Michigan

2019

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothAnna. Austin, Texas

2021

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothMolly. Morenci, Michigan

2019

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothPlastic Arts Club. Philadelphia, Pennsylvania

2019 / printed 2021

pigment print, 40 x 50 inches (image) [101.6 x 127 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothBirdwatching. Linfield, Pennsylvania

2019

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothHarvard House. Hollywood, California

2020

pigment print, 43-1/2 x 53-1/2 inches (mount) [110.5 x 135.9 cm], edition of 9 + 4 AP

"*" indicates required fields

Alec SothAbstract Avenue, Pittsburgh, Pennsylvania

2021

pigment print, 32 x 40 inches (image) [81.3 x 101.6 cm], edition of 9 + 4 APs

"*" indicates required fields

Alec SothThe Coachlight. Mitchell, South Dakota

2020 / printed 2021

pigment print, 43-1/2 x 53-1/2 inches (mount) [110.5 x 135.9 cm], edition of 9 + 4 AP

"*" indicates required fields

Black and white photograph of a horse with a harness on and eyes closed

Peter Hujar: Animals

To Hujar, who grew up on a farm, animals and people were of equal interest. His photographs of dogs, horses, and cows seem to convey a mutual recognition between photographer and subject, a sort of calm acknowledgement.

Black and white photograph of a dog up close in a studio — Peter Hujar, Face of a Dog [Clarissa Dalrymple’s Dog, Kirsten], 1984

pigment print / printed 2025 by Gary Schneider, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of three sheep on hill — Peter Hujar, Sheep, Pennsylvania, 1969 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a snake on corner of blanket covered table — Peter Hujar, Skippy (Boa Constrictor), 1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a cow with hay coming out of its mouth — Peter Hujar, Cow, 1978 / printed 2025 by Gary Schneider

pigment print, 14-3/4 x 14-3/4 inches (image) [37.5 x 37.5 cm]

Black and white photograph of a dog on a cushion — Peter Hujar, Fanny, 1978 / printed 2025 by Gary Schneider

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a dark horse chewing on a wooden fencepost with a pasture in the background — Peter Hujar, Horse, Warwick, R.I., 1979

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a calf on a farm — Peter Hujar, Calf, Hyrkin Farm, 1978

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a dog seated on a cushion — Peter Hujar, Will: Shar-Pei (I), 1985

pigment print / printed 2025 by Gary Schneider, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a seated dog in the artists studio — Peter Hujar, Beauregard’s Dog Pilar, 1983 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of two dogs with shaggy and curly coats lying on a hay bale — Peter Hujar, Two Dogs, Westtown, 1978

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a shaggy haired cow outdoors — Peter Hujar, Shaggy Cow (I), 1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a black dog — Peter Hujar, Clarissa Dalrymple’s Dog, Kirsten, 1984

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarHorse in Harness (II) (Variant)

1969

gelatin silver print, 16-1/2 x 13-5/8 inches (image) [41.9 x 34.6 cm]

"*" indicates required fields

Peter HujarFace of a Dog [Clarissa Dalrymple’s Dog, Kirsten]

1984

pigment print / printed 2025 by Gary Schneider, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarSheep, Pennsylvania

1969 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarSkippy (Boa Constrictor)

1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarCow

1978 / printed 2025 by Gary Schneider

pigment print, 14-3/4 x 14-3/4 inches (image) [37.5 x 37.5 cm]

"*" indicates required fields

Peter HujarFanny

1978 / printed 2025 by Gary Schneider

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarHorse, Warwick, R.I.

1979

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarCalf, Hyrkin Farm

1978

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarWill: Shar-Pei (I)

1985

pigment print / printed 2025 by Gary Schneider, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarBeauregard’s Dog Pilar

1983 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarTwo Dogs, Westtown

1978

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarShaggy Cow (I)

1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarClarissa Dalrymple’s Dog, Kirsten

1984

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Black and white photographs of two women in sunglasses taking photographs on a city street

Lee Friedlander: The People’s Pictures

Black and white photograph of a person taking a family photograph in front of a life-size dinosaur statue — Lee Friedlander, Rapid City, South Dakota, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of two women taking photographs on a city sidewalk — Lee Friedlander, Paris, France, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of tourists having their photograph taken in front of a valley — Lee Friedlander, Canadian Rockies, Canada, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a young girl taking a photograph in a living room — Lee Friedlander, Fort Lee, New Jersey, 1971

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black and white photograph of a man in a crowd holding a camera to his eye — Lee Friedlander, New Orleans, Louisiana, 1991

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of three young women in front of a stone memorial taking a photograph — Lee Friedlander, Washington, D.C., 1988

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a man holding a camera in an art gallery — Lee Friedlander, David Hockney, New York City, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a woman taking a photograph of a man performing on a city corner — Lee Friedlander, New Orleans, Louisiana, 1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderNew Orleans

1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderRapid City, South Dakota

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderParis, France

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderCanadian Rockies, Canada

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderFort Lee, New Jersey

1971

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Lee FriedlanderNew Orleans, Louisiana

1991

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderWashington, D.C.

1988

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderDavid Hockney, New York City

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderNew Orleans, Louisiana

1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Color image of a mixed media artwork of a nude figure standing with silver background framed in grey frame

Wardell Milan: Paintings

Wardell Milan’s paintings often incorporate a range of materials, including oils and acrylics, spray paint, house paint, and silver leaf. His ongoing series of tulip paintings are a kind of self-portraiture, originally inspired by the 17th-century Dutch tulip craze.