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Painting of a dog and a person on a floral print couch

Elisheva Biernoff: Selected Works

Elisheva Biernoff’s hypnotically detailed works are based on found, anonymous photographs which are painted to exact scale. In the process of making each work—which requires two to three months to complete—Biernoff pays close attention to the images, perhaps more than the photographers who originally made them.

Painting of a dog and a person on a floral print couch on a wooden stand — Elisheva Biernoff, Conversation, 2014-15

acrylic on wood, painted both sides; painted poplar stand, 5-3/4 x 8 x 2-1/2 inches [14.6 x 20.3 x 6.4 cm]

Verso of painting with photo paper logos — Elisheva Biernoff, Conversation, 2014-2015 (verso)

acrylic on wood, painted both sides

Color image of a small hyperrealistic painting depicting a photograph of a figure flipping off a small fire on a white stand — Elisheva Biernoff, After Dark, 2024

acrylic on wood, painted both sides; painted cherry & fir stand, 7-1/8 x 7-3/8 x 1-1/2 inches (overall, installed) [18.1 x 19.4 x 3.8 cm]

Color image of a hyperrealistic painting depicting a photograph of a figure flipping off a small fire — Elisheva Biernoff, After Dark, 2024

acrylic on wood, painted both sides, 7 x 5 inches (painting) [17.8 x 12.7 cm]

Color image of the back of a small realistically rendered painting depicting the back of a photograph — Elisheva Biernoff, After Dark, 2024 (verso)

acrylic on wood, painted both sides, 7 x 5 inches (painting) [17.8 x 12.7 cm]

Painting of clouds and tips of tree branches on a wooden stand — Elisheva Biernoff, Kowallik, 2016

acrylic on wood, painted both sides; painted poplar stand, 3-1/4 x 8 x 2-1/2 inches (overall) [8.3 x 20.3 x 6.4 cm]

Painting of clouds and tips of tree branches — Elisheva Biernoff, Kowallik, 2016

acrylic on wood, painted both sides, 3-1/4 x 8 x 2-1/2 inches (overall) [8.3 x 20.3 x 6.4 cm]

Verso of painting with a stamp in the bottom left corner — Elisheva Biernoff, Kowallik, 2016 (verso)

acrylic on wood, painted both sides, 3-1/4 x 8 x 2-1/2 inches (overall) [8.3 x 20.3 x 6.4 cm]

Painting of a woman leaning against a fallen tree on a wooden stand — Elisheva Biernoff, Vision, 2016

acrylic on wood, painted both sides; painted poplar stand, 6 x 8 x 2-1/2 inches (overall) [15.2 x 20.3 x 6.4 cm]

Painting of a woman leaning against a fallen tree — Elisheva Biernoff, Vision, 2016

acrylic on wood, painted both sides, 6 x 8 x 2-1/2 inches (overall) [15.2 x 20.3 x 6.4 cm]

Painting of a man holding a glass standing next to a painting of Jesus and a table on a wooden stand — Elisheva Biernoff, Unspecified Party, 2014

acrylic on wood, painted both sides; painted poplar stand, 4-3/4 x 8 x 2-1/2 inches [12.1 x 20.3 x 6.4 cm]

Painting of a man holding a glass standing next to a painting of Jesus and a table — Elisheva Biernoff, Unspecified Party, 2014

acrylic on wood, painted both sides

Color image of a small painting rendered as a photograph depicting a Color photograph of a realistically rendered painting depicting a photograph of a semi nude figure laying on a bed on a small white stand — Elisheva Biernoff, Interlude, 2023

acrylic on wood, painted both sides; painted poplar stand, 4-1/4 x 8 x 2-1/2 inches (overall, on stand) [10.8 x 20.3 x 6.4 cm]

Color photograph of a realistically rendered painting depicting a photograph of a semi nude figure laying on a bed — Elisheva Biernoff, Interlude, 2023

acrylic on wood, painted both sides, 3-1/2 x 3-1/2 inches (painting) [8.8 x 8.8 cm]

Elisheva BiernoffConversation

2014-15

acrylic on wood, painted both sides; painted poplar stand, 5-3/4 x 8 x 2-1/2 inches [14.6 x 20.3 x 6.4 cm]

Elisheva BiernoffConversation

2014-2015

acrylic on wood, painted both sides, 3-1/2 x 4-7/8 inches [8.9 x 12.4 cm]

Elisheva BiernoffConversation

2014-2015 (verso)

acrylic on wood, painted both sides

Elisheva BiernoffAfter Dark

2024

acrylic on wood, painted both sides; painted cherry & fir stand, 7-1/8 x 7-3/8 x 1-1/2 inches (overall, installed) [18.1 x 19.4 x 3.8 cm]

Elisheva BiernoffAfter Dark

2024

acrylic on wood, painted both sides, 7 x 5 inches (painting) [17.8 x 12.7 cm]

Elisheva BiernoffAfter Dark

2024 (verso)

acrylic on wood, painted both sides, 7 x 5 inches (painting) [17.8 x 12.7 cm]

Elisheva BiernoffKowallik

2016

acrylic on wood, painted both sides; painted poplar stand, 3-1/4 x 8 x 2-1/2 inches (overall) [8.3 x 20.3 x 6.4 cm]

Elisheva BiernoffKowallik

2016

acrylic on wood, painted both sides, 3-1/4 x 8 x 2-1/2 inches (overall) [8.3 x 20.3 x 6.4 cm]

Elisheva BiernoffKowallik

2016 (verso)

acrylic on wood, painted both sides, 3-1/4 x 8 x 2-1/2 inches (overall) [8.3 x 20.3 x 6.4 cm]

Elisheva BiernoffVision

2016

acrylic on wood, painted both sides; painted poplar stand, 6 x 8 x 2-1/2 inches (overall) [15.2 x 20.3 x 6.4 cm]

Elisheva BiernoffVision

2016

acrylic on wood, painted both sides, 6 x 8 x 2-1/2 inches (overall) [15.2 x 20.3 x 6.4 cm]

Elisheva BiernoffVision

2016 (verso)

acrylic on wood, painted both sides

Elisheva BiernoffUnspecified Party

2014

acrylic on wood, painted both sides; painted poplar stand, 4-3/4 x 8 x 2-1/2 inches [12.1 x 20.3 x 6.4 cm]

Elisheva BiernoffUnspecified Party

2014

acrylic on wood, painted both sides

Elisheva BiernoffUnspecified Party

2014 (verso)

acrylic on wood, painted both sides

Elisheva BiernoffInterlude

2023

acrylic on wood, painted both sides; painted poplar stand, 4-1/4 x 8 x 2-1/2 inches (overall, on stand) [10.8 x 20.3 x 6.4 cm]

Elisheva BiernoffInterlude

2023

acrylic on wood, painted both sides, 3-1/2 x 3-1/2 inches (painting) [8.8 x 8.8 cm]

Elisheva BiernoffInterlude

2023 (verso)

acrylic on wood, painted both sides, 3-1/2 x 3-1/2 inches (painting) [8.8 x 8.8 cm]

Color image of a mixed media collage depicting three female figures wearing silver leaf bikinis and flexing their muscles framed in a polished aluminum frame

Wardell Milan: Works on Paper

Artist Wardell Milan works in mixed media, combining elements of photography, drawing, painting, and collage. Often incorporating cut-out photographs (including iconic images by artists such as Diane Arbus and Robert Mapplethorpe), Milan’s work imagines spaces where the marginalized body is able to express itself and move about the world freely.

A white collage of a Klansman. — Wardell Milan, Amerika: Klansman, Patty, 2020

cut and pasted printed paper, 18-5/8 x 14-1/4 inches framed [47.3 x 36.2 cm], unique

Color image of a mixed media artwork depicting a nude figure gazing at the viewer while holding a disembodied hand — Wardell Milan, The Divine Feminine. Jesús., 2023

charcoal, graphite, color pencil, pastel & oil pastel on paper, 32-3/8 x 24-7/8 inches (framed) [82.2 x 63.2 cm], unique

Color image of mixed media work depicting two figures on sandy beach with swatches of blue, white, and yellow in grey frame — Wardell Milan, Two warriors looking for euphoria, 2018

charcoal, graphite, gesso, etching ink, cut-and-paste paper on ink jet print, 47-1/2 x 63-1/8 inches (framed) [120.7 x 160.3 cm]

Color image of a mixed media artwork depicting four figures looking upwards amongst flowers and foliage framed in ebony — Wardell Milan, Bombs in applesauce., 2023

charcoal, graphite, acrylic, etching, color pencil, pastel, oil pastel & cut-and-paste paper, 43-3/8 x 58-1/8 inches (framed) [110.2 x 147.6 cm], unique

Black and white collage of a garden with nude women's torsos interspersed — Wardell Milan, One spring afternoon in 2019. 5 women who could engage your imagination., 2021

color pencil, china marker, acrylic, oil pastel, spray paint, cut and pasted paper on inkjet print, 44-1/4 x 61-1/4 inches (framed) [112.4 x 155.6 cm]

A framed drawing of an abstract blue and pink face. — Wardell Milan, Erwin Norton, 2018

charcoal, graphite, pastel, oil pastel, acrylic paint, cut-and-paste paper on hand dyed paper, 45-5/8 x 33-1/4 inches (framed) [115.9 x 84.5 cm]

Color image of black and white mixed media collage depicting a semi nude female figure amongst flowers framed in aluminum — Wardell Milan, Lady Jane, 2023

graphite, pen, silver leaf, cut-and-paste paper on yupo, 16 x 13 inches (framed) [40.6 x 33 cm], unique

Color image of a mixed media collage made with black and white photographs and swatches of white and blue paint — Wardell Milan, Two women lounging in sanctuaries., 2022

charcoal, silver leaf, Polaroid, embossed paper, printed paper, cut-out-paper, on paper, 58-1/4 x 42-3/4 inches (framed) [147.9 x 108.5 cm], unique

Color image of a mixed media artwork depicting a female bodybuilder flexing — Wardell Milan, Carriejune, 2023

charcoal, graphite & silver leaf on paper, 46 x 32-1/8 inches (framed) [116.8 x 81.6 cm], unique

A collage of two nude figures embracing, on the canvas of a black and white park scene. The figures are surrounded by bright blue lines and shapes. — Wardell Milan, Be a good boy and put this on, 2020

charcoal, graphite, acrylic paint, color pencil, pastel, oil pastel, china marker, yupo paper, Polaroid film, cut-and-pasted paper on inkjet print, 43-1/8 x 61-1/8 inches (framed) [109.5 x 155.3 cm]

Color image of a mixed media collage depicting a nude figure with a white hood strapped by the genitals on a wooden device — Wardell Milan, A restrained insurrectionist. With his balls stretched by weights., 2023

graphite, china marker, ink, acrylic, cut-and-paste paper on yupo, 13-3/8 x 16-3/8 inches (framed) [34 x 41.6 cm], unique

Color image of a mixed media collage depicting a figure in a jockstrap holding another figure in white hood in bondage — Wardell Milan, Terrell with an obedient insurrectionist., 2023

graphite, china marker, ink, acrylic, cut-and-paste paper on yupo, 16-3/8 x 13-3/8 inches (framed) [41.6 x 34 cm], unique

A framed drawing of an abstract multi-hued face and hand, floating on a brown color field. — Wardell Milan, Oliver Brown, 2018

charcoal, graphite, pastel, oil pastel, acrylic paint, cut-and-paste paper on hand dyed paper, 45-5/8 x 33-1/4 inches (framed) [115.9 x 84.5 cm]

Image of a mixed media painting of a group of people playing in the shallow ocean surf framed in a blue stained wood — Wardell Milan, The cruel Mediterranean Sea, 2023

charcoal, graphite, acrylic, color pencil, pastel, oil pastel & cut-and-paste paper, 54-3/4 x 76-1/4 inches (framed) [139.1 x 193.7 cm], unique

A diptych of two framed collages. The one on the left is of two figures confronting in either an embrace or a fight, and the one on the right is of a figure in front of a building's door. Both are on black and white photographs. — Wardell Milan, 2014/2020 202 Bay St., Staten Island, 2020

charcoal, graphite, oil pastel, pastel, cut and pasted paper on two inkjet prints, 42-3/4 x 43-3/4 inches (each, framed) [108.6 x 111.1 cm], unique

Wardell MilanMelina, Monique, Andrea flexing.

2023

charcoal, graphite, china marker, pastel, wood block print on paper, 41-3/8 x 43 inches (framed) [105.1 x 109.2 cm], unique

Wardell MilanAmerika: Klansman, Patty

2020

cut and pasted printed paper, 18-5/8 x 14-1/4 inches framed [47.3 x 36.2 cm], unique

Wardell MilanThe Divine Feminine. Jesús.

2023

charcoal, graphite, color pencil, pastel & oil pastel on paper, 32-3/8 x 24-7/8 inches (framed) [82.2 x 63.2 cm], unique

Wardell MilanTwo warriors looking for euphoria

2018

charcoal, graphite, gesso, etching ink, cut-and-paste paper on ink jet print, 47-1/2 x 63-1/8 inches (framed) [120.7 x 160.3 cm]

Wardell MilanOne spring afternoon in 2019. 5 women who could engage your imagination.

2021

color pencil, china marker, acrylic, oil pastel, spray paint, cut and pasted paper on inkjet print, 44-1/4 x 61-1/4 inches (framed) [112.4 x 155.6 cm]

Wardell MilanErwin Norton

2018

charcoal, graphite, pastel, oil pastel, acrylic paint, cut-and-paste paper on hand dyed paper, 45-5/8 x 33-1/4 inches (framed) [115.9 x 84.5 cm]

Wardell MilanLady Jane

2023

graphite, pen, silver leaf, cut-and-paste paper on yupo, 16 x 13 inches (framed) [40.6 x 33 cm], unique

Wardell MilanTwo women lounging in sanctuaries.

2022

charcoal, silver leaf, Polaroid, embossed paper, printed paper, cut-out-paper, on paper, 58-1/4 x 42-3/4 inches (framed) [147.9 x 108.5 cm], unique

Wardell MilanCarriejune

2023

charcoal, graphite & silver leaf on paper, 46 x 32-1/8 inches (framed) [116.8 x 81.6 cm], unique

Wardell MilanBe a good boy and put this on

2020

charcoal, graphite, acrylic paint, color pencil, pastel, oil pastel, china marker, yupo paper, Polaroid film, cut-and-pasted paper on inkjet print, 43-1/8 x 61-1/8 inches (framed) [109.5 x 155.3 cm]

Wardell MilanA restrained insurrectionist. With his balls stretched by weights.

2023

graphite, china marker, ink, acrylic, cut-and-paste paper on yupo, 13-3/8 x 16-3/8 inches (framed) [34 x 41.6 cm], unique

Wardell MilanStefi

2023

charcoal, graphite & silver leaf on paper, 46 x 32-1/8 inches (framed) [116.8 x 81.6 cm], unique

Wardell MilanTerrell with an obedient insurrectionist.

2023

graphite, china marker, ink, acrylic, cut-and-paste paper on yupo, 16-3/8 x 13-3/8 inches (framed) [41.6 x 34 cm], unique

Wardell MilanOliver Brown

2018

charcoal, graphite, pastel, oil pastel, acrylic paint, cut-and-paste paper on hand dyed paper, 45-5/8 x 33-1/4 inches (framed) [115.9 x 84.5 cm]

Wardell MilanThe cruel Mediterranean Sea

2023

charcoal, graphite, acrylic, color pencil, pastel, oil pastel & cut-and-paste paper, 54-3/4 x 76-1/4 inches (framed) [139.1 x 193.7 cm], unique

Wardell Milan2014/2020 202 Bay St., Staten Island

2020

charcoal, graphite, oil pastel, pastel, cut and pasted paper on two inkjet prints, 42-3/4 x 43-3/4 inches (each, framed) [108.6 x 111.1 cm], unique

Color photograph of a figure smoking on a balcony and looking towards the horizon framed in black

Nan Goldin: Selected Works

Goldin’s diaristic photographs unflinchingly explore the artist’s life and that of her circle of friends, showing pain, addiction, and loss, but also love, wonder, and reverie.

Color photograph of an overcast night sky with a red glow above city buildings and a rooftop watertower — Red sky from my window, NYC, 2000

pigment print, 31-3/4 x 46-7/8 inches (framed) [80.7 x 119.1 cm], edition of 15

Color photograph of a figure looking in the mirror and styling their hair — Joey in my mirror, Berlin, 1992

pigment print, 31-3/4 x 46-7/8 inches (framed) [80.6 x 116.5 cm], edition of 25

Color photograph of a convertible car with painted flames taken from another convertible car framed in black — Flaming car, Salisbury Beach, NH, 1979

pigment print, 31-1/2 x 46-1/2 inches (framed) [80 x 118.1 cm], edition of 25

Color photograph of a seated women wearing a black lace top looking directly at camera framed in black — Thora at home, Brooklyn, NY, 2020

dye sublimation print on aluminum, 31 x 41 inches (framed) [78.7 x 104.1 cm], edition of 7

Color photograph from behind a window of an out-of-focus city skyline at night with faint reflections from the room superimposed — View by night from my window, Roosevelt Hospital, NYC, n.d.

pigment print, 31-3/4 x 46-7/8 inches (framed) [80.7 x 119.1 cm], edition of 15

Color photograph of a child in a skeleton costume holding hands with another figure on street framed in black — A vision, Brooklyn, n.d.

dye sublimation print on aluminum, 21 x 31 inches (framed) [53.3 x 78.7 cm], edition of 15

Color photograph of a nude figure reclining on a bed with hair in their face framed in black — Thora on my black bed, Brooklyn, NY, 2020

dye sublimation print on aluminum, 31 x 41 inches (framed) [78.7 x 104.1 cm], edition of 7

Color photograph of a statue depicting a crucified figure in middle of a town square — Twilight in Dordogne, France, 1979

dye sublimation print on aluminum, 20 x 30 inches (image & sheet) [50.8 x 76.2 cm], edition of 25

Color photograph of a docked sail boat framed in black — Ship on the Nile, Aswan, Egypt, 2003

dye sublimation print on aluminum, 21 x 31 inches (framed) [53.3 x 78.7 cm], edition of 15

Color photograph of three figures walking along the beach framed in black — Vivienne tripping on the beach, Donegal, Ireland, 1979

dye sublimation print on aluminum, 21 x 31 inches (framed) [53.3 x 78.7 cm], edition of 7

Color photograph of an out-of-focus woman's face framed by frizzy hair under orange light — Self-Portrait, Red, Zurich, 2000

pigment print, 28-1/2 x 41-1/8 inches (framed) [72.4 x 104.5 cm], edition of 15

Nan GoldinDavid H. on the terrace, Hotel Beau Rivage Palace, Lausanne

1998

pigment print, 31-3/4 x 46-7/8 inches (framed) [80.6 x 119.1 cm], edition of 15

Nan GoldinRed sky from my window, NYC

2000

pigment print, 31-3/4 x 46-7/8 inches (framed) [80.7 x 119.1 cm], edition of 15

Nan GoldinJoey in my mirror, Berlin

1992

pigment print, 31-3/4 x 46-7/8 inches (framed) [80.6 x 116.5 cm], edition of 25

Nan GoldinFlaming car, Salisbury Beach, NH

1979

pigment print, 31-1/2 x 46-1/2 inches (framed) [80 x 118.1 cm], edition of 25

Nan GoldinThora at home, Brooklyn, NY

2020

dye sublimation print on aluminum, 31 x 41 inches (framed) [78.7 x 104.1 cm], edition of 7

Nan GoldinView by night from my window, Roosevelt Hospital, NYC

n.d.

pigment print, 31-3/4 x 46-7/8 inches (framed) [80.7 x 119.1 cm], edition of 15

Nan GoldinA vision, Brooklyn

n.d.

dye sublimation print on aluminum, 21 x 31 inches (framed) [53.3 x 78.7 cm], edition of 15

Nan GoldinThora on my black bed, Brooklyn, NY

2020

dye sublimation print on aluminum, 31 x 41 inches (framed) [78.7 x 104.1 cm], edition of 7

Nan GoldinTwilight in Dordogne, France

1979

dye sublimation print on aluminum, 20 x 30 inches (image & sheet) [50.8 x 76.2 cm], edition of 25

Nan GoldinShip on the Nile, Aswan, Egypt

2003

dye sublimation print on aluminum, 21 x 31 inches (framed) [53.3 x 78.7 cm], edition of 15

Nan GoldinVivienne tripping on the beach, Donegal, Ireland

1979

dye sublimation print on aluminum, 21 x 31 inches (framed) [53.3 x 78.7 cm], edition of 7

Nan GoldinSelf-Portrait, Red, Zurich

2000

pigment print, 28-1/2 x 41-1/8 inches (framed) [72.4 x 104.5 cm], edition of 15

Color image of a color photograph depicting a neat pile of burnt documents on black background framed in white

Adam Fuss: Selected Works

The artist’s enigmatic cameraless photographs convey a sense of wonder at the natural world, and the ineffable mystery at what lies beyond.

Color image of a pigment print depicting a cluster of mushroom spores framed in black — Untitled, 2020

pigment print, 65 x 45 inches (framed) [165.1 x 114.3 cm]

Color photograph of a bright yellow-white circle emanating fading orange rings of light on a black background — Untitled, 2015

unique Cibachrome photogram, 69-3/8 x 51-1/2 inches (framed) [176.21 x 130.8 cm]

Color print of white rivulets of liquid running vertically down a bright blue background — Untitled, 2017

unique chromogenic photogram, 99-1/2 x 60-3/4 inches (framed) [252.7 x 154.3 cm]

Black-and-white photogram of a wavy white curtain with a thin strip of ground along the bottom — Logos, 2013

unique gelatin silver photogram, 107-1/2 x 56 3/4 inches (framed) [273.1 x 144.2 cm]

Color image of a grey toned photogram depicting water droplets cascading on the surface framed in white — Untitled, 2007

gelatin silver photogram, 38-7/8 x 28-1/2 inches (framed) [98.7 x 72.3 cm]

Black-and-white photograph of the faint white outline of a child's short-sleeved dress on a black background — From the series My Ghost, 1999

platinum print photogram, 36-3/8 x 31-1/8 inches (framed)

Black-and-white photogravure of the white silhouettes of birds circling one larger bird silhouette on a black background — The Last Supper, 2014

photogravure, 41-3/8 x 37 inches (framed) [105.0 x 94.0 cm], edition of 21

Purple and orange photogram of the impression from a vertical column of intestines, floating on a white background — Untitled, 2011

unique Cibachrome photogram, 94 x 50-3/8 inches (framed) [238.7 x 127.9 cm]

Adam FussTheia

2022

pigment print, 64-7/8 x 44-7/8 inches [164.7 x 113.9 cm] (framed), edition of 3

Adam FussUntitled

2020

pigment print, 65 x 45 inches (framed) [165.1 x 114.3 cm]

Adam FussUntitled

2015

unique Cibachrome photogram, 69-3/8 x 51-1/2 inches (framed) [176.21 x 130.8 cm]

Adam FussUntitled

2017

unique chromogenic photogram, 99-1/2 x 60-3/4 inches (framed) [252.7 x 154.3 cm]

Adam FussLogos

2013

unique gelatin silver photogram, 107-1/2 x 56 3/4 inches (framed) [273.1 x 144.2 cm]

Adam FussUntitled

2007

gelatin silver photogram, 38-7/8 x 28-1/2 inches (framed) [98.7 x 72.3 cm]

Adam FussFrom the series My Ghost

1999

platinum print photogram, 36-3/8 x 31-1/8 inches (framed)

Adam FussThe Last Supper

2014

photogravure, 41-3/8 x 37 inches (framed) [105.0 x 94.0 cm], edition of 21

Adam FussUntitled

2011

unique Cibachrome photogram, 94 x 50-3/8 inches (framed) [238.7 x 127.9 cm]

Image of crushed red flowers and green leaves, with purple dye from the flowers staining a white background

Adam Fuss: Flowers

This collection explores Fuss’s ongoing study of flowers, a subject rich with symbolic associations as mementos to the past, or harbingers of a future hope.

Color image of smashed flowers on a black background framed in black — Adam Fuss, Theia, 2018

pigment print on gesso coated aluminum, 29-3/8 x 23-1/4 inches (framed) [74.6 x 59.1 cm]

Color image of a color photogram of pressed flowers on a white background framed in white — Adam Fuss, Untitled, 1994

unique Cibachrome photogram, 24-5/8 x 20-1/4 inches (framed) [62.5 x 51.4 cm]

Framed color photogram of a single sunflower on a metallic background — Adam Fuss, Untitled, 1994

metallic chromogenic print, 17-3/8 x 14-1/8 niches (framed) [44.1 x 35.9 cm], edition of 15

Color photograph of silhouetted water lilies on grey background framed in white — Adam Fuss, Untitled, 2022

pigment print on gesso coated aluminum, 41-7/8 x 32 inches (framed) [106.4 x 81.3 cm], edition of 3

Color image of color photogram depicting warm toned flowers framed in white frame — Adam Fuss, Untitled, 2006

cibachrome photogram, 55-3/8 x 45 inches (framed) [140.7 x 114.3 cm]

Image of a single yellow flower among green leaves and silhouetted flower budsbuds — Adam Fuss, Untitled, 1994

Cibachrome print, 23-1/2 x 19-1/4 inches (framed) [59.7 x 48.9 cm]

Image of a framed daguerreotype photograph showing a sculptural wall relief of stems, leaves, and flowers — Adam Fuss, Untitled, 2014

daguerreotype, 14-1/2 x 17-1/2 inches (framed)

Two framed photogravures, each depicting a floral relief sculpture. — Adam Fuss, From the series ‘My Ghost’, 2016

set of two photogravures, 38-1/2 x 30-1/2 inches (each framed) [97.8 x 77.5 cm]

Color image of a daguerreotype depicting a flower blooming with multiple buds framed in black — Adam Fuss, From the series ‘My Ghost’, 2014

daguerreotype, 34 x 27-1/2 inches (framed) [86.4 x 69.9 cm]

Adam FussUntitled

2018

pigment print on gesso coated aluminum, 29-3/8 x 23-1/4 inches (framed) [74.6 x 59.1 cm]

Adam FussTheia

2018

pigment print on gesso coated aluminum, 29-3/8 x 23-1/4 inches (framed) [74.6 x 59.1 cm]

Adam FussUntitled

1994

unique Cibachrome photogram, 24-5/8 x 20-1/4 inches (framed) [62.5 x 51.4 cm]

Adam FussUntitled

1994

metallic chromogenic print, 17-3/8 x 14-1/8 niches (framed) [44.1 x 35.9 cm], edition of 15

Adam FussUntitled

2022

pigment print on gesso coated aluminum, 41-7/8 x 32 inches (framed) [106.4 x 81.3 cm], edition of 3

Adam FussUntitled

2006

cibachrome photogram, 55-3/8 x 45 inches (framed) [140.7 x 114.3 cm]

Adam FussUntitled

1994

Cibachrome print, 23-1/2 x 19-1/4 inches (framed) [59.7 x 48.9 cm]

Adam FussUntitled

2014

daguerreotype, 14-1/2 x 17-1/2 inches (framed)

Adam FussFrom the series ‘My Ghost’

2016

set of two photogravures, 38-1/2 x 30-1/2 inches (each framed) [97.8 x 77.5 cm]

Adam FussFrom the series ‘My Ghost’

2014

daguerreotype, 34 x 27-1/2 inches (framed) [86.4 x 69.9 cm]

Ninteteenth century photograph of cliffs and a waterfall, with water in the foreground reflecting the landscape

Carleton E. Watkins: Selected Views

Measuring approximately 15 x 20 inches, Watkins’s large format albumen prints were among the largest photographs of their time. His masterful compositions of sweeping vistas and majestic waterfalls inspired land preservation efforts in the western U.S., including the creation of the National Park System. Other commissioned projects offer some of the earliest depictions of complex development of California, and the burgeoning industrialization of the mid-Columbia River.

Ninteteenth century photograph of lightly forested fields with the Pacific Ocean in the background — Carleton E. Watkins, City of Mendocino, 1863

mammoth plate albumen print, 21-5/8 x 26-3/4 inches (mount) [54.9 x 68 cm]

Black and white photograph of a waterfall — Carleton E. Watkins, Multnomah Falls, Columbia River, 1867

mammoth-plate albumen print, 20 x 16 inches (image & sheet) [50.8 x 40.6 cm]

Ninteteenth century photograph of a steam ship at a pier on a river with a mountain in the background — Carleton E. Watkins, Steamer “Cascade,” at the Lower Landing, 1867

mammoth plate albumen print, 21-1/2 x 27 inches (mount) [54.6 x 63.8 cm]

Ninteteenth century photograph of a trail through trees with a distant waterfall in the background — Carleton E. Watkins, On the Road to Yosemite Falls, 2674 ft., ca. 1878

mammoth-plate albumen print, 22 x 17 inches (mount) [55.9 x 45.7 cm]

Ninteteenth century photograph of a waterfall between stone cliffsides — Carleton E. Watkins, Upper Yosemite Falls, View from Eagle Point Trail, Yosemite, 1878-81

mammoth plate albumen print, 25-5/8 x 19-3/4 inches (mount) [65.1 x 50.2 cm]

Ninteteenth century photograph of deer standing in the shade of a grove of trees — Carleton E. Watkins, The Deer Park, Menlo Park, California, ca. 1874

mammoth-plate albumen print, 19 x 23-1/4 inches (mount) [48.3 x 59.1 cm]

Ninteteenth century photograph of a large waterfall, coming off a cliff — Carleton E. Watkins, Piwyac, Vernal Fall, 350 ft. [Yo-Semite Valley, Cal. No. 44], ca. 1864-66

mammoth plate albumen print, 27-1/2 x 21-1/2 inches (mount) [69.9 x 54.6 cm]

Carleton E. WatkinsCity of Mendocino

1863

mammoth plate albumen print, 21-5/8 x 26-3/4 inches (mount) [54.9 x 68 cm]

Carleton E. WatkinsMultnomah Falls, Columbia River

1867

mammoth-plate albumen print, 20 x 16 inches (image & sheet) [50.8 x 40.6 cm]

Carleton E. WatkinsSteamer “Cascade,” at the Lower Landing

1867

mammoth plate albumen print, 21-1/2 x 27 inches (mount) [54.6 x 63.8 cm]

Carleton E. WatkinsOn the Road to Yosemite Falls, 2674 ft.

ca. 1878

mammoth-plate albumen print, 22 x 17 inches (mount) [55.9 x 45.7 cm]

Carleton E. WatkinsUpper Yosemite Falls, View from Eagle Point Trail, Yosemite

1878-81

mammoth plate albumen print, 25-5/8 x 19-3/4 inches (mount) [65.1 x 50.2 cm]

Carleton E. WatkinsThe Deer Park, Menlo Park, California

ca. 1874

mammoth-plate albumen print, 19 x 23-1/4 inches (mount) [48.3 x 59.1 cm]

Carleton E. WatkinsPiwyac, Vernal Fall, 350 ft. [Yo-Semite Valley, Cal. No. 44]

ca. 1864-66

mammoth plate albumen print, 27-1/2 x 21-1/2 inches (mount) [69.9 x 54.6 cm]

Color image of a mixed media artwork with an oil painting depicting a house in an empty filed attached to a wooden box with two speakers and a red button on a white gallery wall

Janet Cardiff & George Bures Miller: Small Works

Through mixed media collages and constructivist sculptures sometimes employing sound and motion, the artists explore the storytelling potential of various objects.

White House in Winter, 2020-23 (exhibition video)

Color image of a mixed media artwork consisting of four speakers and exposed wiring on an aged piece of wood with found objects attached to the face of the work — Janet Cardiff & George Bures Miller, Did you hear me, 2000

mixed media, electronics, sound, 11 x 9-1/2 x 6 inches (overall) [27.9 x 24.1 x 15.2 cm]

Did you hear me, 2000 (exhibition video)

Color image of a mixed media artwork with paper and photo collage on wooden pieces within a wooden box on a white wall — Janet Cardiff, Guitar, 2023

mixed media collage in wooden box, 12 x 10-1/2 x 2-1/2 inches (overall) [30.5 x 26.7 x 6.4 cm]

Color image of a mixed media artwork with a framed black and white photograph along with a small plastic superman figure on a wooden pedestal with a small gramophone — Janet Cardiff & George Bures Miller, Superman, 2023

mixed media with sound & electronics, 20-1/2 x 12 x 6 inches (overall) [52.1 x 30.5 x 15.2 cm]

Superman, 2023 (exhibition video)

Color image of a mixed media sculpture made up of scrap wood pieces along with a black and white image of a female figure resting with text above reading 'it was not my fault' and wooden block pieces spelling out 'fuck you' on a white wall — Janet Cardiff, It’s not my fault, 2023

mixed media, 14 x 3 x 2 inches (overall) [35.6 x 7.6 x 5.1 cm]

Color image of a mixed media artwork with a small gramophone and a collaged black and white photograph on wood — Janet Cardiff & George Bures Miller, Dream Vacuum, 2021

mixed media with sound & electronics, 14 x 5-1/2 x 7-1/2 inches (overall) [30.5 x 14 x 19.1 cm]

Dream Vacuum, 2021 (exhibition video)

Color image of an oil painting on wooden panel depicting an empty filed at night perched on a shelf with text reading "The sound of footsteps now became audible" — Janet Cardiff, House in Field, 2022

oil paint on Birch panel, shelf, and found text, 9 x 9 x 5-1/2 inches (overall) [22.9 x 22.9 x 14 cm]

Color image of a mixed media artwork compromised of three gramophones and wooden pieces with collaged photographs and hair on a wooden pedestal — Janet Cardiff & George Bures Miller, Doppler Dance, 2023

mixed media, electronics, audio, motor, battery, wooden pedestal, 52 x 12 x 12 inches (overall) [132.1 x 30.5 x 30.5 cm]

Doppler Dance, 2023 (exhibition video)

Color photograph with abstract paint splotches framed in white depicting a still life of utilitarian objects — Janet Cardiff, The long kiss goodbye, 2021

acrylic paint on archival inkjet print, 14-3/4 x 11-1/4 inches (framed) [37.5 x 28.6 cm]

Janet Cardiff & George Bures MillerWhite House in Winter

2020-23

oil paint on Birch panel, audio, electronics, 12-1/2 x 11 x 2 inches (overall) [31.8 x 27.9 x 5.1 cm]

Janet Cardiff & George Bures MillerDid you hear me

2000

mixed media, electronics, sound, 11 x 9-1/2 x 6 inches (overall) [27.9 x 24.1 x 15.2 cm]

Janet CardiffGuitar

2023

mixed media collage in wooden box, 12 x 10-1/2 x 2-1/2 inches (overall) [30.5 x 26.7 x 6.4 cm]

Janet Cardiff & George Bures MillerSuperman

2023

mixed media with sound & electronics, 20-1/2 x 12 x 6 inches (overall) [52.1 x 30.5 x 15.2 cm]

Janet CardiffIt’s not my fault

2023

mixed media, 14 x 3 x 2 inches (overall) [35.6 x 7.6 x 5.1 cm]

Janet Cardiff & George Bures MillerDream Vacuum

2021

mixed media with sound & electronics, 14 x 5-1/2 x 7-1/2 inches (overall) [30.5 x 14 x 19.1 cm]

Janet Cardiff & George Bures MillerDoppler Dance

2023

mixed media, electronics, audio, motor, battery, wooden pedestal, 52 x 12 x 12 inches (overall) [132.1 x 30.5 x 30.5 cm]

Janet CardiffThe long kiss goodbye

2021

acrylic paint on archival inkjet print, 14-3/4 x 11-1/4 inches (framed) [37.5 x 28.6 cm]

Photograph of an installation of a chair in front of a keyboard, surrounded by multiple stacked speakers

Janet Cardiff & George Bures Miller: Installations

The artists’ immersive multimedia sound installations utilize narrative musical composition to augment and challenge our perception.

Color photograph of a piano and chairs facing the piano in the middle of an old church — Janet Cardiff & George Bures Miller, Instrument of Troubled Dreams, 2018

interactive audio installation with ambisonic sound

Color photograph of a group of people seated in a forest — Janet Cardiff & George Bures Miller, FOREST (for a thousand years…), 2012

audio installation, 28 minute loop, edition of 3

Color image of nine rotary phones on an aged green armoire in a white walled gallery — Janet Cardiff & George Bures Miller, Conversations with my Mother, 2023

wooden shelf, telephones, electronics, audio, 81-1/2 x 39 x 21-1/2 inches (overall) [207 x 99.1 x 54.6 cm], edition of 3

Color image of nine rotary phones on an aged green armoire — Janet Cardiff & George Bures Miller, Conversations with my Mother (detail)

Photograph of an installation of a slide projector, flanked by chairs, projecting a color landscape onto a screen — Janet Cardiff & George Bures Miller, Road Trip, 2004

computer controlled slide projector with audio, dimensions variable

Janet Cardiff & George Bures MillerThe Poetry Machine

2017

interactive installation, words and voice by Leonard Cohen, dimensions variable

Janet Cardiff & George Bures MillerInstrument of Troubled Dreams

2018

interactive audio installation with ambisonic sound

Janet Cardiff & George Bures MillerFOREST (for a thousand years…)

2012

audio installation, 28 minute loop, edition of 3

Janet Cardiff & George Bures MillerConversations with my Mother

2023

wooden shelf, telephones, electronics, audio, 81-1/2 x 39 x 21-1/2 inches (overall) [207 x 99.1 x 54.6 cm], edition of 3

Janet Cardiff & George Bures Miller

Janet Cardiff & George Bures MillerRoad Trip

2004

computer controlled slide projector with audio, dimensions variable

Silkscreen of synoyms for the word obscene in yellow text on a pink background

Mel Bochner: Works on Paper

Three panel silkscreen with the words 'language is not transparent' in white text with drips on a black background — Mel Bochner, Language Is Not Transparent, 2017

silkscreen in 13 colors, UV and water-based inks, in 3 parts, 63 x 141 inches (overall) [160 x 358.1 cm], edition of 20

Silkscreen of synonyms for the word scoundrel in multicolored letters on a painted yellow background — Mel Bochner, Scoundrel, 2010

136 color silkscreen, 60 x 45 inches (sheet) [152.4 x 114.3 cm], edition of 20

A print of dark blue text reading "I Forget..." over a light blue ink smudge. — Mel Bochner, I Forget, 2014

etching with acquatint, 22-1/4 x 30-1/4 inches (sheet) [56.5 x 76.8cm], edition of 20

A print on red paper of the word "Obliterate" printed many times in blue text. The text drips down the page. — Mel Bochner, Obliterate, 2018

silkscreen in 12 colors, 50 x 40 inches (sheet) [127 x 101.6 cm], edition of 30

Color image of an etching with synonyms and phrases starting with criticize on dark blue background — Mel Bochner, Criticize, 2010

two color etching with aquatint, 31 x 23-7/8 inches (sheet) [78.7 x 60.6 cm], edition of 20

A silkscreen on gray paper of synonyms of the phrase "Silence!" printed in many different pastel colors. — Mel Bochner, Silence, 2013

19 color water-based silkscreen with color shifting inks, 60 x 45 inches (sheet) [152.4 x 114.3 cm], edition of 20

Text based sculptural work — Mel Bochner, Do I Have to Draw You a Picture?, 2023

cast & pigmented paper, 76-7/8 x 62 inches (framed) [195.3 x 157.5], unique

Mel BochnerObscene

2017

8 color silkscreen, 61-3/4 x 46-1/2 inches (sheet) [156.8 x 118.1 cm], edition of 30

Mel BochnerLanguage Is Not Transparent

2017

silkscreen in 13 colors, UV and water-based inks, in 3 parts, 63 x 141 inches (overall) [160 x 358.1 cm], edition of 20

Mel BochnerScoundrel

2010

136 color silkscreen, 60 x 45 inches (sheet) [152.4 x 114.3 cm], edition of 20

Mel BochnerI Forget

2014

etching with acquatint, 22-1/4 x 30-1/4 inches (sheet) [56.5 x 76.8cm], edition of 20

Mel BochnerObliterate

2018

silkscreen in 12 colors, 50 x 40 inches (sheet) [127 x 101.6 cm], edition of 30

Mel BochnerCriticize

2010

two color etching with aquatint, 31 x 23-7/8 inches (sheet) [78.7 x 60.6 cm], edition of 20

Mel BochnerSilence

2013

19 color water-based silkscreen with color shifting inks, 60 x 45 inches (sheet) [152.4 x 114.3 cm], edition of 20

Mel BochnerDo I Have to Draw You a Picture?

2023

cast & pigmented paper, 76-7/8 x 62 inches (framed) [195.3 x 157.5], unique

Detail of a black and white photograph of a blast furnace

Bernd & Hilla Becher: Typologies

The artists’ most immediately recognizable work, the typologies group several photographs of a single category of industrial structure, such as cooling towers or blast furnaces. Presented together in a grid, subtle variations emerge among these homogeneous structures.

Grid of six framed black and white photographs of blast furnaces — Blast Furnaces, Perspective View, 1979-86

six gelatin silver prints, 22-1/4 x 18 inches (each framed) [56.5 x 45.7 cm]

Color image of a suite of six black and white photographs of different coal preparation plants — Coal Preparation Plants [Processing Plants for Coal] [Aufbreitungsanlange für Kohle], 1966

six gelatin silver prints on original mount, 33 x 29 inches (framed) [83.8 x 50.8 cm]

Four framed black and white photographs showing a factory building from various angles. — Blast Furnaces, Volklingen, Saar District, 1986

four gelatin silver prints, 36 x 123 inches (overall installed) [91.4 x 312.4 cm]

Bernd & Hilla BecherBlast Furnaces, Perspective View

1979-86

six gelatin silver prints, 22-1/4 x 18 inches (each framed) [56.5 x 45.7 cm]

Bernd & Hilla BecherCoal Preparation Plants [Processing Plants for Coal] [Aufbreitungsanlange für Kohle]

1966

six gelatin silver prints on original mount, 33 x 29 inches (framed) [83.8 x 50.8 cm]

Bernd & Hilla BecherBlast Furnaces, Volklingen, Saar District

1986

four gelatin silver prints, 36 x 123 inches (overall installed) [91.4 x 312.4 cm]

Black and white photograph of a house facade

Bernd & Hilla Becher: Framework Houses

The domestic buildings and industrial structures, uniformly composed within the frame, are presented as studies of utilitarian sculpture. As Hilla Becher has said of the couple’s architectural subjects, “They are functional, and they reflect what they do.”

Black and white photograph of the exterior facade of a framework house — Framework House: Holzhäuser Straße 25, Allendorf, 1973

gelatin silver print, 24 x 20 inches (sheet) [61 x 50.8 cm]

Bernd & Hilla BecherFramework House: Heuslingstraße 342, Oberheuslingen

1970

gelatin silver print, 36-1/2 x 22-3/8 inches (framed) [92.7 x 59.4 cm]

Bernd & Hilla BecherFramework House: Konrad-Adenauer-Straße 1, Niederfischbach

1962

gelatin silver print, 36-1/2 x 22-3/8 inches (framed) [92.7 x 59.4 cm]

Bernd & Hilla BecherFramework House: Oststraße 16, Freudenberg

1971

gelatin silver print, 36-1/2 x 22-3/8 inches (framed) [92.7 x 59.4 cm]