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Color photograph of a mountain with half of the print in black and white with an illustration of the mountain top in the center

Richard T. Walker: Photographic Works

“Just as words within a sentence juggle for meaning to expose the fluidity of one’s perceived truth, I want to doubt landscape, but also remain true to the awe and fascination that it evokes.” —Richard T. Walker

Collage of a hand holding a stone surrounded by a red aura over an engraving of a mountain — Richard T. Walker, an elusive equivalence #12, 2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Collage of a fist supporting a stone surrounded by a blue aura over an engraving of a mountain — Richard T. Walker, an elusive equivalence #8, 2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Two framed color photographs of a blue sky with wispy clouds hung at a tilted angle — Richard T. Walker, outside / above, 2020

two pigment prints in artist's frames, 21 x 44 inches (overall) [53.3 x 111.8 cm], 1 of 3 unique variants

Two photographs in jagged-edge frames that fit together to form a rectangle. The top photograph is of a rock, and the bottom is of an etching of a mountain. The two come together to form a whole image of a mountain. — Richard T. Walker, these as determined by this #2, 2018

two pigment prints in artist’s frames, 31-1/4 25-1/8 inches (framed overall) [79.4 x 63.8 cm], edition of 3

Three color photographs of a blue landscape of a snow-covered mountain bisected by a single cloud in a clear sky — Richard T. Walker, an acquiescence of meaning #2, 2020

three pigment prints in artist’s frames, 41-1/2 x 80-1/2 inches (framed, overall) [105.4 x 204.5 cm], edition of 2

Collage of a rock with an iridescent circle imprinted with a mountain peak overlaid — Richard T. Walker, separately/together (unresolved #6), 2019

collaged inkjet print on watercolor paper, with screen print and motor, 18-1/2 x 16-1/2 inches (framed) [47 x 41.9 cm], edition of 2

A framed etching of a mountain, the peak of which has been cut out and left in the bottom of the frame. — Richard T. Walker, the fallibility of intent #6, 2015

cut-out pigment print, 48 x 32 inches (framed) [122 x 82 cm], edition of 2

Color image of a color photograph of a grey sky framed in natural wood with a modified rock on the frame — Richard T. Walker, after thought #3, 2022

pigment print in artist's frame, modified rock, 24-1/2 x 36-1/2 inches (overall) [62. x 92.7 cm], edition of 2

Color image of a color photograph of a cloudy sky with shades of pink and blue and a rock resting on frame on white background — Richard T. Walker, after thought #1, 2022

pigment print in artist's frame, modified rock, 24 x 36 inches (overall) [61 x 91.4 cm], edition of 2

A suite of three color photographs depicting a mountain top framed in white with a fourth framed illustration of a mountain top framed in natural wood on white background — Richard T. Walker, a form of endlessness #2, 2022

four pigment prints in artist's frames, 73-1/2 x 59 inches (installed) [186.6 x 149.9 cm], edition of 2

a diptych composed of two framed mixed media works — Richard T. Walker, this, as it isn’t (mountain #1), 2022

two pigment prints in artist's frames, modified rock, 36-3/4 x 51-3/4 inches installed [93.3 x 131.4 cm], edition of 2

Color image of a diptych depicting a bare tree amongst the landscape with the top half being an illustration against white background and the bottom half a color photograph — Richard T. Walker, eternally almost #2, 2023

two pigment prints in artist’s frames, 37 x 29 inches (installed) [94 x 73.7 cm], edition of 2

Richard T. Walkera paused refrain (embrace 1)

2022

pigment print, 13-1/4 x 19-3/4 inches (image & sheet), edition of 3

Richard T. Walkera paused refrain (embrace 2)

2022

pigment print, 13-1/4 x 19-3/4 inches (image & sheet), edition of 3

Richard T. Walkeran elusive equivalence #12

2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Richard T. Walkeran elusive equivalence #8

2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Richard T. Walkeroutside / above

2020

two pigment prints in artist's frames, 21 x 44 inches (overall) [53.3 x 111.8 cm], 1 of 3 unique variants

Richard T. Walkerthese as determined by this #2

2018

two pigment prints in artist’s frames, 31-1/4 25-1/8 inches (framed overall) [79.4 x 63.8 cm], edition of 3

Richard T. Walkeran acquiescence of meaning #2

2020

three pigment prints in artist’s frames, 41-1/2 x 80-1/2 inches (framed, overall) [105.4 x 204.5 cm], edition of 2

Richard T. Walkerseparately/together (unresolved #6)

2019

collaged inkjet print on watercolor paper, with screen print and motor, 18-1/2 x 16-1/2 inches (framed) [47 x 41.9 cm], edition of 2

Richard T. Walkerthe fallibility of intent #6

2015

cut-out pigment print, 48 x 32 inches (framed) [122 x 82 cm], edition of 2

Richard T. Walkerafter thought #3

2022

pigment print in artist's frame, modified rock, 24-1/2 x 36-1/2 inches (overall) [62. x 92.7 cm], edition of 2

Richard T. Walkerafter thought #1

2022

pigment print in artist's frame, modified rock, 24 x 36 inches (overall) [61 x 91.4 cm], edition of 2

Richard T. Walkera form of endlessness #2

2022

four pigment prints in artist's frames, 73-1/2 x 59 inches (installed) [186.6 x 149.9 cm], edition of 2

Richard T. Walkerthis, as it isn’t (mountain #1)

2022

two pigment prints in artist's frames, modified rock, 36-3/4 x 51-3/4 inches installed [93.3 x 131.4 cm], edition of 2

Richard T. Walkereternally almost #2

2023

two pigment prints in artist’s frames, 37 x 29 inches (installed) [94 x 73.7 cm], edition of 2

Richard T. Walkereternally almost #3

2023

two pigment prints in artist’s frames, 38-1/2 x 25 inches (installed) [97.8 x 63.5 cm], edition of 2

Collage of an etched print and photograph of a mountain outlined by red neon light on a shelf in front of it

Richard T. Walker: Installations & Sculptural Works

Incorporating and transcending photography, Richard T. Walker’s work also extends into sculpture and installation. Working with man-made materials such as neon, musical instruments, and lightboxes, the artist fuses these elements with those from the natural landscape to upend our associations with the environment.

Stone seated on a shelf capped with a silver slice on top — Richard T. Walker, not quite forever #1, 2019

plaster, cast alloy, 12 x 11 x 9 inches [30.5 x 27.9 x 22.9 cm], edition of 2

Color photograph of rocky earth cut around a black speaker in a blue frame — Richard T. Walker, the frequency of longing (reprise), 2019

chromogenic transparency in light box, with embedded speakers and sound, 48-1/2 x 32-1/2 x 7 inches [123.2 x 82.5 x 17.8 cm], unique

Color photograph of rocky earth cut around a black speaker — Richard T. Walker, the frequency of longing (reprise), (detail), 2019

chromogenic transparency in light box, with embedded speakers and sound, 48-1/2 x 32-1/2 x 7 inches [123.2 x 82.5 x 17.8 cm], unique

Hanging golden neon light on a dry tree branch next to a porous stone — Richard T. Walker, the thought of an outline as it refers to its outer self, 2019

neon, found branch, modified rock, 53-1/2 x 11 x 13-1/2 inches (installed) [135.9 x 27.9 x 34.3 cm], unique

Bent white neon light hanging from a ceiling — Richard T. Walker, in as it was, out as it is (and repeat), 2019

neon, inkjet print, speaker, rotating motor, 102 x 34 x 33 inches (installed) [259.1 x 86.4 x 83.8 cm], unique

Color image of a diptych of mixed media works outlined in yellow depicting rocks and branches with two differently sized speakers on white gallery wall — Richard T. Walker, a proximity of longing (connection 1), 2021

chromogenic transparencies on two light boxes with embedded speakers and sound, 26-1/4 x 36-3/4 x 5 inches (overall) [66.7 x 93.4 x 12.7 cm], unique

Color image of a mixed media sculpture consisting of an amp with a guitar and keyboard intwined with a cord attached to a suspended lightbox in a white walled gallery — Richard T. Walker, contingency of an afterthought, 2016

Casio tone MT68 keyboard, modified rock, tripod, stone, Fender Squire telecaster guitar, VOX amplifier, cables, electroharmonics freeze pedal, light box, Duratrans, 215 x 128 x 78 inches (overall installed)

Two irregularly shaped framed prints of blank sky supported by stones and bordered by white neon lights — Richard T. Walker, there to then, 2018

neon, two pigment prints in artist’s frames, modified rocks, 86 x 33-1/2 inches (installed) [218.4 x 82.5 cm], unique

Trampoline hanging from a gallery ceiling with the image of a person jumping in a landscape projected onto it — Richard T. Walker, outside repetition, 2018

projected video, modified trampoline, 120 inches (diameter) [304.7 cm], unique

Color image of a suite of six speakers with photographs depicting various orange hued landscapes on white gallery wall — Richard T. Walker, what we were (as we are), 2023

six photographs in artist’s frames, embedded with speakers, 115 x 172 inches (overall, installed) [292.1 x 436.9 cm], unique

Color image of a mixed media work with bronzed branch and custom framed color photograph depicting a colorful sky — Richard T. Walker, the form of a thought as it defers to its past future self #4, 2022

two pigment prints in double-sided artist’s frame, bronzed branch, 20 x 19 x 23 inches (overall, installed)

Installation shot of a sculptural work including two framed color photographs and a bronze branch — Richard T. Walker, the form of a thought as it defers to its past future self #5, 2022

two pigment prints in artist's frames, bronzed branch, 21 x 13-1/2 x 8 inches (branch & frame, installed) [53.3 x 34.3 x 20.3 cm] 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

the form of a thought as it defers to its past future self #5, 2022

two pigment prints in artist's frames, bronzed branch, 21 x 13-1/2 x 8 inches (branch & frame, installed) [53.3 x 34.3 x 20.3 cm] 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

Richard T. Walkerthe space inside repetition #1

2013 - 2016

neon, framed pigment print collage, wooden shelf, 27 x 22 x 8 inches (overall) [68.6 x 55.8 x 20.3 cm], edition of 2

Richard T. Walkerthe space inside repetition #1

2013 - 2016

neon, framed pigment print collage, wooden shelf, 27 x 22 x 8 inches (overall) [68.6 x 55.8 x 20.3 cm], edition of 2

Richard T. Walkernot quite forever #1

2019

plaster, cast alloy, 12 x 11 x 9 inches [30.5 x 27.9 x 22.9 cm], edition of 2

Richard T. Walkerthe frequency of longing (reprise)

2019

chromogenic transparency in light box, with embedded speakers and sound, 48-1/2 x 32-1/2 x 7 inches [123.2 x 82.5 x 17.8 cm], unique

Richard T. Walkerthe frequency of longing (reprise)

(detail), 2019

chromogenic transparency in light box, with embedded speakers and sound, 48-1/2 x 32-1/2 x 7 inches [123.2 x 82.5 x 17.8 cm], unique

Richard T. Walkerthe thought of an outline as it refers to its outer self

2019

neon, found branch, modified rock, 53-1/2 x 11 x 13-1/2 inches (installed) [135.9 x 27.9 x 34.3 cm], unique

Richard T. Walkerin as it was, out as it is (and repeat)

2019

neon, inkjet print, speaker, rotating motor, 102 x 34 x 33 inches (installed) [259.1 x 86.4 x 83.8 cm], unique

Richard T. Walkera proximity of longing (connection 1)

2021

chromogenic transparencies on two light boxes with embedded speakers and sound, 26-1/4 x 36-3/4 x 5 inches (overall) [66.7 x 93.4 x 12.7 cm], unique

Richard T. Walkercontingency of an afterthought

2016

Casio tone MT68 keyboard, modified rock, tripod, stone, Fender Squire telecaster guitar, VOX amplifier, cables, electroharmonics freeze pedal, light box, Duratrans, 215 x 128 x 78 inches (overall installed)

Richard T. Walkerthere to then

2018

neon, two pigment prints in artist’s frames, modified rocks, 86 x 33-1/2 inches (installed) [218.4 x 82.5 cm], unique

Richard T. Walkeroutside repetition

2018

projected video, modified trampoline, 120 inches (diameter) [304.7 cm], unique

Richard T. Walkerwhat we were (as we are)

2023

six photographs in artist’s frames, embedded with speakers, 115 x 172 inches (overall, installed) [292.1 x 436.9 cm], unique

Richard T. Walkerthe form of a thought as it defers to its past future self #4

2022

two pigment prints in double-sided artist’s frame, bronzed branch, 20 x 19 x 23 inches (overall, installed)

Richard T. Walkerthe form of a thought as it defers to its past future self #5

2022

two pigment prints in artist's frames, bronzed branch, 21 x 13-1/2 x 8 inches (branch & frame, installed) [53.3 x 34.3 x 20.3 cm] 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

Richard T. Walkerthe form of a thought as it defers to its past future self #5

2022

two pigment prints in artist’s frames, bronzed branch, 21 x 13-1/2 x 7 inches (branch & frame, installed) [53.3 x 34.3 x 17.8 cm], 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

the form of a thought as it defers to its past future self #5

2022

two pigment prints in artist's frames, bronzed branch, 21 x 13-1/2 x 8 inches (branch & frame, installed) [53.3 x 34.3 x 20.3 cm] 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

Two rows of small black and white photographs of a nude man lifting a dumbell from the ground and holding it over his head.

Eadweard Muybridge: Human and Animal Locomotion

Muybridge’s ambitious photographic project aimed to represent human and animal motion rendered across time, and from various angles. Produced between 1884 and 1887, the series has influenced generations of artists, and inspired scientific and photographic innovation, including motion picture technology.