Page 4 of 14

Color image of a mixed media artwork of a nude figure standing with silver background framed in grey frame

Wardell Milan: Paintings

Wardell Milan’s paintings often incorporate a range of materials, including oils and acrylics, spray paint, house paint, and silver leaf. His ongoing series of tulip paintings are a kind of self-portraiture, originally inspired by the 17th-century Dutch tulip craze.

Color image of a painting depicting an abstracted rendering of three purple tulips — Wardell Milan, 3 purple tulips., 2023

oil, charcoal, acrylic, china marker & graphite on panel, 25-1/2 x 31-1/2 inches (framed) [64.8 x 80 cm]

Painting of a blue and teal nude figure sitting in a arch shaped wash of blue on a silver leaf background. — Wardell Milan, Sitting in her adornments., 2023

graphite, acrylic, china marker, graphite, silver leaf & cut-and-paste yupo paper on panel, 21-1/2 x 31-1/2 inches (framed) [54.6 x 31.5 cm]

Painting of a gestural blue tulip on a silver leaf background framed in a wood frame — Wardell Milan, A single blue tulip., 2023

oil, charcoal, graphite, acrylic, china marker & silver leaf on panel, 31-1/2 x 25-1/2 inches (framed) [80 x 64.8 cm]

Color image of a mixed media artwork of a nude figure laying down with silver background framed in grey frame — Wardell Milan, Noelle lying in liberation, 2022

silver leaf, acrylic, charcoal, graphite, china marker and color pencil on panel, 25-1/4 x 37-1/4 inches (framed) [64.1 x 94.6 cm]

Painting of blue and yellow tulips on a pale off white colored background in a light wood frame — Wardell Milan, Bouquet of tulips., 2023

oil, charcoal, acrylic, china marker & graphite on panel, 25-1/2 x 31-1/2 inches (framed) [64.8 x 80 cm]

Wardell MilanJacqueline, New York City

2022

silver leaf, acrylic, charcoal, graphite, china marker and color pencil on panel, 41-1/4 x 31-1/4 inches (framed) [104.7 x 79.3 cm]

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Wardell Milan3 purple tulips.

2023

oil, charcoal, acrylic, china marker & graphite on panel, 25-1/2 x 31-1/2 inches (framed) [64.8 x 80 cm]

"*" indicates required fields

Wardell MilanSitting in her adornments.

2023

graphite, acrylic, china marker, graphite, silver leaf & cut-and-paste yupo paper on panel, 21-1/2 x 31-1/2 inches (framed) [54.6 x 31.5 cm]

"*" indicates required fields

Wardell MilanA single blue tulip.

2023

oil, charcoal, graphite, acrylic, china marker & silver leaf on panel, 31-1/2 x 25-1/2 inches (framed) [80 x 64.8 cm]

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Wardell MilanNoelle lying in liberation

2022

silver leaf, acrylic, charcoal, graphite, china marker and color pencil on panel, 25-1/4 x 37-1/4 inches (framed) [64.1 x 94.6 cm]

"*" indicates required fields

Wardell MilanBouquet of tulips.

2023

oil, charcoal, acrylic, china marker & graphite on panel, 25-1/2 x 31-1/2 inches (framed) [64.8 x 80 cm]

"*" indicates required fields

Color photo of a collage of comic strips and creased paper, showing a screaming man

Christian Marclay: Photographs, 2020

In a series of photographs showing screaming faces, cut and torn fragments from comic books, movie stills, and images found on the internet are arranged into haunting, mask-like composites, and then recorded by the camera. Capturing the paper’s inherent creases and tears, the photographs mix analog and digital elements, and investigate the computer screen as a contemporary physical surface.

A framed collage of comic strips and creased paper, showing a screaming man — Christian Marclay, Untitled (Crying), 2020

digital chromogenic print, 25-1/8 x 33-3/4 inches (framed) [63.8 x 85.7 cm], edition of 5

A framed collage of a crumpled black sheet, with a black and white image of a screaming mouth in the center. — Christian Marclay, Untitled (Black), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed color photograph of screaming faces from a comic book, torn out and lit on fire on the grass, surrounded by leaves. — Christian Marclay, Untitled (Burning I), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed color photograph of a screaming face from a comic book, torn out and lit on fire on the grass, surrounded by leaves. — Christian Marclay, Untitled (Burning II), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage of crumpled comic book images, with a screaming mouth at the center — Christian Marclay, Untitled (Pulp), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage made from comic book images, of a person screaming with concentric circles around their open mouth. — Christian Marclay, Untitled (Concentric Waves), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage of comic book images, with a small face at the center, and long black strips radiating out of it. — Christian Marclay, Untitled (Shreds), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage of crumpled pages from comic books, with a torn screaming face at the center. — Christian Marclay, Untitled (Torn), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

A framed collage of a blue screaming face, with comic book images glued on top. — Christian Marclay, Untitled (Death), 2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

Christian MarclayUntitled (Crying)

2020

digital chromogenic print, 25-1/8 x 33-3/4 inches (framed) [63.8 x 85.7 cm], edition of 5

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Christian MarclayUntitled (Black)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

"*" indicates required fields

Christian MarclayUntitled (Burning I)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

"*" indicates required fields

Christian MarclayUntitled (Burning II)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

"*" indicates required fields

Christian MarclayUntitled (Pulp)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

"*" indicates required fields

Christian MarclayUntitled (Concentric Waves)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

"*" indicates required fields

Christian MarclayUntitled (Shreds)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

"*" indicates required fields

Christian MarclayUntitled (Torn)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

"*" indicates required fields

Christian MarclayUntitled (Death)

2020

digital chromogenic print, 33-3/4 x 25-1/8 inches (framed) [85.7 x 63.8 cm], edition of 5

"*" indicates required fields

Black and white photograph of a women turned away from the camera gazing at a wilting tree in a studio framed in black

Carrie Mae Weems: Selected Works

Over the course of forty years, Carrie Mae Weems has built a body of work incorporating photographs, text, installation, and video, focused on the relationships between personal experience, identity, and class, and the larger systems of power that shape our lives.

Color image of boarded up store front with paint splotches covering graffiti in black frame — Carrie Mae Weems, Painting the Town #17, 2021

pigment print, 61-1/8 x 90 inches (framed) [155.3 x 228.6 cm], edition of 5

Color image of a purple toned photograph of a performer out of focus framed in black — Carrie Mae Weems, Slow Fade to Black (Katherine Dunham), 2009

pigment print, 49-1/4 x 37 inches (framed) [125.1 x 94 cm], edition of 3

Black and white photograph of a figure in a black dress looking at the exterior of a temple framed in black — Carrie Mae Weems, The Jewish Ghetto, 2006

pigment print, 73-1/2 x 61-1/2 inches (framed) , edition of 5

Black and white photograph of a figure dressed in black on wooden platform looking at a wall of clouds — Carrie Mae Weems, Untitled, 2024-25

pigment print on metallic paper, 61-1/8 x 46-1/8 inches (framed) [155.3 x 117.2 cm], edition of 5 + 1AP

Black and white photograph of a figure in all black looking at concrete wall — Carrie Mae Weems, Modernism – EUR 1 – Mussolini’s Rome, 2006

digital chromogenic print, 71-1/8 x 61-1/8 inches (framed) [180.7 x 155.3 cm], edition of 5

Black and white photograph of a figure in black looking at a pyramid within a city from the crosswalk framed in black — Carrie Mae Weems, Pyramids of Rome – Ancient Rome, 2006

digital chromogenic print, 71-1/8 x 61-1/8 inches (framed) [180.7 x 155.3 cm], edition of 5

Image of a framed black and white photograph depicting a solitary black-clad woman walking through the crosswalk toward an imposing building. — Carrie Mae Weems, Galleria Nazionale D’Arte Moderna, 2006

digital chromogenic print, 73 x 61 inches (framed) [185.4 x 154.9 cm], edition of 5 + 2APs

Framed artwork showing a soft-focus blue-toned portrait overlayed with blue, yellow, green, and red color blocks. — Carrie Mae Weems, Color Real and Imagined, 2014

archival inkjet print with silkscreened color blocks, 38-7/8 x 54-7/8 inches (framed) [98.7 x 139.4. cm], edition of 10 + 2 APs

Framed artwork consisting of a column of three adjacent framed photographs and a framed text panel adjacent to the top image. The images depict homes in West Africa, with stairways leading to the tops of homes. — Carrie Mae Weems, Stairways to Heaven, 1993

three gelatin silver prints with text panel, 20-3/4 x 20-3/4 inches (each framed) [52.7 x 52.7 cm], edition of 10 + 2 APs

Four framed artworks of black and white storefronts framed by text panels — Carrie Mae Weems, Untitled (Peanuts), 1992

two gelatin silver prints and two silkscreened text panels on paper, 20-7/8 x 20-7/8 inches (each framed) [53 x 53 cm], approx. 83 inches long installed (overall) [210.8 cm] , edition of 10

Framed black and white photograph of suited figure with white gloves and top hat wearing a mask depicting a zebra — Carrie Mae Weems, Missing Link (Happiness), from The Louisiana Series, 2003

pigment print, 41-1/4 x 29-1/4 inches (framed) [104.8 x 74.3 cm], edition of 6

Framed black and white photograph of suited figure with white gloves wearing a mask depicting a donkey — Carrie Mae Weems, Missing Link (Liberty), from The Louisiana Series, 2003

pigment print, 41-1/4 x 29-1/4 inches (framed) [104.8 x 74.3 cm], edition of 6

Framed black and white photograph of three people seated on a pedestal lit by a spotlight in a darkened room — Carrie Mae Weems, Mourning, 2008

pigment print, 61-1/2 x 51-1/2 inches (framed) [156.2 x 130.8 cm], edition of 5

Carrie Mae WeemsA Woman Observes

2008

pigment print, 61-1/2 x 51-1/2 inches (framed) [156.2 x 130.8 cm], edition of 5 + 2APs

"*" indicates required fields

Carrie Mae WeemsPainting the Town #17

2021

pigment print, 61-1/8 x 90 inches (framed) [155.3 x 228.6 cm], edition of 5

"*" indicates required fields

Carrie Mae WeemsSlow Fade to Black (Katherine Dunham)

2009

pigment print, 49-1/4 x 37 inches (framed) [125.1 x 94 cm], edition of 3

"*" indicates required fields

Carrie Mae WeemsThe Jewish Ghetto

2006

pigment print, 73-1/2 x 61-1/2 inches (framed) , edition of 5

"*" indicates required fields

Carrie Mae WeemsUntitled

2024-25

pigment print on metallic paper, 61-1/8 x 46-1/8 inches (framed) [155.3 x 117.2 cm], edition of 5 + 1AP

"*" indicates required fields

Carrie Mae WeemsModernism – EUR 1 – Mussolini’s Rome

2006

digital chromogenic print, 71-1/8 x 61-1/8 inches (framed) [180.7 x 155.3 cm], edition of 5

"*" indicates required fields

Carrie Mae WeemsPyramids of Rome – Ancient Rome

2006

digital chromogenic print, 71-1/8 x 61-1/8 inches (framed) [180.7 x 155.3 cm], edition of 5

"*" indicates required fields

Carrie Mae WeemsGalleria Nazionale D’Arte Moderna

2006

digital chromogenic print, 73 x 61 inches (framed) [185.4 x 154.9 cm], edition of 5 + 2APs

"*" indicates required fields

Carrie Mae WeemsColor Real and Imagined

2014

archival inkjet print with silkscreened color blocks, 38-7/8 x 54-7/8 inches (framed) [98.7 x 139.4. cm], edition of 10 + 2 APs

"*" indicates required fields

Carrie Mae WeemsStairways to Heaven

1993

three gelatin silver prints with text panel, 20-3/4 x 20-3/4 inches (each framed) [52.7 x 52.7 cm], edition of 10 + 2 APs

"*" indicates required fields

Carrie Mae WeemsUntitled (Peanuts)

1992

two gelatin silver prints and two silkscreened text panels on paper, 20-7/8 x 20-7/8 inches (each framed) [53 x 53 cm], approx. 83 inches long installed (overall) [210.8 cm] , edition of 10

"*" indicates required fields

Carrie Mae WeemsMissing Link (Happiness), from The Louisiana Series

2003

pigment print, 41-1/4 x 29-1/4 inches (framed) [104.8 x 74.3 cm], edition of 6

"*" indicates required fields

Carrie Mae WeemsMissing Link (Liberty), from The Louisiana Series

2003

pigment print, 41-1/4 x 29-1/4 inches (framed) [104.8 x 74.3 cm], edition of 6

"*" indicates required fields

Carrie Mae WeemsMourning

2008

pigment print, 61-1/2 x 51-1/2 inches (framed) [156.2 x 130.8 cm], edition of 5

"*" indicates required fields

A photograph of a q-tip in a puddle on the side of the road, near the sidewalk curb.

Christian Marclay: Animations

Christian Marclay routinely makes photographs during his daily walks through London, where he now lives. By subtly editing many thousands of images of the pavement beneath his feet, Marclay has created hypnotic animations that unlock new possibilities inherent in the concept of “street photography.”

A photograph of a q-tip in on the side of the road, near the sidewalk curb. — Christian Marclay, Cotton Buds, (video still), 2016

single-channel animation, silent, edition of 6

A photograph of a cotton swab in the street, over a road stripe — Christian Marclay, Cotton Buds (video still), (video still), 2016

single-channel animation, silent, edition of 6

An installation shot of two projections in the darkened gallery — Christian Marclay, Chewing Gum & Cotton Buds on view in the gallery

A photograph of two pieces of chewing gum on the sidewalk — Christian Marclay, Chewing Gum, (video still), 2016

single-channel animation, silent, edition of 6

Christian Marclay, Chewing Gum, (excerpt), 2016

single-channel animation, silent, edition of 6

A photograph of a green plastic bottle cap on the street, next to a pile of leaves. — Christian Marclay, Bottle Caps, (video still), 2016

single-channel animation, silent, edition of 6

A photograph of a blue plastic bottle cap on the street. — Christian Marclay, Bottle Caps, (video still), 2016

single-channel animation, silent, edition of 6

Christian Marclay, Cigarettes, (video still), 2016

single-channel animation, silent, edition of 6

A photograph of a cigarette butt in the sidewalk, on rocky cement — Christian Marclay, Cigarettes, (video still), 2016

single-channel animation, silent, edition of 6

A photograph of a disposable drink lid & green plastic straw in the street — Christian Marclay, Lids and Straws (One Minute), (video still), 2016

single-channel animation, silent, edition of 6

A photograph of a disposable drink lid & striped plastic straw on the sidewalk — Christian Marclay, Lids and Straws (One Minute), (video still), 2016

single-channel animation, silent, edition of 6

Christian MarclayCotton Buds

(video still), 2016

single-channel animation, silent, edition of 6

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Christian MarclayCotton Buds

(video still), 2016

single-channel animation, silent, edition of 6

"*" indicates required fields

Christian MarclayCotton Buds (video still)

(video still), 2016

single-channel animation, silent, edition of 6

"*" indicates required fields

Christian MarclayChewing Gum & Cotton Buds on view in the gallery

"*" indicates required fields

Christian MarclayChewing Gum

(video still), 2016

single-channel animation, silent, edition of 6

"*" indicates required fields

Christian MarclayBottle Caps

(video still), 2016

single-channel animation, silent, edition of 6

"*" indicates required fields

Christian MarclayBottle Caps

(video still), 2016

single-channel animation, silent, edition of 6

"*" indicates required fields

Christian MarclayCigarettes

(video still), 2016

single-channel animation, silent, edition of 6

"*" indicates required fields

Christian MarclayCigarettes

(video still), 2016

single-channel animation, silent, edition of 6

"*" indicates required fields

Christian MarclayLids and Straws (One Minute)

(video still), 2016

single-channel animation, silent, edition of 6

"*" indicates required fields

Christian MarclayLids and Straws (One Minute)

(video still), 2016

single-channel animation, silent, edition of 6

"*" indicates required fields

A framed abstract monoprint, of a pile of tape pulled from a casette

Christian Marclay: Cassette Tape Duplications

Black and white photograph of outlines of tangled cassette tape — Christian Marclay, Untitled, Cassette Tape Duplication (No. 15), 2012

monoprint, 42-3/8 x 58-1/4 inches (framed) [107.6 x 148 cm]

Black and white photograph of piles of tangled cassette tape — Christian Marclay, MCM.0430 (Framed), 2012

monoprint, 25 x 32-1/2 inches (framed) [63.5 x 82.6 cm]

Christian MarclayUntitled, Cassette Tape Duplication (No. 20)

2012

monoprint, 25 x 33 inches (framed) [64 x 83 cm]

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Christian MarclayUntitled, Cassette Tape Duplication (No. 14)

2012

monoprint, 43 x 58 inches (framed) [108 x 148 cm]

"*" indicates required fields

Christian MarclayUntitled, Cassette Tape Duplication (No. 15)

2012

monoprint, 42-3/8 x 58-1/4 inches (framed) [107.6 x 148 cm]

"*" indicates required fields

Christian MarclayUntitled, Cassette Tape Duplication (No. 16)

2012

monoprint, 42-3/8 x 58-1/4 inches (framed) [107.6 x 148 cm]

"*" indicates required fields

Christian MarclayUntitled, Cassette Tape Duplication (No. 3)

2012

monoprint, 25 x 32-1/2 inches (framed) [63.5 x 82.6 cm]

"*" indicates required fields

Christian MarclayUntitled, Cassette Tape Duplication (No. 39)

2012

monoprint, 25 x 32-1/2 inches (framed) [63.5 x 82.6 cm]

"*" indicates required fields

Christian MarclayMCM.0430 (Framed)

2012

monoprint, 25 x 32-1/2 inches (framed) [63.5 x 82.6 cm]

"*" indicates required fields

Color photograph of a mountain with half of the print in black and white with an illustration of the mountain top in the center

Richard T. Walker: Photographic Works

“Just as words within a sentence juggle for meaning to expose the fluidity of one’s perceived truth, I want to doubt landscape, but also remain true to the awe and fascination that it evokes.” —Richard T. Walker

Collage of a hand holding a stone surrounded by a red aura over an engraving of a mountain — Richard T. Walker, an elusive equivalence #12, 2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Collage of a fist supporting a stone surrounded by a blue aura over an engraving of a mountain — Richard T. Walker, an elusive equivalence #8, 2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Two framed color photographs of a blue sky with wispy clouds hung at a tilted angle — Richard T. Walker, outside / above, 2020

two pigment prints in artist's frames, 21 x 44 inches (overall) [53.3 x 111.8 cm], 1 of 3 unique variants

Two photographs in jagged-edge frames that fit together to form a rectangle. The top photograph is of a rock, and the bottom is of an etching of a mountain. The two come together to form a whole image of a mountain. — Richard T. Walker, these as determined by this #2, 2018

two pigment prints in artist’s frames, 31-1/4 25-1/8 inches (framed overall) [79.4 x 63.8 cm], edition of 3

Three color photographs of a blue landscape of a snow-covered mountain bisected by a single cloud in a clear sky — Richard T. Walker, an acquiescence of meaning #2, 2020

three pigment prints in artist’s frames, 41-1/2 x 80-1/2 inches (framed, overall) [105.4 x 204.5 cm], edition of 2

Collage of a rock with an iridescent circle imprinted with a mountain peak overlaid — Richard T. Walker, separately/together (unresolved #6), 2019

collaged inkjet print on watercolor paper, with screen print and motor, 18-1/2 x 16-1/2 inches (framed) [47 x 41.9 cm], edition of 2

A framed etching of a mountain, the peak of which has been cut out and left in the bottom of the frame. — Richard T. Walker, the fallibility of intent #6, 2015

cut-out pigment print, 48 x 32 inches (framed) [122 x 82 cm], edition of 2

Color image of a color photograph of a grey sky framed in natural wood with a modified rock on the frame — Richard T. Walker, after thought #3, 2022

pigment print in artist's frame, modified rock, 24-1/2 x 36-1/2 inches (overall) [62. x 92.7 cm], edition of 2

Color image of a color photograph of a cloudy sky with shades of pink and blue and a rock resting on frame on white background — Richard T. Walker, after thought #1, 2022

pigment print in artist's frame, modified rock, 24 x 36 inches (overall) [61 x 91.4 cm], edition of 2

A suite of three color photographs depicting a mountain top framed in white with a fourth framed illustration of a mountain top framed in natural wood on white background — Richard T. Walker, a form of endlessness #2, 2022

four pigment prints in artist's frames, 73-1/2 x 59 inches (installed) [186.6 x 149.9 cm], edition of 2

a diptych composed of two framed mixed media works — Richard T. Walker, this, as it isn’t (mountain #1), 2022

two pigment prints in artist's frames, modified rock, 36-3/4 x 51-3/4 inches installed [93.3 x 131.4 cm], edition of 2

Color image of a diptych depicting a bare tree amongst the landscape with the top half being an illustration against white background and the bottom half a color photograph — Richard T. Walker, eternally almost #2, 2023

two pigment prints in artist’s frames, 37 x 29 inches (installed) [94 x 73.7 cm], edition of 2

Richard T. Walkera paused refrain (embrace 1)

2022

pigment print, 13-1/4 x 19-3/4 inches (image & sheet), edition of 3

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Richard T. Walkera paused refrain (embrace 2)

2022

pigment print, 13-1/4 x 19-3/4 inches (image & sheet), edition of 3

"*" indicates required fields

Richard T. Walkeran elusive equivalence #12

2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

"*" indicates required fields

Richard T. Walkeran elusive equivalence #8

2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

"*" indicates required fields

Richard T. Walkeroutside / above

2020

two pigment prints in artist's frames, 21 x 44 inches (overall) [53.3 x 111.8 cm], 1 of 3 unique variants

"*" indicates required fields

Richard T. Walkerthese as determined by this #2

2018

two pigment prints in artist’s frames, 31-1/4 25-1/8 inches (framed overall) [79.4 x 63.8 cm], edition of 3

"*" indicates required fields

Richard T. Walkeran acquiescence of meaning #2

2020

three pigment prints in artist’s frames, 41-1/2 x 80-1/2 inches (framed, overall) [105.4 x 204.5 cm], edition of 2

"*" indicates required fields

Richard T. Walkerseparately/together (unresolved #6)

2019

collaged inkjet print on watercolor paper, with screen print and motor, 18-1/2 x 16-1/2 inches (framed) [47 x 41.9 cm], edition of 2

"*" indicates required fields

Richard T. Walkerthe fallibility of intent #6

2015

cut-out pigment print, 48 x 32 inches (framed) [122 x 82 cm], edition of 2

"*" indicates required fields

Richard T. Walkerafter thought #3

2022

pigment print in artist's frame, modified rock, 24-1/2 x 36-1/2 inches (overall) [62. x 92.7 cm], edition of 2

"*" indicates required fields

Richard T. Walkerafter thought #1

2022

pigment print in artist's frame, modified rock, 24 x 36 inches (overall) [61 x 91.4 cm], edition of 2

"*" indicates required fields

Richard T. Walkera form of endlessness #2

2022

four pigment prints in artist's frames, 73-1/2 x 59 inches (installed) [186.6 x 149.9 cm], edition of 2

"*" indicates required fields

Richard T. Walkerthis, as it isn’t (mountain #1)

2022

two pigment prints in artist's frames, modified rock, 36-3/4 x 51-3/4 inches installed [93.3 x 131.4 cm], edition of 2

"*" indicates required fields

Richard T. Walkereternally almost #2

2023

two pigment prints in artist’s frames, 37 x 29 inches (installed) [94 x 73.7 cm], edition of 2

"*" indicates required fields

Richard T. Walkereternally almost #3

2023

two pigment prints in artist’s frames, 38-1/2 x 25 inches (installed) [97.8 x 63.5 cm], edition of 2

"*" indicates required fields

Collage of an etched print and photograph of a mountain outlined by red neon light on a shelf in front of it

Richard T. Walker: Installations & Sculptural Works

Incorporating and transcending photography, Richard T. Walker’s work also extends into sculpture and installation. Working with man-made materials such as neon, musical instruments, and lightboxes, the artist fuses these elements with those from the natural landscape to upend our associations with the environment.

Stone seated on a shelf capped with a silver slice on top — Richard T. Walker, not quite forever #1, 2019

plaster, cast alloy, 12 x 11 x 9 inches [30.5 x 27.9 x 22.9 cm], edition of 2

Color photograph of rocky earth cut around a black speaker in a blue frame — Richard T. Walker, the frequency of longing (reprise), 2019

chromogenic transparency in light box, with embedded speakers and sound, 48-1/2 x 32-1/2 x 7 inches [123.2 x 82.5 x 17.8 cm], unique

Color photograph of rocky earth cut around a black speaker — Richard T. Walker, the frequency of longing (reprise), (detail), 2019

chromogenic transparency in light box, with embedded speakers and sound, 48-1/2 x 32-1/2 x 7 inches [123.2 x 82.5 x 17.8 cm], unique

Hanging golden neon light on a dry tree branch next to a porous stone — Richard T. Walker, the thought of an outline as it refers to its outer self, 2019

neon, found branch, modified rock, 53-1/2 x 11 x 13-1/2 inches (installed) [135.9 x 27.9 x 34.3 cm], unique

Bent white neon light hanging from a ceiling — Richard T. Walker, in as it was, out as it is (and repeat), 2019

neon, inkjet print, speaker, rotating motor, 102 x 34 x 33 inches (installed) [259.1 x 86.4 x 83.8 cm], unique

Color image of a diptych of mixed media works outlined in yellow depicting rocks and branches with two differently sized speakers on white gallery wall — Richard T. Walker, a proximity of longing (connection 1), 2021

chromogenic transparencies on two light boxes with embedded speakers and sound, 26-1/4 x 36-3/4 x 5 inches (overall) [66.7 x 93.4 x 12.7 cm], unique

Color image of a mixed media sculpture consisting of an amp with a guitar and keyboard intwined with a cord attached to a suspended lightbox in a white walled gallery — Richard T. Walker, contingency of an afterthought, 2016

Casio tone MT68 keyboard, modified rock, tripod, stone, Fender Squire telecaster guitar, VOX amplifier, cables, electroharmonics freeze pedal, light box, Duratrans, 215 x 128 x 78 inches (overall installed)

Two irregularly shaped framed prints of blank sky supported by stones and bordered by white neon lights — Richard T. Walker, there to then, 2018

neon, two pigment prints in artist’s frames, modified rocks, 86 x 33-1/2 inches (installed) [218.4 x 82.5 cm], unique

Trampoline hanging from a gallery ceiling with the image of a person jumping in a landscape projected onto it — Richard T. Walker, outside repetition, 2018

projected video, modified trampoline, 120 inches (diameter) [304.7 cm], unique

Color image of a suite of six speakers with photographs depicting various orange hued landscapes on white gallery wall — Richard T. Walker, what we were (as we are), 2023

six photographs in artist’s frames, embedded with speakers, 115 x 172 inches (overall, installed) [292.1 x 436.9 cm], unique

Color image of a mixed media work with bronzed branch and custom framed color photograph depicting a colorful sky — Richard T. Walker, the form of a thought as it defers to its past future self #4, 2022

two pigment prints in double-sided artist’s frame, bronzed branch, 20 x 19 x 23 inches (overall, installed)

Installation shot of a sculptural work including two framed color photographs and a bronze branch — Richard T. Walker, the form of a thought as it defers to its past future self #5, 2022

two pigment prints in artist's frames, bronzed branch, 21 x 13-1/2 x 8 inches (branch & frame, installed) [53.3 x 34.3 x 20.3 cm] 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

the form of a thought as it defers to its past future self #5, 2022

two pigment prints in artist's frames, bronzed branch, 21 x 13-1/2 x 8 inches (branch & frame, installed) [53.3 x 34.3 x 20.3 cm] 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

Richard T. Walkerthe space inside repetition #1

2013 - 2016

neon, framed pigment print collage, wooden shelf, 27 x 22 x 8 inches (overall) [68.6 x 55.8 x 20.3 cm], edition of 2

"*" indicates required fields

Richard T. Walkerthe space inside repetition #1

2013 - 2016

neon, framed pigment print collage, wooden shelf, 27 x 22 x 8 inches (overall) [68.6 x 55.8 x 20.3 cm], edition of 2

"*" indicates required fields

Richard T. Walkernot quite forever #1

2019

plaster, cast alloy, 12 x 11 x 9 inches [30.5 x 27.9 x 22.9 cm], edition of 2

"*" indicates required fields

Richard T. Walkerthe frequency of longing (reprise)

2019

chromogenic transparency in light box, with embedded speakers and sound, 48-1/2 x 32-1/2 x 7 inches [123.2 x 82.5 x 17.8 cm], unique

"*" indicates required fields

Richard T. Walkerthe frequency of longing (reprise)

(detail), 2019

chromogenic transparency in light box, with embedded speakers and sound, 48-1/2 x 32-1/2 x 7 inches [123.2 x 82.5 x 17.8 cm], unique

"*" indicates required fields

Richard T. Walkerthe thought of an outline as it refers to its outer self

2019

neon, found branch, modified rock, 53-1/2 x 11 x 13-1/2 inches (installed) [135.9 x 27.9 x 34.3 cm], unique

"*" indicates required fields

Richard T. Walkerin as it was, out as it is (and repeat)

2019

neon, inkjet print, speaker, rotating motor, 102 x 34 x 33 inches (installed) [259.1 x 86.4 x 83.8 cm], unique

"*" indicates required fields

Richard T. Walkera proximity of longing (connection 1)

2021

chromogenic transparencies on two light boxes with embedded speakers and sound, 26-1/4 x 36-3/4 x 5 inches (overall) [66.7 x 93.4 x 12.7 cm], unique

"*" indicates required fields

Richard T. Walkercontingency of an afterthought

2016

Casio tone MT68 keyboard, modified rock, tripod, stone, Fender Squire telecaster guitar, VOX amplifier, cables, electroharmonics freeze pedal, light box, Duratrans, 215 x 128 x 78 inches (overall installed)

"*" indicates required fields

Richard T. Walkerthere to then

2018

neon, two pigment prints in artist’s frames, modified rocks, 86 x 33-1/2 inches (installed) [218.4 x 82.5 cm], unique

"*" indicates required fields

Richard T. Walkeroutside repetition

2018

projected video, modified trampoline, 120 inches (diameter) [304.7 cm], unique

"*" indicates required fields

Richard T. Walkerwhat we were (as we are)

2023

six photographs in artist’s frames, embedded with speakers, 115 x 172 inches (overall, installed) [292.1 x 436.9 cm], unique

"*" indicates required fields

Richard T. Walkerthe form of a thought as it defers to its past future self #4

2022

two pigment prints in double-sided artist’s frame, bronzed branch, 20 x 19 x 23 inches (overall, installed)

"*" indicates required fields

Richard T. Walkerthe form of a thought as it defers to its past future self #5

2022

two pigment prints in artist's frames, bronzed branch, 21 x 13-1/2 x 8 inches (branch & frame, installed) [53.3 x 34.3 x 20.3 cm] 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

"*" indicates required fields

Richard T. Walkerthe form of a thought as it defers to its past future self #5

2022

two pigment prints in artist’s frames, bronzed branch, 21 x 13-1/2 x 7 inches (branch & frame, installed) [53.3 x 34.3 x 17.8 cm], 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

"*" indicates required fields

the form of a thought as it defers to its past future self #5

2022

two pigment prints in artist's frames, bronzed branch, 21 x 13-1/2 x 8 inches (branch & frame, installed) [53.3 x 34.3 x 20.3 cm] 9 x 12-1/2 inches (second frame) [22.9 x 31.8 cm], unique

"*" indicates required fields

Black and white photograph of two figures in loin cloths boxing

Eadweard Muybridge: Human and Animal Locomotion

Muybridge’s ambitious photographic project aimed to represent human and animal motion rendered across time, and from various angles. Produced between 1884 and 1887, the series has influenced generations of artists, and inspired scientific and photographic innovation, including motion picture technology.

Grid of black and white photographs of a person in the process of walking, from the side and rear — Eadweard Muybridge, Walking, 1887

collotype, 19 x 24 inches (sheet) [48.3 x 61 cm]

Eadweard Muybridge, Crawling on hands and knees, 1887

collotype, 19 x 24 inches (sheet) [48.3 x 61 cm]

Three rows of small black and white photographs of a nude man hopping on his foot. — Eadweard Muybridge, Hopping on right foot., 1887

collotype, 19 x 24 inches (sheet) [48.3 x 61 cm]

Sepia toned photograph with a grid of 30 panels showing a topless woman arising from the ground with a newspaper in her left hand; atypically, the sequence reads right to left. — Eadweard Muybridge, Arising from the ground with newspaper in left hand, 1887

collotype, 19 x 24 inches (sheet) [48.3 x 61 cm]

Black and white photograph of a figure in a white dress laying on the floor, shifting positions — Eadweard Muybridge, Turning and changing position while on the ground., 1887

collotype, 19 x 24 inches (sheet) [48.3 x 61 cm]

Black and white photograph of storks and swans by a lakes edge — Eadweard Muybridge, Storks, swans, etc., 1887

collotype, 19 x 24 inches (sheet) [48.3 x 61 cm]

Black and white photograph of a nude figure laying down reading a pamphlet and then getting up adjusting position — Eadweard Muybridge, Arising from the ground with a pamphlet in left hand., 1887

collotype, 9-5/8 x 12-5/8 inches (image) [24.5 x 32.1 cm]

Black and white photograph of a figure curling a 50 lb. dumbbell — Eadweard Muybridge, Curling a 50-lb. dumbbell., 1887

collotype, 19 x 24 inches (sheet) [48.3 x 61 cm]

Black and white photograph of a nude figure walking — Eadweard Muybridge, Lateral curvature of spine, walking., 1887

collotype, 19 x 24 inches (sheet) [45.8 x 61 cm]

Black and white photograph of a nude seated figure pouring a drink from a carafe — Eadweard Muybridge, Sitting, crossing legs and filling a goblet from a pitcher., 1887

collotype, 19 x 24 inches (sheet) [48.3 x 61 cm]

Eadweard MuybridgeBoxing, open hand.

1887

collotype, 19 x 24 inches (sheet) [48.3 x 61 cm]

"*" indicates required fields

Eadweard MuybridgeWalking

1887

collotype, 19 x 24 inches (sheet) [48.3 x 61 cm]

"*" indicates required fields

Eadweard MuybridgeCrawling on hands and knees

1887

collotype, 19 x 24 inches (sheet) [48.3 x 61 cm]

"*" indicates required fields

Eadweard MuybridgeHopping on right foot.

1887

collotype, 19 x 24 inches (sheet) [48.3 x 61 cm]

"*" indicates required fields

Eadweard MuybridgeArising from the ground with newspaper in left hand

1887

collotype, 19 x 24 inches (sheet) [48.3 x 61 cm]

"*" indicates required fields

Black-and-white photograph of a woman in front of a brownstone, holding a watering hose.

Helen Levitt: Street Photographs

Photographed in her native New York, Levitt’s images capture strangers in the street in fleeting moments of whimsy, along with the often humorous messages of chalk drawings and graffiti.

Black-and-white photograph of a brick wall with chalk grafitti that readsy, I love you Newton by Mere Scoot — Helen Levitt, New York, ca. 1940

gelatin silver print, 6-1/4 x 8 inches (image & sheet) [15.9 x 20.3 cm]

Black-and-white photograph of an African American man seated on the front bumper of a parked car. — Helen Levitt, New York, ca. 1945

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a wall with torn advertisements, and a moulded tin panel with a chalk drawing of a face. — Helen Levitt, New York, ca. 1940

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a young woman looking at the camera seated in the lap of an older woman who is looking away. — Helen Levitt, New York, ca. 1942

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a chalk drawing of a house and two trees, captioned "Contry." — Helen Levitt, New York, ca. 1939

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph depicting a sidewalk chalk drawing of a train on an elevated bridge, mountains, trees, and sun. — Helen Levitt, New York, 1938-48

gelatin silver print, 6-3/4 x 8-5/8 inches (mount) [17.2 x 21.9 cm]

Black-and-white photograph of a young boy climbing a wall in a disheveled hallway. — Helen Levitt, New York, ca. 1938

gelatin silver print, 10 x 7-1/2 inches (mount) [25.4 x 19.1 cm]

Black-and-white photograph of a tall, curved tree, with one boy climbing near its top, and another leaning against its trunk at the bottom. — Helen Levitt, New York, ca. 1942

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Helen LevittBronx, New York

ca. 1942

gelatin silver print, 9-5/8 x 10-1/4 inches (mount) [24.5 x 26.0 cm]

"*" indicates required fields

Helen LevittNew York

ca. 1940

gelatin silver print, 6-1/4 x 8 inches (image & sheet) [15.9 x 20.3 cm]

"*" indicates required fields

Helen LevittNew York

ca. 1945

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Helen LevittNew York

ca. 1940

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Helen LevittNew York

ca. 1942

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Helen LevittNew York

ca. 1939

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Helen LevittNew York

1938-48

gelatin silver print, 6-3/4 x 8-5/8 inches (mount) [17.2 x 21.9 cm]

"*" indicates required fields

Helen LevittNew York

ca. 1938

gelatin silver print, 10 x 7-1/2 inches (mount) [25.4 x 19.1 cm]

"*" indicates required fields

Helen LevittNew York

ca. 1942

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Painting of a dog and a person on a floral print couch

Elisheva Biernoff: Selected Works

Elisheva Biernoff’s hypnotically detailed works are based on found, anonymous photographs which are painted to exact scale. In the process of making each work—which requires two to three months to complete—Biernoff pays close attention to the images, perhaps more than the photographers who originally made them.

Painting of a dog and a person on a floral print couch on a wooden stand — Elisheva Biernoff, Conversation, 2014-15

acrylic on wood, painted both sides; painted poplar stand, 5-3/4 x 8 x 2-1/2 inches [14.6 x 20.3 x 6.4 cm]

Verso of painting with photo paper logos — Elisheva Biernoff, Conversation, 2014-2015 (verso)

acrylic on wood, painted both sides

Color image of a small hyperrealistic painting depicting a photograph of a figure flipping off a small fire on a white stand — Elisheva Biernoff, After Dark, 2024

acrylic on wood, painted both sides; painted cherry & fir stand, 7-1/8 x 7-3/8 x 1-1/2 inches (overall, installed) [18.1 x 19.4 x 3.8 cm]

Color image of a hyperrealistic painting depicting a photograph of a figure flipping off a small fire — Elisheva Biernoff, After Dark, 2024

acrylic on wood, painted both sides, 7 x 5 inches (painting) [17.8 x 12.7 cm]

Color image of the back of a small realistically rendered painting depicting the back of a photograph — Elisheva Biernoff, After Dark, 2024 (verso)

acrylic on wood, painted both sides, 7 x 5 inches (painting) [17.8 x 12.7 cm]

Painting of clouds and tips of tree branches on a wooden stand — Elisheva Biernoff, Kowallik, 2016

acrylic on wood, painted both sides; painted poplar stand, 3-1/4 x 8 x 2-1/2 inches (overall) [8.3 x 20.3 x 6.4 cm]

Painting of clouds and tips of tree branches — Elisheva Biernoff, Kowallik, 2016

acrylic on wood, painted both sides, 3-1/4 x 8 x 2-1/2 inches (overall) [8.3 x 20.3 x 6.4 cm]

Verso of painting with a stamp in the bottom left corner — Elisheva Biernoff, Kowallik, 2016 (verso)

acrylic on wood, painted both sides, 3-1/4 x 8 x 2-1/2 inches (overall) [8.3 x 20.3 x 6.4 cm]

Painting of a woman leaning against a fallen tree on a wooden stand — Elisheva Biernoff, Vision, 2016

acrylic on wood, painted both sides; painted poplar stand, 6 x 8 x 2-1/2 inches (overall) [15.2 x 20.3 x 6.4 cm]

Painting of a woman leaning against a fallen tree — Elisheva Biernoff, Vision, 2016

acrylic on wood, painted both sides, 6 x 8 x 2-1/2 inches (overall) [15.2 x 20.3 x 6.4 cm]

Painting of a man holding a glass standing next to a painting of Jesus and a table on a wooden stand — Elisheva Biernoff, Unspecified Party, 2014

acrylic on wood, painted both sides; painted poplar stand, 4-3/4 x 8 x 2-1/2 inches [12.1 x 20.3 x 6.4 cm]

Painting of a man holding a glass standing next to a painting of Jesus and a table — Elisheva Biernoff, Unspecified Party, 2014

acrylic on wood, painted both sides

Color image of a small painting rendered as a photograph depicting a Color photograph of a realistically rendered painting depicting a photograph of a semi nude figure laying on a bed on a small white stand — Elisheva Biernoff, Interlude, 2023

acrylic on wood, painted both sides; painted poplar stand, 4-1/4 x 8 x 2-1/2 inches (overall, on stand) [10.8 x 20.3 x 6.4 cm]

Color photograph of a realistically rendered painting depicting a photograph of a semi nude figure laying on a bed — Elisheva Biernoff, Interlude, 2023

acrylic on wood, painted both sides, 3-1/2 x 3-1/2 inches (painting) [8.8 x 8.8 cm]

Elisheva BiernoffConversation

2014-15

acrylic on wood, painted both sides; painted poplar stand, 5-3/4 x 8 x 2-1/2 inches [14.6 x 20.3 x 6.4 cm]

"*" indicates required fields

Elisheva BiernoffConversation

2014-2015

acrylic on wood, painted both sides, 3-1/2 x 4-7/8 inches [8.9 x 12.4 cm]

"*" indicates required fields

Elisheva BiernoffConversation

2014-2015 (verso)

acrylic on wood, painted both sides

"*" indicates required fields

Elisheva BiernoffAfter Dark

2024

acrylic on wood, painted both sides; painted cherry & fir stand, 7-1/8 x 7-3/8 x 1-1/2 inches (overall, installed) [18.1 x 19.4 x 3.8 cm]

"*" indicates required fields

Elisheva BiernoffAfter Dark

2024

acrylic on wood, painted both sides, 7 x 5 inches (painting) [17.8 x 12.7 cm]

"*" indicates required fields

Elisheva BiernoffAfter Dark

2024 (verso)

acrylic on wood, painted both sides, 7 x 5 inches (painting) [17.8 x 12.7 cm]

"*" indicates required fields

Elisheva BiernoffKowallik

2016

acrylic on wood, painted both sides; painted poplar stand, 3-1/4 x 8 x 2-1/2 inches (overall) [8.3 x 20.3 x 6.4 cm]

"*" indicates required fields

Elisheva BiernoffKowallik

2016

acrylic on wood, painted both sides, 3-1/4 x 8 x 2-1/2 inches (overall) [8.3 x 20.3 x 6.4 cm]

"*" indicates required fields

Elisheva BiernoffKowallik

2016 (verso)

acrylic on wood, painted both sides, 3-1/4 x 8 x 2-1/2 inches (overall) [8.3 x 20.3 x 6.4 cm]

"*" indicates required fields

Elisheva BiernoffVision

2016

acrylic on wood, painted both sides; painted poplar stand, 6 x 8 x 2-1/2 inches (overall) [15.2 x 20.3 x 6.4 cm]

"*" indicates required fields

Elisheva BiernoffVision

2016

acrylic on wood, painted both sides, 6 x 8 x 2-1/2 inches (overall) [15.2 x 20.3 x 6.4 cm]

"*" indicates required fields

Elisheva BiernoffVision

2016 (verso)

acrylic on wood, painted both sides

"*" indicates required fields

Elisheva BiernoffUnspecified Party

2014

acrylic on wood, painted both sides; painted poplar stand, 4-3/4 x 8 x 2-1/2 inches [12.1 x 20.3 x 6.4 cm]

"*" indicates required fields

Elisheva BiernoffUnspecified Party

2014

acrylic on wood, painted both sides

"*" indicates required fields

Elisheva BiernoffUnspecified Party

2014 (verso)

acrylic on wood, painted both sides

"*" indicates required fields

Elisheva BiernoffInterlude

2023

acrylic on wood, painted both sides; painted poplar stand, 4-1/4 x 8 x 2-1/2 inches (overall, on stand) [10.8 x 20.3 x 6.4 cm]

"*" indicates required fields

Elisheva BiernoffInterlude

2023

acrylic on wood, painted both sides, 3-1/2 x 3-1/2 inches (painting) [8.8 x 8.8 cm]

"*" indicates required fields

Elisheva BiernoffInterlude

2023 (verso)

acrylic on wood, painted both sides, 3-1/2 x 3-1/2 inches (painting) [8.8 x 8.8 cm]

"*" indicates required fields

Color image of a mixed media artwork depicting a nude figure gazing at the viewer while holding a disembodied hand

Wardell Milan: Works on Paper

Artist Wardell Milan works in mixed media, combining elements of photography, drawing, painting, and collage. Often incorporating cut-out photographs (including iconic images by artists such as Diane Arbus and Robert Mapplethorpe), Milan’s work imagines spaces where the marginalized body is able to express itself and move about the world freely.

Color image of a mixed media collage depicting three female figures wearing silver leaf bikinis and flexing their muscles framed in a polished aluminum frame — Wardell Milan, Melina, Monique, Andrea flexing., 2023

charcoal, graphite, china marker, pastel, wood block print on paper, 41-3/8 x 43 inches (framed) [105.1 x 109.2 cm], unique

Color image of a mixed media artwork depicting a female bodybuilder flexing — Wardell Milan, Carriejune, 2023

charcoal, graphite & silver leaf on paper, 46 x 32-1/8 inches (framed) [116.8 x 81.6 cm], unique

Image of a mixed media painting of a group of people playing in the shallow ocean surf framed in a blue stained wood — Wardell Milan, The cruel Mediterranean Sea, 2023

charcoal, graphite, acrylic, color pencil, pastel, oil pastel & cut-and-paste paper, 54-3/4 x 76-1/4 inches (framed) [139.1 x 193.7 cm], unique

Color image of a mixed media artwork depicting four figures looking upwards amongst flowers and foliage framed in ebony — Wardell Milan, Bombs in applesauce., 2023

charcoal, graphite, acrylic, etching, color pencil, pastel, oil pastel & cut-and-paste paper, 43-3/8 x 58-1/8 inches (framed) [110.2 x 147.6 cm]

Black and white collage of a garden with nude women's torsos interspersed — Wardell Milan, One spring afternoon in 2019. 5 women who could engage your imagination., 2021

color pencil, china marker, acrylic, oil pastel, spray paint, cut and pasted paper on inkjet print, 44-1/4 x 61-1/4 inches (framed) [112.4 x 155.6 cm]

A collage of two nude figures embracing, on the canvas of a black and white park scene. The figures are surrounded by bright blue lines and shapes. — Wardell Milan, Be a good boy and put this on, 2020

charcoal, graphite, acrylic paint, color pencil, pastel, oil pastel, china marker, yupo paper, Polaroid film, cut-and-pasted paper on inkjet print, 43-1/8 x 61-1/8 inches (framed) [109.5 x 155.3 cm]

Color image of a mixed media collage made with black and white photographs and swatches of white and blue paint — Wardell Milan, Two women lounging in sanctuaries., 2022

charcoal, silver leaf, Polaroid, embossed paper, printed paper, cut-out-paper, on paper, 58-1/4 x 42-3/4 inches (framed) [147.9 x 108.5 cm], unique

A white collage of a Klansman. — Wardell Milan, Amerika: Klansman, Patty, 2020

cut and pasted printed paper, 18-5/8 x 14-1/4 inches framed [47.3 x 36.2 cm], unique

Color image of a mixed media collage depicting a nude figure with a white hood strapped by the genitals on a wooden device — Wardell Milan, A restrained insurrectionist. With his balls stretched by weights., 2023

graphite, china marker, ink, acrylic, cut-and-paste paper on yupo, 13-3/8 x 16-3/8 inches (framed) [34 x 41.6 cm], unique

Color image of a mixed media collage depicting a figure in a jockstrap holding another figure in white hood in bondage — Wardell Milan, Terrell with an obedient insurrectionist., 2023

graphite, china marker, ink, acrylic, cut-and-paste paper on yupo, 16-3/8 x 13-3/8 inches (framed) [41.6 x 34 cm], unique

A framed drawing of an abstract blue and pink face. — Wardell Milan, Erwin Norton, 2018

charcoal, graphite, pastel, oil pastel, acrylic paint, cut-and-paste paper on hand dyed paper, 45-5/8 x 33-1/4 inches (framed) [115.9 x 84.5 cm]

A framed drawing of an abstract multi-hued face and hand, floating on a brown color field. — Wardell Milan, Oliver Brown, 2018

charcoal, graphite, pastel, oil pastel, acrylic paint, cut-and-paste paper on hand dyed paper, 45-5/8 x 33-1/4 inches (framed) [115.9 x 84.5 cm]

A diptych of two framed collages. The one on the left is of two figures confronting in either an embrace or a fight, and the one on the right is of a figure in front of a building's door. Both are on black and white photographs. — Wardell Milan, 2014/2020 202 Bay St., Staten Island, 2020

charcoal, graphite, oil pastel, pastel, cut and pasted paper on two inkjet prints, 42-3/4 x 43-3/4 inches (each, framed) [108.6 x 111.1 cm], unique

Wardell MilanThe Divine Feminine. Jesús.

2023

charcoal, graphite, color pencil, pastel & oil pastel on paper, 32-3/8 x 24-7/8 inches (framed) [82.2 x 63.2 cm], unique

"*" indicates required fields

Wardell MilanMelina, Monique, Andrea flexing.

2023

charcoal, graphite, china marker, pastel, wood block print on paper, 41-3/8 x 43 inches (framed) [105.1 x 109.2 cm], unique

"*" indicates required fields

Wardell MilanCarriejune

2023

charcoal, graphite & silver leaf on paper, 46 x 32-1/8 inches (framed) [116.8 x 81.6 cm], unique

"*" indicates required fields

Wardell MilanStefi

2023

charcoal, graphite & silver leaf on paper, 46 x 32-1/8 inches (framed) [116.8 x 81.6 cm], unique

"*" indicates required fields

Wardell MilanThe cruel Mediterranean Sea

2023

charcoal, graphite, acrylic, color pencil, pastel, oil pastel & cut-and-paste paper, 54-3/4 x 76-1/4 inches (framed) [139.1 x 193.7 cm], unique

"*" indicates required fields

Wardell MilanBombs in applesauce.

2023

charcoal, graphite, acrylic, etching, color pencil, pastel, oil pastel & cut-and-paste paper, 43-3/8 x 58-1/8 inches (framed) [110.2 x 147.6 cm]

"*" indicates required fields

Wardell MilanOne spring afternoon in 2019. 5 women who could engage your imagination.

2021

color pencil, china marker, acrylic, oil pastel, spray paint, cut and pasted paper on inkjet print, 44-1/4 x 61-1/4 inches (framed) [112.4 x 155.6 cm]

"*" indicates required fields

Wardell MilanBe a good boy and put this on

2020

charcoal, graphite, acrylic paint, color pencil, pastel, oil pastel, china marker, yupo paper, Polaroid film, cut-and-pasted paper on inkjet print, 43-1/8 x 61-1/8 inches (framed) [109.5 x 155.3 cm]

"*" indicates required fields

Wardell MilanTwo women lounging in sanctuaries.

2022

charcoal, silver leaf, Polaroid, embossed paper, printed paper, cut-out-paper, on paper, 58-1/4 x 42-3/4 inches (framed) [147.9 x 108.5 cm], unique

"*" indicates required fields

Wardell MilanAmerika: Klansman, Patty

2020

cut and pasted printed paper, 18-5/8 x 14-1/4 inches framed [47.3 x 36.2 cm], unique

"*" indicates required fields

Wardell MilanA restrained insurrectionist. With his balls stretched by weights.

2023

graphite, china marker, ink, acrylic, cut-and-paste paper on yupo, 13-3/8 x 16-3/8 inches (framed) [34 x 41.6 cm], unique

"*" indicates required fields

Wardell MilanTerrell with an obedient insurrectionist.

2023

graphite, china marker, ink, acrylic, cut-and-paste paper on yupo, 16-3/8 x 13-3/8 inches (framed) [41.6 x 34 cm], unique

"*" indicates required fields

Wardell MilanErwin Norton

2018

charcoal, graphite, pastel, oil pastel, acrylic paint, cut-and-paste paper on hand dyed paper, 45-5/8 x 33-1/4 inches (framed) [115.9 x 84.5 cm]

"*" indicates required fields

Wardell MilanOliver Brown

2018

charcoal, graphite, pastel, oil pastel, acrylic paint, cut-and-paste paper on hand dyed paper, 45-5/8 x 33-1/4 inches (framed) [115.9 x 84.5 cm]

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Wardell Milan2014/2020 202 Bay St., Staten Island

2020

charcoal, graphite, oil pastel, pastel, cut and pasted paper on two inkjet prints, 42-3/4 x 43-3/4 inches (each, framed) [108.6 x 111.1 cm], unique

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Color photograph of a figure smoking on a balcony and looking towards the horizon framed in black

Nan Goldin: Selected Works

Goldin’s diaristic photographs unflinchingly explore the artist’s life and that of her circle of friends, showing pain, addiction, and loss, but also love, wonder, and reverie.