Diane ArbusThe king and queen of a senior citizens’ dance, N.Y.C. 1970
gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]
Hiroshi SugimotoNorth Pacific Ocean, Ohkurosaki
gelatin silver print, 60 x 71-5/8 inches (framed) [152.4 x 181.9 cm]
Katy GrannanIsabelle, Paris. June 2021
pigment print, 33-5/8 x 57-5/8 inches (framed) [85.4 x 95.6 cm]
Katy Grannan photographed French actress Isabelle Huppert for a recent Balenciaga campaign.
Bernd & Hilla BecherIndustrial Facades
six gelatin silver prints, 18 x 22 inches (each framed) [45.7 x 55.9 cm]
This typology was included in On the Art of Fixing a Shadow, the landmark exhibition at the National Gallery in 1989 marking the 150th anniversary of photography’s invention.
Martine GutierrezNeo-Indeo, Trade in your quiché skirts
chromogenic print, 54-7/8 x 46-7/8 inches (framed) [147 x 119 cm]
Martine GutierrezNeo-Indeo, Mam Going Bananas
chromogenic print, 54-7/8 x 36-7/8 inches (framed) [139.4 x 93.7 cm]
Martine Gutierrez is an artist, performer, and musician who produces elaborate narrative scenes that employ pop culture tropes in order to explore personal and collective identity in terms of race, gender, class, indigeneity, and culture. For Indigenous Woman, a 124-page magazine, Gutierrez produced every element, from fashion spreads and ads to an editor’s letter. Gutierrez uses herself as a model in the magazine’s glossy, seductive imagery, and has described the project as a celebration of “ever-evolving self-image.”
Carrie Mae WeemsBlue Notes (Basquiat): Who’s Who or a Pair of Aces #1
archival inkjet print with silkscreened color block, 39 x 31 inches (framed) [99.1 x 78.7 cm]
In Carrie Mae Weems’s Blue Notes series, grainy blue portraits of Black pop culture figures and artists are hidden by blocks of solid color.
Explore our current show, Carrie Mae Weems: WITNESShere.
Peter HujarSelf-Portrait Standing
1980 / printed later
pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]
Nan GoldinIn my hall, Berlin
pigment print, 38-1/4 x 25-7/8 inches (framed) [97.2 x 65.2 cm]
Richard LearoydThree part floral
three unique Ilfochrome photographs, 36-3/8 x 36-5/8 inches (center work, framed) [93.0 x 93.0 cm], 43-7/8 x 36-5/8 inches (outer works, framed) [111.4 x 93.0 cm]
Wardell MilanOne spring afternoon in 2019. 5 women who could engage your imagination.
color pencil, china marker, acrylic, oil pastel, spray paint, cut and pasted paper on inkjet print, 44-1/4 x 61-1/4 inches (framed) [112.4 x 155.6 cm]
Wardell Milan works in mixed media, combining elements of photography, drawing, painting, and collage. Themes of freedom of expression and safe spaces are often at the forefront of his works, especially as they apply to the marginalized body.
Richard MisrachState of the Union, February 11, 10:13 am, 2020
pigment print, 60-1/2 x 80-1/2 inches (framed) [154 x 205 cm]
Christian MarclayHot August Night
record album covers stitched with thread, 26-1/4 x 17 inches (framed) [66.7 x 43.2 cm]
multiple exposure photocopy on paper, 26-1/2 x 19-1/2 inches (framed) [67.3 x 49.5 cm]
pigment print mounted on aluminum, in wooden box, 14-1/4 x 9-1/4 x 3-3/4 inches (overall) [36.2 x 23.5 x 9.5 cm], edition of 5 in English & 5 in French
Since the early 1960s, Lee Friedlander has focused on the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Depicting these texts with precision and sly humor, Friedlander’s approach to America transcribes a sort of found poetry of commerce and desire.
Lee FriedlanderStanzel, Iowa
gelatin silver print, 16 x 20 inches (sheet) [40.64 x 50.8 cm]