Slice of the Pie

Fourteen Bay Area galleries and what makes them different

Photographer Unknown, Untitled, 1958
gelatin silver print, 3-1/2 x 5 inches (sheet) [8.9 x 12.7 cm]

Fraenkel Gallery presents Slice of the Pie: Fourteen Bay Area Galleries & What Makes Them Different, a group exhibition that brings together a vibrant cross-section of some of the Bay Area’s most influential and idiosyncratic art galleries. Featuring work by more than 40 artists, the exhibition illuminates the diverse perspectives and practices that define the region’s rich gallery ecosystem. Taking place at a pivotal moment for the shifting gallery landscape, the exhibition reflects the sense of collaboration that has been a defining attribute of the area’s art scene and a central part of Fraenkel Gallery’s mission. Celebrating the region’s restless spirit of curiosity and invention, Slice of the Pie honors a legacy of creative autonomy and community engagement, highlighting how Bay Area galleries have continuously pushed boundaries and expanded dialogues between local and global practices. A public reception will take place on Saturday, May 30, from 3-5pm.

Rupy C. Tut, While the night hides and shadow seeks, 2024
aquatint with sugar lift and spit bite aquatints and soft ground etching, 26-3/4 x 34-1/4 inches (framed) [67.9 x 87 cm], edition of 20. Courtesy the artist. Published by Crown Point Press

The fourteen galleries represented are:

Berggruen Gallery founded 1970

Rebecca Camacho Presents founded 2019

Casemore Gallery founded 2015

Catharine Clark Gallery founded 1991

Crown Point Press founded 1962

Euqinom Gallery founded 2015

Fraenkel Gallery founded 1979

Hosfelt Gallery founded 1996

Jenkins Johnson Gallery founded 1996

Anthony Meier founded 1984

Micki Meng founded 2019

Jonathan Carver Moore founded 2023 

Gallery Wendi Norris founded 2002

Jessica Silverman founded 2008

Stephanie Syjuco, Whiteout (Krylon ColorMaster Gloss White on White Oriental Lillies) in the series “Hard Light”, 2019
pigmented inkjet print, 31-1/2 x 25-5/8 inches (framed) [80 x 57.5 cm], edition of 5. Courtesy of the artist and Catharine Clark Gallery, San Francisco

Each gallery will be represented by several works from multiple artists, embodying the characteristic elements that make each organization singular in its programming. The interwoven installation builds conversations between works, highlighting unexpected affinities and contrasts. Featuring painting, drawing, prints, sculpture, animation, photography and more, the exhibition reflects a range of histories and concerns, with materials including found fabric, cyanotype, LEDs, Polaroids, porcelain, acrylic paint and silver gelatin prints.

Libby Black, Ruth Asawa Through Line, 2025
paper, pencil, paint, and glue, 15-1/2 x 10 x 11-1/2 inches (overall) [39.4 x 25.4 x 29.2 cm], Courtesy the artist and Anthony Meier, Mill Valley. Photo: Chris Grunder, San Francisco

Since the 1950s, Bay Area galleries have been known for their fierce independence, sometimes operating on thin budgets and rejecting establishment conventions to forge new paths. The longest running gallery, Crown Point Press, opened in 1962 as a print workshop while the newest, Jonathan Carver Moore, opened in 2023, specializing in emerging and established artists who are BIPOC, LGBTQ+ and women. The exhibition reflects the diverse approaches of a cross-section of galleries. Places such as Casemore Gallery, Jenkins Johnson Gallery, Anthony Meier, and Gallery Wendi Norris focus on intergenerational conversations, while galleries such as Rebecca Camacho Presents have worked to highlight previously underrecognized artists. Others such as Micki Meng have stretched the concept of a gallery’s physical footprint, or like Berggruen Gallery, Jessica Silverman, and Hosfelt Gallery, highlighted the Bay Area’s unique relationship to art.

Janet Delaney, Saturday afternoon, Howard between 3rd and 4th Streets, 1981 / printed 2015
archival pigment print, 22 x 26-1/2 inches (framed) [55.9 x 67.3 cm], edition of 5. Courtesy of EUQINOM Gallery, San Francisco

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