Fraenkel

On View

Richard Learoyd

May 29–Aug 9, 2025

Featuring a collaboration with ceramicist Frances Palmer

A color image shows a bouquet of flowers in a white vase.

Deep Dive – Richard Learoyd

May 29–Aug 9, 2025

Two artists reimagine art history through photography, clay, and collaboration.

Black and white photograph of a desert canyon with a small river running through the center framed in black

A Closer Look – Richard Learoyd: Grand Canyon

The artist explores the Grand Canyon in ambitious new works.

Black and white photograph of a seated dog in the artists studio

Peter Hujar: Animals

Peter Hujar: Animals

To Hujar, who grew up on a farm, animals and people were of equal interest. His photographs of dogs, horses, and cows seem to convey a mutual recognition between photographer and subject, a sort of calm acknowledgement.

Black and white photograph of a seated dog in the artists studio — Peter Hujar, Beauregard’s Dog Pilar, 1983 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a dog up close in a studio — Peter Hujar, Face of a Dog [Clarissa Dalrymple’s Dog, Kirsten], 1984

pigment print, 19-7/8 x 15-7/8 inches (sheet) [50.5 x 40.3 cm]

Black and white photograph of three sheep on hill — Peter Hujar, Sheep, Pennsylvania, 1969 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a seated dog with a wrinkled face and coat — Peter Hujar, Will: Char-Pei (I), 1985 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a dark horse chewing on a wooden fencepost with a pasture in the background — Peter Hujar, Horse, Warwick, R.I., 1979

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a shaggy haired cow outdoors — Peter Hujar, Shaggy Cow (I), 1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a foal in a harness following its mother's tail — Peter Hujar, Colt with Mother, Italy, 1975

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of two cows with white faces standing sideways with their heads turned to the viewer — Peter Hujar, Butch and Buster, 1978 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter Hujar, Horse, West Virginia, 1969 / printed 2010

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter Hujar, Cat in Snow, Germantown, 1982

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a black dog — Peter Hujar, Clarissa Dalrymple’s Dog, Kirsten, 1984

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a seated dog in the artists studio

Peter HujarBeauregard’s Dog Pilar

1983 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of three sheep on hill

Peter HujarSheep, Pennsylvania

1969 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a seated dog with a wrinkled face and coat

Peter HujarWill: Char-Pei (I)

1985 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a dark horse chewing on a wooden fencepost with a pasture in the background

Peter HujarHorse, Warwick, R.I.

1979

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a shaggy haired cow outdoors

Peter HujarShaggy Cow (I)

1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a foal in a harness following its mother's tail

Peter HujarColt with Mother, Italy

1975

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of two cows with white faces standing sideways with their heads turned to the viewer

Peter HujarButch and Buster

1978 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarHorse, West Virginia

1969 / printed 2010

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarCat in Snow, Germantown

1982

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a black dog

Peter HujarClarissa Dalrymple’s Dog, Kirsten

1984

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Color photograph of a mountain with half of the print in black and white with an illustration of the mountain top in the center

Richard T. Walker: Photographic Works

Richard T. Walker: Photographic Works

“Just as words within a sentence juggle for meaning to expose the fluidity of one’s perceived truth, I want to doubt landscape, but also remain true to the awe and fascination that it evokes.” —Richard T. Walker

Color photograph of a mountain with half of the print in black and white with an illustration of the mountain top in the center — Richard T. Walker, a paused refrain (embrace 1), 2022

pigment print, 13-1/4 x 19-3/4 inches (image & sheet), edition of 3

Color photograph of a mountain with half of the print in black and white with an illustration of the mountain top in the center — Richard T. Walker, a paused refrain (embrace 2), 2022

pigment print, 13-1/4 x 19-3/4 inches (image & sheet), edition of 3

Collage of a hand holding a stone surrounded by a red aura over an engraving of a mountain — Richard T. Walker, an elusive equivalence #12, 2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Collage of a fist supporting a stone surrounded by a blue aura over an engraving of a mountain — Richard T. Walker, an elusive equivalence #8, 2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Two framed color photographs of a blue sky with wispy clouds hung at a tilted angle — Richard T. Walker, outside / above, 2020

two pigment prints in artist's frames, 21 x 44 inches (overall) [53.3 x 111.8 cm], 1 of 3 unique variants

Two photographs in jagged-edge frames that fit together to form a rectangle. The top photograph is of a rock, and the bottom is of an etching of a mountain. The two come together to form a whole image of a mountain. — Richard T. Walker, these as determined by this #2, 2018

two pigment prints in artist’s frames, 31-1/4 25-1/8 inches (framed overall) [79.4 x 63.8 cm], edition of 3

Three color photographs of a blue landscape of a snow-covered mountain bisected by a single cloud in a clear sky — Richard T. Walker, an acquiescence of meaning #2, 2020

three pigment prints in artist’s frames, 41-1/2 x 80-1/2 inches (framed, overall) [105.4 x 204.5 cm], edition of 2

Collage of a rock with an iridescent circle imprinted with a mountain peak overlaid — Richard T. Walker, separately/together (unresolved #6), 2019

collaged inkjet print on watercolor paper, with screen print and motor, 18-1/2 x 16-1/2 inches (framed) [47 x 41.9 cm], edition of 2

A framed etching of a mountain, the peak of which has been cut out and left in the bottom of the frame. — Richard T. Walker, the fallibility of intent #6, 2015

cut-out pigment print, 48 x 32 inches (framed) [122 x 82 cm], edition of 2

Color image of a color photograph of a grey sky framed in natural wood with a modified rock on the frame — Richard T. Walker, after thought #3, 2022

pigment print in artist's frame, modified rock, 24-1/2 x 36-1/2 inches (overall) [62. x 92.7 cm], edition of 2

Color image of a color photograph of a cloudy sky with shades of pink and blue and a rock resting on frame on white background — Richard T. Walker, after thought #1, 2022

pigment print in artist's frame, modified rock, 24 x 36 inches (overall) [61 x 91.4 cm], edition of 2

A suite of three color photographs depicting a mountain top framed in white with a fourth framed illustration of a mountain top framed in natural wood on white background — Richard T. Walker, a form of endlessness #2, 2022

four pigment prints in artist's frames, 73-1/2 x 59 inches (installed) [186.6 x 149.9 cm], edition of 2

a diptych composed of two framed mixed media works — Richard T. Walker, this, as it isn’t (mountain #1), 2022

two pigment prints in artist's frames, modified rock, 36-3/4 x 51-3/4 inches installed [93.3 x 131.4 cm], edition of 2

Color image of a diptych of color photographs depicting an empty field with mountains on the horizon — Richard T. Walker, this, as it isn’t (mountain #2), 2022

pigment prints in artist's frames, 30 x 43 inches (approximately, installed), edition of 2

Color image of a diptych depicting a bare tree amongst the landscape with the top half being an illustration against white background and the bottom half a color photograph — Richard T. Walker, eternally almost #2, 2023

two pigment prints in artist’s frames, 37 x 29 inches (installed) [94 x 73.7 cm], edition of 2

Color image of a diptych depicting a bare tree amongst the landscape with the top half being an illustration against white background and the bottom half a color photograph — Richard T. Walker, eternally almost #3, 2023

two pigment prints in artist’s frames, 38-1/2 x 25 inches (installed) [97.8 x 63.5 cm], edition of 2

Color photograph of a mountain with half of the print in black and white with an illustration of the mountain top in the center

Richard T. Walkera paused refrain (embrace 1)

2022

pigment print, 13-1/4 x 19-3/4 inches (image & sheet), edition of 3

Color photograph of a mountain with half of the print in black and white with an illustration of the mountain top in the center

Richard T. Walkera paused refrain (embrace 2)

2022

pigment print, 13-1/4 x 19-3/4 inches (image & sheet), edition of 3

Collage of a hand holding a stone surrounded by a red aura over an engraving of a mountain

Richard T. Walkeran elusive equivalence #12

2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Collage of a fist supporting a stone surrounded by a blue aura over an engraving of a mountain

Richard T. Walkeran elusive equivalence #8

2017

pigment print, 18-1/2 x 14-7/8 inches (framed) [47 x 37.8 cm], edition of 3

Two framed color photographs of a blue sky with wispy clouds hung at a tilted angle

Richard T. Walkeroutside / above

2020

two pigment prints in artist's frames, 21 x 44 inches (overall) [53.3 x 111.8 cm], 1 of 3 unique variants

Two photographs in jagged-edge frames that fit together to form a rectangle. The top photograph is of a rock, and the bottom is of an etching of a mountain. The two come together to form a whole image of a mountain.

Richard T. Walkerthese as determined by this #2

2018

two pigment prints in artist’s frames, 31-1/4 25-1/8 inches (framed overall) [79.4 x 63.8 cm], edition of 3

Three color photographs of a blue landscape of a snow-covered mountain bisected by a single cloud in a clear sky

Richard T. Walkeran acquiescence of meaning #2

2020

three pigment prints in artist’s frames, 41-1/2 x 80-1/2 inches (framed, overall) [105.4 x 204.5 cm], edition of 2

Collage of a rock with an iridescent circle imprinted with a mountain peak overlaid

Richard T. Walkerseparately/together (unresolved #6)

2019

collaged inkjet print on watercolor paper, with screen print and motor, 18-1/2 x 16-1/2 inches (framed) [47 x 41.9 cm], edition of 2

A framed etching of a mountain, the peak of which has been cut out and left in the bottom of the frame.

Richard T. Walkerthe fallibility of intent #6

2015

cut-out pigment print, 48 x 32 inches (framed) [122 x 82 cm], edition of 2

Color image of a color photograph of a grey sky framed in natural wood with a modified rock on the frame

Richard T. Walkerafter thought #3

2022

pigment print in artist's frame, modified rock, 24-1/2 x 36-1/2 inches (overall) [62. x 92.7 cm], edition of 2

Color image of a color photograph of a cloudy sky with shades of pink and blue and a rock resting on frame on white background

Richard T. Walkerafter thought #1

2022

pigment print in artist's frame, modified rock, 24 x 36 inches (overall) [61 x 91.4 cm], edition of 2

A suite of three color photographs depicting a mountain top framed in white with a fourth framed illustration of a mountain top framed in natural wood on white background

Richard T. Walkera form of endlessness #2

2022

four pigment prints in artist's frames, 73-1/2 x 59 inches (installed) [186.6 x 149.9 cm], edition of 2

a diptych composed of two framed mixed media works

Richard T. Walkerthis, as it isn’t (mountain #1)

2022

two pigment prints in artist's frames, modified rock, 36-3/4 x 51-3/4 inches installed [93.3 x 131.4 cm], edition of 2

Color image of a diptych of color photographs depicting an empty field with mountains on the horizon

Richard T. Walkerthis, as it isn’t (mountain #2)

2022

pigment prints in artist's frames, 30 x 43 inches (approximately, installed), edition of 2

Color image of a diptych depicting a bare tree amongst the landscape with the top half being an illustration against white background and the bottom half a color photograph

Richard T. Walkereternally almost #2

2023

two pigment prints in artist’s frames, 37 x 29 inches (installed) [94 x 73.7 cm], edition of 2

Color image of a diptych depicting a bare tree amongst the landscape with the top half being an illustration against white background and the bottom half a color photograph

Richard T. Walkereternally almost #3

2023

two pigment prints in artist’s frames, 38-1/2 x 25 inches (installed) [97.8 x 63.5 cm], edition of 2