Christian Marclay: Cassette Tape Duplications

In a series of photographs showing screaming faces, cut and torn fragments from comic books, movie stills, and images found on the internet are arranged into haunting, mask-like composites, and then recorded by the camera. Capturing the paper’s inherent creases and tears, the photographs mix analog and digital elements, and investigate the computer screen as a contemporary physical surface.

Christian Marclay routinely makes photographs during his daily walks through London, where he now lives. By subtly editing many thousands of images of the pavement beneath his feet, Marclay has created hypnotic animations that unlock new possibilities inherent in the concept of “street photography.”

Photography has been an integral element of Marclay’s practice since his earliest years as an artist. With an eye keenly (and paradoxically) attuned to sound-related subject matter, his photographs function both as source material for his works in other media as well as sophisticated, subtle works of art on their own terms.

Marclay’s artistic practice is grounded in the area between sight, sound, and all manner of recordings, whether visual or aural. His overall body of work spans sculpture, video, photography, music, performance, and collage.