Lee Friedlander: American Musicians

From the 1950s to the 1970s, the artist photographed jazz, country, and blues artists in studios, during performances, and on tour. His portraits of musicians and jazz marching bands in New Orleans are a passionate document of the American music scene.

Black and white photograph of four men walking in a crowded street

Black and white photograph of a man playing an instrument

Color photograph of a woman wearing a green sweater signing

Color photograph of a man wearing a blue sweater

Black and white photograph of a man smoking a cigar and a boy at a piano

Black and white photograph of three figures with instruments and audio equipment

Black and white photograph of three men playing instruments in a smoky room

Color photograph of a man wearing sunglasses

Black and white photograph of a man playing piano

Color photograph up close of a man playing saxophone

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Lee Friedlander: American Musicians

Lee FriedlanderSecond Liners

1958

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderPhil Woods

1957

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderAretha Franklin

1968

Iris print, 21-1/4 x 21-1/2 inches (sheet) [54 x 54.6 cm]

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Lee FriedlanderMiles Davis

1969

Iris print, 16-7/8 x 16-7/8 inches (sheet) [42.9 x 42.9 cm]

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Lee FriedlanderPee Wee Marquette and Count Basie

1956

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderAnnie Ross, Chet Baker, Gerry Mulligan

1957

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderBilly Eckstine, Joe Newman, Eddie Jones

1956

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderRay Charles

1958

Iris print, 16-1/2 x 22-1/2 inches (sheet) [41.9 x 57.5 cm]

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Lee FriedlanderThelonius Monk

1957

gelatin-silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

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Lee FriedlanderDavid Fat Head Newman

1968

Iris print, 22-1/2 x 22 inches (sheet) [57.2 x 55.9 cm]

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Related Portfolios

Black and white photographs of two women in sunglasses taking photographs on a city street

Lee Friedlander: The People’s Pictures

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Lee Friedlander: The People’s Pictures

Black and white photograph of a person taking a family photograph in front of a life-size dinosaur statue — Lee Friedlander, Rapid City, South Dakota, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of two women taking photographs on a city sidewalk — Lee Friedlander, Paris, France, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of tourists having their photograph taken in front of a valley — Lee Friedlander, Canadian Rockies, Canada, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a young girl taking a photograph in a living room — Lee Friedlander, Fort Lee, New Jersey, 1971

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black and white photograph of a man in a crowd holding a camera to his eye — Lee Friedlander, New Orleans, Louisiana, 1991

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of three young women in front of a stone memorial taking a photograph — Lee Friedlander, Washington, D.C., 1988

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a man holding a camera in an art gallery — Lee Friedlander, David Hockney, New York City, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a woman taking a photograph of a man performing on a city corner — Lee Friedlander, New Orleans, Louisiana, 1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderNew Orleans

1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderRapid City, South Dakota

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderParis, France

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderCanadian Rockies, Canada

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderFort Lee, New Jersey

1971

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

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Lee FriedlanderNew Orleans, Louisiana

1991

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderWashington, D.C.

1988

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderDavid Hockney, New York City

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderNew Orleans, Louisiana

1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Black and white photograph of a rural two story building with the word 'eat' in large white letters on its roof.

Lee Friedlander: Signs

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Lee Friedlander: Signs

Since the early 1960s, Friedlander has focused on the signs that inscribe the American landscape, from hand-lettered ads to storefront windows to massive billboards. Depicting these texts with precision and sly humor, Friedlander’s approach to America transcribes a sort of found poetry of commerce and desire.

Black-and-white photograph showing detail of a sign with the text open pizza — Lee Friedlander, New Haven, Connecticut, 1980

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man and a monkey sitting in front of a store with advertisements in the background — Lee Friedlander, New York City, 1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a hand painted sign with the text reading "dancing" — Lee Friedlander, Dallas, 1976

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a Coca Cola sign and paintings of Jesus — Lee Friedlander, New Mexico, 2008

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of two women standing in a doorway of a building covered in boxing advertisements — Lee Friedlander, New York City, 1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a street sign and a building with the text camera man painted on the side — Lee Friedlander, Western Canada, 1974

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of a basket ball playing chicken attraction — Lee Friedlander, Atlantic City, New Jersey, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of an old weathered neon sign shaped like a cowboy hat with an arrow pointing right — Lee Friedlander, Montana, 1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a storefront with all caps text everything must go! — Lee Friedlander, New York City, 2013

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man walking in in front of a storefront covered in hand painted signs advertising the prices of products — Lee Friedlander, New York City, 1960

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of roadside sign missing letters with a police car speeding in the background and a cloudy sky — Lee Friedlander, New Mexico, 1990

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of the side of a building with a hand painted sign of a woman holding a cocktail — Lee Friedlander, California, 1965

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Lee FriedlanderStanzel, Iowa

1961

gelatin silver print, 16 x 20 inches (sheet) [40.64 x 50.8 cm]

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Lee FriedlanderNew Haven, Connecticut

1980

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderNew York City

1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderDallas

1976

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderNew Mexico

2008

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

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Lee FriedlanderNew York City

1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderWestern Canada

1974

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

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Lee FriedlanderAtlantic City, New Jersey

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderMontana

1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderNew York City

2013

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderNew York City

1960

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderNew Mexico

1990

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderCalifornia

1965

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

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Black-and-white photograph of a man and woman entering and exiting a building with their faces obscured by doors

Lee Friedlander: The Street

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Lee Friedlander: The Street

Friedlander’s street is a metaphor for the American social landscape. Flattening a dynamic space into a photographic image, people and objects are reflected in windows and mirrors, framed by lamp posts and doors, creating new relationships and narratives.

Black-and-white photograph of a man in a suit standing in the street in front of a. building with a question mark painted on it — Lee Friedlander, New York City, 1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a city street with a telephone pole in the center — Lee Friedlander, Kansas City, Missouri, 1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of cut outs of a man and woman taped in a window with palm trees in the reflection — Lee Friedlander, Los Angeles, 1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man with laying his head on a table through the window of a storefront — Lee Friedlander, New York City, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a woman standing behind a glass door — Lee Friedlander, Baltimore, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man and woman looking out of the frame with binoculars with reflections in the glass wall behind them — Lee Friedlander, Mt. Rushmore, South Dakota, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of JFK on screen at a drive in theater — Lee Friedlander, Monsey, N.Y., 1963

gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]

Black-and-white photograph of a man looking out the window of an ice cream parlour — Lee Friedlander, Newark, N.J., 1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of the shadow of a persons head on the back of a woman — Lee Friedlander, New York City, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderNew York City

1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderNew York City

1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderKansas City, Missouri

1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderLos Angeles

1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderNew York City

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderBaltimore

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderMt. Rushmore, South Dakota

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderMonsey, N.Y.

1963

gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]

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Lee FriedlanderNewark, N.J.

1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Lee FriedlanderNew York City

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

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Black-and-white photograph of a television with a woman's face onscreen on top of a bureau

Lee Friedlander: The Little Screens

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Lee Friedlander: The Little Screens

Friedlander’s 1960s photographs show television screens in motel rooms and other anonymous spaces, transmitting images of pop icons, political figures, or minor celebrities. Called by Walker Evans “deft, witty, spanking little poems of hate,” the images reveal an emerging reality—the omnipresence of screens and the drone of television voices in an increasingly isolationist culture.