Another West

Curated by Richard Misrach, the exhibition surveys contemporary approaches to the Western landscape.

Concurrent with Carleton Watkins, Fraenkel Gallery is pleased to present Another West, curated by American photographer Richard Misrach. Comprised of work by eleven established and emerging artists, the exhibition surveys contemporary approaches to the Western landscape, and offers a counterpoint to Watkins’s sublime vision. While Watkins was at times employed by railroad and mining companies that were transforming the land, the artists here use a variety of strategies to reveal the consequences and aftermath of the American concept of Manifest Destiny. Included in the show are works by Johnnie Chatman, Lewis deSoto, Mercedes Dorame, Mishka Henner, Nancy Holt, Zig Jackson, An-My Lê, Meghann Riepenhoff, Ed Ruscha, David Benjamin Sherry and Tabitha Soren. By presenting wide-ranging responses from artists with diverse backgrounds, the show illustrates shifting echoes of established traditions.

Color photograph of a blue expanse with a yellow circle in the foreground
Lewis DeSoto, Ellipse/Tide V.2, 1982
pigment print, 42-1/2 x 39-3/8 inches (framed) [108 x 100 cm]
Color photograph of an oil field photographed from above.
Mishka Henner, Levelland Oil Field #1, Hockley County, Texas, 2013
pigment print, 62 x 105 inches (framed) [157 x 267 cm]

Richard Misrach notes:

Carleton Watkins’s nineteenth-century photographs helped describe and define our notions of the American West. His work recorded early practices of mining and other human-impacted landscapes, but most notably a wilderness beauty like no other. The artists in this show present a different West, or perhaps more accurately, eleven different Wests. From Nancy Holt’s 1972 color series “California Sun Signs,” to Lewis deSoto’s performance-driven long exposures, to Mishka Henner’s appropriated and digitally-composited satellite images of oil derricks, these artists employ photographic strategies and technologies unimaginable in Watkins’s era of the black-and-white mammoth plate. Most significantly, these artists of the late twentieth and twenty-first centuries call our attention to what the West has become.

All-blue photograph of the Rio Grande valley, photographed from above.
David Benjamin Sherry, Rio Grande Gorge, Rio Grande del Norte National Monument, New Mexico, 2017
chromogenic print, 90-3/4 x 73 inches (framed) [231 x 185 cm]
Richard Misrach discusses the work in the exhibition Another West
Duration: 00:07:56 | Release Date: Sep 2019

Works on View

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