Garry WinograndCirca 1969

Fraenkel Gallery is pleased to announce Garry Winogrand circa 1969, an exhibition focusing on an especially fertile period in the career of one of photography’s most influential artists. The exhibition will be comprised of approximately thirty photographs, many of which are being exhibited for the first time. In 2013 Winogrand’s work will be the subject of a major retrospective organized by the San Francisco Museum of Modern Art, and will travel to the National Gallery of Art, Washington, D.C., and the Metropolitan Museum of Art, New York.

New York, ca. 1968
gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry Winogrand began photographing in 1948 at the age of 20. His inclusion in the landmark 1967 exhibition New Documents, curated by John Szarkowski at the Museum of Modern Art, heralded the arrival of a major talent. That exhibition, which also included the work of Diane Arbus and Lee Friedlander, traveled extensively throughout the U.S. and influenced an entire generation of photographers.

Tenth Anniversary Party, Guggenheim Museum, New York, 1970
gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Though Winogrand’s career is widely acclaimed, the scope and complexity of his achievements remain only tentatively explored. He famously worked with unstoppable energy and a peerless hunger for image-making. Throughout the 1960s he had received many accolades for his work, yet the last year of that decade was unparalleled. He received a second Guggenheim Fellowship, to study “the effect of the media on events”; The Animals was exhibited and published by the Museum of Modern Art, New York; he traveled and photographed extensively in Europe; and he met the woman who would become his third wife. Winogrand died of cancer in 1984.

London, ca. 1969
gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Major publications of Winogrand’s photographs include Woman Are Beautiful (1975), Public Relations (1977), Figments from the Real World (1988), The Man in the Crowd (1999), and Arrivals and Departures (2009). His photographs can be found in depth in the collections of the Museum of Modern Art, the Metropolitan Museum of Art, the San Francisco Museum of Art, the National Gallery of Art, and numerous other museums.

Works on View

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