New York Times

A Photographer’s Eye



Nicholas Nixon discusses his recent work with the New York Times LENS Blog.

It’s the thing you focus on when you are photographing people, it’s the thing you look at with people instinctively to see if you trust them or not. — Nicholas Nixon

From the New York Times LENS posting by Rena Silverman on 8 June 2016.
To learn more about Nixon’s work and publications, please visit his artist page.

No Moral, No Uplift, Just a Restless ‘Click’ ‘Garry Winogrand,’ a Retrospective at the Metropolitan Museum


Holland Cotter of The New York Times argues that though many of the photographs in the MET’s Garry Winogrand Retrospective slide off the eye, the show is still engrossing as it captures a historical moment.

Winogrand was wrong about photographs’ being unable to change society, as he could have seen firsthand: pictures streaming back from Vietnam fueled public opposition to a war he hated. And he was wrong that art had no place for moral statement, that ambiguity was the only way to go, that what you randomly see is all that matters. On this score, however, his thinking was prescient: It’s the dominant ethic in a cash-bloated art world today. –Holland Cotter

From The New York Times online posting by Holland Cotter on 3 July 2014.
To learn more about Winogrand’s work, please visit his artist page.