Richard Misrach

publish
Pyramid Lake No. 1, 1985

Ever since American settlers first arrived at the western edge of the continent, the great American desert has served as a vital symbol of our precarious relationship with the land.  Misrach’s photographs of the desert are more than spectacular landscape views.  Rather, Misrach is concerned with the desert as a wild and primordial place and with the effects of human presence on the desert.  Maintaining an ironic balance between the beautiful dreamy colors and the natural, or man-made, disasters, Misrach explores the metaphors inherent in the American desert.

Considered one of the most significant and influential photographers working in color, Misrach in his recent work evidences an extraordinary sensitivity to light and its atmospheric effects on the land.  His use of the cumbersome 8”x10” view camera fills the photographs with dense and rewarding detail.  Misrach is the recipient of three NEA grants, a Guggenheim fellowship and the Ferguson Award.

Ask About the Works in this Exhibition