Page 13 of 14

Black-and-white close-up photographic portrait of a man's eye and nose

Self-portraits

The artist turns the camera on himself, offering unflinching and close-up views of his face, hands, neck, and chest, visibly marked by time.

Black-and-white close-up photograph of beard hairs around a mouth — Nicholas Nixon, Self (11), Brookline, 2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white close-up photograph of a man pulling down his lower eyelid — Nicholas Nixon, Self (04), Brookline, 2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white close-up photograph of the stubble and beard around the chin and neck — Nicholas Nixon, Self (03), Brookline, 2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white close-up photograph of the buttons of a shirt — Nicholas Nixon, Self (19), Brookline, 2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white close-up photograph of an open eye — Nicholas Nixon, Self (09), Brookline, 2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white close-up photograph of an ear — Nicholas Nixon, Self (32), Brookline, 2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white close-up photograph of a side-ways cast eye and nose — Nicholas Nixon, Self (22), Brookline, 2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white close-up photograph of the tip of a nose — Nicholas Nixon, Self (28), Brookline, 2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white close-up photograph of of the inner base of three fingers, one wearing a ring — Nicholas Nixon, Self (27), Brookline, 2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Nicholas NixonSelf (02), Brookline

2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonSelf (11), Brookline

2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonSelf (04), Brookline

2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonSelf (03), Brookline

2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonSelf (19), Brookline

2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonSelf (09), Brookline

2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonSelf (32), Brookline

2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonSelf (22), Brookline

2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonSelf (28), Brookline

2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonSelf (27), Brookline

2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Black-and-white frontal photograph of an eight-story building receding into the distance

Nicholas Nixon: City views

Through complex compositions of building surfaces, window reflections, and shadows, the artist surveys the dense Boston cityscape.

Black-and-white photograph of a steeple in front of modern high-rise buildings — Nicholas Nixon, View of the Old South Meeting House, Boston, 2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white photograph of a colonial-era building in the lower right in the shadows of towering modern high-rise buildings — Nicholas Nixon, View of the Old State House and Faneuil Hall, Boston, 2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white photograph of reflected light and shadow on a modern high-rise building façade — Nicholas Nixon, View of the Boston Co. Building, Boston, 2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white photograph of city buildings from various eras — Nicholas Nixon, View of Temple Place, Boston, 2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white photograph of glass-fronted high-rise buildings under a cloudy sky — Nicholas Nixon, View of Prudential Building, Boston, 2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white photograph of fire escapes on the shadowed side of a brick building — Nicholas Nixon, View behind Bowdoin Street, Boston, 2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white photograph of a domed church building against a background of modern high-rise building — Nicholas Nixon, View of Christian Science Center, Boston, 2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white photograph of the glass-windowed façade of a modern office building — Nicholas Nixon, View of Prudential Building, Boston, 2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white photograph of a low stone building flying American flags on its façade in front of modern high-rise buildings — Nicholas Nixon, View of Boston Public Library, 2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Black-and-white photograph of reflected light and shadows on a partially-demolished brick building — Nicholas Nixon, View of Filene’s Demolition, Boston, 2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

Nicholas NixonView East from Pi Alley, Boston

2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonView of the Old South Meeting House, Boston

2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonView of the Old State House and Faneuil Hall, Boston

2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonView of the Boston Co. Building, Boston

2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonView of Temple Place, Boston

2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonView of Prudential Building, Boston

2008

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonView behind Bowdoin Street, Boston

2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonView of Christian Science Center, Boston

2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonView of Prudential Building, Boston

2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonView of Boston Public Library

2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Nicholas NixonView of Filene’s Demolition, Boston

2009

gelatin silver contact print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Black-and-white photograph of out of focus rectangular tower block building with rounded corners

Hiroshi Sugimoto: Architecture

Architecture has long been a part of Hiroshi Sugimoto’s multidisciplinary practice. He designed the Enoura Observatory (home of the Odawara Arts Foundation), which opened in 2017, and a commission to redesign the Sculpture Garden at the Hirshhorn Museum is currently underway. Iconic buildings have also been a focus of his photographic work. In this series, the artist investigates the essence of 20th century modernism. By setting his camera to twice infinity, each photograph results in a blurred silhouette of the building being imaged.

A black and white photograph, slightly blurred, of the courtyard at the Hirshhorn Museum and Sculpture Garden — Hiroshi Sugimoto, Hirshhorn Museum and Sculpture Garden, 2006

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

A black and white photograph of a slightly blurred scene of a courtyard with a horse, and clouds in the sky — Hiroshi Sugimoto, Egerstrom House, 2002

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Black-and-white photograph of out of focus interior of a minimalist building with an arcade of windows on the right and seating area on the left — Hiroshi Sugimoto, German Pavillion, 1998

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

A black and white photograph, slightly blurred, of the Leaning Tower of Pisa — Hiroshi Sugimoto, Leaning Tower of Pisa, 2014

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

A black and white photograph, slightly blurred, of the interior of the MIT Chapel — Hiroshi Sugimoto, MIT Chapel, 2005

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

Black-and-white photograph of out of focus tower with two elongated rectangle cutouts — Hiroshi Sugimoto, Monumento ai Caduti, 1998

gelatin silver print, 25 x 20 inches (mount) 63.5 x 50.8 cm], edition of 25

Black-and-white photograph of out of focus factory building with rows of large glass windows and two flags on the roof — Hiroshi Sugimoto, Fagus Shoe Last Factory – Walter Gropius, 1998

gelatin silver print, 25 x 20 inches (mount) 63.5 x 50.8 cm], edition of 25

A framed black and white photograph depicting a blurry stairwell and window — Hiroshi Sugimoto, MoMA, Bauhaus Stairway, 2013

gelatin silver print, 71-3/4 x 60 inches (framed) [183 x 152.5 cm], edition of 5

A framed black and white photograph of an outdoor courtyard, where two walls meet and a tower rises behind them. — Hiroshi Sugimoto, Barragan House, 2002

gelatin silver print, 72 x 60 inches (framed) [182.9 x 152.4 cm], edition of 5

Hiroshi SugimotoS.C. Johnson Building

2001

gelatin silver print, 25 x 20 inches (mount) 63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoHirshhorn Museum and Sculpture Garden

2006

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoEgerstrom House

2002

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoGerman Pavillion

1998

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLeaning Tower of Pisa

2014

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoMIT Chapel

2005

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoMonumento ai Caduti

1998

gelatin silver print, 25 x 20 inches (mount) 63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoFagus Shoe Last Factory – Walter Gropius

1998

gelatin silver print, 25 x 20 inches (mount) 63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoMoMA, Bauhaus Stairway

2013

gelatin silver print, 71-3/4 x 60 inches (framed) [183 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoBarragan House

2002

gelatin silver print, 72 x 60 inches (framed) [182.9 x 152.4 cm], edition of 5

"*" indicates required fields

Richard Learoyd: Still-life

Poetically rich images explore the classical canon of still-life tableaus, uniquely interpreted through the artist’s photographic techniques.

Red Wing, 2025

camera obscura Ilfochrome photograph, 44-5/8 x 37-3/8 inches (framed) [113.3 x 94.9 cm], edition of 3 +1AP

Color photograph of an oval blueish mirror with dust and streaks — Empty mirror, 2009

camera obscura Ilfochrome photograph, 24-3/4 x 21 inches (framed) [62.9 x 53.3 cm]

Color photograph of a pair of red onions framed in black — Large Red Onions, 2024

camera obscura Ilfochrome photograph, 23 x 26-1/2 inches (framed) [58.4 x 67.3 cm]

Color photograph of a skate wing being suspended in mid air by a black thread framed in white — Skate wing, 2012

camera obscura Ilfochrome photograph, 46-7/8 x 46-7/8 inches (framed) [119 x 119 cm]

Color photograph of an empty dark blue surface with spots and streaks of dust — Close Mirror 2, 2008

unique Ilfochrome print, 60-1/2 x 60 inches (framed) [153.67 x 153.67 cm]

Color photograph of a lit candle and glass jar on a stone plinth next to a vertebrae — From Guf to Grave, 2019

camera obscura Ilfochrome photograph, 55-3/8 x 55-3/8 inches (framed) [141 x 141 cm]

Color image of color photograph depicting suspended twine in white frame — Found No. 1, 2022

camera obscura Ilfochrome photograph, 29-1/4 x 26-1/8 inches (framed) [74.2 x 66.5 cm], one of four unique variants

Color photograph of two long, thin silver fish tied in a knot around a vertically suspended string — You and me, 2010

unique Ilfochrome print, 60-3/4 x 62-1/4 inches (framed) [154.3 x 158.1 cm]

Framed color photograph of a cluster of clock gears suspended on a wire — Fragmented clock 1, 2018

camera obscura Ilfochrome photograph, 40-3/8 x 33-3/8 inches (framed) [102.6 x 84.8 cm]

Richard LearoydRed Wing

2025

camera obscura Ilfochrome photograph, 44-5/8 x 37-3/8 inches (framed) [113.3 x 94.9 cm], edition of 3 +1AP

"*" indicates required fields

Richard LearoydEmpty mirror

2009

camera obscura Ilfochrome photograph, 24-3/4 x 21 inches (framed) [62.9 x 53.3 cm]

"*" indicates required fields

Richard LearoydLarge Red Onions

2024

camera obscura Ilfochrome photograph, 23 x 26-1/2 inches (framed) [58.4 x 67.3 cm]

"*" indicates required fields

Richard LearoydSkate wing

2012

camera obscura Ilfochrome photograph, 46-7/8 x 46-7/8 inches (framed) [119 x 119 cm]

"*" indicates required fields

Richard LearoydClose Mirror 2

2008

unique Ilfochrome print, 60-1/2 x 60 inches (framed) [153.67 x 153.67 cm]

"*" indicates required fields

Richard LearoydFrom Guf to Grave

2019

camera obscura Ilfochrome photograph, 55-3/8 x 55-3/8 inches (framed) [141 x 141 cm]

"*" indicates required fields

Richard LearoydFound No. 1

2022

camera obscura Ilfochrome photograph, 29-1/4 x 26-1/8 inches (framed) [74.2 x 66.5 cm], one of four unique variants

"*" indicates required fields

Richard LearoydYou and me

2010

unique Ilfochrome print, 60-3/4 x 62-1/4 inches (framed) [154.3 x 158.1 cm]

"*" indicates required fields

Richard LearoydFragmented clock 1

2018

camera obscura Ilfochrome photograph, 40-3/8 x 33-3/8 inches (framed) [102.6 x 84.8 cm]

"*" indicates required fields

Black-and-white photograph of a thin branching twig in focus against a blurred background

Ralph Eugene Meatyard: Zen

A meditative study of the mysterious forms of twigs and tree branches, inspired and informed by the artist’s deep study of Zen Buddhism.

Black-and-white photograph of dried buds on thing tree branches — Ralph Eugene Meatyard, Untitled, 1964

gelatin silver print , 14 x 11 inches (mount) [35.6 x 27.9 cm]

Black-and-white photograph of thin budding tree branches against a blurred background — Ralph Eugene Meatyard, Untitled, 1959

gelatin silver print , 14 x 11 inches (mount) [35.6 x 27.9 cm]

Black-and-white photograph of a thin branch against a blurred background of trees and sky — Ralph Eugene Meatyard, Untitled, 1961

gelatin silver print, 13 x 10 inches (mount) [33.0 x 25.4 cm]

Black-and-white photograph of a spiky bud at the tip of a thin curving branch on a blurred background of running water — Ralph Eugene Meatyard, Untitled, 1964

gelatin silver print, 14 x 11 inches (mount) [35.6 x 27.9 cm]

Black-and-white photograph of two thin bare branches against a blurred background of pine branches — Ralph Eugene Meatyard, Untitled, 1959

gelatin silver print, 14 x 11 inches (mount) [35.6 x 27.9 cm]

Black-and-white photograph of a dried leaf impaled on a bare branch — Ralph Eugene Meatyard, Untitled, 1960

gelatin silver print, 14 x 11 inches (mount) [35.6 x 27.9 cm]

Black-and-white photograph of a thin zig-zagging bare branch — Ralph Eugene Meatyard, Untitled, ca. 1957-58

gelatin silver print , 4-1/2 x 4-1/2 (sheet) [11.4 x 11.4 cm]

Black-and-white photograph of a bare twig with three prongs — Ralph Eugene Meatyard, Untitled, 1960

gelatin silver print , 14 x 11 inches (mount) [35.6 x 27.9 cm]

Ralph Eugene MeatyardUntitled

1960

gelatin silver print, 5-3/4 x 7 inches (image & sheet) [14.6 x 17.8 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

1964

gelatin silver print , 14 x 11 inches (mount) [35.6 x 27.9 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

1959

gelatin silver print , 14 x 11 inches (mount) [35.6 x 27.9 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

1961

gelatin silver print, 13 x 10 inches (mount) [33.0 x 25.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

1964

gelatin silver print, 14 x 11 inches (mount) [35.6 x 27.9 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

1959

gelatin silver print, 14 x 11 inches (mount) [35.6 x 27.9 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

1960

gelatin silver print, 14 x 11 inches (mount) [35.6 x 27.9 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

ca. 1957-58

gelatin silver print , 4-1/2 x 4-1/2 (sheet) [11.4 x 11.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

1960

gelatin silver print , 14 x 11 inches (mount) [35.6 x 27.9 cm]

"*" indicates required fields

Black and white photograph of blurred dark figures

Ralph Eugene Meatyard: No-Focus

Reducing groups of human figures to indistinct abstractions, the artist proposes an alternate notion to the traditional photographic portrait.

Black-and-white out-of-focus photograph of a figure standing between two dark blobs — Ralph Eugene Meatyard, Untitled, ca. 1957-58

gelatin silver print, 7-3/4 x 7-1/4 inches (sheet) [19.7 x 18.4 cm]

Black-and-white out-of-focus photograph of two dark figures walking — Ralph Eugene Meatyard, Untitled, 1959

gelatin silver print, 6-3/8 x 7-1/4 inches (sheet) [16.2 x 18.4 cm]

Black-and-white out-of-focus photograph of a hazy white blob on a dark background — Ralph Eugene Meatyard, Untitled, ca. 1958

gelatin silver print, 14 x 11 inches (mount) [35.6 x 27.9 cm]

Black-and-white out-of-focus photograph of three dark figures standing apart from one another — Ralph Eugene Meatyard, Untitled, ca. 1958

gelatin silver print, 6-3/8 x 7-7/8 inches (sheet) [16.2 x 20 cm]

Black-and-white out-of-focus photograph of three or four dark standing figures on a light background — Ralph Eugene Meatyard, Untitled, ca. 1957-58

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Ralph Eugene MeatyardUntitled

1959 / printed ca. 1959

gelatin silver print, 7-1/4 x 8-1/4 inches (image & sheet) [18.4 x 21.0 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

ca. 1957-58

gelatin silver print, 7-3/4 x 7-1/4 inches (sheet) [19.7 x 18.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

1959

gelatin silver print, 6-3/8 x 7-1/4 inches (sheet) [16.2 x 18.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

ca. 1958

gelatin silver print, 14 x 11 inches (mount) [35.6 x 27.9 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

ca. 1958

gelatin silver print, 6-3/8 x 7-7/8 inches (sheet) [16.2 x 20 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

ca. 1957-58

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

A black and white photograph of a wooden structure slightly off center

Lee Friedlander: Sticks & Stones

Friedlander juxtaposes vernacular buildings or monumental skyscrapers with otherwise unremarkable elements of urban architecture—posts, sidewalks, fences, alleys—to offer a new way of looking at our built environment.

A black and white photograph of a single recliner in an empty store front display — Lee Friedlander, Baton Rouge, 1998

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

A black and white photograph of the back of a yield sign lined up with a pyramid in the distance — Lee Friedlander, Memphis, 2003

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

A black and white photograph of roadside signs and their shadows — Lee Friedlander, New Mexico, 2001

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

A black and white photograph of a self portrait of the shadow of a tree against a house — Lee Friedlander, Wisconsin, 2000

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

A black and white photograph of a chain link fence with a large structure in the background — Lee Friedlander, Washington, DC, 2001

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

A black and white photograph of row houses with shadows from trees — Lee Friedlander, Brooklyn, New York, 2000

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

A black and white photograph of a structure behind a chain link fence — Lee Friedlander, New York City, 2002

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

A black and white photograph of room corner with a brick wall reflected in a mirror — Lee Friedlander, Tuscon, Arizona, 2000

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

A black and white photograph of a stone structure — Lee Friedlander, Gallup, New Mexico, 1988

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

Lee FriedlanderCody, Wyoming

2000

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderBaton Rouge

1998

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderMemphis

2003

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderNew Mexico

2001

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderWisconsin

2000

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderWashington, DC

2001

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderBrooklyn, New York

2000

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderNew York City

2002

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderTuscon, Arizona

2000

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Lee FriedlanderGallup, New Mexico

1988

gelatin silver print, 20 x 16 inches [50.8 x 40.6 cm]

"*" indicates required fields

Color photographic portrait of a seated shirtless man with tattooed arms looking downwards

Richard Learoyd: Portraits

Learoyd’s photographs mimic how we see—rendering particular features in sharp detail, others gradually melting out of focus—effectively extending the process of looking. The artist has said of his portraits, “My hope is that they inspire a truly reflective view: a view of intimacy and understanding, and insight into another that will increase our humanity.”

Framed color photograph of a woman in a striped dress seated on a stool — Richard Learoyd, Agnes stripy dress, 2008

camera obscura Ilfochrome photograph, 80-1/4 x 60 inches (framed) [203.8 x 152.4 cm]

Color photograph of a nude women turned away from camera amongst suspended black thread in black frame — Richard Learoyd, Drawing, 2021

camera obscura Ilfochrome photograph, 40-7/8 x 40-3/4 inches (framed) [103.8 x 103.5 cm]

Color photographic portrait of a nude young woman reclining in a plastic-covered chair — Richard Learoyd, Cecilia white chair, 2019

camera obscura Ilfochrome photograph, 52-1/4 x 52 inches (framed) [132.7 x 132.1 cm]

Framed color photograph of a woman with short curly hair against a gray background — Richard Learoyd, Benny, 2018

camera obscura Ilfochrome photograph, 32 x 30 inches (framed) [81 x 76 cm]

Color photograph of a person's bare back with their hand clutching their upper arm — Richard Learoyd, Fragment, 2014

camera obscura Ilfochrome photograph, 29-1/8 x 26-1/2 inches (framed) [74 x 58.4 cm]

Two color photographs of a pair of female twins framed in white — Richard Learoyd, Twin 1 & Twin 2, 2012

two camera obscura Ilfochrome photographs, 70-1/4 x 59-3/4 inches (each framed) [178 x 151.8 cm]

Color photographic portrait of a seated young woman in a yellow shirt leaning on a wall with her arms behind her back — Richard Learoyd, Melanie, 2015

camera obscura Ilfochrome photograph, 70-1/2 x 60-1/8 inches (framed) [179.1 x 152.7 cm]

Color photographic portrait of a young woman in a purple shirt with her cheek resting on her clasped hands — Richard Learoyd, Last ever, 2015

unique Ilfochrome print, 47-1/2 x 41 inches (framed) [120 x 106.7 cm]

Color photographic portrait of a young woman with tied up dark hair and a somber downcast expression — Richard Learoyd, Harmony white shirt, 2011

unique Ilfochrome print, 60-1/2 x 60 inches (framed) [153.7 x 152.4 cm]

Color photographic portrait of a nude young woman seated at a barle table with her head turned back towards the gray wall — Richard Learoyd, Rosalind turned away, 2016

unique Ilfochrome print, 70-5/8 x 59-3/4 inches (framed) [179.4 x 151.8 cm]

Richard LearoydYosef

2008

camera obscura Ilfochrome photograph, 70-1/2 x 60 inches (framed) [179.1 x 152.4 cm]

"*" indicates required fields

Richard LearoydAgnes stripy dress

2008

camera obscura Ilfochrome photograph, 80-1/4 x 60 inches (framed) [203.8 x 152.4 cm]

"*" indicates required fields

Richard LearoydDrawing

2021

camera obscura Ilfochrome photograph, 40-7/8 x 40-3/4 inches (framed) [103.8 x 103.5 cm]

"*" indicates required fields

Richard LearoydCecilia white chair

2019

camera obscura Ilfochrome photograph, 52-1/4 x 52 inches (framed) [132.7 x 132.1 cm]

"*" indicates required fields

Richard LearoydBenny

2018

camera obscura Ilfochrome photograph, 32 x 30 inches (framed) [81 x 76 cm]

"*" indicates required fields

Richard LearoydFragment

2014

camera obscura Ilfochrome photograph, 29-1/8 x 26-1/2 inches (framed) [74 x 58.4 cm]

"*" indicates required fields

Richard LearoydTwin 1 & Twin 2

2012

two camera obscura Ilfochrome photographs, 70-1/4 x 59-3/4 inches (each framed) [178 x 151.8 cm]

"*" indicates required fields

Richard LearoydMelanie

2015

camera obscura Ilfochrome photograph, 70-1/2 x 60-1/8 inches (framed) [179.1 x 152.7 cm]

"*" indicates required fields

Richard LearoydLast ever

2015

unique Ilfochrome print, 47-1/2 x 41 inches (framed) [120 x 106.7 cm]

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Richard LearoydHarmony white shirt

2011

unique Ilfochrome print, 60-1/2 x 60 inches (framed) [153.7 x 152.4 cm]

"*" indicates required fields

Richard LearoydRosalind turned away

2016

unique Ilfochrome print, 70-5/8 x 59-3/4 inches (framed) [179.4 x 151.8 cm]

"*" indicates required fields

Two black-and-white vertical photographs of tree branches and tree trunks

Robert Adams: Light Balances

A study of light, shape, and shadow, photographed in a protected forest near the Columbia River estuary.

Triptych of black and white photographs of trees and greenery — Robert Adams, Untitled, 2008

three gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Three black-and-white vertical photographs showing details of tree branches and tree trunks in a dense forest — Robert Adams, Untitled, 2011-12

three gelatin silver prints, 14 x 11 inches (each sheet) [36.5 x 27.9 cm]

Three black-and-white vertical photographs showing details of tree branches tree trunks, and a stump in a dense forest — Robert Adams, Untitled, 2008-11

three gelatin silver prints, 14 x 11 inches (each sheet) [36.5 x 27.9 cm]

Diptych of black and white photographs of trees and greenery — Robert Adams, Untitled, 2008

two gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Four black-and-white vertical photographs showing details of leaves and tree trunks in a dense forest — Robert Adams, Untitled, 2008-11

four gelatin silver prints, 14 x 11 inches (each sheet) [36.5 x 27.9 cm]

Three black-and-white vertical photographs showing tree trunks in a dense forest — Robert Adams, Untitled, 2011-12

three gelatin silver prints, 14 x 11 inches (each sheet) [36.5 x 27.9 cm]

Robert AdamsUntitled

2011

two gelatin silver prints, 14 x 11 inches (each sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

2008

three gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

2011-12

three gelatin silver prints, 14 x 11 inches (each sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

2008-11

three gelatin silver prints, 14 x 11 inches (each sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

2008

two gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

2002-11

three gelatin silver prints, 14 x 11 inches (each sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

2008

three gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

2008-11

four gelatin silver prints, 14 x 11 inches (each sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

2011-12

three gelatin silver prints, 14 x 11 inches (each sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

2008

three gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Black-and-white horizontal photograph of birds on a beach

Robert Adams: Sea Stories

Photographic observations of migratory shore birds, the beach, ocean, and sky in Washington State’s North Beach. As the artist writes, the moments of connection and beauty are “less an answer to our questions than a rephrasing of them as consolations.”

Two black-and-white horizontal photographs of birds on a beach — Robert Adams, North Beach Peninsula, Pacific County, Washington, 2008

gelatin silver print, 11 x 14 inches (each sheet) [27.9 x 36.5 cm]

Three black-and-white horizontal photograph of birds on a beach — Robert Adams, North Beach Peninsula, Pacific County, Washington, 2008

gelatin silver print, 11 x 14 inches (each sheet) [27.9 x 36.5 cm]

Robert AdamsNorth Beach Peninsula, Pacific County, Washington

2008

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 36.5 cm]

"*" indicates required fields

Robert AdamsNorth Beach Peninsula, Pacific County, Washington

2008

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 36.5 cm]

"*" indicates required fields

Robert AdamsNorth Beach Peninsula, Pacific County, Washington

2008

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 36.5 cm]

"*" indicates required fields

Robert AdamsClatsop Beach, Oregon

1990

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsNorth Beach Peninsula, Pacific County, Washington

2008

gelatin silver print, 11 x 14 inches (each sheet) [27.9 x 36.5 cm]

"*" indicates required fields

Robert AdamsNorth Beach Peninsula, Pacific County, Washington

2008

gelatin silver print, 11 x 14 inches (each sheet) [27.9 x 36.5 cm]

"*" indicates required fields

black-and-white vertical photo of a narrow dirt road running through a forrest with tall trees

Robert Adams: Around the House & Forest Roads

Recent work exploring the simple marvels and subtle drama in nearby patches of nature and intimate domestic scenes.

black-and-white vertical photo of a dimly lit house with two dormers — Robert Adams, Astoria, Oregon, 2014

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 36.5 cm]

Three black-and-white vertical photos of clouds and a brightly lit sky — Robert Adams, Afternoon Sky, 2014

gelatin silver print, 14 x 11 inches (each sheet) [36.5 x 27.9 cm]

Black-and-white horizontal photograph of a desk with papers and a magnifying glass on the surface and a poster for the "Hudson River School" in the background — Robert Adams, Astoria, Oregon, 2015

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 36.5 cm]

Black-and-white vertical photograph of a photographic dark room showing an enlarger and photographs on the wall — Robert Adams, Astoria, Oregon, 2015

gelatin silver print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

black-and-white vertical photo of clouds and the tip of a tree top — Robert Adams, Astoria, Oregon, 2014

gelatin silver print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

black-and-white vertical photo of a poster showing different species of birds and other nature imagery — Robert Adams, Astoria, Oregon, 2014

gelatin silver print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

black-and-white horizontal photo of clouds — Robert Adams, Astoria, Oregon, 2015

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 36.5 cm]

Black-and-white photograph of the sea seen through a windoow — Robert Adams, Untitled, 2016

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white vertical photo of brightly lit clouds over a beach — Robert Adams, The Sea Beach, Nehalem Spit and North to Manzanita, 2015

gelatin silver print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

black-and-white horizontal photo of a road running through a forrest with tall trees and a bright sky — Robert Adams, Nehalem Spit, Oregon, 2013

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 36.5 cm]

Black-and-white photograph of a woman standing next to a large driftwood stump. — Robert Adams, The River’s Edge, 2015

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Robert AdamsAn Old Forest Road

2012

gelatin silver print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Robert AdamsAstoria, Oregon

2014

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 36.5 cm]

"*" indicates required fields

Robert AdamsAfternoon Sky

2014

gelatin silver print, 14 x 11 inches (each sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Robert AdamsAstoria, Oregon

2015

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 36.5 cm]

"*" indicates required fields

Robert AdamsAstoria, Oregon

2015

gelatin silver print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Robert AdamsAstoria, Oregon

2014

gelatin silver print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Robert AdamsAstoria, Oregon

2014

gelatin silver print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Robert AdamsAstoria, Oregon

2015

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 36.5 cm]

"*" indicates required fields

Robert AdamsAn Old Forest Road

2012

gelatin silver print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

2016

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsThe Sea Beach, Nehalem Spit and North to Manzanita

2015

gelatin silver print, 14 x 11 inches (sheet) [36.5 x 27.9 cm]

"*" indicates required fields

Robert AdamsNehalem Spit, Oregon

2013

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 36.5 cm]

"*" indicates required fields

Robert AdamsThe River’s Edge

2015

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Black-and-white photograph of two young boys against a shingled wall next to a window with two toddlers looking out

Nicholas Nixon: People

Photographing with an 8×10-inch view camera, the artist engaged strangers to create humanist portraits in the shared public spaces of parks, beaches, front porches, and stoops.