Page 6 of 14

Black-and-white photograph of two girls in identical outfits against a white wall

Diane Arbus: A box of ten photographs

A Box of Ten Photographs is a portfolio of ten prints that Diane Arbus felt best represented her photographic achievement. This rare portfolio was one of the last projects Arbus was working on at the time of her death in 1971.

Photo of a portfolio cursive writing on the front — Diane Arbus, A Box of Ten Photographs 1971

portfolio of ten gelatin silver prints in a Plexiglas box designed by Marvin Israel

Black-and-white photograph a man with curlers in his hair holding a cigarette — Diane Arbus, A young man in curlers at home on West 20th Street, N.Y.C. 1966

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a woman holding a baby and a man holding the hand of a young boy — Diane Arbus, A young Brooklyn family going for a Sunday outing, N.Y.C. 1966

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of three figures standing in the center of a living room — Diane Arbus, A Jewish giant at home with his parents in the Bronx, N.Y. 1970

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of an empty living room with an oversized xmas tree with presents below — Diane Arbus, Xmas tree in a living room in Levittown, L.I. 1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a man with a hat, bowtie, jacket with political lapel pins holding an American flag — Diane Arbus, Boy with a straw hat waiting to march in a pro-war parade, N.Y.C. 1967

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a nude man and woman sitting in a living room with a television at the center — Diane Arbus, Retired man and his wife at home in a nudist camp one morning, N.J. 1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of shirtless man wearing a hat sitting in bed with a towel on his lap — Diane Arbus, Mexican dwarf in his hotel room, N.Y.C. 1970

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a man and woman laying in lounge chairs while a child plays in the background — Diane Arbus, A family on their lawn one Sunday in Westchester, N.Y. 1968

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of an elderly couple wearing king and queen costumes — Diane Arbus, The king and queen of a senior citizens’ dance, N.Y.C. 1970

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Diane ArbusIdentical twins, Roselle, N.J. 1966

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Diane ArbusA young man in curlers at home on West 20th Street, N.Y.C. 1966

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Diane ArbusA young Brooklyn family going for a Sunday outing, N.Y.C. 1966

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Diane ArbusA Jewish giant at home with his parents in the Bronx, N.Y. 1970

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Diane ArbusXmas tree in a living room in Levittown, L.I. 1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Diane ArbusBoy with a straw hat waiting to march in a pro-war parade, N.Y.C. 1967

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Diane ArbusRetired man and his wife at home in a nudist camp one morning, N.J. 1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Diane ArbusMexican dwarf in his hotel room, N.Y.C. 1970

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Diane ArbusA family on their lawn one Sunday in Westchester, N.Y. 1968

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Diane ArbusThe king and queen of a senior citizens’ dance, N.Y.C. 1970

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Color photographic portrait of a woman in an iridescent blue top covering her face with her hands

Katy Grannan: Gucci for Document Journal

Collaborating with subjects encountered spontaneously on the street, and with her long-time model and muse Linda, Grannan created portraits that offer a unique take on street fashion photography.

Color photograph of a man in a long pleated skirt and leather jacket bending over sideways — Katy Grannan, Christian, Hollywood, CA, 2018

pigment print, 58-1/4 x 44-1/4 inches (framed) [148 x 113 cm]

Color photographic portrait of an older woman in a pink sparkly top with her hand on her chest gazing off camera — Katy Grannan, Linda, Hollywood, CA, 2018

pigment print, 58-1/4 x 44-1/4 inches (framed) [148 x 113 cm]

Color photograph of a man in a tracksuit crouching on a wooden box in front of a blank white wall — Katy Grannan, Coop, Hollywood, CA, 2018

pigment print, 58-1/4 x 44-1/4 inches (framed) [148 x 113 cm]

Color photograph of a man in a colorful mismatched outfit holding a black and white dog while leaning on a white wall — Katy Grannan, Isaiah, Hollywood, CA, 2018

pigment print, 58-1/4 x 44-1/4 inches (framed) [148 x 113 cm]

Color photographic portrait of a woman with long braided hair in a tracksuit and black bra — Katy Grannan, Tierney, Desert Hot Springs, CA, 2018

pigment print, 58-1/4 x 44-1/4 inches (framed) [148 x 113 cm]

Color photograph of a woman in pink tights lunging in front of a fan and a cinderblock wall — Katy Grannan, Christian, Hollywood, CA, 2018

pigment print, 58-1/4 x 44-1/4 inches (framed) [148 x 113 cm]

Katy GrannanNicole, Desert Hot Springs, CA

2018

pigment print, 58-1/4 x 44-1/4 inches (framed) [148 x 113 cm]

"*" indicates required fields

Katy GrannanChristian, Hollywood, CA

2018

pigment print, 58-1/4 x 44-1/4 inches (framed) [148 x 113 cm]

"*" indicates required fields

Katy GrannanLinda, Hollywood, CA

2018

pigment print, 58-1/4 x 44-1/4 inches (framed) [148 x 113 cm]

"*" indicates required fields

Katy GrannanCoop, Hollywood, CA

2018

pigment print, 58-1/4 x 44-1/4 inches (framed) [148 x 113 cm]

"*" indicates required fields

Katy GrannanIsaiah, Hollywood, CA

2018

pigment print, 58-1/4 x 44-1/4 inches (framed) [148 x 113 cm]

"*" indicates required fields

Katy GrannanTierney, Desert Hot Springs, CA

2018

pigment print, 58-1/4 x 44-1/4 inches (framed) [148 x 113 cm]

"*" indicates required fields

Katy GrannanChristian, Hollywood, CA

2018

pigment print, 58-1/4 x 44-1/4 inches (framed) [148 x 113 cm]

"*" indicates required fields

A photograph of a young man lying on a bed, as seen through a partially open sliding door. Pink flowers on the left.

Alec Soth: I Know How Furiously Your Heart Is Beating

Taking its name from a line in Wallace Stevens’s poem “The Gray Room,” this body of work investigates the possibilities and limitations of what photographs can convey about the inner lives of their subjects. Intimate and quiet, the images reveal something otherwise unknowable about both the sitter and the photographer.

A color photograph of a birdcage in a garden through a window — Alec Soth, Alex’s New Orleans, 2018

pigment print, 27 x 33 inchaes (framed) [68.6 x 83.8 cm], edition of 9

A photograph of an electronic organ, with sheet music turned to the song Little Red Corvette. — Alec Soth, Little Red Corvette. Minneapolis., 2018

pigment print, 23-1/2 x 29-5/8 inches (image & sheet) [59.7 x 75.2 cm], edition of 9

A photograph of a painting against a faded, cracked wall. — Alec Soth, Painting. New Orleans., 2018

pigment print, 29-3/4 x 23-3/4 inches (image & sheet) [75.6 x 60.3 cm], edition of 9

Color photograph of a woman dressed in yellow standing in an empty white room — Alec Soth, Yuko, Berlin., 2018

pigment print, 49-3/4 x 39-3/4 inches (image & sheet) [126.4 x 101 cm], edition of 9

Color photograph through a doorway of a brick walled garden with a table and chair — Alec Soth, Véronique’s View. Toulouse., 2018

pigment print, 31-3/4 x 39-3/4 inches (image & sheet) [80.7 x 101 cm], edition of 9

A framed photograph of a person in a chair in the corner of a room with transparent white curtains — Alec Soth, Keni. New Orleans., 2018

pigment print, 49-3/4 x 39-3/4 inches (image & sheet) [126.4 x 101 cm], edition of 9

Color photograph of a vase of tulips on an end table in the corner of a room — Alec Soth, Emily’s Flowers. Brooklyn., 2018

pigment print, 29-3/4 x 23-3/4 inches (image & sheet) [75.6 x 60.3 cm], edition of 9

A photograph of an elderly woman looking at herself in the mirror, with three reflections. — Alec Soth, Galina. Odessa., 2018

pigment print, 39-3/4 x 31-3/4 inches (image & sheet) [101 x 80.7 cm], edition of 9

Color photograph through a window of flowering plants and rooftops beyond. — Alec Soth, Susanne’s View. London., 2018

pigment print, 39-3/4 x 31-3/4 inches (image & sheet) [101 x 80.7 cm], edition of 9

A photograph of a woman, blurred by movement, arranging stones in a circle on a table — Alec Soth, Simone. Los Angeles., 2017

pigment print, 23-3/4 x 29-3/4 inches (image & sheet) [60.3 x 75.6 cm], edition of 9

Color photograph through a doorway of two young women in long white dresses looking in. — Alec Soth, Leyla and Sabine. New Orleans., 2018

pigment print, 39-3/4 x 31-3/4 inches (image & sheet) [101 x 80.7 cm], edition of 9

Color photograph of two people reclining on a bed — Alec Soth, Sonya and Dombrovsky. Odessa., 2018

pigment print, 31-3/4 x 39-3/4 inches (image & sheet) [80.7 x 101 cm], edition of 9

Alec SothAlex’s New Orleans

2018

pigment print, 27 x 33 inchaes (framed) [68.6 x 83.8 cm], edition of 9

"*" indicates required fields

Alec SothLittle Red Corvette. Minneapolis.

2018

pigment print, 23-1/2 x 29-5/8 inches (image & sheet) [59.7 x 75.2 cm], edition of 9

"*" indicates required fields

Alec SothNick. Los Angeles.

2017

pigment print, 39-3/4 x 49-3/4 inches (image & sheet) [101 x 126.4 cm], edition of 9

"*" indicates required fields

Alec SothPainting. New Orleans.

2018

pigment print, 29-3/4 x 23-3/4 inches (image & sheet) [75.6 x 60.3 cm], edition of 9

"*" indicates required fields

Alec SothYuko, Berlin.

2018

pigment print, 49-3/4 x 39-3/4 inches (image & sheet) [126.4 x 101 cm], edition of 9

"*" indicates required fields

Alec SothVéronique’s View. Toulouse.

2018

pigment print, 31-3/4 x 39-3/4 inches (image & sheet) [80.7 x 101 cm], edition of 9

"*" indicates required fields

Alec SothKeni. New Orleans.

2018

pigment print, 49-3/4 x 39-3/4 inches (image & sheet) [126.4 x 101 cm], edition of 9

"*" indicates required fields

Alec SothEmily’s Flowers. Brooklyn.

2018

pigment print, 29-3/4 x 23-3/4 inches (image & sheet) [75.6 x 60.3 cm], edition of 9

"*" indicates required fields

Alec SothGalina. Odessa.

2018

pigment print, 39-3/4 x 31-3/4 inches (image & sheet) [101 x 80.7 cm], edition of 9

"*" indicates required fields

Alec SothSusanne’s View. London.

2018

pigment print, 39-3/4 x 31-3/4 inches (image & sheet) [101 x 80.7 cm], edition of 9

"*" indicates required fields

Alec SothSimone. Los Angeles.

2017

pigment print, 23-3/4 x 29-3/4 inches (image & sheet) [60.3 x 75.6 cm], edition of 9

"*" indicates required fields

Alec SothLeyla and Sabine. New Orleans.

2018

pigment print, 39-3/4 x 31-3/4 inches (image & sheet) [101 x 80.7 cm], edition of 9

"*" indicates required fields

Alec SothSonya and Dombrovsky. Odessa.

2018

pigment print, 31-3/4 x 39-3/4 inches (image & sheet) [80.7 x 101 cm], edition of 9

"*" indicates required fields

Black-and-white photograph of two people in rubber masks standing against a hedgerow

Ralph Eugene Meatyard: The Family Album of Lucybelle Crater

The series presents portraits of the artist’s wife wearing a dime-store hag’s mask, paired with various family members and friends who wear a transparent hard-plastic mask. The titles of the images outline cryptic relationships, and in all instances, both figures are identified by the same name: Lucybelle Crater.

Black-and-white photograph of two people in rubber masks standing on the front steps of a brick home — Ralph Eugene Meatyard, Lucybelle Crater and Eastern man’s friend Lucybelle Crater, 1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of two people in rubber masks standing in front of a wire fence — Ralph Eugene Meatyard, One of seven kids of Mertonian friend, 1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black and white photograph of two female figures with masks standing by concrete column outdoors — Ralph Eugene Meatyard, Lucybelle Crater and her 16 year old son’s quiet, demure girlfriend Lucybelle Crater, 1970-72

gelatin silver print, 7-1/2 x 7-5/8 inches (image) [19.1 x 19.4 cm]

Black-and-white photograph of two people in rubber masks standing by an ajar wooden gate — Ralph Eugene Meatyard, Lucybelle Crater and gnomist friend from W 6th St’s friend from Vassar College, Lucybelle Crater, 1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of an adult and child in rubber masks standing behind a clothesline with a few garments — Ralph Eugene Meatyard, Untitled, 1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of two people in rubber masks standing next to a lattice-in porch of a brick building — Ralph Eugene Meatyard, Lucybelle Crater and bibliophilic friend Lucybelle Crater, 1970-72

gelatin silver print, 11-3/8 x 9-5/8 inches (mount) [28.8 x 24.5 cm]

Black-and-white photograph of two people in rubber masks seated on a low convertible car — Ralph Eugene Meatyard, Untitled, 1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of two people in rubber masks standing in front of a screened-in terrace — Ralph Eugene Meatyard, Lucybelle Crater and her friend with a different Jargon, Lucybelle Crater, 1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of a couple wearing rubber masks seated in the grass in front of a car — Ralph Eugene Meatyard, Lucybelle Crater and her P.O. brother Lucybelle Crater, 1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Ralph Eugene MeatyardLucybelle Crater and her 40 year old husband Lucybelle Crater

1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardLucybelle Crater and Eastern man’s friend Lucybelle Crater

1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardOne of seven kids of Mertonian friend

1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardLucybelle Crater and her 16 year old son’s quiet, demure girlfriend Lucybelle Crater

1970-72

gelatin silver print, 7-1/2 x 7-5/8 inches (image) [19.1 x 19.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardLucybelle Crater and gnomist friend from W 6th St’s friend from Vassar College, Lucybelle Crater

1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardLucybelle Crater and bibliophilic friend Lucybelle Crater

1970-72

gelatin silver print, 11-3/8 x 9-5/8 inches (mount) [28.8 x 24.5 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardLucybelle Crater and her friend with a different Jargon, Lucybelle Crater

1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardLucybelle Crater and her P.O. brother Lucybelle Crater

1970-72

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Sophie Calle: Autobiographies

Pairing photographs and short personal texts, Calle’s unique form of autobiography can be seen as a form of performance. Forgoing a sense of nostalgia, the artist examines loss and absence, putting seemingly private events into the public eye.

A square framed text panel hanging over a framed photograph of the photographer's reflection in the surface of a headstone — Sophie Calle, Autobiographies (Concession), 2018

pigment print mounted on aluminum, text panel, 50 x 20 inches (overall) [127 x 51 cm], edition of 5 English & 5 in French

A framed square text panel describing the process of purchasing a grave — Sophie Calle, Autobiographies (Concession), [detail], 2018

20 x 20 inches (framed) [51 x 51 cm]

A framed photograph of the photographer's reflection in the surface of a headstone — Sophie Calle, Autobiographies (Concession), [detail], 2018

pigment print mounted on aluminum, text panel, 30 x 20 inches (framed) [76 x 51 cm], edition of 5 in English & 5 in French

A square framed photograph of a woman in the ocean hanging over a framed text panel — Sophie Calle, Autobiographies (Dead in a Good Mood), 2013

pigment print mounted on aluminum, text panel, 50 x 20 inches (overall) [127 x 51 cm], edition of 5 English & 5 in French

A framed square black and white photograph of a woman in the ocean — Sophie Calle, Autobiographies (Dead in a Good Mood), [detail], 2013

20 x 20 inches (framed) [51 x 51 cm]

A vertical framed text panel of diary entries — Sophie Calle, Autobiographies (Dead in a Good Mood), 2013

30 x 20 inches (image) [76 x 51 cm]

A small framed photograph of a woman in a graveyard hanging over a large framed text panel — Sophie Calle, Autobiographies (Morning), 2016

pigment print mounted on aluminum, text panel, 90 x 40 inches (overall) [229 x 102 cm], edition of 5 + 1 AP in English & edition of 5 + 1 AP in French

A framed square photograph of a woman in a graveyard, behind a tombstone reading "Father," with her hair in front of her faace — Sophie Calle, Autobiographies (Morning), [detail], 2016

pigment print mounted on aluminum, text panel, 20 x 20 inches (framed) [51 x 51 cm], edition of 5 + 1 AP in English & edition of 5 + 1 AP in French

A large, vertical framed text panel describing the last days of the artist's father — Sophie Calle, Autobiographies (Morning), [detail], 2016

67 x 39 inches (framed) [170 x 100 cm], edition of 5 + 1 AP in English & edition of 5 + 1 AP in French

A square framed text panel hanging over a framed photograph of a sculpture of a woman lying on the ground — Sophie Calle, Autobiographies (My Mother Died), 2013

pigment print mounted on aluminum, text panel, 50 x 20 inches (overall) [127 x 51 cm], edition of 5 + 1 AP in English & edition of 5 + 1 AP in French

A square framed text panel describing a diary entry by the artist — Sophie Calle, Autobiographies (My Mother Died), detail, [2013]

edition of 5 + 1 AP in English & edition of 5 + 1 AP in French, 20 x 20 inches (text panel), [51 x 51 cm]

A framed photograph of a sculpture of a woman lying on her side, turned 90 degrees clockwise — Sophie Calle, Autobiographies (My Mother Died), [detail], 2013

edition of 5 + 1 AP in English & edition of 5 + 1 AP in French, 30 x 20 inches (image) [76 x 51 cm]

Sophie CalleAutobiographies (Concession)

2018

pigment print mounted on aluminum, text panel, 50 x 20 inches (overall) [127 x 51 cm], edition of 5 English & 5 in French

"*" indicates required fields

Sophie CalleAutobiographies (Concession)

[detail], 2018

20 x 20 inches (framed) [51 x 51 cm]

"*" indicates required fields

Sophie CalleAutobiographies (Concession)

[detail], 2018

pigment print mounted on aluminum, text panel, 30 x 20 inches (framed) [76 x 51 cm], edition of 5 in English & 5 in French

"*" indicates required fields

Sophie CalleAutobiographies (Dead in a Good Mood)

2013

pigment print mounted on aluminum, text panel, 50 x 20 inches (overall) [127 x 51 cm], edition of 5 English & 5 in French

"*" indicates required fields

Sophie CalleAutobiographies (Dead in a Good Mood)

[detail], 2013

20 x 20 inches (framed) [51 x 51 cm]

"*" indicates required fields

Sophie CalleAutobiographies (Dead in a Good Mood)

2013

30 x 20 inches (image) [76 x 51 cm]

"*" indicates required fields

Sophie CalleAutobiographies (Morning)

2016

pigment print mounted on aluminum, text panel, 90 x 40 inches (overall) [229 x 102 cm], edition of 5 + 1 AP in English & edition of 5 + 1 AP in French

"*" indicates required fields

Sophie CalleAutobiographies (Morning)

[detail], 2016

pigment print mounted on aluminum, text panel, 20 x 20 inches (framed) [51 x 51 cm], edition of 5 + 1 AP in English & edition of 5 + 1 AP in French

"*" indicates required fields

Sophie CalleAutobiographies (Morning)

[detail], 2016

67 x 39 inches (framed) [170 x 100 cm], edition of 5 + 1 AP in English & edition of 5 + 1 AP in French

"*" indicates required fields

Sophie CalleAutobiographies (My Mother Died)

2013

pigment print mounted on aluminum, text panel, 50 x 20 inches (overall) [127 x 51 cm], edition of 5 + 1 AP in English & edition of 5 + 1 AP in French

"*" indicates required fields

Sophie CalleAutobiographies (My Mother Died)

detail, [2013]

edition of 5 + 1 AP in English & edition of 5 + 1 AP in French, 20 x 20 inches (text panel), [51 x 51 cm]

"*" indicates required fields

Sophie CalleAutobiographies (My Mother Died)

[detail], 2013

edition of 5 + 1 AP in English & edition of 5 + 1 AP in French, 30 x 20 inches (image) [76 x 51 cm]

"*" indicates required fields

Color photograph of a woman doing a headstand atop a surfboard, afloat on a calm ocean surface.

Richard Misrach: Surfers

Over the past fifteen years, Richard Misrach has turned his camera to the ocean, capturing a lively human expression among the waves. His surfer images contend with the environment by describing the beauty and power of the ocean, and offer a profound metaphor for our own perpetual quest for transcendence and freedom.

Color photograph of several wind surfers on the water framed in bleached wood — Hydrofoil Ballet, Hawaii, 2023

pigment print, 63 x 109 inches (framed) [160 x 276.9 cm], edition of 5 + 1 AP

Color photograph of a figure on a hydrofoil surfboard in the middle of calm blue waters framed in bleached wood — Hydrofoil Surfer #4, Hawaii, 2022

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1AP

Color photograph of a lone windsurfer on a choppy silver sea — Windsurfer, Hawaii, 2008

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm], edition of 5 + 1 AP

Color photograph of a figure on a hydrofoil surfboard in the middle of choppy blue waters with cargo ship on the horizon framed in bleached wood — Hydrofoil Surfer #6 (With Cargo Ship), Hawaii, 2024

pigment print, 62 x 103 inches (framed) [157.5 x 254 cm], edition of 5 + 1 AP

Color photograph of a figure on a hydrofoil surfboard in the middle of calm blue waters near another figure in kayak framed in bleached wood — Hydrofoil Surfer #5 (With Kayaker), Hawaii, 2023

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1 AP

Color photograph of a windsurfer riding a wave in the middle of the ocean framed in bleached wood — Wing Surfer, Hawaii #3, 2024

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1 AP

Color photograph of a surfer falling onto a wave of water framed in a bleached wood — Icarus Suite #127, 2010

pigment print, 63-1/2 x 114-5/8 inches (framed) [161.3 x 291.1 cm], edition of 5 + 1 AP

Color photograph of a surfer riding a wave as it crashes onto the shore framed in a bleached wood — Icarus Suite #11, 2010

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5 + 1 AP

Color photograph of a figure on a hydrofoil surfboard in the middle of the ocean with a skewed horizon framed in bleached wood — Hydrofoil Surfer #3, Hawaii, 2022

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1 AP

Color reversal photograph of a figure on a hydrofoil surfboard riding a wave in the middle of the ocean framed in bleached wood — Hydrofoil Surfer #3 (Reverse), Hawaii, 2022

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1 AP

Color reversal photograph of a figure on a hydrofoil board seen from above on calm waters framed in bleached wood — Hydrofoil Surfer #7 (Reverse), Hawaii, 2023

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1 AP

Color reversal photograph of a figure on a hydrofoil surfboard in the middle of calm pink waters framed in bleached wood — Hydrofoil Surfer #1 (Reverse), Hawaii, 2023

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1 AP

Color reversal image of a surfer riding waves framed in a bleached wood frame — Surfer #3 (Reverse), Hawaii, 2023

pigment print, 64-1/2 x 116-1/2 inches (approx. framed) [163.8 x 295.9 cm], edition of 5 + 1AP

Richard MisrachUntitled (January 24, 2016 5:38PM)

2016

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm], edition of 5 + 1 AP

"*" indicates required fields

Richard MisrachHydrofoil Ballet, Hawaii

2023

pigment print, 63 x 109 inches (framed) [160 x 276.9 cm], edition of 5 + 1 AP

"*" indicates required fields

Richard MisrachHydrofoil Surfer #4, Hawaii

2022

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1AP

"*" indicates required fields

Richard MisrachWindsurfer, Hawaii

2008

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm], edition of 5 + 1 AP

"*" indicates required fields

Richard MisrachHydrofoil Surfer #6 (With Cargo Ship), Hawaii

2024

pigment print, 62 x 103 inches (framed) [157.5 x 254 cm], edition of 5 + 1 AP

"*" indicates required fields

Richard MisrachHydrofoil Surfer #5 (With Kayaker), Hawaii

2023

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1 AP

"*" indicates required fields

Richard MisrachWing Surfer, Hawaii #3

2024

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1 AP

"*" indicates required fields

Richard MisrachIcarus Suite #127

2010

pigment print, 63-1/2 x 114-5/8 inches (framed) [161.3 x 291.1 cm], edition of 5 + 1 AP

"*" indicates required fields

Richard MisrachIcarus Suite #11

2010

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5 + 1 AP

"*" indicates required fields

Richard MisrachIcarus Suite #16

2010

pigment print, 63-1/2 x 82-7/8 inches (framed) [161.3 x 210.5 cm], edition of 5 + 1 AP

"*" indicates required fields

Richard MisrachHydrofoil Surfer #3, Hawaii

2022

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1 AP

"*" indicates required fields

Richard MisrachHydrofoil Surfer #3 (Reverse), Hawaii

2022

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1 AP

"*" indicates required fields

Richard MisrachHydrofoil Surfer #7 (Reverse), Hawaii

2023

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1 AP

"*" indicates required fields

Richard MisrachHydrofoil Surfer #1 (Reverse), Hawaii

2023

pigment print, 62-1/2 x 82 inches (framed) [158.8 x 208.3 cm], edition of 5 + 1 AP

"*" indicates required fields

Richard MisrachSurfer #3 (Reverse), Hawaii

2023

pigment print, 64-1/2 x 116-1/2 inches (approx. framed) [163.8 x 295.9 cm], edition of 5 + 1AP

"*" indicates required fields

Black-and-white photograph of an empty theater with a glowing white screen onstage

Hiroshi Sugimoto: Theaters

Perhaps his most iconic series, these long exposures of classic movie houses around the world are emblematic of Sugimoto’s time-eluding photography. “One afternoon I walked into a cheap cinema in the East Village with a large-format camera,” recounts Sugimoto. “As soon as the movie started, I fixed the shutter at a wide-open aperture. When the movie finished two hours later, I clicked the shutter closed. That evening I developed the film, and my vision exploded behind my eyes.”

Black-and-white photograph of an empty movie theater with an extra large glowing white screen — Hiroshi Sugimoto, Imax Tempozan, Osaka, 1998

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

A black and white photograph of a bright white movie screen at a drive-in theater at night, with bright star trails behind it — Hiroshi Sugimoto, Stadium Drive-In, Orange, 1993

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

A black and white photograph of an ornately decorated classic movie theater with a bright white screen — Hiroshi Sugimoto, Metropolitan Palace, Los Angeles, 1993

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

A black and white photograph of a movie theater with a bright white screen, with curtains on either side and at the top — Hiroshi Sugimoto, Royal, San Francisco, 1992

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black-and-white photograph of a blank white outdoor movie screen against an American suburb — Hiroshi Sugimoto, Studio Drive-In, Culver City, 1993

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black-and-white photograph of an empty theater with a glowing blank white screen — Hiroshi Sugimoto, Palais de Tokyo, 2013

gelatin-silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black and white photograph of an empty drive-in with a blank white screen illuminating the space — Hiroshi Sugimoto, Los Altos Drive-In, Lakewood, Colorado, 1993

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Black and white photograph of an empty stage with a blank white screen illuminating the space — Hiroshi Sugimoto, Sogetsu Hall, Tokyo, 2017

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black and white photograph of an empty theater with a blank white screen illuminating the space — Hiroshi Sugimoto, Cinema Teatro Nuovo, San Gimignano, 2014

gelatin silver print, 20 x 25 inches (mount) [50.8 x 61 cm], edition of 25

Hiroshi Sugimoto, Hi Way 39 Drive-In, Orange, 1993

gelatin silver print

Hiroshi SugimotoCinema Odeon, Firenze

2013

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoImax Tempozan, Osaka

1998

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoCarpenter Center, Richmond

1993

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoStadium Drive-In, Orange

1993

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoMetropolitan Palace, Los Angeles

1993

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoRoyal, San Francisco

1992

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoStudio Drive-In, Culver City

1993

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoPalais de Tokyo

2013

gelatin-silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLos Altos Drive-In, Lakewood, Colorado

1993

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoSogetsu Hall, Tokyo

2017

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoCinema Teatro Nuovo, San Gimignano

2014

gelatin silver print, 20 x 25 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoU.A. Fox, New York

1976

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoAzusa Drive-In, Azusa

1993

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoU.A. Belle Beau, New York

1977

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoRialto, Pasadena

1993

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Black and white photograph of the horizon with equal parts sky and sea

Hiroshi Sugimoto: Seascapes

For more than four decades, Hiroshi Sugimoto has been photographing seascapes around the world. “A sharp horizon line and a cloudless sky– here began my consciousness.” writes Sugimoto, “From there my thoughts race to the origins of human consciousness itself. The sea reminds me that within my blood remain traces of human evolution over hundreds of thousands of years.”

Black-and-white photograph of a seascape with a dark gray sky and very dark water — Hiroshi Sugimoto, Lake Superior, Cascade River, 1995

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black-and-white photograph of a rippled seascape with a bright white sky and dark gray sea — Hiroshi Sugimoto, Yellow Sea, Cheju, 1992

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black-and-white photograph of a very foggy seascape, with a ray of light in the center of the sky — Hiroshi Sugimoto, Bay of Sagami, Atami, 1997

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Hiroshi SugimotoLake Superior, Jacobs Creek Falls

2003

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLake Superior, Cascade River

1995

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLake Superior, Cascade River

2003

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoYellow Sea, Cheju

1992

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoIonian Sea, Santa Cesarea

1993

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoBass Strait, Table Cape

1997

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoBay of Sagami, Atami

1997

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoBay of Sagami, Enoura

2022

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLake Superior, Jacobs Creek Falls

2003

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoBass Strait, Table Cape

1997

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoSea of Japan, Rishiri Island

1996

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoNorth Pacific Ocean, Stinson Beach

1994

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Black and white photograph of lighting striking

Hiroshi Sugimoto: Lightning Fields

Hiroshi Sugimoto’s Lightning Fields triangulate Benjamin Franklin and Michael Faraday’s pioneering electricity research with William Fox Talbot’s discovery of calotype photography. In this body of work, Sugimoto seeks to capture and re-create these momentous innovations in the darkroom.

To create each image, Sugimoto uses a Van De Graaff 400,000-volt generator to apply an electrical charge directly onto film. The result in each case is a unique, instantaneous image of an electrical current, sometimes resembling a meteor shower, or a “treeing effect” on the film.

Black-and-white photograph of a white trail of light in the top left corner with smaller branches coming off of it on a black background — Hiroshi Sugimoto, Lightning Fields 128, 2009

gelatin silver print, 25 x 20 inches (mount) [66 x 50.8 cm], edition of 25

Black and white photograph of lighting striking against black background — Hiroshi Sugimoto, Lightning Fields 147, 2009

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

Hiroshi SugimotoLightning Fields 225

2009

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLightning Fields 190

2009

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLightning Fields 227

2009

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Lightning Fields 143

2009

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLightning Fields 146

2009

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLightning Fields 216

2009

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLightning Fields 147

2009

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLightning Fields 220

2009

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLightning Fields 170

2010

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLightning Fields 168

2009

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLightning Fields 187

2009

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Black and white photograph of four women standing shoulder to shoulder in a garden

Nicholas Nixon: The Brown Sisters

Begun in 1975, this annual portrait series shows the artist’s wife and her three sisters. Seen together, the series is a deeply moving portrait of family, connection, and time.

Black-and-white photographic portrait of four young women with long hair standing in front of a clapboard wall — Nicholas Nixon, The Brown Sisters, Harwichport, Massachusetts, 1978

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photographic portrait of four young women seated outdoors on grass — Nicholas Nixon, The Brown Sisters, Cincinnati, 1981

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photographic portrait of four young women dressed in sweaters standing under a cloudy sky — Nicholas Nixon, The Brown Sisters, Ipswich, Massachusetts, 1982

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photographic portrait of four young women standing on a sunny beach with the ocean on the horizon — Nicholas Nixon, The Brown Sisters, Truro, Massachusetts, 1984

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photographic portrait of four women standing looking slightly down at the viewer — Nicholas Nixon, The Brown Sisters, Watertown, Massachusetts, 1991

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photographic portrait of four women with arms around each other standing in front of a blank wall — Nicholas Nixon, The Brown Sisters, Wellesley Hills, Massachusetts, 1997

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photographic portrait of four women standing outside — Nicholas Nixon, The Brown Sisters, Brookline, Massachusetts, 1999

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photographic portrait of four middle-aged women with two looking into the distance and two looking at the viewer — Nicholas Nixon, The Brown Sisters, Truro, Massachusetts, 2011

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photographic portrait of four older women with their arms around each other standing in front of a curtained window — Nicholas Nixon, The Brown Sisters, Brookline, Massachusetts, 2018

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Nicholas NixonThe Brown Sisters

1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonThe Brown Sisters, Harwichport, Massachusetts

1978

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonThe Brown Sisters, Cincinnati

1981

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonThe Brown Sisters, Ipswich, Massachusetts

1982

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonThe Brown Sisters, Truro, Massachusetts

1984

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonThe Brown Sisters, Watertown, Massachusetts

1991

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonThe Brown Sisters, Wellesley Hills, Massachusetts

1997

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonThe Brown Sisters, Brookline, Massachusetts

1999

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonThe Brown Sisters, Truro, Massachusetts

2011

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonThe Brown Sisters, Brookline, Massachusetts

2018

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Black-and-white photograph of a city intersection in winter with a rooftop garage and smokestacks

Nicholas Nixon: New Topographics

These images of the vast cityscapes of New York and Boston, at once both ordered and chaotic, were part of one of the most influential exhibitions of the seventies, New Topographics: Photographs of a Man-Altered Landscape at the George Eastman House.

Black-and-white photograph of a city skyline with high rise buildings scattered throughout the landscape — Nicholas Nixon, View of Boston from Commercial Wharf, 1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of a highway and surrounding neighborhoods at midday under a clear sky — Nicholas Nixon, Southeast View of the Fenway Area, Boston, 1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of a Greco-Roman style building with a domed roof amid modern city high rise buildings — Nicholas Nixon, View of Mother Church and Christian Science Center, Boston, 1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of a curved building amid taller rectangular high-rise buildings — Nicholas Nixon, View of Center Plaza and Suffolk County Courthouse, Boston, 1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of a large church set behind an open plaza amid modern city high-rise buildings — Nicholas Nixon, View of Copley Square, Boston, 1974

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of a low rise industrial neighborhood and a wharf on a river — Nicholas Nixon, View of North End and Wharf Area, Boston, 1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of a highway bridge crossing a river next to a Coca-Cola plant — Nicholas Nixon, View of Cambridge from Memorial Drive, Cambridge, 1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph at the corner of a low square building with rounded arch windows — Nicholas Nixon, View of Boston Public Library, 1974

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of a rectangular glass high-rise building rising above surrounding city buildings — Nicholas Nixon, View north from the Prudential Building, Boston, 1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Nicholas NixonView of Turnpike Entrance, Boston

1976

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonView of Boston from Commercial Wharf

1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonSoutheast View of the Fenway Area, Boston

1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonView of Mother Church and Christian Science Center, Boston

1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonView of Center Plaza and Suffolk County Courthouse, Boston

1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonView of Copley Square, Boston

1974

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonView of North End and Wharf Area, Boston

1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonView of Cambridge from Memorial Drive, Cambridge

1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonView of Boston Public Library

1974

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Nicholas NixonView north from the Prudential Building, Boston

1975

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Black and white photograph of sunlight filtering through a lace curtain

Nicholas Nixon: Details

Photographed in exquisite detail with a large-format camera, the modest details of light through a curtain or the undulations of grass become a rich source for meditative thought.