Page 8 of 14

A black and white photograph of a tree trunk on the right, with a thin branch in silhouette on the left

Robert Adams: California

These images from the Los Angeles Basin explore social and ecological disintegration, while insisting on a persistent strength of nature—that of the land and our own—as a reason for hope.

Black-and-white photograph of trees against a slate grey sky — Robert Adams, Broken trees, near Box Springs Mountains, east of Riverside, California, 1982

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a landscape with mountain on the horizon — Robert Adams, Looking into the San Bernardino Mountains from east of Mentone, California, 1982

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a large plant in the center of the frame against a cloudy sky — Robert Adams, Century plant, near Ontario, California, 1983

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a broken tree against a smoggy sky — Robert Adams, Looking Toward Los Angeles, Northeast of Riverside, California, ca. 1983

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of light streaming over a hillside with a freeway to the left — Robert Adams, Interstate 10, east edge of Redlands, California, 1982

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a rock formation against a bright clear sky — Robert Adams, On top of one of the La Loma Hills, Colton, California, 1983

gelatin silver print, 15-1/2 x 14 inches (mount) [31.4 x 35.6 cm]

Black-and-white photograph with a flower bush in the foreground, houses and mountains in the distance, against a cloudy sky — Robert Adams, Redlands, California, 1983

gelatin silver print, 9-3/4 x 13-7/8 inches (sheet) [24.8 x 35.2 cm]

Black-and-white photograph of a treelined street with parked cars — Robert Adams, Redlands, California, 1982

gelatin silver print, 14 x 15-1/2 inches

Black-and-white photograph of two leaning palm trees crossed to form an "x" — Robert Adams, Dead palms, partially uprooted, Ontario, California, 1983

gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]

Black and white photograph of a road through tall eucalyptus trees. — Robert Adams, Eucalyptus alley, Riverside, California, 1978

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Robert AdamsEucalyptus, Fontana, California

1982

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsBroken trees, near Box Springs Mountains, east of Riverside, California

1982

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsLooking into the San Bernardino Mountains from east of Mentone, California

1982

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsCentury plant, near Ontario, California

1983

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsLooking Toward Los Angeles, Northeast of Riverside, California

ca. 1983

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsInterstate 10, east edge of Redlands, California

1982

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsOn top of one of the La Loma Hills, Colton, California

1983

gelatin silver print, 15-1/2 x 14 inches (mount) [31.4 x 35.6 cm]

"*" indicates required fields

Robert AdamsRedlands, California

1983

gelatin silver print, 9-3/4 x 13-7/8 inches (sheet) [24.8 x 35.2 cm]

"*" indicates required fields

Robert AdamsRedlands, California

1982

gelatin silver print, 14 x 15-1/2 inches

"*" indicates required fields

Robert AdamsDead palms, partially uprooted, Ontario, California

1983

gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]

"*" indicates required fields

Robert AdamsEucalyptus alley, Riverside, California

1978

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Black and white photograph of two women and a baby in a carrier walking down a road

Robert Adams: Our Lives and Our Children

In photographs made in the vicinity of the Rocky Flats Nuclear Weapons Plant, the artist asks what we are willing to risk.

Black and white photograph of a female figure walking in between cars in parking lot along with a small child — Robert Adams, Commerce City, Colorado, 1981

gelatin silver print, 13-1/4 x 10-7/8 inches (sheet) [33.7 x 27.6 cm]

Black-and-white photograph of a person looking to the left in front of a parking lot filled with cars — Robert Adams, Denver, Colorado, 1981

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of two women and two children loading items into a Volkswagen hatchback car, a woman wearing sunglasses watches from the background — Robert Adams, Denver, Colorado, 1981

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black and white photograph of a seated female figure outside at a park with a dog — Robert Adams, Denver, Colorado, 1981

gelatin silver print, 6-5/8 x 6-3/4 inches (image) [16.8 x 17.2 cm]

Black and white photograph of a female figure with arms crossed looking down — Robert Adams, Denver, Colorado, 1980

toned gelatin silver print, 4-1/8 x 3-1/4 inches (image) [10.5 x 8.3 cm]

Black and white photograph of a child exiting a car and standing in a parking lot with littered debris — Robert Adams, Denver, Colorado, 1980

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of a family walking through a parking lot filled with cars — Robert Adams, Denver, Colorado, 1981

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black and white photograph of two female figures walking side by side outside amongst construction — Robert Adams, Denver, Colorado, 1982

gelatin silver print, 9-1/4 x 18-3/8 inches (image) [23.5 x 46.6 cm]

Black and white photograph of a child seated in a stroller on a sidewalk — Robert Adams, Denver, Colorado, 1981

gelatin silver print, 5 x 11 inches (image & sheet) [15.2 x 27.9 cm]

Black and white photograph of a figure blurred in front of a pharmacy — Robert Adams, Denver, Colorado, 1980

gelatin silver print, 4-7/8 x 11 inches (image) [12.4 x 27.9 cm]

Robert AdamsCommerce City, Colorado

1981

gelatin silver print, 13-1/4 x 10-7/8 inches (sheet) [33.7 x 27.6 cm]

"*" indicates required fields

Robert AdamsDenver, Colorado

1981

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsDenver, Colorado

1981

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsDenver, Colorado

1981

gelatin silver print, 6-5/8 x 6-3/4 inches (image) [16.8 x 17.2 cm]

"*" indicates required fields

Robert AdamsDenver, Colorado

1980

toned gelatin silver print, 4-1/8 x 3-1/4 inches (image) [10.5 x 8.3 cm]

"*" indicates required fields

Robert AdamsDenver, Colorado

1980

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsDenver, Colorado

1981

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsDenver, Colorado

1982

gelatin silver print, 9-1/4 x 18-3/8 inches (image) [23.5 x 46.6 cm]

"*" indicates required fields

Robert AdamsDenver, Colorado

1981

gelatin silver print, 5 x 11 inches (image & sheet) [15.2 x 27.9 cm]

"*" indicates required fields

Robert AdamsDenver, Colorado

1980

gelatin silver print, 4-7/8 x 11 inches (image) [12.4 x 27.9 cm]

"*" indicates required fields

Black-and-white photograph of the ocean with small waves and a cloudy sky with sunlight shining through the clouds

Robert Adams: West from the Columbia

This work focuses on the charged space where the Columbia River meets the Pacific Ocean. The artist writes, “Of all the sacred places on the coast, none is more comforting than where rivers join the sea.”

Black and white photograph of the ocean horizon with waves — Robert Adams, Southwest from the South Jetty, Clatsop County, Oregon, 1991

gelatin silver print, 9 x 11-1/4 inches (image & sheet) [22.9 x 28.6 cm]

Black-and-white photograph of a rocky jetty leading to the ocean with water on each side. — Robert Adams, Directly out the North Jetty, on the Washington coast, 1992

gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]

Black-and-white photograph of a seashore with small waves and a clear sky — Robert Adams, Southwest from the South Jetty, Clatsop County, Oregon, 1992

gelatin silver print, 14 x 15-1/2 inches (mount) [35.6x 39.4 cm]

Black-and-white photograph of a beach with scattered clouds on the horizon. — Robert Adams, Low tide. Clatsop Beach, Oregon, 1992

gelatin silver print, 14 x 15-1/2 inches (mount) [35.6x 39.4 cm]

Two black-and-white photograph. Left photograph shows waves breaking on a rocky shore and a field of grass with a cloudy sky. Right photograph shows field of grass with a cloudy sky. — Robert Adams, Winter, northwest across dunes and tidal marsh Inside the South Jetty, Clatsop County, Oregon, 1990

gelatin silver print, 16 x 20 inches (each sheet) [40.6 x 50.8 cm]

Black-and-white photograph of a wave breaking with scattered clouds in the sky. — Robert Adams, Winter. Southwest from the South Jetty, Clatsop County, Oregon, 1991

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Vertical black-and-white photograph of a bleach with clouds overhead — Robert Adams, Clatsop Beach, Oregon, 1992

gelatin-silver print, 15-1/2 x 14 inches (mount) [31.4 x 35.6 cm]

Black-and-white photograph of a wave breaking against a rocky jetty — Robert Adams, Southwest from the South Jetty, Clatsop County, Oregon, 1992

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Robert AdamsLooking south from Ecola

1990

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsSouthwest from the South Jetty, Clatsop County, Oregon

1991

gelatin silver print, 9 x 11-1/4 inches (image & sheet) [22.9 x 28.6 cm]

"*" indicates required fields

Robert AdamsDirectly out the North Jetty, on the Washington coast

1992

gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]

"*" indicates required fields

Robert AdamsSouthwest from the South Jetty, Clatsop County, Oregon

1992

gelatin silver print, 14 x 15-1/2 inches (mount) [35.6x 39.4 cm]

"*" indicates required fields

Robert AdamsLow tide. Clatsop Beach, Oregon

1992

gelatin silver print, 14 x 15-1/2 inches (mount) [35.6x 39.4 cm]

"*" indicates required fields

Robert AdamsWinter, northwest across dunes and tidal marsh Inside the South Jetty, Clatsop County, Oregon

1990

gelatin silver print, 16 x 20 inches (each sheet) [40.6 x 50.8 cm]

"*" indicates required fields

Robert AdamsWinter. Southwest from the South Jetty, Clatsop County, Oregon

1991

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsClatsop Beach, Oregon

1992

gelatin-silver print, 15-1/2 x 14 inches (mount) [31.4 x 35.6 cm]

"*" indicates required fields

Robert AdamsSouthwest from the South Jetty, Clatsop County, Oregon

1992

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Vertical black-and-white photograph of a grassy field with a plant on the left side and a tree on the right side.

Robert Adams: Listening to the River

Through compositions made along creeks and riverbeds that meander through Denver suburbs, the artist invites the viewer to pause, look around, and celebrate the small fragments of nature’s beauty that can still be found in anonymous, everyday places.

Four black-and-white photographs with trees, fence posts, and a small stream. — Robert Adams, Untitled, 1994

gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Two black-and-white photographs with a windswept tree and overcast sky. — Robert Adams, Untitled, 1994

two gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Five black-and-white photographs depicting an open field with light snow and a brightly lit sky. — Robert Adams, Untitled, 1994

five gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Three black-and-white photographs with trees, a picnic table, and figures next to a pond with a brightly lit sky. — Robert Adams, Untitled, 1994

three gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Four black-and-white photographs with a stream, trees, and a brightly lit sky with clouds. — Robert Adams, Untitled, 1991

four gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Four black-and-white photographs with leafy tree branches and a brightly lit sky. — Robert Adams, Untitled, 1994

four gelatin silver prints, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Six vertical black and white photographs of a rocky landscape at a tilted angle with trees against a brightly lit sky. — Robert Adams, Untitled, 1994

six gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Four vertical black-and-white photographs of a hillside and leafy trees. — Robert Adams, Untitled, 1994

four gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Five black-and-white photographs overlooking valleys and mountain-sides against a brightly lit sky. — Robert Adams, Untitled, 1994

five gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Five vertical black-and-white photographs of a valley with shrubs and a downed tree and an overcast sky. — Robert Adams, Untitled, 1994

five gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Four vertical black-and-white photographs showing an open field, a downed tree branch and telephone pole, a person standing in front of suburban home, and a structure with light snow and a brightly lit sky. — Robert Adams, Untitled, 1994

four gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Four vertical black-and-white- photographs of an open grassy field with tree branches, flowers, and a brightly lit sky. — Robert Adams, East of Longmont, Colorado, 1986

four gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Five vertical black-and-white photographs of a grassy riverbank with trees and an overcast sky. — Robert Adams, Along St. Vrain Creek. West of Longmont, Colorado, 1986

five gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

Robert AdamsSouth of Longmont, Colorado

1986

14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

1994

gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

1994

two gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

1994

five gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

1994

three gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

1991

four gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

1994

four gelatin silver prints, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

1994

six gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

1994

four gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

1994

five gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

1994

five gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsUntitled

1994

four gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsEast of Longmont, Colorado

1986

four gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsAlong St. Vrain Creek. West of Longmont, Colorado

1986

five gelatin silver prints, 14 x 11 inches (each sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Black-and-white photograph of an open field with trees on the horizon and clouds and a rainbow in the sky

Robert Adams: Pine Valley

Views of cottonwood trees and vistas in central Oregon. The artist writes, “In the high desert light the new trees reminded me of what originally brought me to photography—beauty. As simple as that.”

Black-and-white photograph of a woman and a small dog walking on a dirt road with mountains in the distance — Robert Adams, Pine Valley, 2003

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a line of trees — Robert Adams, Oysterville, Washington. Spring, 1999

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph with trees and a wire fence — Robert Adams, Pine Valley, 2003

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white vertical photograph of trees — Robert Adams, Pine Valley, 2003

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white vertical photograph of a tree at a tilted angle — Robert Adams, Pine Valley, 2003

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white vertical photograph of a silhouette of a tree at night — Robert Adams, Pine Valley, 2003

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of tree trunks — Robert Adams, Pine Valley, 2003

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a vallery at dusk with a fence and a structure in the center fo the frame and mountains on the horizon — Robert Adams, Pine Valley, 2003

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Robert AdamsPine Valley

2003

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsPine Valley

2003

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsOysterville, Washington. Spring

1999

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsPine Valley

2003

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsPine Valley

2003

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsPine Valley

2003

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsPine Valley

2003

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Robert AdamsPine Valley

2003

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Robert AdamsPine Valley

2003

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Black-and-white photograph of a man and woman entering and exiting a building with their faces obscured by doors

Lee Friedlander: The Street

Friedlander’s street is a metaphor for the American social landscape. Flattening a dynamic space into a photographic image, people and objects are reflected in windows and mirrors, framed by lamp posts and doors, creating new relationships and narratives.

Black-and-white photograph of a man in a suit standing in the street in front of a. building with a question mark painted on it — Lee Friedlander, New York City, 1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a city street with a telephone pole in the center — Lee Friedlander, Kansas City, Missouri, 1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of cut outs of a man and woman taped in a window with palm trees in the reflection — Lee Friedlander, Los Angeles, 1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man with laying his head on a table through the window of a storefront — Lee Friedlander, New York City, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a woman standing behind a glass door — Lee Friedlander, Baltimore, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man and woman looking out of the frame with binoculars with reflections in the glass wall behind them — Lee Friedlander, Mt. Rushmore, South Dakota, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of JFK on screen at a drive in theater — Lee Friedlander, Monsey, N.Y., 1963

gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]

Black-and-white photograph of a man looking out the window of an ice cream parlour — Lee Friedlander, Newark, N.J., 1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of the shadow of a persons head on the back of a woman — Lee Friedlander, New York City, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderNew York City

1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderNew York City

1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderKansas City, Missouri

1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderLos Angeles

1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderNew York City

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderBaltimore

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderMt. Rushmore, South Dakota

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderMonsey, N.Y.

1963

gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]

"*" indicates required fields

Lee FriedlanderNewark, N.J.

1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderNew York City

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Black-and-white photograph of a television with a woman's face onscreen on top of a bureau

Lee Friedlander: The Little Screens

Friedlander’s 1960s photographs show television screens in motel rooms and other anonymous spaces, transmitting images of pop icons, political figures, or minor celebrities. Called by Walker Evans “deft, witty, spanking little poems of hate,” the images reveal an emerging reality—the omnipresence of screens and the drone of television voices in an increasingly isolationist culture.

Black-and-white photograph of a neatly made bed and a television with a mans face on screen — Lee Friedlander, Baltimore, 1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a television with an up close image of a womans face on screen — Lee Friedlander, Florida, 1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a television with figures on screen, a reflection in a door mirror, and a toilet — Lee Friedlander, Nashville, 1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of the bottom edge of a bed and a television with a childs face on screen — Lee Friedlander, Galax, Virginia, 1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a television with a laughing face on screen and a shirt hanging from an open door — Lee Friedlander, Nashville, 1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a television with a crying face on screen and a shirt hanging from an open door — Lee Friedlander, Nashville, 1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a television with a motorcyclist on screen and a radiator — Lee Friedlander, Florida, 1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a television with an FBI wanted poster on screen and a taxidermy moose head on the wall in the background — Lee Friedlander, Nashville, 1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of room with a lamp a chair and a television with a close up of an eye on screen — Lee Friedlander, Washington, D.C., 1962

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Lee FriedlanderPortland, Maine

1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderBaltimore

1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderFlorida

1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderNashville

1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderGalax, Virginia

1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderNashville

1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderNashville

1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderFlorida

1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderNashville

1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Lee FriedlanderWashington, D.C.

1962

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Black-and-white photograph of rock formations and their reflection in a body of water

Lee Friedlander: Landscapes

The landscape—especially the extravagantly varied landscape of the American West—has been a recurring subject for Friedlander. The artist frequently employs flash, even in daylight, to meld foreground and background. The resulting densely layered compositions draw the viewer into idiosyncratic qualities of the terrain.

Black-and-white photograph of branches of a cherry blossom tree — Lee Friedlander, New City, 2003

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a tree covered in snow — Lee Friedlander, New City, 2003

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of tree branches against a brightly lit background — Lee Friedlander, Rockwood, Tarrytown, NY, 1992

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a grassy field with wispy clouds — Lee Friedlander, Stinson Beach, California, 2003

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of mountains and a lake and rocks in the foreground — Lee Friedlander, Lake Louise, Alberta, Canada, 2000

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of bare trees and a rocky shore in the background — Lee Friedlander, Point Lobos State Natural Reserve, California, 2012

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of bare trees and a large cactus — Lee Friedlander, Sonora Desert, Arizona, 1994

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a tree — Lee Friedlander, California, 1996

gelatin silver print, 24 x 20 inches [61 x 50.8 cm]

Lee FriedlanderGrand Canyon National Park, Arizona

1992

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderNew City

2003

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderNew City

2003

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderRockwood, Tarrytown, NY

1992

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderStinson Beach, California

2003

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderLake Louise, Alberta, Canada

2000

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderPoint Lobos State Natural Reserve, California

2012

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderSonora Desert, Arizona

1994

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderCalifornia

1996

gelatin silver print, 24 x 20 inches [61 x 50.8 cm]

"*" indicates required fields

Black-and-white photograph of a man in a white suit standing in front of a doorway and another man to his right in the background

Lee Friedlander: Portraits

Friedlader has joked, “I tend to photograph the things that get in front of my camera.” This includes his own family and friends, colleagues, and strangers. People are depicted in private spaces and at work, alone and in crowds, unguarded in front of the artist’s lens.

Black-and-white photograph of the shadow of the artist on a woman with her arms crossed — Lee Friedlander, Maria, Minneapolis, Minnesota, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a shirtless man sitting in a bed room next to a lamp — Lee Friedlander, Bruno Sammartino, 1960

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man rubbing his eyes with paintings in the background — Lee Friedlander, Kitaj, 2001

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a girl standing in a dirt road with her head framed by a building in the background — Lee Friedlander, Anna, New City, 1973

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man taking a photograph of a man doing a jumping motion on a city sidewalk — Lee Friedlander, Garry Winogrand and John Szarkowski, New York City, 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a girl in a bathing suit standing on a rope swing — Lee Friedlander, Penny Smith, Woodman, Wisconsin, 1974

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of — Lee Friedlander, Erik, 1974

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

A black and white photograph of a woman wearing a see through bridesmaid dress and holding a bouquet in front of a wood paneled wall — Lee Friedlander, Topless Bridesmaid, 1967

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Lee FriedlanderPaul Tate, Lafayette, Louisiana

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderMaria, Minneapolis, Minnesota

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderBruno Sammartino

1960

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderKitaj

2001

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderAnna, New City

1973

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderGarry Winogrand and John Szarkowski, New York City

1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderPenny Smith, Woodman, Wisconsin

1974

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Lee FriedlanderErik

1974

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Lee FriedlanderTopless Bridesmaid

1967

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Black-and-white photograph of an empty abandoned theater with a glowing blank white screen

Hiroshi Sugimoto: Abandoned Theaters

“People misunderstand that the end is not coming. It has already begun.”
– Hiroshi Sugimoto

Sugimoto’s Abandoned Theaters continues the artist’s exploration of theaters, which he began documenting in the 1970s. This series captures the state of disuse and disrepair of his longtime subjects. A rumination on time, Sugimoto creates each image using a long exposure based upon the length of the film the artist chooses to screen at the theater. Abandoned Theaters exemplifies Sugimoto’s multilayered practice: the films he chose reflect on the theaters themselves, allowing for a site-responsive form of curation.

Black-and-white photograph of a glowing blank white screen against a water tower and city night skyline — Hiroshi Sugimoto, Wolf Building Rooftop, New York, 2015

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Black-and-white photograph of an derelict abandoned theater with a glowing blank white screen — Hiroshi Sugimoto, Paramount Theater, Newark, 2015

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Hiroshi SugimotoMichigan Theater, Detroit

2015

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoWolf Building Rooftop, New York

2015

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoParamount Theater, Newark

2015

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoFranklin Park Theater, Boston

2015

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoEverett Square Theater, Boston

2015

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoPalace Theater, Gary

2015

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoMetropolitan Opera House, Philadelphia

2015

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoProctor’s Theater, Troy

2015

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Color image of oil painting with several words and phrases in vary colors

Mel Bochner: Paintings

Often referencing humor and popular culture, Bochner’s paintings question the opaque meaning of language, transforming words into graphic arrangements and blurring the lines between looking and reading.

Color image of oil painting with several phrases in varying colors — Mel Bochner, Oh Well, 2023

oil on velvet, 30 x 22 3/8 inches [76.2 x 56.8 cm]

Color image of a multicolor painting with thick and glossy texture depicting the phrase blah blah blah — Mel Bochner, Blah, Blah, Blah, 2023

oil on velvet, 45 x 46 inches [114.3 x 116.8 cm], unique

Color image of an oil painting with words and phrases in varying colors — Mel Bochner, Howl, 2022

oil on velvet, 32 x 18 7/8 inches [81.3 x 47.9 cm], unique

Multi colored painted text — Mel Bochner, Blah Blah Blah, 2022

oil on velvet, 68-1/2 x 48 inches (overall) [174 x 121.9 cm]

Multi colored painting with text — Mel Bochner, Thank You, 2023

oil on velvet, 20-5/8 x 20-7/8 inches [52.4 x 53 cm]

Ralph Eugene Meatyard: Romances

A fervent reader, Meatyard was deeply influenced by the writer Ambrose Bierce’s definition in The Devil’s Dictionary: “ROMANCE, n. Fiction that owes no allegiance to the God of Things as They Are.”