Page 9 of 14

Black and white photograph of four men walking in a crowded street

Lee Friedlander: American Musicians

From the 1950s to the 1970s, the artist photographed jazz, country, and blues artists in studios, during performances, and on tour. His portraits of musicians and jazz marching bands in New Orleans are a passionate document of the American music scene.

Black and white photograph of a man playing an instrument — Lee Friedlander, Phil Woods, 1957

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Color photograph of a woman wearing a green sweater signing — Lee Friedlander, Aretha Franklin, 1968

Iris print, 21-1/4 x 21-1/2 inches (sheet) [54 x 54.6 cm]

Color photograph of a man wearing a blue sweater — Lee Friedlander, Miles Davis, 1969

Iris print, 16-7/8 x 16-7/8 inches (sheet) [42.9 x 42.9 cm]

Black and white photograph of a man smoking a cigar and a boy at a piano — Lee Friedlander, Pee Wee Marquette and Count Basie, 1956

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of three figures with instruments and audio equipment — Lee Friedlander, Annie Ross, Chet Baker, Gerry Mulligan, 1957

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of three men playing instruments in a smoky room — Lee Friedlander, Billy Eckstine, Joe Newman, Eddie Jones, 1956

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Color photograph of a man wearing sunglasses — Lee Friedlander, Ray Charles, 1958

Iris print, 16-1/2 x 22-1/2 inches (sheet) [41.9 x 57.5 cm]

Black and white photograph of a man playing piano — Lee Friedlander, Thelonious Monk, 1957

gelatin-silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Color photograph up close of a man playing saxophone — Lee Friedlander, David Fat Head Newman, 1968

Iris print, 22-1/2 x 22 inches (sheet) [57.2 x 55.9 cm]

Lee FriedlanderSecond Liners

1958

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderPhil Woods

1957

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderAretha Franklin

1968

Iris print, 21-1/4 x 21-1/2 inches (sheet) [54 x 54.6 cm]

Lee FriedlanderMiles Davis

1969

Iris print, 16-7/8 x 16-7/8 inches (sheet) [42.9 x 42.9 cm]

Lee FriedlanderPee Wee Marquette and Count Basie

1956

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderAnnie Ross, Chet Baker, Gerry Mulligan

1957

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderBilly Eckstine, Joe Newman, Eddie Jones

1956

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderRay Charles

1958

Iris print, 16-1/2 x 22-1/2 inches (sheet) [41.9 x 57.5 cm]

Lee FriedlanderThelonious Monk

1957

gelatin-silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Lee FriedlanderDavid Fat Head Newman

1968

Iris print, 22-1/2 x 22 inches (sheet) [57.2 x 55.9 cm]

Color photograph of a bearded man with his head resting on a mossy rock on the forest floor

Alec Soth: Broken Manual

Alec Soth investigates the places in which people retreat to escape civilization.

Color photograph of a man resting his head on a mossy rock on the forest floor — Alec Soth, 2008_02zl0189, 2008

chromogenic print, 16 x 20 inches (image & sheet) [40.6 x 50.8 cm], edition of 7

Black and white photograph of an open book with the centers of its pages cut away to create a box-like structure — Alec Soth, 2008_08zL0063, 2008

pigment print, 16 x 19 inches (sheet) [40.6 x 48.3 cm], edition of 7

Color photograph of a man standing outside of an open box truck overlooking a green valley — Alec Soth, The Arkansas Cajuns backup bunker, 2007

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], editiion of 7

Black and white photograph of a store front and single lamppost at the end of a dirt road at dusk — Alec Soth, 2006_12zl0012, 2006

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

Color photograph of a man in camouflage standing amid low trees overlooking a gas station — Alec Soth, Edsel’s Hideaway. (spring), 2006

pigment print, 11 x 14 inches (image) [27.9 x 35.6 cm], edition of 7

Black and white photograph of the interior of a rocky cave — Alec Soth, 2006_12zL0067, 2006

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

Color photograph of a shed built into a cliff face overlooking a flat valley — Alec Soth, Utah, 2008

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

Color photograph of an gap in the bushes nearby a gas station — Alec Soth, Edsel’s Hideaway. (summer), 2007

pigment print, 11 x 14 inches (image) [27.9 x 35.6 cm], edition of 7

Black and white photograph of a school bus converted into a trailer home in a snowy trailer park — Alec Soth, 1999_13xl009, 1999

pigment print, 16 x 19 inches (sheet) [40.6 x 48.3 cm], edition of 7

Color photograph of the interior of a mobile home with a bed and glass jug — Alec Soth, 2006_12xl0138, 2006

pigment print, 16 x 19 inches (sheet) [40.6 x 48.3 cm], edition of 7

Black and white photograph of a stack of VHS tapes each labeled in handwriting — Alec Soth, 2007_10zL0030, 2007

pigment print, 30 x 24 inches (image & sheet) [76.2 x 61 cm], edition of 7

Color photograph of a concrete house facade built into a red stone cliff face — Alec Soth, 2008_08zL0238, 2008

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

Alec Soth2008_02zl0189

2008

chromogenic print, 16 x 20 inches (image & sheet) [40.6 x 50.8 cm], edition of 7

Alec Soth2008_08zL0063

2008

pigment print, 16 x 19 inches (sheet) [40.6 x 48.3 cm], edition of 7

Alec SothThe Arkansas Cajuns backup bunker

2007

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], editiion of 7

Alec Soth2006_12zl0012

2006

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

Alec SothEdsel’s Hideaway. (spring)

2006

pigment print, 11 x 14 inches (image) [27.9 x 35.6 cm], edition of 7

Alec Soth2006_12zL0067

2006

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

Alec SothUtah

2008

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

Alec SothEdsel’s Hideaway. (summer)

2007

pigment print, 11 x 14 inches (image) [27.9 x 35.6 cm], edition of 7

Alec Soth1999_13xl009

1999

pigment print, 16 x 19 inches (sheet) [40.6 x 48.3 cm], edition of 7

Alec Soth2006_12xl0138

2006

pigment print, 16 x 19 inches (sheet) [40.6 x 48.3 cm], edition of 7

Alec Soth2007_10zL0030

2007

pigment print, 30 x 24 inches (image & sheet) [76.2 x 61 cm], edition of 7

Alec Soth2008_08zL0238

2008

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

Color photograph of a glass of whiskey with ice on a dark wood desk

Alec Soth: NIAGARA

Color photograph of four yellow motel doors across two floors, with a white diamond and room number painted on each — Alec Soth, The Voyageur, 2004

chromogenic print, 59-1/8 x 49-1/4 (framed) [150.2 x 49.3 cm] , edition of 7

Color photograph of a piece of notebook paper with a letter to David dated 12 April 2005, signed off by Kristelle — Alec Soth, Well what can I say?, 2005

pigment print, 37 x 31 inches (framed) [94 x 78 cm], edition of 7

Color photograph of a standing couple against a bare gray wall — Alec Soth, Michelle and Pedro, 2005

pigment print, 49 x 41-1/8 inches (framed) [124.5 x 104.5 cm], edition of 7

Color photograph of the Niagara falls at sunset, bathed in pink light — Alec Soth, Falls 55, 2005

pigment print, 41-1/2 x 49 inches (framed) [105.4 x 124.5 cm], edition of 7

Color photograph of a woman wrapped in brightly patterned towel leaning against a blue fence — Alec Soth, Teresa, 2005

pigment print, 31 x 37 inches (framed) [78.7 x 94 cm], edition of 7

Color photograph of a wood paneled wall with a clock, picture of a woman in a bikini and hand-painted sign reading LIVE BAND JOY'S DIVORCE PARTY SAT NIGHT — Alec Soth, Joy’s divorce party, 2004

pigment print, 37 x 31 inches (framed) [94 x 78 cm]

Color photograph of a motel's front office door at night, looking into a rock-paneled room with a framed picture of a man riding a hay wagon — Alec Soth, Riverview Motel, 2005

pigment print, 49-1/8 x 41-1/8 inches (frame) [124.8 x 104.5 cm], edition of 7

Alec SothComfort Inn

2005

pigment print, 31 x 37 inches (framed) [78.7 x 94 cm], edition of 10

Alec SothThe Voyageur

2004

chromogenic print, 59-1/8 x 49-1/4 (framed) [150.2 x 49.3 cm] , edition of 7

Alec SothWell what can I say?

2005

pigment print, 37 x 31 inches (framed) [94 x 78 cm], edition of 7

Alec SothMichelle and Pedro

2005

pigment print, 49 x 41-1/8 inches (framed) [124.5 x 104.5 cm], edition of 7

Alec SothFalls 55

2005

pigment print, 41-1/2 x 49 inches (framed) [105.4 x 124.5 cm], edition of 7

Alec SothTeresa

2005

pigment print, 31 x 37 inches (framed) [78.7 x 94 cm], edition of 7

Alec SothJoy’s divorce party

2004

pigment print, 37 x 31 inches (framed) [94 x 78 cm]

Alec SothRiverview Motel

2005

pigment print, 49-1/8 x 41-1/8 inches (frame) [124.8 x 104.5 cm], edition of 7

Color photograph of a simple model of a church sitting on a wooden table

Alec Soth: The Last Days of W

Of this body of work, Soth writes, “Henri Cartier-Bresson famously said, ‘The world is going to pieces and people like Adams and Weston are photographing rocks.’ But I don’t think the world would have been a better place if these photographers had headed off to a war zone. The question is whether you can be a political photographer while you photograph rocks.

Color photographic portrait of a young man with a shaved head dressed in a camouflage military uniform with two peanut butter and jelly sandwiches on his lap — Alec Soth, Josh, Joelton, Tennessee, 2004

pigment print, 37 x 31 inches (framed) [94 x 78.7 cm], edition of 10

Color photograph of an empty set of the Oval Office with desk and painted backdrop in a convention hall setting — Alec Soth, Civic Fest, Minneapolis, MN, 2008

pigment print, 32 x 40 inches (framed) [81.3 x 101.6 cm], edition of 10

Color photograph of a man reclining on a massage table under a bare tree on a green lawn next to a running track — Alec Soth, Chula Vista, California, 2008

pigment print, 41-1/4 x 49-1/4 inches (framed) [104.8 x 125 cm], edition of 10

Color photograph of a girl in a cowboy hat and boots cradling a life-size plastic skeleton — Alec Soth, Priscilla, Los Angeles, 2008

pigment print, 32 x 40 inches (framed) [81.3 x 101.6 cm], edition of 10

Color photograph of a ping pong table in front of a mural of a man reaching out of the sea to another dressed in white walking on water — Alec Soth, First Baptist Church, Bemidji, MN, 2007

pigment print, 32 x 40 inches (framed) [81.3 x 101.6 cm], edition of 10

Color photograph of an elderly man standing on a brown lawn looking down at a model rocket in his hand — Alec Soth, Ron, San Antonio, TX, 2005

40 x 32 inches (framed) [101.6 x 81.3 cm], edition of 10

Color image of busy street at night filled with fast food restaurants and gas stations as fireworks go off in the distance — Alec Soth, Rock Springs, Wyoming, 2008

chromogenic print, 30 x 36 inches (sheet) [76.2 x 91.4 cm], edition of 8 + 3 APs

Alec SothOur Lady of Pines, Nevis, Minnesota

2007

pigment print, 31 x 37 inches (framed) [78.7 x 94 cm], edition of 10

Alec SothJosh, Joelton, Tennessee

2004

pigment print, 37 x 31 inches (framed) [94 x 78.7 cm], edition of 10

Alec SothCivic Fest, Minneapolis, MN

2008

pigment print, 32 x 40 inches (framed) [81.3 x 101.6 cm], edition of 10

Alec SothChula Vista, California

2008

pigment print, 41-1/4 x 49-1/4 inches (framed) [104.8 x 125 cm], edition of 10

Alec SothPriscilla, Los Angeles

2008

pigment print, 32 x 40 inches (framed) [81.3 x 101.6 cm], edition of 10

Alec SothFirst Baptist Church, Bemidji, MN

2007

pigment print, 32 x 40 inches (framed) [81.3 x 101.6 cm], edition of 10

Alec SothRon, San Antonio, TX

2005

40 x 32 inches (framed) [101.6 x 81.3 cm], edition of 10

Alec SothRock Springs, Wyoming

2008

chromogenic print, 30 x 36 inches (sheet) [76.2 x 91.4 cm], edition of 8 + 3 APs

Color photograph of a post-card sized picture of a mountain river tacked to a wall of wood paneling and yellow patterned wallpaper

Alec Soth: Sleeping by the Mississippi

Evolving from a series of road trips along the Mississippi River, Alec Soth’s early body of work, Sleeping by the Mississippi, captures America’s iconic yet oft-neglected “third coast.” Soth’s richly descriptive, large format color photographs describe an eclectic mix of individuals, landscapes, and interiors.

A color photograph of a white, red-haired woman in front of a fence. She has a black ash cross on her forehead. — Alec Soth, Adelyn, Ash Wednesday, New Orleans, LA, 2002

pigment print, 20 x 24 inches (sheet) [50.8 x 61 cm], edition of 15

Color photograph of a tree in a cemetery, with long Spanish moss hanging from the branches. A small group of teenagers sits below the tree, in the grass. — Alec Soth, Holt Cemetery, New Orleans, LA, 2002

pigment print, 20 x 24 inches (sheet) [51 x 61 cm], edition of 15

Color photograph of a turquoise door leaning against a turquoise wall — Alec Soth, Hotel, Dallas City, Illinois, 2002

chromogenic print, 40 x 32 inches (image & sheet) [101.6 x 81.3 cm], edition of 10

A color photograph of a ball of string in the corner of a room. A small patch of blue flowered wallpaper is on the drywall above it. — Alec Soth, Green Island, Iowa, 2002

pigment print, 40 x 32 inches (image & sheet) [101.6 x 81.3 cm], edition of 10

Color photograph of a man seated at a piano keyboard through an open blue French door — Alec Soth, William Eggleston, Memphis, TN, 2000

chromogenic print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

A color photograph of a wood-paneled room, with a black and white autographed portrait hung on the wall. Gold streamers are hung across it. — Alec Soth, Celebrity Room, Brainerd, Minnesota, 2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

Color photograph of two men leaning on the hood of a car parked on a crossing over a wide ditch — Alec Soth, Fishermen, Wickliffe, KY, 2002

chromogenic print, 40 x 50 inches (image & sheet) [102 x 127 cm], edition of 5

Color photograph of a young woman sitting in a red corner booth in an all-red room with paper hearts on the wall — Alec Soth, Kym, Polish Palace, Minneapolis, MN, 2000

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

A color photograph of a book in front of a window with green curtains. On top of the book is a long knife and a piece of brown bread in a plastic bag. — Alec Soth, Bible Study Book, Vicksburg, Mississippi, 2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

A color photograph of a framed mirror on a wall, surrounded by faded snapshots, with a lightbulb hanging from a wire in front of it. — Alec Soth, The Reverend and Margaret’s Bedroom, Vicksburg, Mississippi, 2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

Alec SothCape Girardeau, Missouri

2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 102 cm], edition of 10

Alec SothAdelyn, Ash Wednesday, New Orleans, LA

2002

pigment print, 20 x 24 inches (sheet) [50.8 x 61 cm], edition of 15

Alec SothHolt Cemetery, New Orleans, LA

2002

pigment print, 20 x 24 inches (sheet) [51 x 61 cm], edition of 15

Alec SothHotel, Dallas City, Illinois

2002

chromogenic print, 40 x 32 inches (image & sheet) [101.6 x 81.3 cm], edition of 10

Alec SothGreen Island, Iowa

2002

pigment print, 40 x 32 inches (image & sheet) [101.6 x 81.3 cm], edition of 10

Alec SothWilliam Eggleston, Memphis, TN

2000

chromogenic print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

Alec SothCelebrity Room, Brainerd, Minnesota

2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

Alec SothFishermen, Wickliffe, KY

2002

chromogenic print, 40 x 50 inches (image & sheet) [102 x 127 cm], edition of 5

Alec SothKym, Polish Palace, Minneapolis, MN

2000

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

Alec SothBible Study Book, Vicksburg, Mississippi

2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

Alec SothThe Reverend and Margaret’s Bedroom, Vicksburg, Mississippi

2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

Black and white photograph of a female figure in a hospital bed wearing a full face of makeup and arms at their sides underneath white sheet

Peter Hujar: Portraits

The composed portraits of lovers, friends, and artists of New York’s Downtown milieu, often photographed in Hujar’s own loft, capture each sitter in an unrestrained moment of openness and connection.

Black and white photograph of a male figure with shaggy hair and eyes closed — Peter Hujar, Jim Fouratt, 1969

gelatin silver print, 16-3/4 x 13-7/8 inches (sheet)

Black and white photograph of a figure laying down in the middle of a forest — Peter Hujar, Paul Thek Lying Down in Forest, 1956 / printed 2011 by Gary Schneider

pigment print, 13-3/4 x 16-3/4 inches (sheet) [34.9 x 42.5 cm], edition of 10

Black-and-white photograph of Fran Lebowitz reclining on a couch. — Peter Hujar, Fran Lebowitz, 1975

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of two figures wearing hats standing side by side in front of painted wall — Peter Hujar, Don Mahoney and Peter Hujar Painting 189 Second Avenue, 1983

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a person with long wiry black hair and heavy jewelry and make up with one hand behind their head — Peter Hujar, Cockette Goldie Glitters, 1971

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a shirtless male figure seating at the base of a tree and holding a snake — Peter Hujar, David Wojnarowicz with a Snake, 1981

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm] , edition of 10

Black and white photograph of a man smoking a cigar while lying down — Peter Hujar, Chuck Gretsch (with Cigar), 1981

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of an older woman in a black-and-white patterned jacket standing in front of pinned-back floral curtains — Peter Hujar, Diana Vreeland (IV), 1975

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a slightly blurred male figure looking at the viewer — Peter Hujar, Paul Thek (II), 1975 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm], edition of 10

Black and white photograph of a male figure lounging in bed under sheets — Peter Hujar, Bill Elliot, 1974

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a woman with long curly hair in a dark wooly shawl seated sideways with her chin on her hand — Peter Hujar, Madeline Kahn, 1981

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of seated male figure in sunglasses and suit — Peter Hujar, Stevie Wonder at the Waldorf Astoria, New York (I), 1971

gelatin silver print, 16-3/4 x 13-3/4 inches (sheet) [42.5 x 34.9 cm]

Peter HujarCandy Darling on her Deathbed (II)

1973 / printed 2024

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm], edition of 10

Peter HujarJim Fouratt

1969

gelatin silver print, 16-3/4 x 13-7/8 inches (sheet)

Peter HujarPaul Thek Lying Down in Forest

1956 / printed 2011 by Gary Schneider

pigment print, 13-3/4 x 16-3/4 inches (sheet) [34.9 x 42.5 cm], edition of 10

Peter HujarFran Lebowitz

1975

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarDon Mahoney and Peter Hujar Painting 189 Second Avenue

1983

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarCockette Goldie Glitters

1971

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarDavid Wojnarowicz with a Snake

1981

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm] , edition of 10

Peter HujarChuck Gretsch (with Cigar)

1981

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarDiana Vreeland (IV)

1975

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarPaul Thek (II)

1975 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm], edition of 10

Peter HujarBill Elliot

1974

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarMadeline Kahn

1981

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarStevie Wonder at the Waldorf Astoria, New York (I)

1971

gelatin silver print, 16-3/4 x 13-3/4 inches (sheet) [42.5 x 34.9 cm]

Black and white photograph of ocean waves crashing onto the beach

Peter Hujar: Cityscapes & Landscapes

Studies of New York’s towering buildings, neighborhoods in transition, and the sea shoreline beyond the city limits.

Black-and-white photograph of a stepped high-rise building from below — Peter Hujar, Rockefeller Center, 1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a car parked on a cobbled street next to a brick building — Peter Hujar, Parked Car, Brooklyn, 1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of buildings in New York shot from the street — Peter Hujar, New York Downtown: Night, 1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a wave moving from left to right and the trail of white water following it — Peter Hujar, Surface of the Sea, Sperlonga, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of an abandoned car in a lot with trees and shrubs next to apartment building — Peter Hujar, Car, Brooklyn, 1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of two bridges spanning a river between two cityscapes — Peter Hujar, View from the World Trade Center, 1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of white water and a wave crashing on the seashore — Peter Hujar, Wave, Jones Beach (I), 1979

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarBeach, East Hampton, Christmas

1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarRockefeller Center

1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarParked Car, Brooklyn

1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarNew York Downtown: Night

1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarSurface of the Sea, Sperlonga

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarCar, Brooklyn

1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarBuildings

1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarView from the World Trade Center

1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarWave, Jones Beach (I)

1979

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a petrified human skeleton

Peter Hujar: Catacombs

The artist photographed the Palermo Catacombs during a 1963 trip to Italy with the painter Paul Thek. Hujar’s first monograph, Portraits in Life and Death published in 1976, juxtaposes these images with portraits of writers and artists from his own social circle.

Black and white photograph of a corpse with a skullcap inside a coffin — Peter Hujar, Palermo Catacombs #3 (Man with Skullcap), 1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of preserved shrouded bodies standing above wooden boxes containing children's preserved bodies — Peter Hujar, Palermo Catacombs #13, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a skull lying amid silk flowers in a glass case — Peter Hujar, Palermo Catacombs #2, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of preserved skeletons dressed in shrouds and gowns in two rows — Peter Hujar, Palermo Catacombs #11, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a skeleton in a lace dress lying in a glass-fronted box — Peter Hujar, Palermo Catacombs #5, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a preserved child's body lying in a glass-fronted wooden case with dried flowers — Peter Hujar, Palermo Catacombs #10, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a preserved child's body lying in a wooden compartment — Peter Hujar, Palermo Catacombs #4, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a hooded preserved body propped up amid other skeletons in compartments — Peter Hujar, Palermo Catacombs #12, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarPalermo Catacombs #1

1963 / printed 2024 by Gary Schneider

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm], edition of 10

Peter HujarPalermo Catacombs #3 (Man with Skullcap)

1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarPalermo Catacombs #13

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarPalermo Catacombs #2

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarPalermo Catacombs #11

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarPalermo Catacombs #5

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarPalermo Catacombs #10

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarPalermo Catacombs #4

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarPalermo Catacombs #12

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a woman in high heels standing in the dark with only her legs and arm illuminated

Katy Grannan: The Nine

An intimate and unflinching portrait of a ravaged community living on South Ninth Street in Modesto, California. Grannan photographs everyday rituals, small interactions, and moments of beauty on the fringes of society, conferring significance to what is often overlooked.

Black-and-white photograph of two women standing in long grass under a concrete bridge — Katy Grannan, Deb and Pam Play Under 9th Street Bridge, Modesto, CA, 2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of a dirt lot on a road with low buildings and a person walking away in the distance — Katy Grannan, Man Walks Alone Through Empty Lot, Intersection of South 9th Street and River Road, Modesto, CA, 2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of a a woman pointing at another coming out of a room in a motel parking lot with a man leaning on a pillar — Katy Grannan, Kiki Pays Debt, Room 123, Traveler’s Motel, Modesto, CA, 2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of a woman in an overgrown lot pointing behind her — Katy Grannan, Inessa Alone in Shiva’s Courtyard, Modesto, CA, 2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of a wall painting of a flying dove and two hands emanating rays of light — Katy Grannan, Christ’s Hands, True Love Family Church, Modesto, CA, 2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of a man on on a rocky overgrown riverbank watching a woman standing in the water holding foil balloons — Katy Grannan, Wanda and Stephen with Memorial Balloons, Stanislaus River, Modesto, CA, 2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of two people reclining on a bare mattress on a riverbank in the shade — Katy Grannan, Robert and April on Mattress Under 9th Street Bridge, Modesto, CA, 2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of a woman walking by a low white building at an intersection — Katy Grannan, Inessa Waits Near South 9th Street, Modesto, CA, 2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Katy GrannanWanda Stands Alone Under 9th Street Bridge, Modesto, CA

2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Katy GrannanDeb and Pam Play Under 9th Street Bridge, Modesto, CA

2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Katy GrannanMan Walks Alone Through Empty Lot, Intersection of South 9th Street and River Road, Modesto, CA

2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Katy GrannanKiki Pays Debt, Room 123, Traveler’s Motel, Modesto, CA

2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Katy GrannanInessa Alone in Shiva’s Courtyard, Modesto, CA

2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Katy GrannanChrist’s Hands, True Love Family Church, Modesto, CA

2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Katy GrannanWanda and Stephen with Memorial Balloons, Stanislaus River, Modesto, CA

2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Katy GrannanRobert and April on Mattress Under 9th Street Bridge, Modesto, CA

2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Katy GrannanInessa Waits Near South 9th Street, Modesto, CA

2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black and white photograph of a mountainside diorama with two antelopes

Hiroshi Sugimoto: Dioramas

Hiroshi Sugimoto began Dioramas, his earliest photographic series, upon his arrival in New York in 1974. While visiting the American Museum of Natural History, the artist made an important observation. “The stuffed animals positioned before painted backdrops looked utterly fake, yet by taking a quick peek with one eye closed, all perspective vanished, and suddenly they looked very real,” recalls Sugimoto. “I had found a way to see the world as a camera does. However fake the subject, once photographed, it’s as good as real.”

Black-and-white photograph of a museum diorama of three vultures sitting on a rocky outcrop against a mountainous background — Hiroshi Sugimoto, California Condor, 1994

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black-and-white photograph of a museum diorama of prehistoric squid on the seafloor — Hiroshi Sugimoto, Ordovician Period, 1992

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black-and-white photograph of a museum diorama of early humans working with animal skins — Hiroshi Sugimoto, Neanderthal, 1994

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black and white photograph of a grassland diorama scene with a pack of lions — Hiroshi Sugimoto, Lion, 1994

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Black and white photograph of an island diorama scene with two large tortoises — Hiroshi Sugimoto, Galapagos, 1980

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

Black and white photograph of a diorama depicting three gorillas within a verdant jungle with a mountain range on the horizon — Hiroshi Sugimoto, Gorilla, 1994

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Black and white photograph of a diorama depicting two mountain lions resting within an enclave in the Grand Canyon — Hiroshi Sugimoto, Mountain Lion, 1980

gelatin silver print, 20 x 25 inches (mount) [51 x 63.5 cm], edition of 25

Black and white photograph of a life size diorama of two cassowaries in a tropical setting with waterfall — Hiroshi Sugimoto, Double Wattled Cassowary, 1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Black and white photograph of a diorama depicting apes foraging in the forest — Hiroshi Sugimoto, Mandrill, 1980

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

Black and white photograph of a diorama depicting a body of water surrounded by a verdant valley — Hiroshi Sugimoto, Pennsylvanian Bay, 1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Hiroshi SugimotoNyala

1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Hiroshi SugimotoCalifornia Condor

1994

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Hiroshi SugimotoOrdovician Period

1992

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Hiroshi SugimotoNeanderthal

1994

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Hiroshi SugimotoLion

1994

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Hiroshi SugimotoGalapagos

1980

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

Hiroshi SugimotoGorilla

1994

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Hiroshi SugimotoMountain Lion

1980

gelatin silver print, 20 x 25 inches (mount) [51 x 63.5 cm], edition of 25

Hiroshi SugimotoDouble Wattled Cassowary

1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Hiroshi SugimotoMandrill

1980

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

Hiroshi SugimotoPennsylvanian Bay

1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Black-and-white vertical photograph of a horizontal black seascape with a streak of white light in a gray sky reflecting on the water

Hiroshi Sugimoto: Revolution

Black and white photograph of the ocean horizon at night with a long exposure of the moon framed in black — Hiroshi Sugimoto, N. Atlantic Ocean, Newfoundland, 1982, 2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Black and white photograph of the ocean horizon with the moon above the horizon line framed in black — Hiroshi Sugimoto, Irish Sea, Isla of Man, 1990, 2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Black and white photograph of the ocean horizon with the moon slightly above the horizon line framed in black — Hiroshi Sugimoto, N. Atlantic Ocean, Newfoundland, 1982, 2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Hiroshi SugimotoN. Atlantic Ocean, Newfoundland, 1982

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Hiroshi SugimotoIrish Sea, Isla of Man, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Hiroshi SugimotoArctic Ocean, Nord Kapp, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Hiroshi SugimotoCaribbean Sea, Yucatan, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Hiroshi SugimotoCaribbean Sea, Yucatan, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Hiroshi SugimotoN. Pacific Ocean, Ohkurosaki, 2002

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Hiroshi SugimotoN. Atlantic Ocean, Newfoundland, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Hiroshi SugimotoN. Atlantic Ocean, Newfoundland, 1982

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Black-and-white photograph of a nude man with his ankle hooked over his neck, seen from the back.

Peter Hujar: Nudes

Remarkable for their subtle sensuality, Hujar’s nude portraits capture his subjects fully present, and open to the camera’s gaze. The images explore the unapologetic physicality of the body, mutual desire, and uninhibited pleasure.