Page 9 of 14

Inverted color photograph of a cloudy sky

Richard Misrach: iPhone Studies

Captured with a phone camera, these small-scale works are quick photographic sketches of fleeting chance encounters with nature and found ephemera.

Inverted color photograph of a cloudy sky with a bird in flight in the distance — Richard Misrach, Clouds and birds, May 31, 2018, 9:05pm, France, 2018

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Inverted color photograph of tangled thin branches — Richard Misrach, IPS #9243 (Scrub #23), 2015

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Inverted color photograph of tangled thick branches and twigs — Richard Misrach, IPS #9325 (Scrub #11), 2013

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Inverted color close-up photograph of the texture of brush and low-lying plant life — Richard Misrach, IPS #6829 (Scrub #17), 2014

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Inverted black-and-white photograph of the texture of brush and low-lying plant life — Richard Misrach, IPS #5380 (Scrub #15), 2012

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Inverted color close-up photograph of tangled branches and cut stumps of brushwood — Richard Misrach, IPS #6839 (Scrub #18), 2014

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Inverted color photograph of shallow footprints in sand — Richard Misrach, IPS #180, 2011

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Inverted color photograph of a low-relief sculpture of a woman riding a centaur — Richard Misrach, IPS #8110, 2011

pigment print, 22-1/2 x 17-1/2 inches (framed) [57.2 x 44.5 cm], edition of 7

Inverted color photograph of labels on a wall reading PLEASE TURN OF LIGHTS THANK YOU — Richard Misrach, IPS #9869 (Please turn off lights), 2011

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Inverted color photograph of the shadow of the photographer taking a photo of footprints in the sand — Richard Misrach, IPS #174, 2011

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Richard MisrachClouds, June 5, 2014, 12:17pm, France

2014

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachClouds and birds, May 31, 2018, 9:05pm, France

2018

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachClouds, July 6, 2018, 8:04pm, CA

2018

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachClouds, June 13, 2014, 3:54pm, France

2014

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachIPS #9243 (Scrub #23)

2015

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachIPS #9325 (Scrub #11)

2013

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachIPS #9876 (Scrub #4)

2011

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachIPS #6829 (Scrub #17)

2014

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachIPS #5380 (Scrub #15)

2012

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachIPS #6839 (Scrub #18)

2014

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachIPS #180

2011

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachIPS #8110

2011

pigment print, 22-1/2 x 17-1/2 inches (framed) [57.2 x 44.5 cm], edition of 7

"*" indicates required fields

Richard MisrachIPS #9869 (Please turn off lights)

2011

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachIPS #174

2011

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Black-and-white photograph of an old man pushing his fingers into his temples.

Nicholas Nixon: Old People & Patients

With deep compassion, the artist documents the challenges and struggles of people in the final stages of their lives. The complex considerations of subject and form provoke a meditation on the depth of the human experience.

Black-and-white photograph of a seated emaciated man resting his forearms on his knees — Nicholas Nixon, Donald Perham, Milford, New Hampshire, 1988

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Nicholas Nixon, C.C., Boston, 1983

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of the hand of an elderly person resting on a tray table — Nicholas Nixon, A.B., Boston, 1985

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white three-quarter photographic portrait of an elderly woman — Nicholas Nixon, A.I., Boston, 1985

gelatin-silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photgraph of the back of a person's bald head — Nicholas Nixon, John Royston, Easton, Massachusetts, 2006

gelatin-silver print, 24 x 20 inches (sheet) [61.0 x 50.8 cm]

Black-and-white photograph of an elderly woman lying in bed raising her open hand to the viewew — Nicholas Nixon, Ruth Burnett, Dorchester, 2005

gelatin silver contact print, 10 x 8 inches (sheet) [25.4 x 20.3 cm]

Black-and-white photograph of a woman cradling a crying baby's head beneath her chin — Nicholas Nixon, Melissa and Aaron Pires, Boston, 2007

gelatin silver contact print, 10 x 8 inches (sheet) [25.4 x 20.3 cm]

Black-and-white photograph of a young man in bed embracing an older man on his shoulder with one arm — Nicholas Nixon, Dr. Robert Sappenfield with his son Bob, Dorchester, Massachusetts, 1988

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of the bare back of a man with his hand against a windowpane — Nicholas Nixon, Tom Moran, East Braintree, Massachusetts, 1987

gelatin silver contact print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Color photograph of a painting of a woman with green skin on a wooden wall

Richard Misrach: The Writing on the Wall

Photographing the graffiti found in desolate areas of Southern California, Arizona, and Nevada, the artist remarks, “In our age of relentless posting on social media, it is remarkable that people choose abandoned homes and remote rock formations as canvases for political expression. These are the hieroglyphics of our time.”

Color image of graffiti on brick wall with cloudy sky and mountains in partial view — Richard Misrach, “The future is a luxurious contemplation for those who’ve figured out how to get through the day,” Tonopath Junction, Nevada, 2017

pigment print, 20-1/8 x 25-3/4 inches (framed) [51.1 x 65.4 cm], edition of 7

Color photograph of black spray-painted writing reading FUCK NAZIS on a tile floor covered in debris — Richard Misrach, “Fuck Nazis,” Two Guns, Arizona, 2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Color photograph of a black spray-painted face and writing on the side of a low wooden clapboard house — Richard Misrach, “I love you,” Goldfield, Nevada, 2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Color photograph of a black spray-painted circle at the end of a white hallway of an abandoned building — Richard Misrach, Black blob, Victorville, California, 2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Color photograph of a simple black spray-painted face and shoulders on a white wall — Richard Misrach, Sad figure, Coaldale Junction, Nevada, 2017

pigment print, 25-3/4 x 20-1/8 inches (framed) [65.4 x 51.1 cm], edition of 7

Color photograph of spray-painted black writing on two large rocks — Richard Misrach, “If your [sic] reading this fuck you,” Lucerne Valley, California, 2017

pigment print, 28-3/8 x 22-1/8 inches (sheet) [71.9 x 56.2 cm], edition of 7

Color photograph of a black spray-painted square divided into fourths on an upright yellowish rock — Richard Misrach, Boxed-in swastika, Lucerne Valley, 2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Color photograph of black spray-painted writing on a peeling and partly-demolished white and wooden wall — Richard Misrach, “Can you hear the children screaming,” Ludlow, California, 2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Color photograph of the spray-painted interior of an abandoned brick building with a hole in the floor leading to the lower level — Richard Misrach, “Lost,” Deming, New Mexico, 2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Color photograph of fluorescent red spray-painted writing on an interior cinderblock wall of an abandoned building — Richard Misrach, “Everything must end,” Salton Sea Beach, California, 2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

Richard MisrachCrying Woman (for K.A.C.), Bombay Beach, California

2011

pigment print, 10-5/8 x 14-1/4 inches (sheet) [45.1 x 59.1 cm], edition of 7

"*" indicates required fields

Richard Misrach“The future is a luxurious contemplation for those who’ve figured out how to get through the day,” Tonopath Junction, Nevada

2017

pigment print, 20-1/8 x 25-3/4 inches (framed) [51.1 x 65.4 cm], edition of 7

"*" indicates required fields

Richard Misrach“Fuck Nazis,” Two Guns, Arizona

2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard Misrach“I love you,” Goldfield, Nevada

2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachBlack blob, Victorville, California

2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard MisrachSad figure, Coaldale Junction, Nevada

2017

pigment print, 25-3/4 x 20-1/8 inches (framed) [65.4 x 51.1 cm], edition of 7

"*" indicates required fields

Richard Misrach“If your [sic] reading this fuck you,” Lucerne Valley, California

2017

pigment print, 28-3/8 x 22-1/8 inches (sheet) [71.9 x 56.2 cm], edition of 7

"*" indicates required fields

Richard MisrachBoxed-in swastika, Lucerne Valley

2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard Misrach“Can you hear the children screaming,” Ludlow, California

2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard Misrach“Lost,” Deming, New Mexico

2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Richard Misrach“Everything must end,” Salton Sea Beach, California

2017

pigment print, 22-1/8 x 28-3/8 inches (framed) [56.2 x 71.9 cm], edition of 7

"*" indicates required fields

Black and white photograph of a figure leaning against a parked car

Peter Hujar: Night

Hujar’s sometimes playful, often bleak photographs of New York after sunset show revelers of the nightlife and a decaying urban landscape, all wrapped in a velvety blackness broken only by street lamps, fluorescent building windows, and the camera’s flash.

Black-and-white photograph of an empty street with marquees and tinsel arches spanning the road — Peter Hujar, San Gennaro Street Fair at Dawn (I), 1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a shuttered garage door painted with NO PARKING and single car parked in an adjacent driveway on a cobbled street — Peter Hujar, No Parking, 1976 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a person with curly hair, lipstick, and pearl necklace with a lily flower tucked behind one ear — Peter Hujar, Drag Queen With Flower, Halloween, 1980

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

A black and white photograph of two people in a car wearing hats and masks, one leans out of the window with a cigarette in their mouth, the other peers in the same direction from the steering wheel — Peter Hujar, Boys in Car, Halloween, 1978 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of shirtless man dressed in flashy clothes sitting on car — Peter Hujar, Boy in Plastic Pants, 1978 / printed later

pigment print, 20 x 16 inches (sheet)

Black and white photograph of a man leaning against a tree in a park at night — Peter Hujar, Gary Schneider in Stuyvesant Park, 1981 / printed 2023

pigment print / printed by Gary Schneider, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of the exterior of a gas station during early morning hours — Peter Hujar, Exxon Station, 1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of city buildings with lighted windows above a glowing street — Peter Hujar, Night, Downtown, 1976 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of city buildings lit up from inside standing above a parking lot — Peter Hujar, Night Skyline and Parking Lots, 1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarRichie

1985 / printed 2025

pigment print / printed by Gary Schneider, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarSan Gennaro Street Fair at Dawn (I)

1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarNo Parking

1976 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarDrag Queen With Flower, Halloween

1980

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarBoys in Car, Halloween

1978 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarBoy in Plastic Pants

1978 / printed later

pigment print, 20 x 16 inches (sheet)

"*" indicates required fields

Peter HujarGary Schneider in Stuyvesant Park

1981 / printed 2023

pigment print / printed by Gary Schneider, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarExxon Station

1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarNight, Downtown

1976 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarNight Skyline and Parking Lots

1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Black-and-white photograph of a woman smiling turning around mid-step following a man with a sign reading PACEM IN TERRIS in a line of people holding signs

Garry Winogrand: Women are Beautiful

Winogrand published this monograph in 1975, at the height of the feminist movement. In the book’s introduction, he writes, “Whenever I’ve seen an attractive woman, I’ve done my best to photograph her. I don’t know if all the women in the photographs are beautiful, but I do know that the women are beautiful in the photographs.”

Black-and-white photograph of a woman on a city sidewalk holding a pretzel to her mouth — Garry Winogrand, New York, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a woman in a paisley shirt stepping onto the curb from the street. — Garry Winogrand, New York, ca. 1970

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white-photograph of a bare-breasted woman wearing a large hat in a crowd of people in a park — Garry Winogrand, Central Park, New York, 1968

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of a woman in a low v-neck top with feathers and beaded necklaces holding a glass amidst a crowd of people — Garry Winogrand, Centennial Ball, Metropolitan Museum, New York, 1969

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Black-and-white portrait of a woman with short curly hair holding a piece of yarn aloft with two hands — Garry Winogrand, Untitled, ca. 1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a group of people in swimsuits on the beach — Garry Winogrand, Untitled, ca. 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a female figure walking on a busy street — Garry Winogrand, New York, 1961

early gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Garry WinograndCape Cod

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York

ca. 1970

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Garry WinograndCentral Park, New York

1968

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Garry WinograndCentennial Ball, Metropolitan Museum, New York

1969

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

"*" indicates required fields

Garry WinograndUntitled

ca. 1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndUntitled

ca. 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York

1961

early gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

black and white photograph of a wooden fence with painted text

Lee Friedlander: Letters from the People

Friedlander’s photographs capture dispatches and communiques in public spaces—including in graffiti, advertising, and street signs. His wittily composed images range from singular letters that seem to contain a rich story within a single character to full sentences that vary in topic and tone.

Black and white photograph of a detail of a hand painted sign of the letter 'A' painted onto a wall — Lee Friedlander, New Orleans, 1979

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a sign that says cash with products in the background — Lee Friedlander, New York City, 1984

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a detail of a hand painted sign of the letter 'L' painted onto a wall, shadow of some leaves — Lee Friedlander, Venice, 1979

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black and white photograph with graffiti in the foreground a boat and a city skyline in the background — Lee Friedlander, Hong Kong, 1987

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a detail of a hand painted sign — Lee Friedlander, New York City, 1979

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black and white photograph looking out an airport window with the number 8 on it — Lee Friedlander, La Guardia Airport, New York City, 1986

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a detail of text in a tile floor — Lee Friedlander, Boston, 1979

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black and white photograph of a detail of the letter S with water around it and a stamp in the bottom right corner — Lee Friedlander, New Orleans, 1979

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a storefront window with graffiti — Lee Friedlander, New York City, 1983

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderNew York City

1986

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderNew Orleans

1979

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Lee FriedlanderNew York City

1984

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderVenice

1979

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Lee FriedlanderHong Kong

1987

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderNew York City

1979

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Lee FriedlanderLa Guardia Airport, New York City

1986

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderBoston

1979

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Lee FriedlanderNew Orleans

1979

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderNew York City

1983

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Black and white photograph of four men walking in a crowded street

Lee Friedlander: American Musicians

From the 1950s to the 1970s, the artist photographed jazz, country, and blues artists in studios, during performances, and on tour. His portraits of musicians and jazz marching bands in New Orleans are a passionate document of the American music scene.

Black and white photograph of a man playing an instrument — Lee Friedlander, Phil Woods, 1957

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Color photograph of a woman wearing a green sweater signing — Lee Friedlander, Aretha Franklin, 1968

Iris print, 21-1/4 x 21-1/2 inches (sheet) [54 x 54.6 cm]

Color photograph of a man wearing a blue sweater — Lee Friedlander, Miles Davis, 1969

Iris print, 16-7/8 x 16-7/8 inches (sheet) [42.9 x 42.9 cm]

Black and white photograph of a man smoking a cigar and a boy at a piano — Lee Friedlander, Pee Wee Marquette and Count Basie, 1956

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of three figures with instruments and audio equipment — Lee Friedlander, Annie Ross, Chet Baker, Gerry Mulligan, 1957

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of three men playing instruments in a smoky room — Lee Friedlander, Billy Eckstine, Joe Newman, Eddie Jones, 1956

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Color photograph of a man wearing sunglasses — Lee Friedlander, Ray Charles, 1958

Iris print, 16-1/2 x 22-1/2 inches (sheet) [41.9 x 57.5 cm]

Black and white photograph of a man playing piano — Lee Friedlander, Thelonious Monk, 1957

gelatin-silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Color photograph up close of a man playing saxophone — Lee Friedlander, David Fat Head Newman, 1968

Iris print, 22-1/2 x 22 inches (sheet) [57.2 x 55.9 cm]

Lee FriedlanderSecond Liners

1958

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderPhil Woods

1957

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderAretha Franklin

1968

Iris print, 21-1/4 x 21-1/2 inches (sheet) [54 x 54.6 cm]

"*" indicates required fields

Lee FriedlanderMiles Davis

1969

Iris print, 16-7/8 x 16-7/8 inches (sheet) [42.9 x 42.9 cm]

"*" indicates required fields

Lee FriedlanderPee Wee Marquette and Count Basie

1956

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderAnnie Ross, Chet Baker, Gerry Mulligan

1957

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderBilly Eckstine, Joe Newman, Eddie Jones

1956

gelatin-silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Lee FriedlanderRay Charles

1958

Iris print, 16-1/2 x 22-1/2 inches (sheet) [41.9 x 57.5 cm]

"*" indicates required fields

Lee FriedlanderThelonious Monk

1957

gelatin-silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Lee FriedlanderDavid Fat Head Newman

1968

Iris print, 22-1/2 x 22 inches (sheet) [57.2 x 55.9 cm]

"*" indicates required fields

Color photograph of a bearded man with his head resting on a mossy rock on the forest floor

Alec Soth: Broken Manual

Alec Soth investigates the places in which people retreat to escape civilization.

Color photograph of a man resting his head on a mossy rock on the forest floor — Alec Soth, 2008_02zl0189, 2008

chromogenic print, 16 x 20 inches (image & sheet) [40.6 x 50.8 cm], edition of 7

Black and white photograph of an open book with the centers of its pages cut away to create a box-like structure — Alec Soth, 2008_08zL0063, 2008

pigment print, 16 x 19 inches (sheet) [40.6 x 48.3 cm], edition of 7

Color photograph of a man standing outside of an open box truck overlooking a green valley — Alec Soth, The Arkansas Cajuns backup bunker, 2007

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], editiion of 7

Black and white photograph of a store front and single lamppost at the end of a dirt road at dusk — Alec Soth, 2006_12zl0012, 2006

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

Color photograph of a man in camouflage standing amid low trees overlooking a gas station — Alec Soth, Edsel’s Hideaway. (spring), 2006

pigment print, 11 x 14 inches (image) [27.9 x 35.6 cm], edition of 7

Black and white photograph of the interior of a rocky cave — Alec Soth, 2006_12zL0067, 2006

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

Color photograph of a shed built into a cliff face overlooking a flat valley — Alec Soth, Utah, 2008

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

Color photograph of an gap in the bushes nearby a gas station — Alec Soth, Edsel’s Hideaway. (summer), 2007

pigment print, 11 x 14 inches (image) [27.9 x 35.6 cm], edition of 7

Black and white photograph of a school bus converted into a trailer home in a snowy trailer park — Alec Soth, 1999_13xl009, 1999

pigment print, 16 x 19 inches (sheet) [40.6 x 48.3 cm], edition of 7

Color photograph of the interior of a mobile home with a bed and glass jug — Alec Soth, 2006_12xl0138, 2006

pigment print, 16 x 19 inches (sheet) [40.6 x 48.3 cm], edition of 7

Black and white photograph of a stack of VHS tapes each labeled in handwriting — Alec Soth, 2007_10zL0030, 2007

pigment print, 30 x 24 inches (image & sheet) [76.2 x 61 cm], edition of 7

Color photograph of a concrete house facade built into a red stone cliff face — Alec Soth, 2008_08zL0238, 2008

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

Alec Soth2008_02zl0189

2008

chromogenic print, 16 x 20 inches (image & sheet) [40.6 x 50.8 cm], edition of 7

"*" indicates required fields

Alec Soth2008_08zL0063

2008

pigment print, 16 x 19 inches (sheet) [40.6 x 48.3 cm], edition of 7

"*" indicates required fields

Alec SothThe Arkansas Cajuns backup bunker

2007

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], editiion of 7

"*" indicates required fields

Alec Soth2006_12zl0012

2006

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

"*" indicates required fields

Alec SothEdsel’s Hideaway. (spring)

2006

pigment print, 11 x 14 inches (image) [27.9 x 35.6 cm], edition of 7

"*" indicates required fields

Alec Soth2006_12zL0067

2006

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

"*" indicates required fields

Alec SothUtah

2008

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

"*" indicates required fields

Alec SothEdsel’s Hideaway. (summer)

2007

pigment print, 11 x 14 inches (image) [27.9 x 35.6 cm], edition of 7

"*" indicates required fields

Alec Soth1999_13xl009

1999

pigment print, 16 x 19 inches (sheet) [40.6 x 48.3 cm], edition of 7

"*" indicates required fields

Alec Soth2006_12xl0138

2006

pigment print, 16 x 19 inches (sheet) [40.6 x 48.3 cm], edition of 7

"*" indicates required fields

Alec Soth2007_10zL0030

2007

pigment print, 30 x 24 inches (image & sheet) [76.2 x 61 cm], edition of 7

"*" indicates required fields

Alec Soth2008_08zL0238

2008

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 7

"*" indicates required fields

Color photograph of a glass of whiskey with ice on a dark wood desk

Alec Soth: NIAGARA

Color photograph of four yellow motel doors across two floors, with a white diamond and room number painted on each — Alec Soth, The Voyageur, 2004

chromogenic print, 59-1/8 x 49-1/4 (framed) [150.2 x 49.3 cm] , edition of 7

Color photograph of a piece of notebook paper with a letter to David dated 12 April 2005, signed off by Kristelle — Alec Soth, Well what can I say?, 2005

pigment print, 37 x 31 inches (framed) [94 x 78 cm], edition of 7

Color photograph of a standing couple against a bare gray wall — Alec Soth, Michelle and Pedro, 2005

pigment print, 49 x 41-1/8 inches (framed) [124.5 x 104.5 cm], edition of 7

Color photograph of the Niagara falls at sunset, bathed in pink light — Alec Soth, Falls 55, 2005

pigment print, 41-1/2 x 49 inches (framed) [105.4 x 124.5 cm], edition of 7

Color photograph of a woman wrapped in brightly patterned towel leaning against a blue fence — Alec Soth, Teresa, 2005

pigment print, 31 x 37 inches (framed) [78.7 x 94 cm], edition of 7

Color photograph of a wood paneled wall with a clock, picture of a woman in a bikini and hand-painted sign reading LIVE BAND JOY'S DIVORCE PARTY SAT NIGHT — Alec Soth, Joy’s divorce party, 2004

pigment print, 37 x 31 inches (framed) [94 x 78 cm]

Color photograph of a motel's front office door at night, looking into a rock-paneled room with a framed picture of a man riding a hay wagon — Alec Soth, Riverview Motel, 2005

pigment print, 49-1/8 x 41-1/8 inches (frame) [124.8 x 104.5 cm], edition of 7

Alec SothComfort Inn

2005

pigment print, 31 x 37 inches (framed) [78.7 x 94 cm], edition of 10

"*" indicates required fields

Alec SothThe Voyageur

2004

chromogenic print, 59-1/8 x 49-1/4 (framed) [150.2 x 49.3 cm] , edition of 7

"*" indicates required fields

Alec SothWell what can I say?

2005

pigment print, 37 x 31 inches (framed) [94 x 78 cm], edition of 7

"*" indicates required fields

Alec SothMichelle and Pedro

2005

pigment print, 49 x 41-1/8 inches (framed) [124.5 x 104.5 cm], edition of 7

"*" indicates required fields

Alec SothFalls 55

2005

pigment print, 41-1/2 x 49 inches (framed) [105.4 x 124.5 cm], edition of 7

"*" indicates required fields

Alec SothTeresa

2005

pigment print, 31 x 37 inches (framed) [78.7 x 94 cm], edition of 7

"*" indicates required fields

Alec SothJoy’s divorce party

2004

pigment print, 37 x 31 inches (framed) [94 x 78 cm]

"*" indicates required fields

Alec SothRiverview Motel

2005

pigment print, 49-1/8 x 41-1/8 inches (frame) [124.8 x 104.5 cm], edition of 7

"*" indicates required fields

Color photograph of a simple model of a church sitting on a wooden table

Alec Soth: The Last Days of W

Of this body of work, Soth writes, “Henri Cartier-Bresson famously said, ‘The world is going to pieces and people like Adams and Weston are photographing rocks.’ But I don’t think the world would have been a better place if these photographers had headed off to a war zone. The question is whether you can be a political photographer while you photograph rocks.

Color photographic portrait of a young man with a shaved head dressed in a camouflage military uniform with two peanut butter and jelly sandwiches on his lap — Alec Soth, Josh, Joelton, Tennessee, 2004

pigment print, 37 x 31 inches (framed) [94 x 78.7 cm], edition of 10

Color photograph of an empty set of the Oval Office with desk and painted backdrop in a convention hall setting — Alec Soth, Civic Fest, Minneapolis, MN, 2008

pigment print, 32 x 40 inches (framed) [81.3 x 101.6 cm], edition of 10

Color photograph of a man reclining on a massage table under a bare tree on a green lawn next to a running track — Alec Soth, Chula Vista, California, 2008

pigment print, 41-1/4 x 49-1/4 inches (framed) [104.8 x 125 cm], edition of 10

Color photograph of a girl in a cowboy hat and boots cradling a life-size plastic skeleton — Alec Soth, Priscilla, Los Angeles, 2008

pigment print, 32 x 40 inches (framed) [81.3 x 101.6 cm], edition of 10

Color photograph of a ping pong table in front of a mural of a man reaching out of the sea to another dressed in white walking on water — Alec Soth, First Baptist Church, Bemidji, MN, 2007

pigment print, 32 x 40 inches (framed) [81.3 x 101.6 cm], edition of 10

Color photograph of an elderly man standing on a brown lawn looking down at a model rocket in his hand — Alec Soth, Ron, San Antonio, TX, 2005

40 x 32 inches (framed) [101.6 x 81.3 cm], edition of 10

Color image of busy street at night filled with fast food restaurants and gas stations as fireworks go off in the distance — Alec Soth, Rock Springs, Wyoming, 2008

chromogenic print, 30 x 36 inches (sheet) [76.2 x 91.4 cm], edition of 8 + 3 APs

Alec SothOur Lady of Pines, Nevis, Minnesota

2007

pigment print, 31 x 37 inches (framed) [78.7 x 94 cm], edition of 10

"*" indicates required fields

Alec SothJosh, Joelton, Tennessee

2004

pigment print, 37 x 31 inches (framed) [94 x 78.7 cm], edition of 10

"*" indicates required fields

Alec SothCivic Fest, Minneapolis, MN

2008

pigment print, 32 x 40 inches (framed) [81.3 x 101.6 cm], edition of 10

"*" indicates required fields

Alec SothChula Vista, California

2008

pigment print, 41-1/4 x 49-1/4 inches (framed) [104.8 x 125 cm], edition of 10

"*" indicates required fields

Alec SothPriscilla, Los Angeles

2008

pigment print, 32 x 40 inches (framed) [81.3 x 101.6 cm], edition of 10

"*" indicates required fields

Alec SothFirst Baptist Church, Bemidji, MN

2007

pigment print, 32 x 40 inches (framed) [81.3 x 101.6 cm], edition of 10

"*" indicates required fields

Alec SothRon, San Antonio, TX

2005

40 x 32 inches (framed) [101.6 x 81.3 cm], edition of 10

"*" indicates required fields

Alec SothRock Springs, Wyoming

2008

chromogenic print, 30 x 36 inches (sheet) [76.2 x 91.4 cm], edition of 8 + 3 APs

"*" indicates required fields

Color photograph of a post-card sized picture of a mountain river tacked to a wall of wood paneling and yellow patterned wallpaper

Alec Soth: Sleeping by the Mississippi

Evolving from a series of road trips along the Mississippi River, Alec Soth’s early body of work, Sleeping by the Mississippi, captures America’s iconic yet oft-neglected “third coast.” Soth’s richly descriptive, large format color photographs describe an eclectic mix of individuals, landscapes, and interiors.

A color photograph of a white, red-haired woman in front of a fence. She has a black ash cross on her forehead. — Alec Soth, Adelyn, Ash Wednesday, New Orleans, LA, 2002

pigment print, 20 x 24 inches (sheet) [50.8 x 61 cm], edition of 15

Color photograph of a tree in a cemetery, with long Spanish moss hanging from the branches. A small group of teenagers sits below the tree, in the grass. — Alec Soth, Holt Cemetery, New Orleans, LA, 2002

pigment print, 20 x 24 inches (sheet) [51 x 61 cm], edition of 15

Color photograph of a turquoise door leaning against a turquoise wall — Alec Soth, Hotel, Dallas City, Illinois, 2002

chromogenic print, 40 x 32 inches (image & sheet) [101.6 x 81.3 cm], edition of 10

A color photograph of a ball of string in the corner of a room. A small patch of blue flowered wallpaper is on the drywall above it. — Alec Soth, Green Island, Iowa, 2002

pigment print, 40 x 32 inches (image & sheet) [101.6 x 81.3 cm], edition of 10

Color photograph of a man seated at a piano keyboard through an open blue French door — Alec Soth, William Eggleston, Memphis, TN, 2000

chromogenic print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

A color photograph of a wood-paneled room, with a black and white autographed portrait hung on the wall. Gold streamers are hung across it. — Alec Soth, Celebrity Room, Brainerd, Minnesota, 2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

Color photograph of two men leaning on the hood of a car parked on a crossing over a wide ditch — Alec Soth, Fishermen, Wickliffe, KY, 2002

chromogenic print, 40 x 50 inches (image & sheet) [102 x 127 cm], edition of 5

Color photograph of a young woman sitting in a red corner booth in an all-red room with paper hearts on the wall — Alec Soth, Kym, Polish Palace, Minneapolis, MN, 2000

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

A color photograph of a book in front of a window with green curtains. On top of the book is a long knife and a piece of brown bread in a plastic bag. — Alec Soth, Bible Study Book, Vicksburg, Mississippi, 2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

A color photograph of a framed mirror on a wall, surrounded by faded snapshots, with a lightbulb hanging from a wire in front of it. — Alec Soth, The Reverend and Margaret’s Bedroom, Vicksburg, Mississippi, 2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

Alec SothCape Girardeau, Missouri

2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 102 cm], edition of 10

"*" indicates required fields

Alec SothAdelyn, Ash Wednesday, New Orleans, LA

2002

pigment print, 20 x 24 inches (sheet) [50.8 x 61 cm], edition of 15

"*" indicates required fields

Alec SothHolt Cemetery, New Orleans, LA

2002

pigment print, 20 x 24 inches (sheet) [51 x 61 cm], edition of 15

"*" indicates required fields

Alec SothHotel, Dallas City, Illinois

2002

chromogenic print, 40 x 32 inches (image & sheet) [101.6 x 81.3 cm], edition of 10

"*" indicates required fields

Alec SothGreen Island, Iowa

2002

pigment print, 40 x 32 inches (image & sheet) [101.6 x 81.3 cm], edition of 10

"*" indicates required fields

Alec SothWilliam Eggleston, Memphis, TN

2000

chromogenic print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

"*" indicates required fields

Alec SothCelebrity Room, Brainerd, Minnesota

2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

"*" indicates required fields

Alec SothFishermen, Wickliffe, KY

2002

chromogenic print, 40 x 50 inches (image & sheet) [102 x 127 cm], edition of 5

"*" indicates required fields

Alec SothKym, Polish Palace, Minneapolis, MN

2000

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

"*" indicates required fields

Alec SothBible Study Book, Vicksburg, Mississippi

2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

"*" indicates required fields

Alec SothThe Reverend and Margaret’s Bedroom, Vicksburg, Mississippi

2002

pigment print, 32 x 40 inches (image & sheet) [81.3 x 101.6 cm], edition of 10

"*" indicates required fields

Black-and-white photograph of a person with long wiry black hair and heavy jewelry and make up with one hand behind their head

Peter Hujar: Portraits

The composed portraits of lovers, friends, and artists of New York’s Downtown milieu, often photographed in Hujar’s own loft, capture each sitter in an unrestrained moment of openness and connection.