Page 10 of 13

Black and white photograph of a mountainside diorama with two antelopes

Hiroshi Sugimoto: Dioramas

Hiroshi Sugimoto began Dioramas, his earliest photographic series, upon his arrival in New York in 1974. While visiting the American Museum of Natural History, the artist made an important observation. “The stuffed animals positioned before painted backdrops looked utterly fake, yet by taking a quick peek with one eye closed, all perspective vanished, and suddenly they looked very real,” recalls Sugimoto. “I had found a way to see the world as a camera does. However fake the subject, once photographed, it’s as good as real.”

Black-and-white photograph of a museum diorama of three vultures sitting on a rocky outcrop against a mountainous background — Hiroshi Sugimoto, California Condor, 1994

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black-and-white photograph of a museum diorama of prehistoric squid on the seafloor — Hiroshi Sugimoto, Ordovician Period, 1992

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black-and-white photograph of a museum diorama of early humans working with animal skins — Hiroshi Sugimoto, Neanderthal, 1994

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black and white photograph of a grassland diorama scene with a pack of lions — Hiroshi Sugimoto, Lion, 1994

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Black and white photograph of an island diorama scene with two large tortoises — Hiroshi Sugimoto, Galapagos, 1980

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

Black and white photograph of a diorama depicting three gorillas within a verdant jungle with a mountain range on the horizon — Hiroshi Sugimoto, Gorilla, 1994

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Black and white photograph of a diorama depicting two mountain lions resting within an enclave in the Grand Canyon — Hiroshi Sugimoto, Mountain Lion, 1980

gelatin silver print, 20 x 25 inches (mount) [51 x 63.5 cm], edition of 25

Black and white photograph of a life size diorama of two cassowaries in a tropical setting with waterfall — Hiroshi Sugimoto, Double Wattled Cassowary, 1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Black and white photograph of a diorama depicting apes foraging in the forest — Hiroshi Sugimoto, Mandrill, 1980

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

Black and white photograph of a diorama depicting a body of water surrounded by a verdant valley — Hiroshi Sugimoto, Pennsylvanian Bay, 1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Hiroshi SugimotoNyala

1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoCalifornia Condor

1994

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoOrdovician Period

1992

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoNeanderthal

1994

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLion

1994

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoGalapagos

1980

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoGorilla

1994

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoMountain Lion

1980

gelatin silver print, 20 x 25 inches (mount) [51 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoDouble Wattled Cassowary

1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoMandrill

1980

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoPennsylvanian Bay

1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Black-and-white vertical photograph of a horizontal black seascape with a streak of white light in a gray sky reflecting on the water

Hiroshi Sugimoto: Revolution

Black and white photograph of the ocean horizon at night with a long exposure of the moon framed in black — Hiroshi Sugimoto, N. Atlantic Ocean, Newfoundland, 1982, 2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Black and white photograph of the ocean horizon with the moon above the horizon line framed in black — Hiroshi Sugimoto, Irish Sea, Isla of Man, 1990, 2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Black and white photograph of the ocean horizon with the moon slightly above the horizon line framed in black — Hiroshi Sugimoto, N. Atlantic Ocean, Newfoundland, 1982, 2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Hiroshi SugimotoN. Atlantic Ocean, Newfoundland, 1982

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoIrish Sea, Isla of Man, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoArctic Ocean, Nord Kapp, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoCaribbean Sea, Yucatan, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoCaribbean Sea, Yucatan, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoN. Pacific Ocean, Ohkurosaki, 2002

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoN. Atlantic Ocean, Newfoundland, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoN. Atlantic Ocean, Newfoundland, 1982

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Black-and-white photograph of a nude man with his ankle hooked over his neck, seen from the back.

Peter Hujar: Nudes

Remarkable for their subtle sensuality, Hujar’s nude portraits capture his subjects fully present, and open to the camera’s gaze. The images explore the unapologetic physicality of the body, mutual desire, and uninhibited pleasure.

Black-and-white photograph of a reclining nude woman with a python around her neck — Peter Hujar, Sarah Jenkins with Skippy (II), 1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a seated nude man with an erection and his hands behind his back — Peter Hujar, Seated Nude, 1978

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a crouching nude man with his cheek on one hand — Peter Hujar, Randy Gilberti, 1981

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a seated nude woman holding a pillow on her lap — Peter Hujar, Lynn Davis, Nude with Pillow, 1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a man stretching while nude — Peter Hujar, Ethyl Nude (I), 1979

gelatin silver print / printed by Peter Hujar, 22-3/4 x 22-3/4 inches (framed) [57.8 x 57.8 cm]

Black-and-white photograph of a seated nude man with an erection bending backward in his chair — Peter Hujar, Carlos, 1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a pregnant nude woman reclining on a pile of pillows on a bed — Peter Hujar, Lynn Hodenfield Pregnant (I), 1978

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Triptych of black and white photographs of a nude figure in various poses — Peter Hujar, Bruce de Sainte Croix, 1976 / printed later

three pigment prints, 20 x 16 inches (each sheet) [50.8 x 40.6 cm], edition of 10

Peter HujarGary Schneider in Contortion (II)

1979 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm], edition of 10

"*" indicates required fields

Peter HujarSarah Jenkins with Skippy (II)

1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarSeated Nude

1978

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarRandy Gilberti

1981

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarLynn Davis, Nude with Pillow

1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarEthyl Nude (I)

1979

gelatin silver print / printed by Peter Hujar, 22-3/4 x 22-3/4 inches (framed) [57.8 x 57.8 cm]

"*" indicates required fields

Peter HujarCarlos

1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarLynn Hodenfield Pregnant (I)

1978

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarBruce de Sainte Croix

1976 / printed later

three pigment prints, 20 x 16 inches (each sheet) [50.8 x 40.6 cm], edition of 10

"*" indicates required fields

Black and white photograph of a distressed and litter ridden staircase

Peter Hujar: Piers

Christopher Street Piers were an important site of emerging gay cuture in the 1970s and 80s, and an inspired location for artists, who used the dilapidated structures as canvas or backdrop for their work.

Black-and-white photograph of a derelict interior with a muscular man painted on a wall beyond a doorway — Peter Hujar, Canal Street Piers: Painting of Strong Man, 1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of a derelict interior with a man painted on the wall — Peter Hujar, Canal Street Piers: Man Painted on a Wall, 1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of three painted panels standing in a derelict tiled bathroom — Peter Hujar, Canal Street Pier, 1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of the view of crumbling walls through four meeting derelict doorways — Peter Hujar, Pier – Four Doors, 1981

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a derelict interior with comic panels painted on the wall — Peter Hujar, Canal Street Piers: Krazy Kat Comic on Wall [by David Wojnarowicz], 1983 / printed later

pigment print, 11 x 14 inches (sheet) [27.9 x 35.6 cm], edition of 10

Black and white photograph of a figure laying on ropes attached to a pier while looking directly at the viewer — Peter Hujar, Christopher Street Pier #5, 1983 / printed later

pigment print, 14-1/2 x 14-1/2 (image) [36.8 x 36.8 cm], edition of 10

Peter HujarRuined Staircase, Pier

1983 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm], edition of 10

"*" indicates required fields

Peter HujarCanal Street Piers: Painting of Strong Man

1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Peter HujarCanal Street Piers: Man Painted on a Wall

1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Peter HujarCanal Street Pier

1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Peter HujarPier – Four Doors

1981

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarCanal Street Piers: Krazy Kat Comic on Wall [by David Wojnarowicz]

1983 / printed later

pigment print, 11 x 14 inches (sheet) [27.9 x 35.6 cm], edition of 10

"*" indicates required fields

Peter HujarChristopher Street Pier #5

1983 / printed later

pigment print, 14-1/2 x 14-1/2 (image) [36.8 x 36.8 cm], edition of 10

"*" indicates required fields

Black-and-white photograph of man looking out a sunny window shielding face with newspaper

Garry Winogrand: Airport

Winogrand photographed in airports to assuage his own fear of flying, arriving hours ahead of scheduled trips to distract himself with work. The pictures capture the chaotic anxiety of travel set within the serene architecture of airport terminals.

Black-and-white photograph of a waiting area with passengers scattered among seats — Garry Winogrand, Untitled, ca. 1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a sidewalk with passengers and luggage next to a narrow road with two lanes of cars — Garry Winogrand, Untitled, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man passing through a cafe area surrounded by tables and a counter — Garry Winogrand, New York City, 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of travelers with their suitcases outside a set of glass doors — Garry Winogrand, Los Angeles Airport, ca. 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white vertical photograph, taken from an airplane window while at the gate. Three men stand outside on the tarmac, with a plane in the background. — Garry Winogrand, Minneapolis, 1975

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Garry WinograndLos Angeles Airport

1967

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndUntitled

ca. 1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndUntitled

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York City

1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndLos Angeles Airport

ca. 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndMinneapolis

1975

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Black-and-white group portrait of politicians in two rows with raised arm in the foreground

Garry Winogrand: Eisenhower Years

Winogrand’s early work shows a radical departure from the style of documentary photographers. Unattached to persons or outcomes, the artist takes pleasure in simply observing the human dramas and absurdities that play out in public spaces.

Black-and-white photograph of older man in suit through a crowded foreground — Garry Winogrand, Dwight Eisenhower-Richard Nixon Press Conference, ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of a man's face isolated amidst a blurred black foreground — Garry Winogrand, Dwight Eisenhower-Richard Nixon Press Conference, ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of a party setting with men and women in formal dress seated at round tables — Garry Winogrand, Stork Club, ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of an older man and woman in formal dress conversing at a round table — Garry Winogrand, Stork Club, ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of six people embracing and kneeling on the sand — Garry Winogrand, Untitled, before 1960

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of people in bathing suits beneath a boardwalk — Garry Winogrand, Coney Island, New York, ca. 1960

gelatin silver print, 15 x 21-1/2 inches (mount) [37.5 x 50.2 cm]

Black-and-white photograph of a man with white hair peering over the roof of a car in a parking lot — Garry Winogrand, Untitled, ca. 1964

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of a group of four boys and a dog looking at another boy sitting at the corner of a building — Garry Winogrand, Bernallillo, NM, ca. 1959

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Garry WinograndDwight Eisenhower-Richard Nixon Press Conference

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndDwight Eisenhower-Richard Nixon Press Conference

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndDwight Eisenhower-Richard Nixon Press Conference

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndStork Club

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndStork Club

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndUntitled

before 1960

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndConey Island, New York

ca. 1960

gelatin silver print, 15 x 21-1/2 inches (mount) [37.5 x 50.2 cm]

"*" indicates required fields

Garry WinograndUntitled

ca. 1964

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndBernallillo, NM

ca. 1959

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Black-and-white photograph of a man and a woman each holding a chimpanzee wearing a jacket

Garry Winogrand: In the Street

“Winogrand’s best work had a powerful and distinctive authority. The nervous, manic, nearly chaotic quality was an appropriate formulation of a sense of life that was balanced somewhere between animal high spirits and an apprehension of moral disaster.” —John Szarkowski

Black and white photograph of two men on the street, one leaning over a medium-sized black dog — Garry Winogrand, New York, 1961

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of an older balding man in a suit holding a straw hat — Garry Winogrand, New York, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of two young women pausing on a busy city sidewalk to talk to a police officer — Garry Winogrand, New York, 1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a woman sitting on a curb holding a cameo portrait and looking at a young boy — Garry Winogrand, Texas State Fair, Dallas, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a woman walking down a brick pavement holding a young girl's hand — Garry Winogrand, Untitled, 1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of two smiling men with curly hair accompanying an elderly woman about to cross the street — Garry Winogrand, New York City, 1973

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of two boys in school uniforms passing through a street corner — Garry Winogrand, New York, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of an outstretched hand making an offering to an older man in a long wool coat — Garry Winogrand, New York, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of six young women on a park bench bordered by a young man conversing and an older man reading a newspaper — Garry Winogrand, World’s Fair, New York, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndCentral Park Zoo, New York

1967

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

"*" indicates required fields

Garry WinograndNew York

1961

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York

1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndTexas State Fair, Dallas

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndUntitled

1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York City

1973

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndWorld’s Fair, New York

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Color photographic portrait of a young woman with dyed red hair in a bun in front of a blank white wall

Katy Grannan: The 99

Set in the parched landscape and forgotten towns along California’s Highway 99, the artist’s vivid color portraits present subjects who are simultaneously heroic and vulnerable.

Color photographic portrait of a woman with platinum blonde hair, red lipstick, and a downcast gaze against a blank white wall — Katy Grannan, Anonymous, Las Vegas, NV, 2017

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Katy Grannan, Anonymous, Oakland, CA, 2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a man in a faux-fur trimmed jacket and beanie hat standing in front of a blank white wall — Katy Grannan, Anonymous, Modesto, CA, 2013

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a shirtless young man holding a t-shirt over his shoulder — Katy Grannan, Anonymous, Modesto, CA, 2014

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Color photographic portrait of a middle-aged woman in a white tank top standing in front of a blank white wall — Katy Grannan, Anonymous, Modesto, CA, 2012

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Color photographic portrait of a shirtless man in a neck brace standing in front of a blank white wall — Katy Grannan, Anonymous, Bakersfield, CA, 2011

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Color photographic portrait of a woman in a black jacket standing in front of a blank white wall — Katy Grannan, Anonymous, Modesto, 2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a woman wearing a cropped jacket and jeans standing in front of a blank white wall — Katy Grannan, Anonymous, Modesto, CA, 2011

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Color photographic portrait of a shirtless man turned sideways standing in front of a white stucco wall — Katy Grannan, Anonymous, Bakersfield, CA, 2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a young woman with her gloved hands clasped at her waist standing in front of a blank wall — Katy Grannan, Anonymous, Oakland, CA, 2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Katy GrannanAnonymous, Fresno, CA

2012

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

"*" indicates required fields

Katy GrannanAnonymous, Las Vegas, NV

2017

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

"*" indicates required fields

Katy GrannanAnonymous, Oakland, CA

2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

"*" indicates required fields

Katy GrannanAnonymous, Modesto, CA

2013

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

"*" indicates required fields

Katy GrannanAnonymous, Modesto, CA

2014

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

"*" indicates required fields

Katy GrannanAnonymous, Modesto, CA

2012

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

"*" indicates required fields

Katy GrannanAnonymous, Bakersfield, CA

2011

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

"*" indicates required fields

Katy GrannanAnonymous, Modesto

2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

"*" indicates required fields

Katy GrannanAnonymous, Modesto, CA

2011

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

"*" indicates required fields

Katy GrannanAnonymous, Bakersfield, CA

2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

"*" indicates required fields

Katy GrannanAnonymous, Oakland, CA

2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

"*" indicates required fields

Color photograph of a shirtless figure holding a rabbit in each hand against a textured white wall

Katy Grannan: Boulevard

A series of portraits made with strangers the artist met on the streets of San Francisco and Hollywood, California. Photographed against white walls in the glaring noon sunlight, each individual is recognized and uniquely emphasized.

Color photograph of a woman wearing bright red holding a black purse under one arm — Katy Grannan, Anonymous, Los Angeles, 2009

pigment print, 28-1/8 x 21-5/8 inches (framed)

Color photograph of a woman in sunglasses and a scarf on her head standing in front of a blank white wall — Katy Grannan, Anonymous, Los Angeles, 2008

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Color photograph of a woman in a tied red top and black scarf holding a cigarette — Katy Grannan, Anonymous, San Francisco, 2010

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Color photograph of a woman in a lilac and green top leaning against a wall and pointing off-camera — Katy Grannan, Anonymous, San Francisco, 2009

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.5 x 79.1 cm]

Color photograph of a woman in a white top and hat with her head turned back over her shoulder — Katy Grannan, Anonymous, Los Angeles, 2008

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Color photograph of a shirtless tattooed man standing in front of a blank white wall — Katy Grannan, Anonymous, San Francisco, 2008

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Color photograph of a person in a pink tank top holding a white rabbit to their cheek — Katy Grannan, Anonymous, Los Angeles, 2008

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.5 x 79.1 cm]

Color photograph of a man in a baseball cap and jeans standing with his hands clasped behind his back against a blank white wall — Katy Grannan, Anonymous, Los Angeles, 2009

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Color photograph of a woman with her hair in two buns leaning against a blank white wall — Katy Grannan, Anonymous, San Francisco, 2010

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Katy GrannanAnonymous, Los Angeles

2009

pigment print, 28-1/8 x 21-5/8 inches (framed)

"*" indicates required fields

Katy GrannanAnonymous, Los Angeles

2008

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

"*" indicates required fields

Katy GrannanAnonymous, San Francisco

2010

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

"*" indicates required fields

Katy GrannanAnonymous, San Francisco

2009

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.5 x 79.1 cm]

"*" indicates required fields

Katy GrannanAnonymous, Los Angeles

2008

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

"*" indicates required fields

Katy GrannanAnonymous, San Francisco

2008

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

"*" indicates required fields

Katy GrannanAnonymous, Los Angeles

2008

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.5 x 79.1 cm]

"*" indicates required fields

Katy GrannanAnonymous, Los Angeles

2009

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

"*" indicates required fields

Katy GrannanAnonymous, San Francisco

2010

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

"*" indicates required fields

A framed monoprint of the word "Echo," mirrored in each quadrant of the print.

Christian Marclay: Various Works

Marclay’s artistic practice is grounded in the area between sight, sound, and all manner of recordings, whether visual or aural. His overall body of work spans sculpture, video, photography, music, performance, and collage.

A mosaic grid of color and black-and-white images of various things including ears, music players, and instruments — Christian Marclay, Postcards, 2003

two lithographs, 25-1/2 x 37-1/2 inches (each sheet) [64.8 x 95.3 cm], edition of 100

A red vinyl record with half painted black to create a yin-yang motif — Christian Marclay, Yin and Yang (from the series “Recycled Records”), 1983

collaged vinyl record, 10 inches (diameter) [25.4 cm]

Two all-white sculptures of clipboards with protruding flattened cone forms in the center of each — Christian Marclay, Breasts, 1989

silicone castings and metal clips, 16-1/4 x 18-1/2 x 2 inches [41.3 x 47 x 5.1 cm]

Two speakers lying flat on the ground with tall rectangular glass coverings over each one — Christian Marclay, Stereo Volume, 1989

speakers and plexiglas, 54 x 36-1/4 x 23-3/4 inches (overall) [137.2 x 92.1 x 60.3 cm]

Two nearly identical square paintings of abstract strokes of color on a blue-gray background — Christian Marclay, Factum I and Factum II, 1990

diptych, acrylic on two record covers, 12-1/4 x 24-1/2 inches (overall) [31.1 x 62.2 cm]

A three-by-four vertical grid of record covers of various illustrations including hearts and faces — Christian Marclay, Pathetique, 1992

collage with record covers, 50 x 37-1/2 inches (sheet) [127 x 95.3 cm]

An installation shot of a person in front of a circular mirror on a white wall reflecting him and the mirror behind him — Christian Marclay, Feedback, 1994

two circular mirrors with compact discs, 48 inches (diameter, each mirror) [121.9 cm]

Two black metal cans attached by a long piece of yellow rope twisted in a pile between them — Christian Marclay, Dialogue of the Giants, 1988

metal drums and rope, 28-3/4 x 18-1/2 inches (each drum) [73 x 47 cm]

Color video still of a record player's needle hovering above a vinyl record — Christian Marclay, Looking for Love, (still), 2008

single-channel video, duration: 32 minutes, edition of 5

Christian MarclayEcho

1993

monoprint, acrylic on paper, 17 x 24 inches (framed) [43 x 61 cm]

"*" indicates required fields

Christian MarclayPostcards

2003

two lithographs, 25-1/2 x 37-1/2 inches (each sheet) [64.8 x 95.3 cm], edition of 100

"*" indicates required fields

Christian MarclayYin and Yang (from the series “Recycled Records”)

1983

collaged vinyl record, 10 inches (diameter) [25.4 cm]

"*" indicates required fields

Christian MarclayBreasts

1989

silicone castings and metal clips, 16-1/4 x 18-1/2 x 2 inches [41.3 x 47 x 5.1 cm]

"*" indicates required fields

Christian MarclayStereo Volume

1989

speakers and plexiglas, 54 x 36-1/4 x 23-3/4 inches (overall) [137.2 x 92.1 x 60.3 cm]

"*" indicates required fields

Christian MarclayFactum I and Factum II

1990

diptych, acrylic on two record covers, 12-1/4 x 24-1/2 inches (overall) [31.1 x 62.2 cm]

"*" indicates required fields

Christian MarclayPathetique

1992

collage with record covers, 50 x 37-1/2 inches (sheet) [127 x 95.3 cm]

"*" indicates required fields

Christian MarclayFeedback

1994

two circular mirrors with compact discs, 48 inches (diameter, each mirror) [121.9 cm]

"*" indicates required fields

Christian MarclayDialogue of the Giants

1988

metal drums and rope, 28-3/4 x 18-1/2 inches (each drum) [73 x 47 cm]

"*" indicates required fields

Christian MarclayLooking for Love

(still), 2008

single-channel video, duration: 32 minutes, edition of 5

"*" indicates required fields

Horizontal image of a grid of white cassette tapes and their outlines on a background of deep blue

Christian Marclay: Cyanotypes

Christian Marclay’s photograms reinvigorate two nearly-forgotten media: the cassette tapes of the 1970s and ’80s and the cyanotypes of the 1840s. The cyanotype process dates to the dawn of photography and was developed by the English scientist Sir John Herschel. Utilizing a light-sensitive chemical mixture, cyanotypes are created by placing objects directly onto the surface of coated paper. The resulting blue photograms reveal a silhouetted image that varies in shade with the opacity of the objects.

Vertical image of white strands of cassette tape stretching downward in a field of deep blue — Christian Marclay, Madonna Fragments, 2009

cyanotype, 46-5/8 x 27 inches (framed) [118.4 x 68.6 cm]

Horizontal image of the white tapes of two cassettes tangling in the middle on a deep blue background — Christian Marclay, Mashup (Diptych with Two Cassettes), 2008

cyanotype, 34-1/8 x 49-1/4 inches (framed) [86.7 x 125.1 cm]

Horizontal image of tangled white tapes of cassettes on a deep blue background — Christian Marclay, Allover (LeVert, Barbara Streisand and Others), 2009

cyanotype, 56-1/2 x 105 inches (framed) [143.5 x 266.7 cm]

Vertical image of a white cassette at the top with its tape trailing to the bottom into a white blotch on a deep blue background — Christian Marclay, Unwound Cassette Tape, 2012

cyanotype, 63-5/8 x 10-3/4 inches (framed) [161.6 x 27.3 cm]

Horizontal image of a grid of the thin white-outline edges of cassette tapes on a deep blue background — Christian Marclay, Grid No. 3 (Full and Empty Cassettes), 2012

cyanotype, 27-1/2 x 34-1/4 inches (framed) [69.9 x 87.0 cm]

Christian MarclayCassette Grid No. 10

2009

cyanotype, 26-1/8 x 33-7/8 inches (framed) [66.4 x 86 cm]

"*" indicates required fields

Christian MarclayMadonna Fragments

2009

cyanotype, 46-5/8 x 27 inches (framed) [118.4 x 68.6 cm]

"*" indicates required fields

Christian MarclayMashup (Diptych with Two Cassettes)

2008

cyanotype, 34-1/8 x 49-1/4 inches (framed) [86.7 x 125.1 cm]

"*" indicates required fields

Christian MarclayAllover (LeVert, Barbara Streisand and Others)

2009

cyanotype, 56-1/2 x 105 inches (framed) [143.5 x 266.7 cm]

"*" indicates required fields

Christian MarclayUnwound Cassette Tape

2012

cyanotype, 63-5/8 x 10-3/4 inches (framed) [161.6 x 27.3 cm]

"*" indicates required fields

Christian MarclayGrid No. 3 (Full and Empty Cassettes)

2012

cyanotype, 27-1/2 x 34-1/4 inches (framed) [69.9 x 87.0 cm]

"*" indicates required fields

Color photograph of two older women seated side-by-side in front of waves on the beach

Katy Grannan: California & The Westerns

Working collaboratively with her subjects, the artist explores the relationship between aspiration and delusion, and how our desire for attention confronts the prospect of anonymity.