Page 10 of 14

Black and white photograph of a car on an empty street

Peter Hujar: Cityscapes & Landscapes

Studies of New York’s towering buildings, neighborhoods in transition, and the sea shoreline beyond the city limits.

Black-and-white photograph of a car parked on a cobbled street next to a brick building — Peter Hujar, Parked Car, Brooklyn, 1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of ocean waves crashing onto the beach — Peter Hujar, Beach, East Hampton, Christmas, 1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a stepped high-rise building from below — Peter Hujar, Rockefeller Center, 1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a wave moving from left to right and the trail of white water following it — Peter Hujar, Surface of the Sea, Sperlonga, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of an abandoned car in a lot with trees and shrubs next to apartment building — Peter Hujar, Car, Brooklyn, 1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of buildings in New York shot from the street — Peter Hujar, Buildings, 1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of two bridges spanning a river between two cityscapes — Peter Hujar, View from the World Trade Center, 1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of white water and a wave crashing on the seashore — Peter Hujar, Wave, Jones Beach (I), 1979

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarParked Car, Brooklyn

1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarBeach, East Hampton, Christmas

1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarRockefeller Center

1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarSurface of the Sea, Sperlonga

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarCar, Brooklyn

1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarBuildings

1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarView from the World Trade Center

1976

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarWave, Jones Beach (I)

1979

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Black and white photograph of a petrified human skeleton

Peter Hujar: Catacombs

The artist photographed the Palermo Catacombs during a 1963 trip to Italy with the painter Paul Thek. Hujar’s first monograph, Portraits in Life and Death published in 1976, juxtaposes these images with portraits of writers and artists from his own social circle.

Black and white photograph of a corpse with a skullcap inside a coffin — Peter Hujar, Palermo Catacombs #3 (Man with Skullcap), 1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of preserved shrouded bodies standing above wooden boxes containing children's preserved bodies — Peter Hujar, Palermo Catacombs #13, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a skull lying amid silk flowers in a glass case — Peter Hujar, Palermo Catacombs #2, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of preserved skeletons dressed in shrouds and gowns in two rows — Peter Hujar, Palermo Catacombs #11, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a skeleton in a lace dress lying in a glass-fronted box — Peter Hujar, Palermo Catacombs #5, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a preserved child's body lying in a glass-fronted wooden case with dried flowers — Peter Hujar, Palermo Catacombs #10, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a preserved child's body lying in a wooden compartment — Peter Hujar, Palermo Catacombs #4, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a hooded preserved body propped up amid other skeletons in compartments — Peter Hujar, Palermo Catacombs #12, 1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarPalermo Catacombs #1

1963 / printed 2024 by Gary Schneider

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm], edition of 10

"*" indicates required fields

Peter HujarPalermo Catacombs #3 (Man with Skullcap)

1963

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarPalermo Catacombs #13

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarPalermo Catacombs #2

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarPalermo Catacombs #11

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarPalermo Catacombs #5

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarPalermo Catacombs #10

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarPalermo Catacombs #4

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarPalermo Catacombs #12

1963

gelatin-silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Black-and-white photograph of a woman walking by a low white building at an intersection

Katy Grannan: The Nine

An intimate and unflinching portrait of a ravaged community living on South Ninth Street in Modesto, California. Grannan photographs everyday rituals, small interactions, and moments of beauty on the fringes of society, conferring significance to what is often overlooked.

Black-and-white photograph of two women standing in long grass under a concrete bridge — Katy Grannan, Deb and Pam Play Under 9th Street Bridge, Modesto, CA, 2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of a dirt lot on a road with low buildings and a person walking away in the distance — Katy Grannan, Man Walks Alone Through Empty Lot, Intersection of South 9th Street and River Road, Modesto, CA, 2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of a a woman pointing at another coming out of a room in a motel parking lot with a man leaning on a pillar — Katy Grannan, Kiki Pays Debt, Room 123, Traveler’s Motel, Modesto, CA, 2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of a woman in an overgrown lot pointing behind her — Katy Grannan, Inessa Alone in Shiva’s Courtyard, Modesto, CA, 2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of a wall painting of a flying dove and two hands emanating rays of light — Katy Grannan, Christ’s Hands, True Love Family Church, Modesto, CA, 2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of a man on on a rocky overgrown riverbank watching a woman standing in the water holding foil balloons — Katy Grannan, Wanda and Stephen with Memorial Balloons, Stanislaus River, Modesto, CA, 2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of two people reclining on a bare mattress on a riverbank in the shade — Katy Grannan, Robert and April on Mattress Under 9th Street Bridge, Modesto, CA, 2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Black-and-white photograph of a woman in high heels standing in the dark with only her legs and arm illuminated — Katy Grannan, Wanda Stands Alone Under 9th Street Bridge, Modesto, CA, 2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

Katy GrannanInessa Waits Near South 9th Street, Modesto, CA

2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

"*" indicates required fields

Katy GrannanDeb and Pam Play Under 9th Street Bridge, Modesto, CA

2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

"*" indicates required fields

Katy GrannanMan Walks Alone Through Empty Lot, Intersection of South 9th Street and River Road, Modesto, CA

2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

"*" indicates required fields

Katy GrannanKiki Pays Debt, Room 123, Traveler’s Motel, Modesto, CA

2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

"*" indicates required fields

Katy GrannanInessa Alone in Shiva’s Courtyard, Modesto, CA

2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

"*" indicates required fields

Katy GrannanChrist’s Hands, True Love Family Church, Modesto, CA

2012

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

"*" indicates required fields

Katy GrannanWanda and Stephen with Memorial Balloons, Stanislaus River, Modesto, CA

2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

"*" indicates required fields

Katy GrannanRobert and April on Mattress Under 9th Street Bridge, Modesto, CA

2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

"*" indicates required fields

Katy GrannanWanda Stands Alone Under 9th Street Bridge, Modesto, CA

2013

pigment print, 48-1/8 x 63-1/4 inches (framed) [122.2 x 160.1 cm]

"*" indicates required fields

Black and white photograph of a mountainside diorama with two antelopes

Hiroshi Sugimoto: Dioramas

Hiroshi Sugimoto began Dioramas, his earliest photographic series, upon his arrival in New York in 1974. While visiting the American Museum of Natural History, the artist made an important observation. “The stuffed animals positioned before painted backdrops looked utterly fake, yet by taking a quick peek with one eye closed, all perspective vanished, and suddenly they looked very real,” recalls Sugimoto. “I had found a way to see the world as a camera does. However fake the subject, once photographed, it’s as good as real.”

Black-and-white photograph of a museum diorama of three vultures sitting on a rocky outcrop against a mountainous background — Hiroshi Sugimoto, California Condor, 1994

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black-and-white photograph of a museum diorama of prehistoric squid on the seafloor — Hiroshi Sugimoto, Ordovician Period, 1992

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black-and-white photograph of a museum diorama of early humans working with animal skins — Hiroshi Sugimoto, Neanderthal, 1994

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

Black and white photograph of a grassland diorama scene with a pack of lions — Hiroshi Sugimoto, Lion, 1994

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Black and white photograph of an island diorama scene with two large tortoises — Hiroshi Sugimoto, Galapagos, 1980

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

Black and white photograph of a diorama depicting three gorillas within a verdant jungle with a mountain range on the horizon — Hiroshi Sugimoto, Gorilla, 1994

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Black and white photograph of a diorama depicting two mountain lions resting within an enclave in the Grand Canyon — Hiroshi Sugimoto, Mountain Lion, 1980

gelatin silver print, 20 x 25 inches (mount) [51 x 63.5 cm], edition of 25

Black and white photograph of a life size diorama of two cassowaries in a tropical setting with waterfall — Hiroshi Sugimoto, Double Wattled Cassowary, 1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Black and white photograph of a diorama depicting apes foraging in the forest — Hiroshi Sugimoto, Mandrill, 1980

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

Black and white photograph of a diorama depicting a body of water surrounded by a verdant valley — Hiroshi Sugimoto, Pennsylvanian Bay, 1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

Hiroshi SugimotoNyala

1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoCalifornia Condor

1994

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoOrdovician Period

1992

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoNeanderthal

1994

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61.0 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoLion

1994

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoGalapagos

1980

gelatin silver print, 25 x 20 inches (mount) [63.5 x 50.8 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoGorilla

1994

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoMountain Lion

1980

gelatin silver print, 20 x 25 inches (mount) [51 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoDouble Wattled Cassowary

1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoMandrill

1980

gelatin silver print, 20 x 24 inches (mount) [50.8 x 61 cm], edition of 25

"*" indicates required fields

Hiroshi SugimotoPennsylvanian Bay

1980

gelatin silver print, 20 x 25 inches (mount) [50.8 x 63.5 cm], edition of 25

"*" indicates required fields

Black-and-white vertical photograph of a horizontal black seascape with a streak of white light in a gray sky reflecting on the water

Hiroshi Sugimoto: Revolution

Black and white photograph of the ocean horizon at night with a long exposure of the moon framed in black — Hiroshi Sugimoto, N. Atlantic Ocean, Newfoundland, 1982, 2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Black and white photograph of the ocean horizon with the moon above the horizon line framed in black — Hiroshi Sugimoto, Irish Sea, Isla of Man, 1990, 2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Black and white photograph of the ocean horizon with the moon slightly above the horizon line framed in black — Hiroshi Sugimoto, N. Atlantic Ocean, Newfoundland, 1982, 2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

Hiroshi SugimotoN. Atlantic Ocean, Newfoundland, 1982

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoIrish Sea, Isla of Man, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoArctic Ocean, Nord Kapp, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoCaribbean Sea, Yucatan, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoRevolution 008, Caribbean Sea, Yucatan, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoN. Pacific Ocean, Ohkurosaki, 2002

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoN. Atlantic Ocean, Newfoundland, 1990

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Hiroshi SugimotoN. Atlantic Ocean, Newfoundland, 1982

2012

gelatin silver print, 107 x 60 inches (framed) [272 x 152.5 cm], edition of 5

"*" indicates required fields

Black-and-white photograph of a nude man with his ankle hooked over his neck, seen from the back.

Peter Hujar: Nudes

Remarkable for their subtle sensuality, Hujar’s nude portraits capture his subjects fully present, and open to the camera’s gaze. The images explore the unapologetic physicality of the body, mutual desire, and uninhibited pleasure.

Black-and-white photograph of a reclining nude woman with a python around her neck — Peter Hujar, Sarah Jenkins with Skippy (II), 1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a seated nude man with an erection and his hands behind his back — Peter Hujar, Seated Nude, 1978

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a crouching nude man with his cheek on one hand — Peter Hujar, Randy Gilberti, 1981

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a seated nude woman holding a pillow on her lap — Peter Hujar, Lynn Davis, Nude with Pillow, 1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph of a man stretching while nude — Peter Hujar, Ethyl Nude (I), 1979

gelatin silver print / printed by Peter Hujar, 22-3/4 x 22-3/4 inches (framed) [57.8 x 57.8 cm]

Black-and-white photograph of a seated nude man with an erection bending backward in his chair — Peter Hujar, Carlos, 1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a pregnant nude woman reclining on a pile of pillows on a bed — Peter Hujar, Lynn Hodenfield Pregnant (I), 1978

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Triptych of black and white photographs of a nude figure in various poses — Peter Hujar, Bruce de Sainte Croix, 1976 / printed later

three pigment prints, 20 x 16 inches (each sheet) [50.8 x 40.6 cm], edition of 10

Peter HujarGary Schneider in Contortion (II)

1979 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm], edition of 10

"*" indicates required fields

Peter HujarSarah Jenkins with Skippy (II)

1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarSeated Nude

1978

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarRandy Gilberti

1981

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarLynn Davis, Nude with Pillow

1985

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarEthyl Nude (I)

1979

gelatin silver print / printed by Peter Hujar, 22-3/4 x 22-3/4 inches (framed) [57.8 x 57.8 cm]

"*" indicates required fields

Peter HujarCarlos

1976

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarLynn Hodenfield Pregnant (I)

1978

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarBruce de Sainte Croix

1976 / printed later

three pigment prints, 20 x 16 inches (each sheet) [50.8 x 40.6 cm], edition of 10

"*" indicates required fields

Black and white photograph of a distressed and litter ridden staircase

Peter Hujar: Piers

Christopher Street Piers were an important site of emerging gay cuture in the 1970s and 80s, and an inspired location for artists, who used the dilapidated structures as canvas or backdrop for their work.

Black-and-white photograph of a derelict interior with a muscular man painted on a wall beyond a doorway — Peter Hujar, Canal Street Piers: Painting of Strong Man, 1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of a derelict interior with a man painted on the wall — Peter Hujar, Canal Street Piers: Man Painted on a Wall, 1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of three painted panels standing in a derelict tiled bathroom — Peter Hujar, Canal Street Pier, 1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of the view of crumbling walls through four meeting derelict doorways — Peter Hujar, Pier – Four Doors, 1981

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a derelict interior with comic panels painted on the wall — Peter Hujar, Canal Street Piers: Krazy Kat Comic on Wall [by David Wojnarowicz], 1983 / printed later

pigment print, 11 x 14 inches (sheet) [27.9 x 35.6 cm], edition of 10

Black and white photograph of a figure laying on ropes attached to a pier while looking directly at the viewer — Peter Hujar, Christopher Street Pier #5, 1983 / printed later

pigment print, 14-1/2 x 14-1/2 (image) [36.8 x 36.8 cm], edition of 10

Peter HujarRuined Staircase, Pier

1983 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm], edition of 10

"*" indicates required fields

Peter HujarCanal Street Piers: Painting of Strong Man

1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Peter HujarCanal Street Piers: Man Painted on a Wall

1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Peter HujarCanal Street Pier

1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Peter HujarPier – Four Doors

1981

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Peter HujarCanal Street Piers: Krazy Kat Comic on Wall [by David Wojnarowicz]

1983 / printed later

pigment print, 11 x 14 inches (sheet) [27.9 x 35.6 cm], edition of 10

"*" indicates required fields

Peter HujarChristopher Street Pier #5

1983 / printed later

pigment print, 14-1/2 x 14-1/2 (image) [36.8 x 36.8 cm], edition of 10

"*" indicates required fields

Black-and-white photograph of man looking out a sunny window shielding face with newspaper

Garry Winogrand: Airport

Winogrand photographed in airports to assuage his own fear of flying, arriving hours ahead of scheduled trips to distract himself with work. The pictures capture the chaotic anxiety of travel set within the serene architecture of airport terminals.

Black-and-white photograph of a waiting area with passengers scattered among seats — Garry Winogrand, Untitled, ca. 1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a sidewalk with passengers and luggage next to a narrow road with two lanes of cars — Garry Winogrand, Untitled, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man passing through a cafe area surrounded by tables and a counter — Garry Winogrand, New York City, 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of travelers with their suitcases outside a set of glass doors — Garry Winogrand, Los Angeles Airport, ca. 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white vertical photograph, taken from an airplane window while at the gate. Three men stand outside on the tarmac, with a plane in the background. — Garry Winogrand, Minneapolis, 1975

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Garry WinograndLos Angeles Airport

1967

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndUntitled

ca. 1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndUntitled

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York City

1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndLos Angeles Airport

ca. 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndMinneapolis

1975

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Black-and-white group portrait of politicians in two rows with raised arm in the foreground

Garry Winogrand: Eisenhower Years

Winogrand’s early work shows a radical departure from the style of documentary photographers. Unattached to persons or outcomes, the artist takes pleasure in simply observing the human dramas and absurdities that play out in public spaces.

Black-and-white photograph of older man in suit through a crowded foreground — Garry Winogrand, Dwight Eisenhower-Richard Nixon Press Conference, ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of a man's face isolated amidst a blurred black foreground — Garry Winogrand, Dwight Eisenhower-Richard Nixon Press Conference, ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of a party setting with men and women in formal dress seated at round tables — Garry Winogrand, Stork Club, ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of an older man and woman in formal dress conversing at a round table — Garry Winogrand, Stork Club, ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of six people embracing and kneeling on the sand — Garry Winogrand, Untitled, before 1960

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of people in bathing suits beneath a boardwalk — Garry Winogrand, Coney Island, New York, ca. 1960

gelatin silver print, 15 x 21-1/2 inches (mount) [37.5 x 50.2 cm]

Black-and-white photograph of a man with white hair peering over the roof of a car in a parking lot — Garry Winogrand, Untitled, ca. 1964

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of a group of four boys and a dog looking at another boy sitting at the corner of a building — Garry Winogrand, Bernallillo, NM, ca. 1959

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Garry WinograndDwight Eisenhower-Richard Nixon Press Conference

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndDwight Eisenhower-Richard Nixon Press Conference

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndDwight Eisenhower-Richard Nixon Press Conference

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndStork Club

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndStork Club

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndUntitled

before 1960

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndConey Island, New York

ca. 1960

gelatin silver print, 15 x 21-1/2 inches (mount) [37.5 x 50.2 cm]

"*" indicates required fields

Garry WinograndUntitled

ca. 1964

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Garry WinograndBernallillo, NM

ca. 1959

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

"*" indicates required fields

Black-and-white photograph of a man and a woman each holding a chimpanzee wearing a jacket

Garry Winogrand: In the Street

“Winogrand’s best work had a powerful and distinctive authority. The nervous, manic, nearly chaotic quality was an appropriate formulation of a sense of life that was balanced somewhere between animal high spirits and an apprehension of moral disaster.” —John Szarkowski

Black and white photograph of two men on the street, one leaning over a medium-sized black dog — Garry Winogrand, New York, 1961

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of an older balding man in a suit holding a straw hat — Garry Winogrand, New York, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of two young women pausing on a busy city sidewalk to talk to a police officer — Garry Winogrand, New York, 1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a woman sitting on a curb holding a cameo portrait and looking at a young boy — Garry Winogrand, Texas State Fair, Dallas, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a woman walking down a brick pavement holding a young girl's hand — Garry Winogrand, Untitled, 1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of two smiling men with curly hair accompanying an elderly woman about to cross the street — Garry Winogrand, New York City, 1973

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of two boys in school uniforms passing through a street corner — Garry Winogrand, New York, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of an outstretched hand making an offering to an older man in a long wool coat — Garry Winogrand, New York, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of six young women on a park bench bordered by a young man conversing and an older man reading a newspaper — Garry Winogrand, World’s Fair, New York, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndCentral Park Zoo, New York

1967

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

"*" indicates required fields

Garry WinograndNew York

1961

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York

1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndTexas State Fair, Dallas

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndUntitled

1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York City

1973

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndWorld’s Fair, New York

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Color photographic portrait of a young woman with dyed red hair in a bun in front of a blank white wall

Katy Grannan: The 99

Set in the parched landscape and forgotten towns along California’s Highway 99, the artist’s vivid color portraits present subjects who are simultaneously heroic and vulnerable.

Color photographic portrait of a woman with platinum blonde hair, red lipstick, and a downcast gaze against a blank white wall — Katy Grannan, Anonymous, Las Vegas, NV, 2017

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Katy Grannan, Anonymous, Oakland, CA, 2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a man in a faux-fur trimmed jacket and beanie hat standing in front of a blank white wall — Katy Grannan, Anonymous, Modesto, CA, 2013

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a shirtless young man holding a t-shirt over his shoulder — Katy Grannan, Anonymous, Modesto, CA, 2014

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Color photographic portrait of a middle-aged woman in a white tank top standing in front of a blank white wall — Katy Grannan, Anonymous, Modesto, CA, 2012

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Color photographic portrait of a shirtless man in a neck brace standing in front of a blank white wall — Katy Grannan, Anonymous, Bakersfield, CA, 2011

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Color photographic portrait of a woman in a black jacket standing in front of a blank white wall — Katy Grannan, Anonymous, Modesto, 2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a woman wearing a cropped jacket and jeans standing in front of a blank white wall — Katy Grannan, Anonymous, Modesto, CA, 2011

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Color photographic portrait of a shirtless man turned sideways standing in front of a white stucco wall — Katy Grannan, Anonymous, Bakersfield, CA, 2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a young woman with her gloved hands clasped at her waist standing in front of a blank wall — Katy Grannan, Anonymous, Oakland, CA, 2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Katy GrannanAnonymous, Fresno, CA

2012

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

"*" indicates required fields

Katy GrannanAnonymous, Las Vegas, NV

2017

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

"*" indicates required fields

Katy GrannanAnonymous, Oakland, CA

2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

"*" indicates required fields

Katy GrannanAnonymous, Modesto, CA

2013

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

"*" indicates required fields

Katy GrannanAnonymous, Modesto, CA

2014

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

"*" indicates required fields

Katy GrannanAnonymous, Modesto, CA

2012

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

"*" indicates required fields

Katy GrannanAnonymous, Bakersfield, CA

2011

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

"*" indicates required fields

Katy GrannanAnonymous, Modesto

2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

"*" indicates required fields

Katy GrannanAnonymous, Modesto, CA

2011

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

"*" indicates required fields

Katy GrannanAnonymous, Bakersfield, CA

2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

"*" indicates required fields

Katy GrannanAnonymous, Oakland, CA

2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

"*" indicates required fields

Color photograph of a shirtless figure holding a rabbit in each hand against a textured white wall

Katy Grannan: Boulevard

A series of portraits made with strangers the artist met on the streets of San Francisco and Hollywood, California. Photographed against white walls in the glaring noon sunlight, each individual is recognized and uniquely emphasized.