Page 10 of 14

Black and white photograph of a distressed and litter ridden staircase

Peter Hujar: Piers

Christopher Street Piers were an important site of emerging gay cuture in the 1970s and 80s, and an inspired location for artists, who used the dilapidated structures as canvas or backdrop for their work.

Black-and-white photograph of a derelict interior with a muscular man painted on a wall beyond a doorway — Peter Hujar, Canal Street Piers: Painting of Strong Man, 1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of a derelict interior with a man painted on the wall — Peter Hujar, Canal Street Piers: Man Painted on a Wall, 1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of three painted panels standing in a derelict tiled bathroom — Peter Hujar, Canal Street Pier, 1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of the view of crumbling walls through four meeting derelict doorways — Peter Hujar, Pier – Four Doors, 1981

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a derelict interior with comic panels painted on the wall — Peter Hujar, Canal Street Piers: Krazy Kat Comic on Wall [by David Wojnarowicz], 1983 / printed later

pigment print, 11 x 14 inches (sheet) [27.9 x 35.6 cm], edition of 10

Black and white photograph of a figure laying on ropes attached to a pier while looking directly at the viewer — Peter Hujar, Christopher Street Pier #5, 1983 / printed later

pigment print, 14-1/2 x 14-1/2 (image) [36.8 x 36.8 cm], edition of 10

Peter HujarRuined Staircase, Pier

1983 / printed later

pigment print, 20 x 16 inches (sheet) [50.8 x 40.6 cm], edition of 10

Peter HujarCanal Street Piers: Painting of Strong Man

1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Peter HujarCanal Street Piers: Man Painted on a Wall

1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Peter HujarCanal Street Pier

1983

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Peter HujarPier – Four Doors

1981

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Peter HujarCanal Street Piers: Krazy Kat Comic on Wall [by David Wojnarowicz]

1983 / printed later

pigment print, 11 x 14 inches (sheet) [27.9 x 35.6 cm], edition of 10

Peter HujarChristopher Street Pier #5

1983 / printed later

pigment print, 14-1/2 x 14-1/2 (image) [36.8 x 36.8 cm], edition of 10

Black-and-white photograph of man looking out a sunny window shielding face with newspaper

Garry Winogrand: Airport

Winogrand photographed in airports to assuage his own fear of flying, arriving hours ahead of scheduled trips to distract himself with work. The pictures capture the chaotic anxiety of travel set within the serene architecture of airport terminals.

Black-and-white photograph of a waiting area with passengers scattered among seats — Garry Winogrand, Untitled, ca. 1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a sidewalk with passengers and luggage next to a narrow road with two lanes of cars — Garry Winogrand, Untitled, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man passing through a cafe area surrounded by tables and a counter — Garry Winogrand, New York City, 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of travelers with their suitcases outside a set of glass doors — Garry Winogrand, Los Angeles Airport, ca. 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white vertical photograph, taken from an airplane window while at the gate. Three men stand outside on the tarmac, with a plane in the background. — Garry Winogrand, Minneapolis, 1975

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Garry WinograndLos Angeles Airport

1967

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndUntitled

ca. 1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndUntitled

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndNew York City

1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndLos Angeles Airport

ca. 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndMinneapolis

1975

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white group portrait of politicians in two rows with raised arm in the foreground

Garry Winogrand: Eisenhower Years

Winogrand’s early work shows a radical departure from the style of documentary photographers. Unattached to persons or outcomes, the artist takes pleasure in simply observing the human dramas and absurdities that play out in public spaces.

Black-and-white photograph of older man in suit through a crowded foreground — Garry Winogrand, Dwight Eisenhower-Richard Nixon Press Conference, ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of a man's face isolated amidst a blurred black foreground — Garry Winogrand, Dwight Eisenhower-Richard Nixon Press Conference, ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of a party setting with men and women in formal dress seated at round tables — Garry Winogrand, Stork Club, ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of an older man and woman in formal dress conversing at a round table — Garry Winogrand, Stork Club, ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of six people embracing and kneeling on the sand — Garry Winogrand, Untitled, before 1960

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of people in bathing suits beneath a boardwalk — Garry Winogrand, Coney Island, New York, ca. 1960

gelatin silver print, 15 x 21-1/2 inches (mount) [37.5 x 50.2 cm]

Black-and-white photograph of a man with white hair peering over the roof of a car in a parking lot — Garry Winogrand, Untitled, ca. 1964

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of a group of four boys and a dog looking at another boy sitting at the corner of a building — Garry Winogrand, Bernallillo, NM, ca. 1959

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Garry WinograndDwight Eisenhower-Richard Nixon Press Conference

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Garry WinograndDwight Eisenhower-Richard Nixon Press Conference

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Garry WinograndDwight Eisenhower-Richard Nixon Press Conference

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Garry WinograndStork Club

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Garry WinograndStork Club

ca. 1955

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Garry WinograndUntitled

before 1960

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Garry WinograndConey Island, New York

ca. 1960

gelatin silver print, 15 x 21-1/2 inches (mount) [37.5 x 50.2 cm]

Garry WinograndUntitled

ca. 1964

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Garry WinograndBernallillo, NM

ca. 1959

gelatin silver print, 9 x 13-1/4 inches (image & sheet) [22.9 x 33.7 cm]

Black-and-white photograph of a man and a woman each holding a chimpanzee wearing a jacket

Garry Winogrand: In the Street

“Winogrand’s best work had a powerful and distinctive authority. The nervous, manic, nearly chaotic quality was an appropriate formulation of a sense of life that was balanced somewhere between animal high spirits and an apprehension of moral disaster.” —John Szarkowski

Black and white photograph of two men on the street, one leaning over a medium-sized black dog — Garry Winogrand, New York, 1961

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of an older balding man in a suit holding a straw hat — Garry Winogrand, New York, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of two young women pausing on a busy city sidewalk to talk to a police officer — Garry Winogrand, New York, 1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a woman sitting on a curb holding a cameo portrait and looking at a young boy — Garry Winogrand, Texas State Fair, Dallas, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a woman walking down a brick pavement holding a young girl's hand — Garry Winogrand, Untitled, 1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of two smiling men with curly hair accompanying an elderly woman about to cross the street — Garry Winogrand, New York City, 1973

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of two boys in school uniforms passing through a street corner — Garry Winogrand, New York, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of an outstretched hand making an offering to an older man in a long wool coat — Garry Winogrand, New York, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of six young women on a park bench bordered by a young man conversing and an older man reading a newspaper — Garry Winogrand, World’s Fair, New York, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndCentral Park Zoo, New York

1967

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Garry WinograndNew York

1961

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndNew York

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndNew York

1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndTexas State Fair, Dallas

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndUntitled

1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndNew York City

1973

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndNew York

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndNew York

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndWorld’s Fair, New York

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Katy Grannan: The 99

Set in the parched landscape and forgotten towns along California’s Highway 99, the artist’s vivid color portraits present subjects who are simultaneously heroic and vulnerable.

Katy Grannan, Anonymous, Oakland, CA, 2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a shirtless young man holding a t-shirt over his shoulder — Katy Grannan, Anonymous, Modesto, CA, 2014

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Color photographic portrait of a woman with platinum blonde hair, red lipstick, and a downcast gaze against a blank white wall — Katy Grannan, Anonymous, Las Vegas, NV, 2017

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a man in a faux-fur trimmed jacket and beanie hat standing in front of a blank white wall — Katy Grannan, Anonymous, Modesto, CA, 2013

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a middle-aged woman in a white tank top standing in front of a blank white wall — Katy Grannan, Anonymous, Modesto, CA, 2012

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Color photographic portrait of a shirtless man in a neck brace standing in front of a blank white wall — Katy Grannan, Anonymous, Bakersfield, CA, 2011

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Color photographic portrait of a woman in a black jacket standing in front of a blank white wall — Katy Grannan, Anonymous, Modesto, 2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a woman wearing a cropped jacket and jeans standing in front of a blank white wall — Katy Grannan, Anonymous, Modesto, CA, 2011

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Color photographic portrait of a young woman with her gloved hands clasped at her waist standing in front of a blank wall — Katy Grannan, Anonymous, Oakland, CA, 2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a shirtless man turned sideways standing in front of a white stucco wall — Katy Grannan, Anonymous, Bakersfield, CA, 2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Color photographic portrait of a young woman with dyed red hair in a bun in front of a blank white wall — Katy Grannan, Anonymous, Fresno, CA, 2012

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Katy GrannanAnonymous, Oakland, CA

2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Katy GrannanAnonymous, Modesto, CA

2014

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Katy GrannanAnonymous, Las Vegas, NV

2017

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Katy GrannanAnonymous, Modesto, CA

2013

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Katy GrannanAnonymous, Modesto, CA

2012

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Katy GrannanAnonymous, Bakersfield, CA

2011

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Katy GrannanAnonymous, Modesto

2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Katy GrannanAnonymous, Modesto, CA

2011

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Katy GrannanAnonymous, Oakland, CA

2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Katy GrannanAnonymous, Bakersfield, CA

2011

pigment print, 57-3/4 x 43-3/4 inches (framed) [146.7 x 111 cm]

Katy GrannanAnonymous, Fresno, CA

2012

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.4 x 79 cm]

Color photograph of a woman wearing bright red holding a black purse under one arm

Katy Grannan: Boulevard

A series of portraits made with strangers the artist met on the streets of San Francisco and Hollywood, California. Photographed against white walls in the glaring noon sunlight, each individual is recognized and uniquely emphasized.

Color photograph of a woman in sunglasses and a scarf on her head standing in front of a blank white wall — Katy Grannan, Anonymous, Los Angeles, 2008

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Color photograph of a woman in a tied red top and black scarf holding a cigarette — Katy Grannan, Anonymous, San Francisco, 2010

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Color photograph of a woman in a lilac and green top leaning against a wall and pointing off-camera — Katy Grannan, Anonymous, San Francisco, 2009

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.5 x 79.1 cm]

Color photograph of a woman in a white top and hat with her head turned back over her shoulder — Katy Grannan, Anonymous, Los Angeles, 2008

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Color photograph of a woman dressed all in black peering at a cellphone and holding a red lunchbox — Katy Grannan, Anonymous, San Francisco, 2010

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.5 x 79.1 cm]

Color photograph of a person in a pink tank top holding a white rabbit to their cheek — Katy Grannan, Anonymous, Los Angeles, 2008

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.5 x 79.1 cm]

Color photograph of a shirtless tattooed man standing in front of a blank white wall — Katy Grannan, Anonymous, San Francisco, 2008

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Color photograph of a woman with her hair in two buns leaning against a blank white wall — Katy Grannan, Anonymous, San Francisco, 2010

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Color photograph of a man in a baseball cap and jeans standing with his hands clasped behind his back against a blank white wall — Katy Grannan, Anonymous, Los Angeles, 2009

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Katy GrannanAnonymous, Los Angeles

2009

pigment print, 28-1/8 x 21-5/8 inches (framed)

Katy GrannanAnonymous, Los Angeles

2008

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Katy GrannanAnonymous, San Francisco

2010

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Katy GrannanAnonymous, San Francisco

2009

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.5 x 79.1 cm]

Katy GrannanAnonymous, Los Angeles

2008

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Katy GrannanAnonymous, San Francisco

2010

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.5 x 79.1 cm]

Katy GrannanAnonymous, Los Angeles

2008

pigment print, 41-1/8 x 31-1/8 inches (framed) [104.5 x 79.1 cm]

Katy GrannanAnonymous, San Francisco

2008

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Katy GrannanAnonymous, San Francisco

2010

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

Katy GrannanAnonymous, Los Angeles

2009

pigment print, 28-1/8 x 21-5/8 inches (framed) [71.4 x 54.9 cm]

A framed monoprint of the word "Echo," mirrored in each quadrant of the print.

Christian Marclay: Various Works

Marclay’s artistic practice is grounded in the area between sight, sound, and all manner of recordings, whether visual or aural. His overall body of work spans sculpture, video, photography, music, performance, and collage.

A mosaic grid of color and black-and-white images of various things including ears, music players, and instruments — Christian Marclay, Postcards, 2003

two lithographs, 25-1/2 x 37-1/2 inches (each sheet) [64.8 x 95.3 cm], edition of 100

A red vinyl record with half painted black to create a yin-yang motif — Christian Marclay, Yin and Yang (from the series “Recycled Records”), 1983

collaged vinyl record, 10 inches (diameter) [25.4 cm]

Two all-white sculptures of clipboards with protruding flattened cone forms in the center of each — Christian Marclay, Breasts, 1989

silicone castings and metal clips, 16-1/4 x 18-1/2 x 2 inches [41.3 x 47 x 5.1 cm]

Two speakers lying flat on the ground with tall rectangular glass coverings over each one — Christian Marclay, Stereo Volume, 1989

speakers and plexiglas, 54 x 36-1/4 x 23-3/4 inches (overall) [137.2 x 92.1 x 60.3 cm]

Two nearly identical square paintings of abstract strokes of color on a blue-gray background — Christian Marclay, Factum I and Factum II, 1990

diptych, acrylic on two record covers, 12-1/4 x 24-1/2 inches (overall) [31.1 x 62.2 cm]

A three-by-four vertical grid of record covers of various illustrations including hearts and faces — Christian Marclay, Pathetique, 1992

collage with record covers, 50 x 37-1/2 inches (sheet) [127 x 95.3 cm]

An installation shot of a person in front of a circular mirror on a white wall reflecting him and the mirror behind him — Christian Marclay, Feedback, 1994

two circular mirrors with compact discs, 48 inches (diameter, each mirror) [121.9 cm]

Two black metal cans attached by a long piece of yellow rope twisted in a pile between them — Christian Marclay, Dialogue of the Giants, 1988

metal drums and rope, 28-3/4 x 18-1/2 inches (each drum) [73 x 47 cm]

Color video still of a record player's needle hovering above a vinyl record — Christian Marclay, Looking for Love, (still), 2008

single-channel video, duration: 32 minutes, edition of 5

Christian MarclayEcho

1993

monoprint, acrylic on paper, 17 x 24 inches (framed) [43 x 61 cm]

Christian MarclayPostcards

2003

two lithographs, 25-1/2 x 37-1/2 inches (each sheet) [64.8 x 95.3 cm], edition of 100

Christian MarclayYin and Yang (from the series “Recycled Records”)

1983

collaged vinyl record, 10 inches (diameter) [25.4 cm]

Christian MarclayBreasts

1989

silicone castings and metal clips, 16-1/4 x 18-1/2 x 2 inches [41.3 x 47 x 5.1 cm]

Christian MarclayStereo Volume

1989

speakers and plexiglas, 54 x 36-1/4 x 23-3/4 inches (overall) [137.2 x 92.1 x 60.3 cm]

Christian MarclayFactum I and Factum II

1990

diptych, acrylic on two record covers, 12-1/4 x 24-1/2 inches (overall) [31.1 x 62.2 cm]

Christian MarclayPathetique

1992

collage with record covers, 50 x 37-1/2 inches (sheet) [127 x 95.3 cm]

Christian MarclayFeedback

1994

two circular mirrors with compact discs, 48 inches (diameter, each mirror) [121.9 cm]

Christian MarclayDialogue of the Giants

1988

metal drums and rope, 28-3/4 x 18-1/2 inches (each drum) [73 x 47 cm]

Christian MarclayLooking for Love

(still), 2008

single-channel video, duration: 32 minutes, edition of 5

Horizontal image of a grid of white cassette tapes and their outlines on a background of deep blue

Christian Marclay: Cyanotypes

Christian Marclay’s photograms reinvigorate two nearly-forgotten media: the cassette tapes of the 1970s and ’80s and the cyanotypes of the 1840s. The cyanotype process dates to the dawn of photography and was developed by the English scientist Sir John Herschel. Utilizing a light-sensitive chemical mixture, cyanotypes are created by placing objects directly onto the surface of coated paper. The resulting blue photograms reveal a silhouetted image that varies in shade with the opacity of the objects.

Vertical image of white strands of cassette tape stretching downward in a field of deep blue — Christian Marclay, Madonna Fragments, 2009

cyanotype, 46-5/8 x 27 inches (framed) [118.4 x 68.6 cm]

Horizontal image of the white tapes of two cassettes tangling in the middle on a deep blue background — Christian Marclay, Mashup (Diptych with Two Cassettes), 2008

cyanotype, 34-1/8 x 49-1/4 inches (framed) [86.7 x 125.1 cm]

Horizontal image of tangled white tapes of cassettes on a deep blue background — Christian Marclay, Allover (LeVert, Barbara Streisand and Others), 2009

cyanotype, 56-1/2 x 105 inches (framed) [143.5 x 266.7 cm]

Vertical image of a white cassette at the top with its tape trailing to the bottom into a white blotch on a deep blue background — Christian Marclay, Unwound Cassette Tape, 2012

cyanotype, 63-5/8 x 10-3/4 inches (framed) [161.6 x 27.3 cm]

Horizontal image of a grid of the thin white-outline edges of cassette tapes on a deep blue background — Christian Marclay, Grid No. 3 (Full and Empty Cassettes), 2012

cyanotype, 27-1/2 x 34-1/4 inches (framed) [69.9 x 87.0 cm]

Christian MarclayCassette Grid No. 10

2009

cyanotype, 26-1/8 x 33-7/8 inches (framed) [66.4 x 86 cm]

Christian MarclayMadonna Fragments

2009

cyanotype, 46-5/8 x 27 inches (framed) [118.4 x 68.6 cm]

Christian MarclayMashup (Diptych with Two Cassettes)

2008

cyanotype, 34-1/8 x 49-1/4 inches (framed) [86.7 x 125.1 cm]

Christian MarclayAllover (LeVert, Barbara Streisand and Others)

2009

cyanotype, 56-1/2 x 105 inches (framed) [143.5 x 266.7 cm]

Christian MarclayUnwound Cassette Tape

2012

cyanotype, 63-5/8 x 10-3/4 inches (framed) [161.6 x 27.3 cm]

Christian MarclayGrid No. 3 (Full and Empty Cassettes)

2012

cyanotype, 27-1/2 x 34-1/4 inches (framed) [69.9 x 87.0 cm]

Color photograph of women in matching outfits of lilac tops, red skirts, and black high heels seated cheek-to-cheek on a hillside

Katy Grannan: California & The Westerns

Working collaboratively with her subjects, the artist explores the relationship between aspiration and delusion, and how our desire for attention confronts the prospect of anonymity.

Color photograph of two older women seated side-by-side in front of waves on the beach — Katy Grannan, Gail and Dale, Pacifica (I), 2007

pigment print, 40 x 50 inches (image, sheet & mount) [101.6 x 127 cm]

Color photograph of an elderly man seated on a sandy beach clutching a string of wooden beads and wrapped in a red towel — Katy Grannan, Edward (with Prayer Beads), Baker Beach, 2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

Color photograph of a blonde woman reclined on the sand with the ocean and Golden Gate Bridge in the background. — Katy Grannan, Nicole, Golden Gate, 2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.5 x 129.9 cm]

Color photograph of a long-haired man in a mesh tanktop and briefs posing on a sandy beach. — Katy Grannan, Mike, Headlands, 2005

pigment print, 41-1/4 x 51-1/8 inches (framed) (104.8 x 129.8 cm)

Color photograph of a woman with long white hair blowing in the wind seated on a sand dune covered with beach grasses — Katy Grannan, Dale, Ocean Beach (I), 2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

Color photograph of a nude young woman reclining on a grassy hillside petting a cat at her side — Katy Grannan, Reese (with Nursing Cats), Tilden Park, 2005

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Color photographic diptych of a woman in a blue flowered dress reclining on a sandy shore — Katy Grannan, Gail, Ocean Beach (II), 2005

two pigment prints, 31-1/4 x 38-1/2 inches [79.1 x 97.8 cm] (each framed)

Color photograph of a woman in a red bodysuit lying down on asphalt — Katy Grannan, Nicole, Crissy Field Parking Lot (II), 2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

Color photograph of a woman with long white hair leaning against a wall next to a curtained window — Katy Grannan, Dale, Southampton Avenue (II), 2007

pigment print, 51-1/8 x 41-1/4 inches (framed) [129.8 x 104.8 cm]

Katy GrannanGale and Dale (Best Friends), Point Lobos

2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

Katy GrannanGail and Dale, Pacifica (I)

2007

pigment print, 40 x 50 inches (image, sheet & mount) [101.6 x 127 cm]

Katy GrannanEdward (with Prayer Beads), Baker Beach

2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

Katy GrannanNicole, Golden Gate

2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.5 x 129.9 cm]

Katy GrannanMike, Headlands

2005

pigment print, 41-1/4 x 51-1/8 inches (framed) (104.8 x 129.8 cm)

Katy GrannanDale, Ocean Beach (I)

2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

Katy GrannanReese (with Nursing Cats), Tilden Park

2005

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Katy GrannanGail, Ocean Beach (II)

2005

two pigment prints, 31-1/4 x 38-1/2 inches [79.1 x 97.8 cm] (each framed)

Katy GrannanNicole, Crissy Field Parking Lot (II)

2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

Katy GrannanDale, Southampton Avenue (II)

2007

pigment print, 51-1/8 x 41-1/4 inches (framed) [129.8 x 104.8 cm]

Color photograph of a shirtless man reclining in a grassy outdoor clearing

Katy Grannan: Mystic Lake

A series of portraits made collaboratively with non-professional models, set outdoors near Mystic Lake, outside Boston.

Color photograph of a nude woman lying on her stomach on a ground covered with autumn leaves — Katy Grannan, Michele, b. 1977, 2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Color photograph of a shirtless woman reclining on her back in shallow water next to a pebbled shore — Katy Grannan, Jaime, b. 1970, 2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Color photograph of a woman in a red shirt lying on her side in long grass — Katy Grannan, Roberta, b. 1981, 2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Color photograph of a shirtless boy propped up on his elbow in a patch of ferns — Katy Grannan, Robbie, b. 1994, 2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Color photograph of a shirtless man reclining on his side in sparse grass — Katy Grannan, Ruben, b. 1976, 2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Color photograph of a nude man reclining on his side in forest undergrowth — Katy Grannan, Allen, b. 1951, 2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Color photograph of a shirtless man reclining in a patch of long grass — Katy Grannan, Frank, b. 1956, 2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Color photograph of a red-haired woman seated amid grassy underbrush holding a flower in one hand — Katy Grannan, Cassandra, b. 1983, 2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Color photograph of a nude man lying on his stomach in grassy undergrowth — Katy Grannan, Ken, b. 1961, 2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Katy GrannanBrian, b. 1976

2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Katy GrannanMichele, b. 1977

2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Katy GrannanJaime, b. 1970

2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Katy GrannanRoberta, b. 1981

2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Katy GrannanRobbie, b. 1994

2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Katy GrannanRuben, b. 1976

2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Katy GrannanAllen, b. 1951

2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Katy GrannanFrank, b. 1956

2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Katy GrannanCassandra, b. 1983

2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Katy GrannanKen, b. 1961

2004

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Black-and-white photograph of a shirtless man with long hair seated in front of a wood paneled wall

Katy Grannan: Morning Call

Revisiting an area documented by Walker Evans in the 1930s and 40s, Grannan photographs sitters in their homes and locations around Allentown, Pennsylvania. Each photograph is imbued with secrecy, desire, and hidden intentions.

Black-and-white photograph of a woman resting one knee on a chair in front of a palm-leaf patterned wallpaper — Katy Grannan, Dee, Red Hook, Brooklyn, NY, 2003

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Black-and-white photograph of a woman reclining on an overstuffed corner sofa — Katy Grannan, Joline, Broad Top, PA, 2002

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Black-and-white photograph of a woman seated on a flowered sofa in a wood paneled room — Katy Grannan, Jennifer, Easton, PA, 2001

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Black-and-white photograph of a nude man leaning against a wood paneled wall with a flowered blanket draped by his side — Katy Grannan, Mike, Hearthstone Motel, Upper Red Hook, NY, 2004

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Black-and-white photograph of a nude woman lying on a bed with a dog seated on the floor beside her — Katy Grannan, Angie & Betty, Allentown, PA, 2002

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Katy GrannanBarry, Bethlehem, PA

2002

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Katy GrannanDee, Red Hook, Brooklyn, NY

2003

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Katy GrannanJoline, Broad Top, PA

2002

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Katy GrannanJennifer, Easton, PA

2001

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Katy GrannanMike, Hearthstone Motel, Upper Red Hook, NY

2004

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Katy GrannanAngie & Betty, Allentown, PA

2002

gelatin silver print, 31-1/4 x 38-1/2 inches (framed) [79.4 x 97.8 cm]

Black and white photograph of a child figure wearing a mask and sitting by a creek with dolls in the water

Ralph Eugene Meatyard: Dolls & Masks

Meatyard’s staged images—set in abandoned spaces and often using masks and props—are at once familiar and enigmatic, reflecting the artist’s fascination with the uncanniness of ordinary life.