Page 11 of 14

Black and white photograph of a football game in a large populated stadium

Garry Winogrand: On the Road

In images made throughout the 1960s and 70s from New York to Los Angeles, Winogrand explores an American society in flux. As the artist had said, “You could say that I am a student of photography, and I am; but really I’m a student of America.”

Black-and-white photograph of an American football game in progress against the backdrop of a full stadium — Garry Winogrand, Austin, Texas, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man pointing out a large group memorial sculpture titled THE MYSTERY OF LIFE to a small group — Garry Winogrand, Forest Lawn Cemetery, Los Angeles, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a group of children inspecting empty wooden stocks — Garry Winogrand, Southampton, Long Island, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a young man and woman at the front of a two-story ferry filled with people looking out over the railings — Garry Winogrand, Circle Line Statue of Liberty Ferry, New York, 1971

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a group of boys following a young man holding some papers — Garry Winogrand, Candlestick Park, San Francisco, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of two cranes overlooking an empty construction site — Garry Winogrand, Toronto, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a group of businessmen passing an empty plaza with a modern geometric sculpture — Garry Winogrand, Houston, ca. 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph taken from above of a man crossing a pool deck in front of a woman in a lounge chair — Garry Winogrand, Los Angeles, California, 1964

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a muscular man in a tank top next to a large barbell weight — Garry Winogrand, Los Angeles, ca.1982

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a roadside overlooking a rocky outcrop on a hill — Garry Winogrand, Castle Rock, Colorado, 1960

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndAustin, Texas

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndForest Lawn Cemetery, Los Angeles

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndSouthampton, Long Island

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndCircle Line Statue of Liberty Ferry, New York

1971

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndCandlestick Park, San Francisco

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndToronto

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndHouston

ca. 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndLos Angeles, California

1964

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Garry WinograndLos Angeles

ca.1982

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndCastle Rock, Colorado

1960

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man behind multiple microphones at a table against a blank wall

Garry Winogrand: The 1960s: Public Relations

Winogrand’s photographs of demonstrations, parties, and political events, idiosyncratic in their compositions and themes, capture the feel and texture of a turbulent decade in America.

Black-and-white photograph of a naked man with raised arms in a crowded park — Garry Winogrand, Easter Sunday, Central Park, New York, 1971

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Black-and-white photograph of a man speaking to two smiling women — Garry Winogrand, Opening, “New York Painting and Sculpture: 1940-1970” Exhibition, Metropolitan Museum, New York, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man holding a folded American flag conversing with people across a fence — Garry Winogrand, Peace Demonstration, Central Park, New York, 1969

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Black-and-white photograph of a man with a bloodied face being guided through a small crowd — Garry Winogrand, Madison Square Garden, New York, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of people sitting on blankets in a meadow under a sky filled with helium balloons — Garry Winogrand, Peace Demonstration, Central Park, New York, 1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man interviewing a woman speaking in a crowd of people — Garry Winogrand, Women’s Liberation March, New York, 1971

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Black-and-white photograph of people having small conversations at a party — Garry Winogrand, Tenth Anniversary Party, Guggenheim Museum, New York, 1970

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Black-and-white photograph of a boxer being interviewed by reporters with microphones and cameras — Garry Winogrand, Muhammad Ali-Oscar Bonavena Press Conference, New York, 1970

gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]

Black-and-white photograph of a woman dancing in a crowd of people — Garry Winogrand, Opening, “Spaces” Exhibition, The Museum of Modern Art, New York, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a parade of convertible cars moving down a crowded avenue — Garry Winogrand, Richard Nixon Campaign Rally, New York, 1960

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a small group disembarking from a United States jet on the runway — Garry Winogrand, Airport Arrival, Cape Kennedy, Florida, 1969

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Black-and-white photograph of a crowd of people in hardhats holding signs and American flags being interviewed by a reporter with a microphone — Garry Winogrand, Hard-Hat Rally, New York, 1970

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Black-and-white photograph of a woman in a pale gown descending a curving staircase towards a man in a suit — Garry Winogrand, Opening Night, Metropolitan Opera House, Lincoln Center, New York, 1967

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Garry WinograndElliot Richardson Press Conference, Austin, TX

1973

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Garry WinograndEaster Sunday, Central Park, New York

1971

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Garry WinograndOpening, “New York Painting and Sculpture: 1940-1970” Exhibition, Metropolitan Museum, New York

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndPeace Demonstration, Central Park, New York

1969

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Garry WinograndMadison Square Garden, New York

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndPeace Demonstration, Central Park, New York

1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndWomen’s Liberation March, New York

1971

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Garry WinograndTenth Anniversary Party, Guggenheim Museum, New York

1970

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Garry WinograndMuhammad Ali-Oscar Bonavena Press Conference, New York

1970

gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]

Garry WinograndOpening, “Spaces” Exhibition, The Museum of Modern Art, New York

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndRichard Nixon Campaign Rally, New York

1960

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndAirport Arrival, Cape Kennedy, Florida

1969

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Garry WinograndHard-Hat Rally, New York

1970

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Garry WinograndOpening Night, Metropolitan Opera House, Lincoln Center, New York

1967

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black and white photograph of several figures looking at two elephants in captivity in a zoo

Garry Winogrand: The Animals

Seen through Winogrand’s lens, the zoo is a theater in which humans and animals, united in a peculiar kind of symbiosis, act out in parable the comic drama of modern urban life.

Black-and-white photograph of a woman having her photograph taken in front of a zoo's zebra enclosure — Garry Winogrand, New York, ca. 1965

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of a man and a woman leaning against the fence of a zoo's wolf enclosure — Garry Winogrand, New York, ca. 1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a chimpanzee holding a bunch of grapes over its young reaching for them — Garry Winogrand, New York, ca. 1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of a man encountering a rhinoceros peering out of its enclosure at him — Garry Winogrand, Bronx Zoo, New York City, 1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a keeper standing over a sea lion while visitors look on from the left — Garry Winogrand, Aquarium at Coney Island, New York, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of an orangutan hunched over on the ground looking up at the viewer — Garry Winogrand, Orangutan, ca. 1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of an adult pointing out to a marmoset monkey behind glass to two small children — Garry Winogrand, New York City, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a sea lion's hind flippers raised above the water in a cement enclosure — Garry Winogrand, Aquarium at Coney Island, 1962

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of three aquarium visitors peering over a fence at a walrus surfacing from the water — Garry Winogrand, New York City, 1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of two llamas behind a locked iron gate — Garry Winogrand, New York, ca. 1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a keeper crouching to feed fish to a beluga whale — Garry Winogrand, New York, 1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Garry WinograndNew York

1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndNew York

ca. 1965

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Garry WinograndNew York

ca. 1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndNew York

ca. 1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Garry WinograndBronx Zoo, New York City

1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndAquarium at Coney Island, New York

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndOrangutan

ca. 1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndNew York City

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndAquarium at Coney Island

1962

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Garry WinograndNew York City

1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Garry WinograndNew York

1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Glass sculpture of stacked geometric shapes with a black-and-white photo of a seascape inserted in the central orb

Hiroshi Sugimoto: Five Elements

Hiroshi SugimotoFive Elements (Caribbean Sea, Yucatan, 1990)

2012

optical glass encasing black & white film, 6 x 3 x 3 inches (pagoda) [15.2 x 7.6 x 7.6 cm], edition of 1

Hiroshi SugimotoFive Elements (English Channel, Weston Cliff, 1994)

2012

optical glass encasing black & white film, 6 x 3 x 3 inches (pagoda) [15.2 x 7.6 x 7.6 cm], edition of 1

Black-and-white photograph of men in cowboy hats with their back to the viewer conversing with a woman

Garry Winogrand: The Fort Worth Stock Show and Rodeo

The artist captures the cacophony and chaos of fervent performers, exuberant onlookers, docile sheep, and unbroken steeds. The skewed compositions and the use of flash in the indoor spaces heightens the intensity and drama.

Black-and-white photograph of a horse held by two men on a rope rearing in an arena — Garry Winogrand, Fort Worth, Texas, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man leading a bridled bull offering a hat to a child — Garry Winogrand, Fort Worth, Texas, 1974-77

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a cowboy sitting astride a bucking bull — Garry Winogrand, Fort Worth, Texas, 1977

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man dressed as a clown being thrown from the back of a bucking bull — Garry Winogrand, Fort Worth, Texas, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white frontal view of a cowboy on a bucking horse — Garry Winogrand, Fort Worth, Texas, ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a bull chasing a man dressed as a clown — Garry Winogrand, Fort Worth, Texas, ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a cowboy with one arm raised sitting astride a bucking horse — Garry Winogrand, Fort Worth, Texas, ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a small boy kneeling in a pig pen — Garry Winogrand, Fort Worth, Texas, ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a cowboy on a bucking horse next to a crowd of people in cowboy hats climbing out of the arena — Garry Winogrand, Fort Worth, Texas, ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of people rounding up pigs in a pig pen before a crowd in the bleachers — Garry Winogrand, Fort Worth, Texas, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndFort Worth, Texas

1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndFort Worth, Texas

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndFort Worth, Texas

1974-77

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndFort Worth, Texas

1977

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndFort Worth, Texas

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndFort Worth, Texas

ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndFort Worth, Texas

ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndFort Worth, Texas

ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndFort Worth, Texas

ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndFort Worth, Texas

ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndFort Worth, Texas

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a cape curving around a bay with waves crashing on a rocky shore

Richard Learoyd: Landscapes

Learoyd’s process captures the imposing presence of the landscape – its space, texture, and volume. Revealing the physical and metaphorical gravity of the scene, the photographs embody the timelessness of the landscape.

Black and white photograph of a desert canyon with a small river running through the center framed in black — Richard Learoyd, Last light, 2023

gelatin silver contact print, 59-3/4 x 88-1/2 inches (framed) [151.8 x 224.8 cm], edition of 5 + 2APs

Color photograph of the Grand Canyon at sunset framed in black — Richard Learoyd, Last light, Navajo Point, 2023

chromogenic contact print, 59-1/4 x 88-1/4 inches (framed) [150.5 x 224.2 cm], edition of 5 + 2APs

Black and white photograph of Yosemite valley with river running through middle framed in black — Richard Learoyd, Yosemite I, 2018

gelatin silver print, 59-3/4 x 89-1/8 inches (framed) [151.8 x 226.4 cm], edition of 7

Black-and-white photograph of a large tree in a pasture with leafy branches reaching the ground — Richard Learoyd, Looking away from Lacock, 2013

gelatin silver contact print, 60-1/2 x 85-1/2 inches (framed) [153.7 x 217.2 cm], edition of 5

Black-and-white photograph of a netted outdoor structure surrounding trees — Richard Learoyd, Aviary, 2013

gelatin silver contact print, 60-7/8 x 88-1/4 inches (framed) [154.6 x 224.2 cm], edition of 5

Black-and-white photograph of the base of a bare pale cliff face — Richard Learoyd, White cliffs, Dover, 2013

gelatin silver contact print, 60 x 89-5/8 inches (framed) [152.4 x 227.7 cm], edition of 5

Black-and-white photograph of a decomposing beached whale against waves crashing on the seashore — Richard Learoyd, Whale, Pacifica, 2015

gelatin silver contact print, 59-1/2 x 85 inches (framed) [151.1 x 215.9 cm], edition of 5

Black-and-white photograph of a derelict entrance way with an overgrown stoop — Richard Learoyd, Untitled, 2016

gelatin silver contact print, 61 x 79-1/2 inches (framed) [154.9 x 201.9 cm], edition of 5

Black-and-white photograph of a low shrub against bare trees — Richard Learoyd, A roadside attraction, 2013

gelatin silver contact print, 60 x 88-1/2 inches (framed) [152.4 x 224.8 cm], edition of 5

Richard LearoydBig Sur I

2018

gelatin silver contact print, 60-3/8 x 89-1/2 inches (framed) [154 x 227.3 cm], edition of 7

Richard LearoydLast light

2023

gelatin silver contact print, 59-3/4 x 88-1/2 inches (framed) [151.8 x 224.8 cm], edition of 5 + 2APs

Richard LearoydLast light, Navajo Point

2023

chromogenic contact print, 59-1/4 x 88-1/4 inches (framed) [150.5 x 224.2 cm], edition of 5 + 2APs

Richard LearoydYosemite I

2018

gelatin silver print, 59-3/4 x 89-1/8 inches (framed) [151.8 x 226.4 cm], edition of 7

Richard LearoydLooking away from Lacock

2013

gelatin silver contact print, 60-1/2 x 85-1/2 inches (framed) [153.7 x 217.2 cm], edition of 5

Richard LearoydAviary

2013

gelatin silver contact print, 60-7/8 x 88-1/4 inches (framed) [154.6 x 224.2 cm], edition of 5

Richard LearoydWhite cliffs, Dover

2013

gelatin silver contact print, 60 x 89-5/8 inches (framed) [152.4 x 227.7 cm], edition of 5

Richard LearoydWhale, Pacifica

2015

gelatin silver contact print, 59-1/2 x 85 inches (framed) [151.1 x 215.9 cm], edition of 5

Richard LearoydUntitled

2016

gelatin silver contact print, 61 x 79-1/2 inches (framed) [154.9 x 201.9 cm], edition of 5

Richard LearoydA roadside attraction

2013

gelatin silver contact print, 60 x 88-1/2 inches (framed) [152.4 x 224.8 cm], edition of 5

Color photograph of a still lake containing broken-off tree stumps and surrounded by greenery

Richard Misrach: Petrochemical America

A poetic documentation of the communities and land around Cancer Alley, an industrial corridor stretching from Baton Rouge to New Orleans, the location of more than a hundred petrochemical refineries.

Color photograph of a white crucifix with attached figure of Christ rising above smaller graves with power plant buildings in the background — Richard Misrach, Holy Rosary Cemetery and Union Carbide Complex, Taft, Louisiana, 1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a decrepit trailer home on stilts standing above a shore filled with trash — Richard Misrach, Abandoned Trailer Home, Mississippi River, near Dow Chemical Plant, Plaquemine, Louisiana, 1998

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

Color photograph of a water-filled ditch before a wide grassy meadow with a single cow on the horizon — Richard Misrach, Helicopter Returning From Deep Water Horizon Spill, Venice, Louisiana, 2010

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a simple white clapboard church with two low square belltowers — Richard Misrach, Baptist Church, River Road, St. James, Louisiana, 1998

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

Color photograph of two birds sitting in the branches of a dead tree amid broken off stumps in standing water — Richard Misrach, Cypress Tree, Alligator Bayou, 1998

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm]

Color photograph of a woman peering through a light-filled window in a foyer — Richard Misrach, Tour Guide, Nottoway Plantation, White Castle, Louisiana, 1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a white room with Neo-Classical detailing containing a beige sofa and dark wooden grand piano — Richard Misrach, Nottoway Plantation, Interior, Louisiana, 1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a chain-link fence and ajar gate in standing water through a gray-green haze — Richard Misrach, Hazardous Waste Containment Site, Dow Chemical Corporation, Plaquemine, Louisiana, 1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a large leafy plant running along a water-filled ditch in front of a haze-covered power plant — Richard Misrach, Roadside Vegetation and Orion Refining Corporation, Good Hope, Louisiana, 1998

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm]

Color photograph of a person standing on a shore of an industrial waterway with a passing cargo ship and power plant on the horizon — Richard Misrach, Night Fishing, near Bonnet Carré Spillway, Louisiana, 1998

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm]

Richard MisrachBatture, North of Port Allen, Louisiana

1998

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm]

Richard MisrachHoly Rosary Cemetery and Union Carbide Complex, Taft, Louisiana

1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Richard MisrachAbandoned Trailer Home, Mississippi River, near Dow Chemical Plant, Plaquemine, Louisiana

1998

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

Richard MisrachHelicopter Returning From Deep Water Horizon Spill, Venice, Louisiana

2010

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Richard MisrachBaptist Church, River Road, St. James, Louisiana

1998

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

Richard MisrachCypress Tree, Alligator Bayou

1998

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm]

Richard MisrachTour Guide, Nottoway Plantation, White Castle, Louisiana

1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Richard MisrachNottoway Plantation, Interior, Louisiana

1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Richard MisrachHazardous Waste Containment Site, Dow Chemical Corporation, Plaquemine, Louisiana

1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Richard MisrachRoadside Vegetation and Orion Refining Corporation, Good Hope, Louisiana

1998

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm]

Richard MisrachNight Fishing, near Bonnet Carré Spillway, Louisiana

1998

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm]

Black-and-white photograph of a statue with a Coca-Cola sign, billboards, and skyscrapers in the background

Lee Friedlander: The American Monument

In images made in the 1970s, Friedlander complicates notions of commemoration by photographing statues and monuments dwarfed by their environment, or taking on an alternate role within their surroundings.

Black and white photograph of the back of a monument — Lee Friedlander, General George Rogers Clark, Louisville, Kentucky, 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of an eagle monument with buildings in the background — Lee Friedlander, To Michigan Soldiers and Sailors, Campus Martus, Detroit, Michigan, 1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a monument of a man on a horse with birds flying in the sky — Lee Friedlander, General Andrew Jackson, Lafayette Park, Washington, DC, 1973

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a monument covered in snow — Lee Friedlander, Spirit of the American Doughboy, Saint Albans, Vermont, 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a monument obscured by trees — Lee Friedlander, Gettysburg National Military Park, Pennsylvania, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a monument of a man holding a gun and people walking in the direction the gun is pointed — Lee Friedlander, Doughboy, Stamford, Connecticut, 1973

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of monument in an open field with trees in the background — Lee Friedlander, In Memory of Tom Mix, Near Florence Arizona, 1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black and white photograph of a monument surrounded by pigeons — Lee Friedlander, Spanish-American War, Yonkers, New York, 1972

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black and white photograph of a monument with a tree directly behind it — Lee Friedlander, Fourteenth Vermont Infantry, Gettysburg National Military Park, Pennsylvania, 1974

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Lee FriedlanderFather Duffy, Times Square, New York, New York

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderGeneral George Rogers Clark, Louisville, Kentucky

1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderTo Michigan Soldiers and Sailors, Campus Martus, Detroit, Michigan

1972

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderGeneral Andrew Jackson, Lafayette Park, Washington, DC

1973

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderSpirit of the American Doughboy, Saint Albans, Vermont

1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderGettysburg National Military Park, Pennsylvania

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderDoughboy, Stamford, Connecticut

1973

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderIn Memory of Tom Mix, Near Florence Arizona

1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderSpanish-American War, Yonkers, New York

1972

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Lee FriedlanderFourteenth Vermont Infantry, Gettysburg National Military Park, Pennsylvania

1974

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black and white photograph out the window of a car of a reflection on a parked car

Lee Friedlander: America by Car

Traversing the country in a rental car, the artist photographs the built and natural landscape directly from the driver’s seat. The car’s mirrors, doors, and windows act as frames for the images, which juxtapose steering wheels and dashboards with roadside bars, monuments, and mountain ranges.

Black and white photo looking out the window of a car at a person standing in front of a mural — Lee Friedlander, Pennsylvania, 2007

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

A black and white imaeg of a downtown scene through a car window — Lee Friedlander, Las Vegas, 2002

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph out the window of a car of a building with an eagle painted on it — Lee Friedlander, Pennsylvania, 2007

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph out the window of a car of a flag pole with American Flag and overcast sky — Lee Friedlander, Fort Davis, 2006

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph from the drivers seat of a car showing the interior of the car and an advertisement of a 1950s car mounted on top of a pole — Lee Friedlander, Montana, 2008

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph out the window of a car of a 1950s convertible parked in an empty parking lot — Lee Friedlander, Connecticut, 1997

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph out the window of a car of a group of cows — Lee Friedlander, Nebraska, 1999

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph out the window of a car of a large fake ice cream cone roadside attraction — Lee Friedlander, Alaska, 2007

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black and white photograph out the window of a car of a man with a camera on a tripod — Lee Friedlander, John Szarkowski, 2001

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Lee FriedlanderNew York City

2002

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Lee FriedlanderPennsylvania

2007

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Lee FriedlanderLas Vegas

2002

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Lee FriedlanderPennsylvania

2007

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Lee FriedlanderFort Davis

2006

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Lee FriedlanderMontana

2008

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Lee FriedlanderConnecticut

1997

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Lee FriedlanderNebraska

1999

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Lee FriedlanderAlaska

2007

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Lee FriedlanderJohn Szarkowski

2001

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

A black and white photograph of a self portrait of the artist at the wheel of a pickup truck

Lee Friedlander: Self-Portraits

From the start of his career, Friedlander has turned his camera on himself. He has used his body or shadow as an element of visual compositions, made himself a main subject, or acted as a foil to other figures, interweaving his professional, personal, and creative life in his images. Throughout more than six decades of self-portraits, Friedlander has created an inimitable archetype for self-imaging.

A black and white photograph of a self portrait of the artist with a square beam of light on his face — Lee Friedlander, Tokyo, 1994

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

A black and white photograph of a self portrait of the artist with an illuminated lightbulb in front of his face — Lee Friedlander, Provincetown, Massachusetts, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white photograph of a self portrait of the artist reflected in the side mirror of a car with a church in the right of the frame — Lee Friedlander, Route 9W, New York, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white photograph of the reflection of the artist over a shining trophy in a store window — Lee Friedlander, Tallahassee, Florida, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white photograph of a self portrait of the artist reflected in a shop window — Lee Friedlander, Colorado, 1967

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

A black and white photograph of a self portrait of the artist in the reflection of two different bathroom mirrors — Lee Friedlander, Santa Monica, California, 1996

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

A black and white photograph of a self portrait of the artist standing behind a tree branch — Lee Friedlander, Tuscon, 1997

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Lee FriedlanderHaverstraw, NY

1966

gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]

Lee FriedlanderTokyo

1994

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Lee FriedlanderProvincetown, Massachusetts

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderRoute 9W, New York

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderTallahassee, Florida

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderColorado

1967

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Lee FriedlanderSanta Monica, California

1996

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Lee FriedlanderTuscon

1997

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Square black-and-white photograph of light and shadow filtering through rippling water

Ralph Eugene Meatyard: Light on Water

Using movement to follow luminescent, broken reflections in water, the artist’s experimental photographs create a free-form effect similar to qualities of Abstract Expressionist paintings.