Page 11 of 14

A framed monoprint of the word "Echo," mirrored in each quadrant of the print.

Christian Marclay: Various Works

Marclay’s artistic practice is grounded in the area between sight, sound, and all manner of recordings, whether visual or aural. His overall body of work spans sculpture, video, photography, music, performance, and collage.

A mosaic grid of color and black-and-white images of various things including ears, music players, and instruments — Christian Marclay, Postcards, 2003

two lithographs, 25-1/2 x 37-1/2 inches (each sheet) [64.8 x 95.3 cm], edition of 100

A red vinyl record with half painted black to create a yin-yang motif — Christian Marclay, Yin and Yang (from the series “Recycled Records”), 1983

collaged vinyl record, 10 inches (diameter) [25.4 cm]

Two all-white sculptures of clipboards with protruding flattened cone forms in the center of each — Christian Marclay, Breasts, 1989

silicone castings and metal clips, 16-1/4 x 18-1/2 x 2 inches [41.3 x 47 x 5.1 cm]

Two speakers lying flat on the ground with tall rectangular glass coverings over each one — Christian Marclay, Stereo Volume, 1989

speakers and plexiglas, 54 x 36-1/4 x 23-3/4 inches (overall) [137.2 x 92.1 x 60.3 cm]

Two nearly identical square paintings of abstract strokes of color on a blue-gray background — Christian Marclay, Factum I and Factum II, 1990

diptych, acrylic on two record covers, 12-1/4 x 24-1/2 inches (overall) [31.1 x 62.2 cm]

A three-by-four vertical grid of record covers of various illustrations including hearts and faces — Christian Marclay, Pathetique, 1992

collage with record covers, 50 x 37-1/2 inches (sheet) [127 x 95.3 cm]

An installation shot of a person in front of a circular mirror on a white wall reflecting him and the mirror behind him — Christian Marclay, Feedback, 1994

two circular mirrors with compact discs, 48 inches (diameter, each mirror) [121.9 cm]

Two black metal cans attached by a long piece of yellow rope twisted in a pile between them — Christian Marclay, Dialogue of the Giants, 1988

metal drums and rope, 28-3/4 x 18-1/2 inches (each drum) [73 x 47 cm]

Color video still of a record player's needle hovering above a vinyl record — Christian Marclay, Looking for Love, (still), 2008

single-channel video, duration: 32 minutes, edition of 5

Christian MarclayEcho

1993

monoprint, acrylic on paper, 17 x 24 inches (framed) [43 x 61 cm]

"*" indicates required fields

Christian MarclayPostcards

2003

two lithographs, 25-1/2 x 37-1/2 inches (each sheet) [64.8 x 95.3 cm], edition of 100

"*" indicates required fields

Christian MarclayYin and Yang (from the series “Recycled Records”)

1983

collaged vinyl record, 10 inches (diameter) [25.4 cm]

"*" indicates required fields

Christian MarclayBreasts

1989

silicone castings and metal clips, 16-1/4 x 18-1/2 x 2 inches [41.3 x 47 x 5.1 cm]

"*" indicates required fields

Christian MarclayStereo Volume

1989

speakers and plexiglas, 54 x 36-1/4 x 23-3/4 inches (overall) [137.2 x 92.1 x 60.3 cm]

"*" indicates required fields

Christian MarclayFactum I and Factum II

1990

diptych, acrylic on two record covers, 12-1/4 x 24-1/2 inches (overall) [31.1 x 62.2 cm]

"*" indicates required fields

Christian MarclayPathetique

1992

collage with record covers, 50 x 37-1/2 inches (sheet) [127 x 95.3 cm]

"*" indicates required fields

Christian MarclayFeedback

1994

two circular mirrors with compact discs, 48 inches (diameter, each mirror) [121.9 cm]

"*" indicates required fields

Christian MarclayDialogue of the Giants

1988

metal drums and rope, 28-3/4 x 18-1/2 inches (each drum) [73 x 47 cm]

"*" indicates required fields

Christian MarclayLooking for Love

(still), 2008

single-channel video, duration: 32 minutes, edition of 5

"*" indicates required fields

Horizontal image of a grid of white cassette tapes and their outlines on a background of deep blue

Christian Marclay: Cyanotypes

Christian Marclay’s photograms reinvigorate two nearly-forgotten media: the cassette tapes of the 1970s and ’80s and the cyanotypes of the 1840s. The cyanotype process dates to the dawn of photography and was developed by the English scientist Sir John Herschel. Utilizing a light-sensitive chemical mixture, cyanotypes are created by placing objects directly onto the surface of coated paper. The resulting blue photograms reveal a silhouetted image that varies in shade with the opacity of the objects.

Vertical image of white strands of cassette tape stretching downward in a field of deep blue — Christian Marclay, Madonna Fragments, 2009

cyanotype, 46-5/8 x 27 inches (framed) [118.4 x 68.6 cm]

Horizontal image of the white tapes of two cassettes tangling in the middle on a deep blue background — Christian Marclay, Mashup (Diptych with Two Cassettes), 2008

cyanotype, 34-1/8 x 49-1/4 inches (framed) [86.7 x 125.1 cm]

Horizontal image of tangled white tapes of cassettes on a deep blue background — Christian Marclay, Allover (LeVert, Barbara Streisand and Others), 2009

cyanotype, 56-1/2 x 105 inches (framed) [143.5 x 266.7 cm]

Vertical image of a white cassette at the top with its tape trailing to the bottom into a white blotch on a deep blue background — Christian Marclay, Unwound Cassette Tape, 2012

cyanotype, 63-5/8 x 10-3/4 inches (framed) [161.6 x 27.3 cm]

Horizontal image of a grid of the thin white-outline edges of cassette tapes on a deep blue background — Christian Marclay, Grid No. 3 (Full and Empty Cassettes), 2012

cyanotype, 27-1/2 x 34-1/4 inches (framed) [69.9 x 87.0 cm]

Christian MarclayCassette Grid No. 10

2009

cyanotype, 26-1/8 x 33-7/8 inches (framed) [66.4 x 86 cm]

"*" indicates required fields

Christian MarclayMadonna Fragments

2009

cyanotype, 46-5/8 x 27 inches (framed) [118.4 x 68.6 cm]

"*" indicates required fields

Christian MarclayMashup (Diptych with Two Cassettes)

2008

cyanotype, 34-1/8 x 49-1/4 inches (framed) [86.7 x 125.1 cm]

"*" indicates required fields

Christian MarclayAllover (LeVert, Barbara Streisand and Others)

2009

cyanotype, 56-1/2 x 105 inches (framed) [143.5 x 266.7 cm]

"*" indicates required fields

Christian MarclayUnwound Cassette Tape

2012

cyanotype, 63-5/8 x 10-3/4 inches (framed) [161.6 x 27.3 cm]

"*" indicates required fields

Christian MarclayGrid No. 3 (Full and Empty Cassettes)

2012

cyanotype, 27-1/2 x 34-1/4 inches (framed) [69.9 x 87.0 cm]

"*" indicates required fields

Color photograph of two older women seated side-by-side in front of waves on the beach

Katy Grannan: California & The Westerns

Working collaboratively with her subjects, the artist explores the relationship between aspiration and delusion, and how our desire for attention confronts the prospect of anonymity.

Color photograph of women in matching outfits of lilac tops, red skirts, and black high heels seated cheek-to-cheek on a hillside — Katy Grannan, Gale and Dale (Best Friends), Point Lobos, 2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

Color photograph of a blonde woman reclined on the sand with the ocean and Golden Gate Bridge in the background. — Katy Grannan, Nicole, Golden Gate, 2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.5 x 129.9 cm]

Color photograph of an elderly man seated on a sandy beach clutching a string of wooden beads and wrapped in a red towel — Katy Grannan, Edward (with Prayer Beads), Baker Beach, 2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

Color photograph of a long-haired man in a mesh tanktop and briefs posing on a sandy beach. — Katy Grannan, Mike, Headlands, 2005

pigment print, 41-1/4 x 51-1/8 inches (framed) (104.8 x 129.8 cm)

Color photograph of a woman with long white hair blowing in the wind seated on a sand dune covered with beach grasses — Katy Grannan, Dale, Ocean Beach (I), 2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

Color photograph of a nude young woman reclining on a grassy hillside petting a cat at her side — Katy Grannan, Reese (with Nursing Cats), Tilden Park, 2005

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

Color photographic diptych of a woman in a blue flowered dress reclining on a sandy shore — Katy Grannan, Gail, Ocean Beach (II), 2005

two pigment prints, 31-1/4 x 38-1/2 inches [79.1 x 97.8 cm] (each framed)

Color photograph of a woman in a red bodysuit lying down on asphalt — Katy Grannan, Nicole, Crissy Field Parking Lot (II), 2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

Color photograph of a woman with long white hair leaning against a wall next to a curtained window — Katy Grannan, Dale, Southampton Avenue (II), 2007

pigment print, 51-1/8 x 41-1/4 inches (framed) [129.8 x 104.8 cm]

Katy GrannanGail and Dale, Pacifica (I)

2007

pigment print, 40 x 50 inches (image, sheet & mount) [101.6 x 127 cm]

"*" indicates required fields

Katy GrannanGale and Dale (Best Friends), Point Lobos

2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

"*" indicates required fields

Katy GrannanNicole, Golden Gate

2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.5 x 129.9 cm]

"*" indicates required fields

Katy GrannanEdward (with Prayer Beads), Baker Beach

2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

"*" indicates required fields

Katy GrannanMike, Headlands

2005

pigment print, 41-1/4 x 51-1/8 inches (framed) (104.8 x 129.8 cm)

"*" indicates required fields

Katy GrannanDale, Ocean Beach (I)

2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

"*" indicates required fields

Katy GrannanReese (with Nursing Cats), Tilden Park

2005

pigment print, 31-1/4 x 38-1/2 inches (framed) [79.1 x 97.8 cm]

"*" indicates required fields

Katy GrannanGail, Ocean Beach (II)

2005

two pigment prints, 31-1/4 x 38-1/2 inches [79.1 x 97.8 cm] (each framed)

"*" indicates required fields

Katy GrannanNicole, Crissy Field Parking Lot (II)

2006

pigment print, 41-1/4 x 51-1/8 inches (framed) [104.8 x 129.8 cm]

"*" indicates required fields

Katy GrannanDale, Southampton Avenue (II)

2007

pigment print, 51-1/8 x 41-1/4 inches (framed) [129.8 x 104.8 cm]

"*" indicates required fields

Black and white photograph of a child figure wearing a mask and sitting by a creek with dolls in the water

Ralph Eugene Meatyard: Dolls & Masks

Meatyard’s staged images—set in abandoned spaces and often using masks and props—are at once familiar and enigmatic, reflecting the artist’s fascination with the uncanniness of ordinary life.

Black-and-white photograph of a person wearing a rubber mask seated in a rowboat on the grass holding up another mask — Ralph Eugene Meatyard, Untitled, 1957-58

gelatin silver print, 14 x 11 inches (mount) [35.6 x 27.9 cm]

Black-and-white photograph of three children holding baby dolls and a woman holding a mask over her face — Ralph Eugene Meatyard, Untitled, 1962

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Black-and-white photograph of a boy in a mask standing under a gall of a tree — Ralph Eugene Meatyard, Untitled, ca. 1960

gelatin silver print, 6-3/4 x 5-1/2 inches (sheet) [17.2 x 14.0 cm]

Black-and-white photograph of a woman in a mask standing in a doorway with a child in overalls on the lower left — Ralph Eugene Meatyard, Untitled, ca. 1968-69

gelatin silver print, 6-1/8 x 4-1/4 inches (sheet) [15.6 x 10.8 cm]

Black-and-white photograph of a boy seated among felled tree branches containing three masks scattered within them — Ralph Eugene Meatyard, Untitled, 1963

gelatin silver print, 13 x 10 inches (mount) [33.0 x 25.4 cm]

Black-and-white photograph of a headless mannequin positioned on the ground next to a small doll hovering above a tray — Ralph Eugene Meatyard, Untitled, ca. 1960

gelatin silver print, 7-3/8 x 7-3/4 inches (sheet) [18.6 x 19.7 cm]

Black-and-white photograph of eyeless doll lying on a bed through the metal bedframe — Ralph Eugene Meatyard, #6 Laughter, ca. 1961

gelatin silver print, 11-1/8 x 9 inches (mount) [28.3 x 24.1 cm]

Black-and-white photograph of an assortment of rubber masks and doll heads positioned on two pedestals in an overgrown garden — Ralph Eugene Meatyard, Surreal, 1959

gelatin silver print, 7-1/2 x 7-3/4 inches (image) [20.0 x 25.1 cm]

Black-and-white photograph of a couple in masks laying on the floor in embrace — Ralph Eugene Meatyard, Untitled, ca. 1968

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

Ralph Eugene MeatyardUntitled

1962

gelatin silver print, 7 x 7-3/8 inches (image & sheet) [17.8 x 18.6 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

1957-58

gelatin silver print, 14 x 11 inches (mount) [35.6 x 27.9 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

1962

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

ca. 1960

gelatin silver print, 6-3/4 x 5-1/2 inches (sheet) [17.2 x 14.0 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

ca. 1968-69

gelatin silver print, 6-1/8 x 4-1/4 inches (sheet) [15.6 x 10.8 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

1963

gelatin silver print, 13 x 10 inches (mount) [33.0 x 25.4 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

ca. 1960

gelatin silver print, 7-3/8 x 7-3/4 inches (sheet) [18.6 x 19.7 cm]

"*" indicates required fields

Ralph Eugene Meatyard#6 Laughter

ca. 1961

gelatin silver print, 11-1/8 x 9 inches (mount) [28.3 x 24.1 cm]

"*" indicates required fields

Ralph Eugene MeatyardSurreal

1959

gelatin silver print, 7-1/2 x 7-3/4 inches (image) [20.0 x 25.1 cm]

"*" indicates required fields

Ralph Eugene MeatyardUntitled

ca. 1968

gelatin silver print, 8 x 10 inches (sheet) [20.3 x 25.4 cm]

"*" indicates required fields

Black and white photograph of a football game in a large populated stadium

Garry Winogrand: On the Road

In images made throughout the 1960s and 70s from New York to Los Angeles, Winogrand explores an American society in flux. As the artist had said, “You could say that I am a student of photography, and I am; but really I’m a student of America.”

Black-and-white photograph of an American football game in progress against the backdrop of a full stadium — Garry Winogrand, Austin, Texas, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man pointing out a large group memorial sculpture titled THE MYSTERY OF LIFE to a small group — Garry Winogrand, Forest Lawn Cemetery, Los Angeles, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a group of children inspecting empty wooden stocks — Garry Winogrand, Southampton, Long Island, 1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a young man and woman at the front of a two-story ferry filled with people looking out over the railings — Garry Winogrand, Circle Line Statue of Liberty Ferry, New York, 1971

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a group of boys following a young man holding some papers — Garry Winogrand, Candlestick Park, San Francisco, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of two cranes overlooking an empty construction site — Garry Winogrand, Toronto, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a group of businessmen passing an empty plaza with a modern geometric sculpture — Garry Winogrand, Houston, ca. 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph taken from above of a man crossing a pool deck in front of a woman in a lounge chair — Garry Winogrand, Los Angeles, California, 1964

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

Black-and-white photograph of a muscular man in a tank top next to a large barbell weight — Garry Winogrand, Los Angeles, ca.1982

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a roadside overlooking a rocky outcrop on a hill — Garry Winogrand, Castle Rock, Colorado, 1960

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndAustin, Texas

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndForest Lawn Cemetery, Los Angeles

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndSouthampton, Long Island

1966

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndCircle Line Statue of Liberty Ferry, New York

1971

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndCandlestick Park, San Francisco

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndToronto

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndHouston

ca. 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndLos Angeles, California

1964

gelatin silver print, 20 x 16 inches (sheet) [50.8 x 40.6 cm]

"*" indicates required fields

Garry WinograndLos Angeles

ca.1982

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndCastle Rock, Colorado

1960

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Black-and-white photograph of a man behind multiple microphones at a table against a blank wall

Garry Winogrand: The 1960s: Public Relations

Winogrand’s photographs of demonstrations, parties, and political events, idiosyncratic in their compositions and themes, capture the feel and texture of a turbulent decade in America.

Black-and-white photograph of a naked man with raised arms in a crowded park — Garry Winogrand, Easter Sunday, Central Park, New York, 1971

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Black-and-white photograph of a man speaking to two smiling women — Garry Winogrand, Opening, “New York Painting and Sculpture: 1940-1970” Exhibition, Metropolitan Museum, New York, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man holding a folded American flag conversing with people across a fence — Garry Winogrand, Peace Demonstration, Central Park, New York, 1969

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Black-and-white photograph of a man with a bloodied face being guided through a small crowd — Garry Winogrand, Madison Square Garden, New York, 1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of people sitting on blankets in a meadow under a sky filled with helium balloons — Garry Winogrand, Peace Demonstration, Central Park, New York, 1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man interviewing a woman speaking in a crowd of people — Garry Winogrand, Women’s Liberation March, New York, 1971

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Black-and-white photograph of people having small conversations at a party — Garry Winogrand, Tenth Anniversary Party, Guggenheim Museum, New York, 1970

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Black-and-white photograph of a boxer being interviewed by reporters with microphones and cameras — Garry Winogrand, Muhammad Ali-Oscar Bonavena Press Conference, New York, 1970

gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]

Black-and-white photograph of a woman dancing in a crowd of people — Garry Winogrand, Opening, “Spaces” Exhibition, The Museum of Modern Art, New York, 1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a parade of convertible cars moving down a crowded avenue — Garry Winogrand, Richard Nixon Campaign Rally, New York, 1960

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a small group disembarking from a United States jet on the runway — Garry Winogrand, Airport Arrival, Cape Kennedy, Florida, 1969

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Black-and-white photograph of a crowd of people in hardhats holding signs and American flags being interviewed by a reporter with a microphone — Garry Winogrand, Hard-Hat Rally, New York, 1970

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

Black-and-white photograph of a woman in a pale gown descending a curving staircase towards a man in a suit — Garry Winogrand, Opening Night, Metropolitan Opera House, Lincoln Center, New York, 1967

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Garry WinograndElliot Richardson Press Conference, Austin, TX

1973

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

"*" indicates required fields

Garry WinograndEaster Sunday, Central Park, New York

1971

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

"*" indicates required fields

Garry WinograndOpening, “New York Painting and Sculpture: 1940-1970” Exhibition, Metropolitan Museum, New York

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndPeace Demonstration, Central Park, New York

1969

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

"*" indicates required fields

Garry WinograndMadison Square Garden, New York

1968

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndPeace Demonstration, Central Park, New York

1970

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndWomen’s Liberation March, New York

1971

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

"*" indicates required fields

Garry WinograndTenth Anniversary Party, Guggenheim Museum, New York

1970

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

"*" indicates required fields

Garry WinograndMuhammad Ali-Oscar Bonavena Press Conference, New York

1970

gelatin silver print, 16 x 20 inches (sheet) [40.6 x 50.8 cm]

"*" indicates required fields

Garry WinograndOpening, “Spaces” Exhibition, The Museum of Modern Art, New York

1969

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndRichard Nixon Campaign Rally, New York

1960

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndAirport Arrival, Cape Kennedy, Florida

1969

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

"*" indicates required fields

Garry WinograndHard-Hat Rally, New York

1970

gelatin silver print, 14 x 17 inches (sheet) [35.6 x 43.2 cm]

"*" indicates required fields

Garry WinograndOpening Night, Metropolitan Opera House, Lincoln Center, New York

1967

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Black and white photograph of several figures looking at two elephants in captivity in a zoo

Garry Winogrand: The Animals

Seen through Winogrand’s lens, the zoo is a theater in which humans and animals, united in a peculiar kind of symbiosis, act out in parable the comic drama of modern urban life.

Black-and-white photograph of a woman having her photograph taken in front of a zoo's zebra enclosure — Garry Winogrand, New York, ca. 1965

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of a man and a woman leaning against the fence of a zoo's wolf enclosure — Garry Winogrand, New York, ca. 1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a chimpanzee holding a bunch of grapes over its young reaching for them — Garry Winogrand, New York, ca. 1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of a man encountering a rhinoceros peering out of its enclosure at him — Garry Winogrand, Bronx Zoo, New York City, 1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a keeper standing over a sea lion while visitors look on from the left — Garry Winogrand, Aquarium at Coney Island, New York, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of an orangutan hunched over on the ground looking up at the viewer — Garry Winogrand, Orangutan, ca. 1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of an adult pointing out to a marmoset monkey behind glass to two small children — Garry Winogrand, New York City, 1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a sea lion's hind flippers raised above the water in a cement enclosure — Garry Winogrand, Aquarium at Coney Island, 1962

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of three aquarium visitors peering over a fence at a walrus surfacing from the water — Garry Winogrand, New York City, 1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Black-and-white photograph of two llamas behind a locked iron gate — Garry Winogrand, New York, ca. 1965

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a keeper crouching to feed fish to a beluga whale — Garry Winogrand, New York, 1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

Garry WinograndNew York

1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York

ca. 1965

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Garry WinograndNew York

ca. 1962

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York

ca. 1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Garry WinograndBronx Zoo, New York City

1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndAquarium at Coney Island, New York

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndOrangutan

ca. 1963

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndNew York City

1964

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndAquarium at Coney Island

1962

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Garry WinograndNew York City

1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Garry WinograndNew York

1963

gelatin silver print, 14 x 11 inches (sheet) [35.6 x 27.9 cm]

"*" indicates required fields

Glass sculpture of stacked geometric shapes with a black-and-white photo of a seascape inserted in the central orb

Hiroshi Sugimoto: Five Elements

Hiroshi SugimotoFive Elements (Caribbean Sea, Yucatan, 1990)

2012

optical glass encasing black & white film, 6 x 3 x 3 inches (pagoda) [15.2 x 7.6 x 7.6 cm], edition of 1

"*" indicates required fields

Hiroshi SugimotoFive Elements (English Channel, Weston Cliff, 1994)

2012

optical glass encasing black & white film, 6 x 3 x 3 inches (pagoda) [15.2 x 7.6 x 7.6 cm], edition of 1

"*" indicates required fields

Black-and-white photograph of men in cowboy hats with their back to the viewer conversing with a woman

Garry Winogrand: The Fort Worth Stock Show and Rodeo

The artist captures the cacophony and chaos of fervent performers, exuberant onlookers, docile sheep, and unbroken steeds. The skewed compositions and the use of flash in the indoor spaces heightens the intensity and drama.

Black-and-white photograph of a horse held by two men on a rope rearing in an arena — Garry Winogrand, Fort Worth, Texas, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man leading a bridled bull offering a hat to a child — Garry Winogrand, Fort Worth, Texas, 1974-77

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a cowboy sitting astride a bucking bull — Garry Winogrand, Fort Worth, Texas, 1977

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a man dressed as a clown being thrown from the back of a bucking bull — Garry Winogrand, Fort Worth, Texas, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white frontal view of a cowboy on a bucking horse — Garry Winogrand, Fort Worth, Texas, ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a bull chasing a man dressed as a clown — Garry Winogrand, Fort Worth, Texas, ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a cowboy with one arm raised sitting astride a bucking horse — Garry Winogrand, Fort Worth, Texas, ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a small boy kneeling in a pig pen — Garry Winogrand, Fort Worth, Texas, ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of a cowboy on a bucking horse next to a crowd of people in cowboy hats climbing out of the arena — Garry Winogrand, Fort Worth, Texas, ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Black-and-white photograph of people rounding up pigs in a pig pen before a crowd in the bleachers — Garry Winogrand, Fort Worth, Texas, 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

Garry WinograndFort Worth, Texas

1975

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndFort Worth, Texas

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndFort Worth, Texas

1974-77

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndFort Worth, Texas

1977

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndFort Worth, Texas

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndFort Worth, Texas

ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndFort Worth, Texas

ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndFort Worth, Texas

ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndFort Worth, Texas

ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndFort Worth, Texas

ca. 1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Garry WinograndFort Worth, Texas

1974

gelatin silver print, 11 x 14 inches (sheet) [27.9 x 35.6 cm]

"*" indicates required fields

Black-and-white photograph of a cape curving around a bay with waves crashing on a rocky shore

Richard Learoyd: Landscapes

Learoyd’s process captures the imposing presence of the landscape – its space, texture, and volume. Revealing the physical and metaphorical gravity of the scene, the photographs embody the timelessness of the landscape.

Black and white photograph of a desert canyon with a small river running through the center framed in black — Richard Learoyd, Last light, 2023

gelatin silver contact print, 59-3/4 x 88-1/2 inches (framed) [151.8 x 224.8 cm], edition of 5 + 2APs

Color photograph of the Grand Canyon at sunset framed in black — Richard Learoyd, Last light, Navajo Point, 2023

chromogenic contact print, 59-1/4 x 88-1/4 inches (framed) [150.5 x 224.2 cm], edition of 7 + 2APs

Black and white photograph of Yosemite valley with river running through middle framed in black — Richard Learoyd, Yosemite I, 2018

gelatin silver print, 59-3/4 x 89-1/8 inches (framed) [151.8 x 226.4 cm], edition of 7

Black-and-white photograph of a large tree in a pasture with leafy branches reaching the ground — Richard Learoyd, Looking away from Lacock, 2013

gelatin silver contact print, 60-1/2 x 85-1/2 inches (framed) [153.7 x 217.2 cm], edition of 5

Black-and-white photograph of a netted outdoor structure surrounding trees — Richard Learoyd, Aviary, 2013

gelatin silver contact print, 60-7/8 x 88-1/4 inches (framed) [154.6 x 224.2 cm], edition of 5

Black-and-white photograph of the base of a bare pale cliff face — Richard Learoyd, White cliffs, Dover, 2013

gelatin silver contact print, 60 x 89-5/8 inches (framed) [152.4 x 227.7 cm], edition of 5

Black-and-white photograph of a decomposing beached whale against waves crashing on the seashore — Richard Learoyd, Whale, Pacifica, 2015

gelatin silver contact print, 59-1/2 x 85 inches (framed) [151.1 x 215.9 cm], edition of 5

Black-and-white photograph of a derelict entrance way with an overgrown stoop — Richard Learoyd, Untitled, 2016

gelatin silver contact print, 61 x 79-1/2 inches (framed) [154.9 x 201.9 cm], edition of 5

Black-and-white photograph of a low shrub against bare trees — Richard Learoyd, A roadside attraction, 2013

gelatin silver contact print, 60 x 88-1/2 inches (framed) [152.4 x 224.8 cm], edition of 5

Richard LearoydBig Sur I

2018

gelatin silver contact print, 60-3/8 x 89-1/2 inches (framed) [154 x 227.3 cm], edition of 7

"*" indicates required fields

Richard LearoydLast light

2023

gelatin silver contact print, 59-3/4 x 88-1/2 inches (framed) [151.8 x 224.8 cm], edition of 5 + 2APs

"*" indicates required fields

Richard LearoydLast light, Navajo Point

2023

chromogenic contact print, 59-1/4 x 88-1/4 inches (framed) [150.5 x 224.2 cm], edition of 7 + 2APs

"*" indicates required fields

Richard LearoydYosemite I

2018

gelatin silver print, 59-3/4 x 89-1/8 inches (framed) [151.8 x 226.4 cm], edition of 7

"*" indicates required fields

Richard LearoydLooking away from Lacock

2013

gelatin silver contact print, 60-1/2 x 85-1/2 inches (framed) [153.7 x 217.2 cm], edition of 5

"*" indicates required fields

Richard LearoydAviary

2013

gelatin silver contact print, 60-7/8 x 88-1/4 inches (framed) [154.6 x 224.2 cm], edition of 5

"*" indicates required fields

Richard LearoydWhite cliffs, Dover

2013

gelatin silver contact print, 60 x 89-5/8 inches (framed) [152.4 x 227.7 cm], edition of 5

"*" indicates required fields

Richard LearoydWhale, Pacifica

2015

gelatin silver contact print, 59-1/2 x 85 inches (framed) [151.1 x 215.9 cm], edition of 5

"*" indicates required fields

Richard LearoydUntitled

2016

gelatin silver contact print, 61 x 79-1/2 inches (framed) [154.9 x 201.9 cm], edition of 5

"*" indicates required fields

Richard LearoydA roadside attraction

2013

gelatin silver contact print, 60 x 88-1/2 inches (framed) [152.4 x 224.8 cm], edition of 5

"*" indicates required fields

Color photograph of a still lake containing broken-off tree stumps and surrounded by greenery

Richard Misrach: Petrochemical America

A poetic documentation of the communities and land around Cancer Alley, an industrial corridor stretching from Baton Rouge to New Orleans, the location of more than a hundred petrochemical refineries.

Color photograph of a white crucifix with attached figure of Christ rising above smaller graves with power plant buildings in the background — Richard Misrach, Holy Rosary Cemetery and Union Carbide Complex, Taft, Louisiana, 1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a decrepit trailer home on stilts standing above a shore filled with trash — Richard Misrach, Abandoned Trailer Home, Mississippi River, near Dow Chemical Plant, Plaquemine, Louisiana, 1998

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

Color photograph of a water-filled ditch before a wide grassy meadow with a single cow on the horizon — Richard Misrach, Helicopter Returning From Deep Water Horizon Spill, Venice, Louisiana, 2010

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a simple white clapboard church with two low square belltowers — Richard Misrach, Baptist Church, River Road, St. James, Louisiana, 1998

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

Color photograph of two birds sitting in the branches of a dead tree amid broken off stumps in standing water — Richard Misrach, Cypress Tree, Alligator Bayou, 1998

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm]

Color photograph of a woman peering through a light-filled window in a foyer — Richard Misrach, Tour Guide, Nottoway Plantation, White Castle, Louisiana, 1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a white room with Neo-Classical detailing containing a beige sofa and dark wooden grand piano — Richard Misrach, Nottoway Plantation, Interior, Louisiana, 1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a chain-link fence and ajar gate in standing water through a gray-green haze — Richard Misrach, Hazardous Waste Containment Site, Dow Chemical Corporation, Plaquemine, Louisiana, 1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

Color photograph of a large leafy plant running along a water-filled ditch in front of a haze-covered power plant — Richard Misrach, Roadside Vegetation and Orion Refining Corporation, Good Hope, Louisiana, 1998

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm]

Color photograph of a person standing on a shore of an industrial waterway with a passing cargo ship and power plant on the horizon — Richard Misrach, Night Fishing, near Bonnet Carré Spillway, Louisiana, 1998

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm]

Richard MisrachBatture, North of Port Allen, Louisiana

1998

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm]

"*" indicates required fields

Richard MisrachHoly Rosary Cemetery and Union Carbide Complex, Taft, Louisiana

1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

"*" indicates required fields

Richard MisrachAbandoned Trailer Home, Mississippi River, near Dow Chemical Plant, Plaquemine, Louisiana

1998

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

"*" indicates required fields

Richard MisrachHelicopter Returning From Deep Water Horizon Spill, Venice, Louisiana

2010

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

"*" indicates required fields

Richard MisrachBaptist Church, River Road, St. James, Louisiana

1998

pigment print, 30 x 37 inches (mount) [76.2 x 94.0 cm]

"*" indicates required fields

Richard MisrachCypress Tree, Alligator Bayou

1998

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm]

"*" indicates required fields

Richard MisrachTour Guide, Nottoway Plantation, White Castle, Louisiana

1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

"*" indicates required fields

Richard MisrachNottoway Plantation, Interior, Louisiana

1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

"*" indicates required fields

Richard MisrachHazardous Waste Containment Site, Dow Chemical Corporation, Plaquemine, Louisiana

1998

pigment print, 20 x 24 inches (mount) [50.8 x 61 cm]

"*" indicates required fields

Richard MisrachRoadside Vegetation and Orion Refining Corporation, Good Hope, Louisiana

1998

pigment print, 62-3/4 x 82-3/4 inches (framed) [159.4 x 210.2 cm]

"*" indicates required fields

Richard MisrachNight Fishing, near Bonnet Carré Spillway, Louisiana

1998

pigment print, 20 x 24 inches (sheet & mount) [50.8 x 61 cm]

"*" indicates required fields

Black-and-white photograph of a statue with a Coca-Cola sign, billboards, and skyscrapers in the background

Lee Friedlander: The American Monument

In images made in the 1970s, Friedlander complicates notions of commemoration by photographing statues and monuments dwarfed by their environment, or taking on an alternate role within their surroundings.